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785:, one of Bruckner's greatest critics, described the symphony as such: "Bruckner's poetic intentions were not clear to us – perhaps a vision of Beethoven's Ninth becoming friendly with Wagner's Valkyries and finishing up being trampled under their hooves." The catalogue was removed in the final version. As the symphony draws to a close, the main theme of the first movement is recalled, and in the final version, is actually used to bring about the final D major
319:, though his death a month before the concert forced Bruckner himself to step in and conduct. The concert was a complete disaster: although a decent choral conductor, Bruckner was a barely competent orchestral director: the Viennese audience, which was not sympathetic to his work to begin with, gradually left the hall as the music played. Even the orchestra fled at the end, leaving Bruckner alone with a few supporters, including
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845:, the third symphony "opens the sequence of Bruckner's masterpieces, in which his creativity meets monumental ability of symphonic construction." However, the difficult work has never received general critical acceptance. Especially the question of the different versions and their judgement is still as open as ever.
281:, the third symphony "opens the sequence of Bruckner's masterpieces, in which his creativity meets monumental ability of symphonic construction." The work is notorious as the most-revised of Bruckner's symphonies, and there exist no fewer than six versions, with three of them being widely performed today.
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the two crescendo waves, constitutes a motto for the whole symphony. Many typical elements of his later symphonies, such as the cyclical penetration of all movements and especially the apotheosis at the coda of the finale, which ends with the trombone theme, are heard in the Third for the first time.
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The symphony has been described as "heroic" in nature. Bruckner's love for the grand and majestic is reflected especially in the first and last movements. Stark contrasts, cuts and forcefulness mark the signature of the entire composition. The signal-like trombone theme, heard at the beginning after
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were removed from the first movement and finale... n the first movement the opening trumpet theme was added as a two-part canon near the end of the exposition. n the finale that same motto theme was also made into a brilliant four-part canon which was placed in the middle of the development. is an
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As
Carragan writes, "This version, though completed in the spring of 1877, is called the "1876" version because its characteristic five-part slow movement was dated 1876 and was published many years ago by Nowak with that date. In that way confusion with the version as later revised in the fall of
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An additional cut in the Finale of a passage, in which the chorale theme from the B theme group is played unexpectedly loudly, accompanied by material from the A theme and the trumpet theme from the first movement, followed by a dialogue between the loud C theme and the quiet B theme chorale, was
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together that, upon arriving home, Bruckner realized he had forgotten which symphony Wagner had chosen. He wrote a letter back to Wagner saying "Symphony in D minor, where the trumpet begins the theme?" Wagner scribbled back "Yes! Best wishes! Richard Wagner." After this, Wagner often referred to
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interesting passage of 38 measures in which the chorale theme from the second or B theme group is played unexpectedly loudly accompanied by material from the A theme and the motto theme from the first movement. This is followed by a dialogue between the loud C theme and the quiet B theme chorale.
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and Third symphonies to Wagner, asking him to pick one he preferred. To
Bruckner's delight, Wagner chose the Third, and Bruckner dedicated the symphony to the master he highly respected. After arriving home, Bruckner continued to work on the symphony, finishing the finale on 31 December 1873.
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The first commercial recording of the complete symphony was made in 1953. The recording, from a live concert, was issued by the
Allegro-Royale label with the conductor "Gerd Rubahn" (pseudonym for Hans Schmidt-Isserstedt). This historical recording has been remastered to CD (CD abruckner.com
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The reconstructed "1876" version of the Third
Symphony, which constitutes the earliest phase of the second version of that much-revised symphony, was given its first performance on March 2, 2019, by the New England Philharmonic Orchestra under the direction of Richard Pittman in Boston,
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right before the recapitulation begins. The recapitulation goes through the theme groups (the first group only has one climax instead of the exposition's two). The movement ends in an unusual fashion: while there is no ambiguity as to the tonic (D), the final "chord" only contains an
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in its presentation paper "Bruckner's
Trumpet", the "significant improved" 1874 version is, movement for movement, of the same length and structure as the 1873 original version, but there are many passages, particularly in the first movement, with major changes in texture
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The music goes back to the string ostinato and the first theme, this time in A major and builds to another loud climax with the second theme. After this first theme group, the second theme group is introduced with a quiet, descending passage played by the strings:
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are the most-revised compositions in
Bruckner’s canon … As one follows the increasing sophistication in the developing style of Bruckner’s canonic writing one obtains a window into the expert and intricate counterpoint of the great fugue of the
863:) after encountering the 1873 version, which he described in a programme note for the Royal Philharmonic Society in 1987 as "a great work – not perfect by any means but possessing a majestic momentum the later revisions altogether destroyed".
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1389:, p. 151: "Hinter diesem Werk gab es kein Zurück mehr, und allgemeiner Einschätzung nach ist in der 'Wagner-Sinfonie' (vgl. Briefe I, 153) der 'echte und ganze Bruckner als fertige und abgeschlossene Erscheinung' erstmals zu finden."
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Depending on the version, the second part may not be heard again, as the reprise was cut during the first revision. Near the end of the movement, there are (also depending on the version) one or two quotations from Wagner: one from
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followed 15 years later on the Naxos label. As
Tintner writes, "this work as originally conceived suffered by its progressive mutilations more and more, and we should take the time to play and to listen to this amazing original."
1203:. New York: Oxford University Press: 211, 1980. "Bruckner himself called his Third the "Wagner" Symphony because he was hoping for Wagner's support in some small way, such as being permitted to dedicate the score to him."
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in Vienna, on 23 May 1880, the full score and parts of the 1877 version had just appeared in print by Thomas Rättig in Vienna. The 1877 version, which was first published without
Scherzo coda by
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According to widespread opinion, the Third can be regarded as
Bruckner's artistic breakthrough. In it, the "real and complete Bruckner" comes into expression for the first time. According to
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Bruckner wrote the first version of the symphony in 1873. In
September 1873, before the work was finished, Bruckner visited Richard Wagner, whom he had first met in 1865 at the premiere of
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and is the subject of a massive climax near the center of the movement. The secondary group is also developed. In the original version, Bruckner quotes the "sleep motif" from Wagner's
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The 1876 Adagio has been edited by Nowak in 1980. In this version of the Adagio, the openings of parts 1 and 3 were broadened, and in part 5 the difficult accompaniment in syncopated
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Bruckner as "Bruckner the trumpet" and the two became firm friends. In the dedication, Bruckner referred to Wagner as "the unreachable world-famous noble master of poetry and music".
1183:, in a studio recording (SonArte/Naxos) offers multi-disc sets. Naxos includes both the 1877 and 1889 versions while SonArte includes all three of the 1873, 1877 and 1889 versions.
1249:, p. "So eröffnet die Dritte die Reihe der Brucknerschen Meisterschöpfungen, bei denen sich Erfindungskraft mit monumentalem symphonischem Gestaltungsvermögen paaren."
1036:(the last movement presumably by Rudolf Krzyzanowski), though only Mahler's name appears on the title page of the score, published on 1 January 1880 by A. Bösendorfer in Vienna.
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in June or July 1874, but it was not accepted for performance. The premiere of the Symphony (1877 version) was given in Vienna on 16 December 1877. The conductor was meant to be
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129–176), and, in part 5, the quote of the overture of Tannhäuser was replaced by another motive. The result was a sort of approximation to a three-part song form ABA.
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near the end of the recapitulation. Additionally, the earlier versions feature a "catalogue" of themes from previous movements, similar to the Finale of Beethoven's
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The 1889 version was published by Nowak in 1959. In this version, the Scherzo coda is removed and additional cuts are done in the first movement and the Finale.
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There exist no fewer than six versions, three of them being issued: the 1873 original version, the 1877–78 version, and the composer's last thoughts of 1889.
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Stunned by this debacle, Bruckner made several revisions of his work, leaving out significant amounts of music including most quotations from Wagner's
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The movement then enters the third theme group. This group alternates between loud and soft and combines two Bruckner hallmarks: octave falls and the
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that were cut after the first versions. After this group, the third theme group makes use of syncopated octaves, making it very rhythmic:
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in 1950, was republished with the Scherzo coda of 1878 by Nowak in 1981. A transcription of this version for piano duet was prepared by
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Following this section, the movement settles into the development. During the development, the main theme is developed through
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With the dawn of the CD era, the 1877 and 1889 versions, as edited by Nowak, were more commonly used, by conductors such as
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The work has been characterised as "difficult", and is regarded by some as Bruckner's artistic breakthrough. According to
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The Finale's main theme is a recall of the main theme of the first movement, by sharing the same rhythm, as shown below:
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The second theme group is in a slower tempo and has a somewhat similar delicateness as the Trio of the third movement:
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The Scherzo begins quietly, quickly building up to a belligerent opening that consists mainly of the notes D and A:
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The 1873 version was the version that Bruckner sent to Wagner for his approval. It is available in an edition by
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In the Adagio, part 3, devoted to the A theme, was completely deleted along with the first third of Part 4 (
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and is sometimes known as his "Wagner Symphony". It was written in 1873, revised in 1877 and again in 1889.
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Premiere of the 1876 version by Richard Pittman with the New England Philharmonic Orchestra (2 March 2019)
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The music builds to a loud climax and the second theme of the first group is given by the full orchestra:
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ensured she took it with her when fleeing the Nazi invasion of France in 1940 for the United States.)
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The other movements of the "1876" version of the Symphony have been reconstructed by Carragan.
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The Adagio opens quietly and has a contrapuntal flair, with the strings playing in four parts:
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1366:"The disastrous premiere of Bruckner's Third Symphony, by Adrian Murdoch | gramophone.co.uk"
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The 1890 Rättig edition is generally used by the older conductors of the LP era, such as
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1572:. Stuttgart: J. B. Metzler'sche Verlagsbuchhandlung and Carl Ernst Poeschel Verlag.
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1611:, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Vienna
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890:(published 1977), which is based on Wagner's fair copy. It was first performed by
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time and features a melody played by the violas and accompanied by the violins:
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Gemäßigt, mehr bewegt, misterioso (Moderate, more animated, mysterious) (also
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of D and A. Since there is no third, the ending is neither major nor minor:
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922:) and orchestration. The 1874 version has been premiered and recorded by
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The dainty Trio that follows has the violas and violins in a dialogue:
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for Warner Classics was in 1983 the first to record the 1873 version.
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Anton Bruckner Critical Complete Edition – Symphony No. 3 in D minor
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The first commercial recording of part of this symphony was made by
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The first published version of 1890, published by Thomas Rättig (
781:, albeit near the end of the movement rather than the beginning.
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Anton Bruckner: Sämtliche Werke: Band III: III. Symphonie d-Moll
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In this revision … the citations of themes from Wagner’s operas
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From the fall of 1877, Bruckner revised the symphony further:
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According to an anecdote, Bruckner and Wagner drank so much
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A Guide to Orchestral Music: The Handbook for Non-Musicians
1513:"The "Gerd Rubahn" Symphony No. 3 (Updated July 8, 2013)"
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The oldest complete performance preserved on disc is by
344:. The original 1873 score was not published until 1977.
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III/1A: Adagio Nr. 2 1876, Leopold Nowak (editor), 1980
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is replaced by that used by Wagner in the overture of
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1502:– Programme of the premiere of 2 March 2019 in Boston
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III/2: 3. Fassung 1889, Leopold Nowak (editor), 1959
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To facilitate comparison of the different versions,
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Handbuch der klassischen und romantischen Symphonie
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1672:Anton Bruckner, Symphony No. 3 in D minor, WAB 103
1020:In 1878, a powerful coda was added to the Scherzo.
745:During this theme group there are quotations from
1304:Benjamin Britten: A Life in the Twentieth Century
1087:in 1928. It featured only the scherzo and trio.
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2868:Versions and editions of Bruckner's symphonies
848:Despite being very critical of this Symphony,
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1349:"Timing analysis Symphony No. 3 (1873–1889)"
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429:on the strings, similarly to the unnumbered
1157:first recorded the 1874 version, edited by
866:Symphony No. 3 was a favorite of conductor
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852:quoted a passage from the first movement,
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1657:International Music Score Library Project
1096:Philharmonisches Staatsorchester Hamburg
773:The original version has a quotation of
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1289:. Cambridge University Press, pp. 65–66
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957:Bruckner revised the Symphony in 1876.
910:Bruckner revised the symphony in 1874.
397:: Ziemlich schnell (Fairly fast) (also
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608:that was cut in subsequent revisions.
311:The 1873 version was rehearsed by the
1594:. Wiesbaden: Breitkopf & Härtel.
1458:"A New Version of the Third Symphony"
1024:According to an advertisement in the
327:was later owned by Mahler; his widow
7:
2098:Dir, Herr, dir will ich mich ergeben
295:in Munich. Bruckner showed both his
2469:Wie bist du, FrĂĽhling, gut und treu
2893:Anton-Bruckner-Gymnasium Straubing
1689:, David Griegel, 19 September 2009
1666:Indiana University School of Music
1140:Frankfurt Radio Symphony Orchestra
14:
2878:Anton Bruckner Private University
1540:Royal Scottish National Orchestra
1487:"Part 2: The Five-Part Song Form"
1148:Royal Scottish National Orchestra
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2598:Des Dankes Wort sei mir vergönnt
2534:Das Lied vom deutschen Vaterland
659:Problems playing this file? See
634:
323:. (The score of the first three
2392:Heil Vater! Dir zum hohen Feste
1632:), Leopold Nowak (editor), 1981
1285:Korstvedt, Benjamin M. (2000).
382:(With motion, as if Andante) —
2853:International Bruckner Society
1225:Brahms. Bruckner. Zwei Studien
1217:Das schwierige Durchbruchswerk
415:) — D minor, ending in D major
1:
2590:Laßt Jubeltöne laut erklingen
1119:Vienna Philharmonic Orchestra
2957:Symphonies by Anton Bruckner
1922:Messe fĂĽr den GrĂĽndonnerstag
1693:Timing analysis 1874 variant
1534:(original 1873 version, ed.
1531:Bruckner, A.: Symphony No. 3
1433:"Bruckner Symphony Versions"
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2139:In jener letzten der Nächte
1174:Neue Philharmonie Westfalen
751:and the main motive of the
425:The symphony opens with an
204:Berliner Sinfonie-Orchester
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2493:Mein Herz und deine Stimme
1687:Bruckner Symphony Versions
948:Second version (1876–1878)
226:16 December 1877
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1739:
1653:Symphony No. 3 (Bruckner)
896:Adelaide Festival of Arts
31:
23:
1628:III/2: 2. Fassung 1877 (
1614:III/1: 1. Fassung 1873 (
1566:Hinrichsen, Hans-Joachim
1287:Bruckner: Symphony No. 8
797:The score calls for two
646:Frankfurt Radio Symphony
630:Third movement (excerpt)
367:Sehr langsam, misterioso
2962:Compositions in D minor
2883:Bruckner Orchestra Linz
2268:Salvum fac populum tuum
1870:Symphonisches Präludium
861:The Essence of Bruckner
765:download the audio file
737:download the audio file
719:download the audio file
696:download the audio file
678:download the audio file
591:download the audio file
558:download the audio file
535:download the audio file
502:download the audio file
480:download the audio file
461:download the audio file
443:download the audio file
401:) — D minor, ending in
200:Hans Schmidt-Isserstedt
2858:Bruckner Gesamtausgabe
2678:Vaterländisch Weinlied
2622:Du bist wie eine Blume
1851:Four Orchestral Pieces
1800:; 1874/1878–1880/1888)
1001:The 1877/1878 revision
993:1877 can be avoided."
990:
945:
934:This symphony and the
892:Hans-Hubert Schönzeler
644:2006 recording by the
623:
411:Finale: Allegro (also
356:The symphony has four
270:103, was dedicated to
2898:Anton Bruckner Museum
2836:Intermezzo in D minor
2276:Veni Creator Spiritus
2212:Iam lucis orto sidere
2106:O Du liebes Jesu-Kind
1953:Mass No. 3 in F minor
1947:Mass No. 2 in E minor
1941:Mass No. 1 in D minor
1863:March in E-flat major
1670:Michael Jameson.
973:
932:
622:
2718:Zur Vermählungsfeier
2601:(at the latest 1855)
2284:Ecce sacerdos magnus
1742:List of compositions
1681:Complete discography
1419:"Bruckner's Trumpet"
1370:www.gramophone.co.uk
1227:. Bärenreiter 1989.
1163:Philharmonie Festiva
1111:Bavarian State Opera
1040:Third version (1889)
928:Philharmonie Festiva
882:First version (1873)
38:Dedication to Wagner
2766:Der deutsche Gesang
2519:Weltliche Chorwerke
2300:Ave Regina caelorum
2260:Christus factus est
2228:Christus factus est
1857:Overture in G minor
1776:Symphony in D minor
1764:Symphony in F minor
1107:Hans Knappertsbusch
868:Hans Knappertsbusch
431:Symphony in D minor
313:Vienna Philharmonic
2863:Kitzler Study Book
2758:Träumen und Wachen
1929:Requiem in D minor
978:Tristan und Isolde
953:The "1876" version
748:Tristan und Isolde
624:
336:Tristan und Isolde
317:Johann von Herbeck
292:Tristan und Isolde
121:(ed. Fritz Oeser)
2967:1873 compositions
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2410:Sankt Jodok sproĂź
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2004:Preiset den Herrn
2002:Festive Cantata:
1914:Kronstorfer Messe
1833:
1804:No. 5 in Bâ™ major
1794:No. 4 in Eâ™ major
1579:978-3-476-02262-2
1570:Bruckner Handbuch
1483:Carragan, William
1437:bruckner.webs.com
1415:Carragan, William
1048:The 1890 revision
1026:Neue Freie Presse
920:canonic imitation
906:The 1874 revision
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604:and another from
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2846:Related articles
2816:Rondo in C minor
2582:Vor Arneths Grab
2390:Arneth Cantata:
2358:
1955:(1868/1883/1893)
1906:Windhaager Messe
1887:
1831:
1828:No. 9 in D minor
1822:No. 8 in C minor
1816:No. 7 in E major
1810:No. 6 in A major
1790:(1873/1877/1889)
1788:No. 3 in D minor
1782:No. 2 in C minor
1770:No. 1 in C minor
1726:
1719:
1712:
1703:
1697:William Carragan
1655:: Scores at the
1630:Wagner Symphonie
1616:Wagner Symphonie
1605:
1583:
1552:
1551:
1526:
1520:
1519:
1517:
1509:
1503:
1500:William Carragan
1497:
1491:
1490:
1479:
1473:
1468:
1462:
1461:
1454:
1441:
1440:
1429:
1423:
1422:
1411:
1402:
1396:
1390:
1384:
1378:
1377:
1372:. Archived from
1362:
1356:
1355:
1353:
1345:William Carragan
1341:
1332:
1326:
1320:
1314:
1308:
1296:
1290:
1283:
1277:
1271:
1262:
1256:
1250:
1244:
1235:
1210:
1204:
1197:
1182:
1170:Johannes Wildner
1159:William Carragan
1082:
913:As described by
854:rehearsal letter
641:
640:
621:
580:
579:
578:
577:
413:Ziemlich schnell
389:
388:
378:: Bewegt, quasi
233:
231:
198:
196:
179:
175:
171:
169:
160:
156:
152:
150:
141:
137:
131:
129:
120:
118:
108:
106:
36:
16:
2982:
2981:
2977:
2976:
2975:
2973:
2972:
2971:
2947:
2946:
2945:
2941:Classical music
2935:
2933:
2925:
2923:
2918:
2902:
2873:Bruckner rhythm
2841:
2780:
2742:Trösterin Musik
2662:Der Abendhimmel
2630:Der Abendhimmel
2550:Der Lehrerstand
2507:
2432:
2401:Auf BrĂĽder! auf
2399:Mayer Cantata:
2375:VergiĂźmeinnicht
2340:
2314:
2236:Tota pulchra es
2188:Afferentur regi
2028:
1958:
1876:
1836:
1744:
1735:
1730:
1644:
1602:
1588:Kloiber, Rudolf
1586:
1580:
1564:
1561:
1556:
1555:
1528:
1527:
1523:
1515:
1511:
1510:
1506:
1498:
1494:
1481:
1480:
1476:
1469:
1465:
1456:
1455:
1444:
1431:
1430:
1426:
1413:
1412:
1405:
1399:Hinrichsen 2010
1397:
1393:
1387:Hinrichsen 2010
1385:
1381:
1364:
1363:
1359:
1351:
1343:
1342:
1335:
1329:Hinrichsen 2010
1327:
1323:
1317:Hinrichsen 2010
1315:
1311:
1297:
1293:
1284:
1280:
1274:Hinrichsen 2010
1272:
1265:
1257:
1253:
1245:
1238:
1215:, p. 164:
1213:Hinrichsen 2010
1211:
1207:
1199:Ethan Mordden,
1198:
1194:
1189:
1176:
1172:conducting the
1146:conducting the
1138:conducting the
1126:Bernard Haitink
1117:conducting the
1109:conducting the
1085:Vienna Symphony
1076:
1070:
1050:
1042:
1003:
997:Massachusetts.
955:
950:
908:
884:
876:
839:
795:
793:Instrumentation
783:Eduard Hanslick
771:
770:
768:
753:Second Symphony
743:
742:
740:
725:
724:
722:
707:
705:Fourth movement
702:
701:
699:
684:
683:
681:
666:
665:
657:
655:
654:
653:
652:
642:
635:
632:
625:
619:
614:
597:
596:
594:
576:
571:
570:
569:
568:
567:
564:
563:
561:
546:
544:Second movement
541:
540:
538:
508:
507:
505:
490:Bruckner rhythm
486:
485:
483:
467:
466:
464:
449:
448:
446:
423:
418:
386:
385:
350:
287:
229:
227:
194:
192:
183:
177:
173:
167:
165:
158:
154:
148:
146:
139:
133:
127:
125:
116:
114:
110:
109:
104:
102:
80:
39:
12:
11:
5:
2980:
2978:
2970:
2969:
2964:
2959:
2949:
2948:
2944:
2943:
2920:
2919:
2907:
2904:
2903:
2901:
2900:
2895:
2890:
2885:
2880:
2875:
2870:
2865:
2860:
2855:
2849:
2847:
2843:
2842:
2840:
2839:
2833:
2830:String Quintet
2827:
2819:
2813:
2810:String Quartet
2807:
2801:
2794:
2792:
2786:
2785:
2782:
2781:
2779:
2778:
2770:
2762:
2754:
2750:Um Mitternacht
2746:
2738:
2730:
2722:
2714:
2706:
2698:
2690:
2682:
2674:
2670:Vaterlandslied
2666:
2658:
2650:
2646:Um Mitternacht
2642:
2634:
2626:
2618:
2610:
2602:
2594:
2586:
2578:
2570:
2562:
2558:Sternschnuppen
2554:
2546:
2538:
2530:
2522:
2515:
2513:
2509:
2508:
2506:
2505:
2497:
2489:
2481:
2473:
2465:
2457:
2449:
2442:
2440:
2434:
2433:
2431:
2430:
2422:
2414:
2405:
2396:
2387:
2379:
2371:
2364:
2362:
2355:
2346:
2345:
2342:
2341:
2339:
2338:
2329:
2322:
2320:
2316:
2315:
2313:
2312:
2304:
2296:
2288:
2280:
2272:
2264:
2256:
2248:
2240:
2232:
2224:
2216:
2208:
2200:
2192:
2184:
2176:
2168:
2160:
2152:
2143:
2135:
2127:
2118:
2114:Herz Jesu-Lied
2110:
2102:
2094:
2086:
2078:
2069:
2061:
2053:
2052:(c. 1835/1891)
2045:
2044:(c. 1835–1892)
2038:
2036:
2030:
2029:
2027:
2026:
2020:
2014:
2008:
1999:
1993:
1987:
1981:
1975:
1972:Psalm settings
1968:
1966:
1960:
1959:
1957:
1956:
1950:
1944:
1938:
1935:Missa solemnis
1932:
1926:
1918:
1910:
1902:
1895:
1893:
1884:
1878:
1877:
1875:
1874:
1866:
1860:
1854:
1847:
1845:
1838:
1837:
1835:
1834:
1825:
1819:
1813:
1807:
1801:
1791:
1785:
1779:
1773:
1767:
1761:
1754:
1752:
1746:
1745:
1740:
1737:
1736:
1733:Anton Bruckner
1731:
1729:
1728:
1721:
1714:
1706:
1700:
1699:
1690:
1684:
1678:
1668:
1659:
1650:
1643:
1642:External links
1640:
1639:
1638:
1637:
1636:
1633:
1626:
1623:
1622:(editor), 1977
1606:
1600:
1584:
1578:
1568:, ed. (2010).
1560:
1557:
1554:
1553:
1521:
1504:
1492:
1474:
1463:
1442:
1424:
1403:
1401:, p. 163.
1391:
1379:
1376:on 2014-04-18.
1357:
1333:
1331:, p. 155.
1321:
1319:, p. 162.
1309:
1291:
1278:
1276:, p. 152.
1263:
1261:, p. 250.
1251:
1236:
1205:
1191:
1190:
1188:
1185:
1115:Carl Schuricht
1113:Orchestra and
1069:
1066:
1049:
1046:
1041:
1038:
1022:
1021:
1018:
1014:
1002:
999:
954:
951:
949:
946:
941:Fifth Symphony
907:
904:
883:
880:
875:
872:
850:Robert Simpson
843:Rudolf Kloiber
838:
835:
794:
791:
779:Ninth Symphony
762:
759:
757:
734:
731:
729:
716:
713:
711:
706:
703:
693:
690:
688:
675:
672:
670:
656:
643:
633:
628:
627:
626:
617:
616:
615:
613:
612:Third movement
610:
588:
585:
583:
572:
555:
552:
550:
545:
542:
532:
529:
527:
499:
496:
494:
477:
474:
472:
458:
455:
453:
440:
437:
435:
422:
421:First movement
419:
417:
416:
409:
392:
373:
362:
349:
346:
286:
283:
279:Rudolf Kloiber
272:Richard Wagner
260:Symphony No. 3
256:Anton Bruckner
251:
250:
249:Anton Bruckner
247:
243:
242:
239:
235:
234:
224:
220:
219:
215:
214:
211:
207:
206:
189:
185:
184:
182:
181:
162:
143:
122:
100:
99:
98:
96:
92:
91:
89:Richard Wagner
86:
82:
81:
79:
78:
75:
72:
68:
66:
62:
61:
55:
51:
50:
45:
41:
40:
37:
29:
28:
26:Anton Bruckner
21:
20:
19:Symphony No. 3
13:
10:
9:
6:
4:
3:
2:
2979:
2968:
2965:
2963:
2960:
2958:
2955:
2954:
2952:
2942:
2932:
2928:
2917:
2916:
2905:
2899:
2896:
2894:
2891:
2889:
2886:
2884:
2881:
2879:
2876:
2874:
2871:
2869:
2866:
2864:
2861:
2859:
2856:
2854:
2851:
2850:
2848:
2844:
2837:
2834:
2831:
2828:
2825:
2824:
2820:
2817:
2814:
2811:
2808:
2805:
2804:Chamber music
2802:
2799:
2796:
2795:
2793:
2791:
2787:
2776:
2775:
2771:
2768:
2767:
2763:
2760:
2759:
2755:
2752:
2751:
2747:
2744:
2743:
2739:
2736:
2735:
2731:
2728:
2727:
2723:
2720:
2719:
2715:
2712:
2711:
2707:
2704:
2703:
2702:Das hohe Lied
2699:
2696:
2695:
2691:
2688:
2687:
2683:
2680:
2679:
2675:
2672:
2671:
2667:
2664:
2663:
2659:
2656:
2655:
2651:
2648:
2647:
2643:
2640:
2639:
2635:
2632:
2631:
2627:
2624:
2623:
2619:
2616:
2615:
2611:
2608:
2607:
2606:Das edle Herz
2603:
2600:
2599:
2595:
2592:
2591:
2587:
2584:
2583:
2579:
2576:
2575:
2571:
2568:
2567:
2566:Das edle Herz
2563:
2560:
2559:
2555:
2552:
2551:
2547:
2544:
2543:
2539:
2536:
2535:
2531:
2528:
2527:
2523:
2520:
2517:
2516:
2514:
2510:
2503:
2502:
2498:
2495:
2494:
2490:
2487:
2486:
2482:
2479:
2478:
2474:
2471:
2470:
2466:
2463:
2462:
2461:FrĂĽhlingslied
2458:
2455:
2454:
2453:Der Mondabend
2450:
2447:
2444:
2443:
2441:
2439:
2435:
2428:
2427:
2423:
2420:
2419:
2415:
2412:
2411:
2406:
2403:
2402:
2397:
2394:
2393:
2388:
2385:
2384:
2380:
2377:
2376:
2372:
2369:
2366:
2365:
2363:
2359:
2356:
2354:
2351:
2347:
2336:
2335:
2330:
2327:
2324:
2323:
2321:
2317:
2310:
2309:
2308:Vexilla regis
2305:
2302:
2301:
2297:
2294:
2293:
2289:
2286:
2285:
2281:
2278:
2277:
2273:
2270:
2269:
2265:
2262:
2261:
2257:
2254:
2253:
2249:
2246:
2245:
2241:
2238:
2237:
2233:
2230:
2229:
2225:
2222:
2221:
2217:
2214:
2213:
2209:
2206:
2205:
2201:
2198:
2197:
2193:
2190:
2189:
2185:
2182:
2181:
2177:
2174:
2173:
2169:
2166:
2165:
2161:
2158:
2157:
2153:
2150:
2149:
2144:
2141:
2140:
2136:
2133:
2132:
2128:
2125:
2124:
2119:
2116:
2115:
2111:
2108:
2107:
2103:
2100:
2099:
2095:
2092:
2091:
2087:
2084:
2083:
2079:
2076:
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2070:
2067:
2066:
2062:
2059:
2058:
2054:
2051:
2050:
2046:
2043:
2040:
2039:
2037:
2035:
2031:
2024:
2021:
2018:
2015:
2012:
2009:
2006:
2005:
2000:
1997:
1994:
1991:
1988:
1985:
1982:
1979:
1976:
1973:
1970:
1969:
1967:
1965:
1961:
1954:
1951:
1948:
1945:
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1722:
1720:
1715:
1713:
1708:
1707:
1704:
1698:
1694:
1691:
1688:
1685:
1683:by John Berky
1682:
1679:
1677:
1673:
1669:
1667:
1663:
1660:
1658:
1654:
1651:
1649:
1646:
1645:
1641:
1634:
1631:
1627:
1624:
1621:
1620:Leopold Nowak
1617:
1613:
1612:
1610:
1607:
1603:
1601:3-7651-0017-X
1597:
1593:
1589:
1585:
1581:
1575:
1571:
1567:
1563:
1562:
1558:
1549:
1548:Naxos Records
1545:
1544:Georg Tintner
1541:
1537:
1533:
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1252:
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1243:
1241:
1237:
1234:
1233:9783761809495
1230:
1226:
1222:
1219:, quote from
1218:
1214:
1209:
1206:
1202:
1196:
1193:
1186:
1184:
1180:
1175:
1171:
1166:
1164:
1160:
1156:
1155:Gerd Schaller
1152:
1149:
1145:
1144:Georg Tintner
1141:
1137:
1133:
1131:
1127:
1122:
1120:
1116:
1112:
1108:
1103:
1099:
1097:
1093:
1088:
1086:
1080:
1075:
1074:Anton Konrath
1067:
1065:
1063:
1059:
1055:
1047:
1045:
1039:
1037:
1035:
1034:Gustav Mahler
1031:
1027:
1019:
1015:
1012:
1008:
1007:
1006:
1000:
998:
994:
989:
986:
985:
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979:
972:
969:
967:
963:
958:
952:
947:
944:
942:
937:
931:
929:
925:
924:Gerd Schaller
921:
916:
911:
905:
903:
901:
897:
893:
889:
888:Leopold Nowak
881:
879:
873:
871:
869:
864:
862:
858:
855:
851:
846:
844:
836:
834:
832:
828:
824:
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816:
812:
808:
804:
800:
792:
790:
788:
784:
780:
776:
766:
756:
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749:
738:
728:
720:
710:
704:
697:
687:
679:
669:
664:
662:
651:
647:
631:
611:
609:
607:
603:
592:
582:
575:
559:
549:
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368:
364:
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343:
342:
337:
332:
330:
326:
322:
321:Gustav Mahler
318:
314:
309:
306:
301:
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174:Leopold Nowak
163:
155:Leopold Nowak
144:
136:
135:Leopold Nowak
123:
112:
97:
93:
90:
87:
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69:
67:
63:
59:
56:
52:
49:
46:
42:
35:
30:
27:
22:
17:
2908:
2888:Brucknerhaus
2822:
2773:
2765:
2757:
2749:
2741:
2733:
2725:
2717:
2709:
2701:
2693:
2685:
2677:
2669:
2661:
2654:Trauungschor
2653:
2645:
2637:
2629:
2621:
2613:
2605:
2597:
2588:
2581:
2573:
2565:
2557:
2549:
2541:
2533:
2526:An dem Feste
2525:
2512:Choral works
2500:
2492:
2484:
2477:Herbstkummer
2476:
2468:
2460:
2452:
2425:
2416:
2409:
2408:Festgesang:
2400:
2391:
2382:
2374:
2333:
2307:
2299:
2291:
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2275:
2267:
2259:
2251:
2243:
2235:
2227:
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2211:
2204:Inveni David
2203:
2196:Pange lingua
2195:
2186:
2179:
2171:
2163:
2155:
2147:
2137:
2130:
2122:
2112:
2104:
2096:
2089:
2081:
2073:
2064:
2056:
2049:Pange lingua
2048:
2003:
1920:
1912:
1904:
1882:Sacred works
1869:
1832:(unfinished)
1797:
1787:
1629:
1615:
1608:
1591:
1569:
1530:
1524:
1507:
1495:
1477:
1466:
1436:
1427:
1394:
1382:
1374:the original
1369:
1360:
1324:
1312:
1302:
1294:
1286:
1281:
1259:Kloiber 1964
1254:
1247:Kloiber 1964
1224:
1216:
1208:
1200:
1195:
1167:
1153:
1136:Eliahu Inbal
1134:
1123:
1104:
1102:BSVD-0114).
1100:
1092:Eugen Jochum
1089:
1071:
1062:Franz Schalk
1051:
1043:
1025:
1023:
1004:
995:
991:
982:
976:
974:
970:
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956:
933:
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885:
877:
865:
860:
856:
847:
840:
796:
772:
746:
744:
726:
708:
685:
667:
648:directed by
598:
573:
565:
547:
515:
509:
487:
468:
450:
424:
412:
399:Sehr schnell
398:
366:
355:
351:
339:
335:
333:
310:
302:
290:
288:
276:
259:
254:
178:1877 version
159:1873 version
140:1889 version
2823:Abendklänge
2806:(1862–1879)
2800:(1850–1868)
2798:Piano works
2710:Abendzauber
2705:(1876–1879)
2686:Mitternacht
2521:(1843–1893)
2448:(1850–1882)
2418:Germanenzug
2370:(1845–1893)
2328:(1835–1890)
2326:Organ works
2319:Other works
2292:Virga Jesse
2215:(1868/1886)
2164:Tantum ergo
2148:Totenlieder
2134:(1846/1888)
2131:Tantum ergo
2126:(1846/1888)
2123:Tantum ergo
2117:(1845–1846)
2109:(1845–1846)
2093:(1845–1846)
2090:Tantum ergo
2082:Tantum ergo
2077:(1844–1845)
2074:Asperges me
2068:(1843–1844)
2065:Asperges me
2019:(1881–1884)
1974:(1852–1892)
1949:(1866/1882)
1925:(1844–1845)
1901:(1842–1868)
1859:(1862–1863)
1824:(1887/1890)
1784:(1872/1877)
1772:(1866/1891)
1760:(1863–1896)
1299:Paul Kildea
1221:Peter GĂĽlke
1177: [
1161:, with the
1098:from 1944.
1077: [
1068:Discography
1030:Fritz Oeser
984:Die WalkĂĽre
962:semiquavers
650:Paavo Järvi
602:Die WalkĂĽre
517:Die WalkĂĽre
348:Description
341:Die WalkĂĽre
329:Alma Mahler
2951:Categories
2726:Sängerbund
2638:Herbstlied
2574:Die Geburt
2220:Locus iste
1984:Magnificat
1843:orchestral
1758:Symphonies
1750:Symphonies
1662:Free score
1187:References
1017:also done.
966:Tannhäuser
661:media help
606:Tannhäuser
523:open fifth
405:. Trio in
230:1877-12-16
85:Dedication
2774:Tafellied
2734:Volkslied
2569:(c. 1851)
2561:(c. 1848)
2553:(c. 1847)
2545:(c. 1846)
2542:Ständchen
2537:(c. 1845)
2501:Volkslied
2488:(c. 1865)
2456:(c. 1850)
2426:Helgoland
2386:(c. 1851)
2303:(c. 1886)
2279:(c. 1884)
2252:Ave Maria
2180:Ave Maria
2172:Ave Maria
2167:(c. 1854)
2156:Libera me
2142:(c. 1848)
2101:(c. 1845)
2060:(c. 1843)
2057:Libera me
2023:Psalm 150
2011:Psalm 112
1998:(c. 1856)
1996:Psalm 146
1992:(c. 1852)
1978:Psalm 114
1664:from the
1130:Karl Böhm
1094:with the
1083:with the
902:in 1978.
900:Australia
837:Reception
823:trombones
807:clarinets
512:inversion
358:movements
325:movements
246:Conductor
210:Movements
95:Published
74:1876–1877
71:1872–1873
54:Catalogue
2915:Category
2614:Am Grabe
2485:Im April
2383:Entsagen
2368:Cantatas
2361:Cantatas
2244:Os justi
1990:Psalm 22
1964:Cantatas
1798:Romantic
1676:AllMusic
1590:(1964).
1536:L. Nowak
1307:, p. 166
926:and the
915:Carragan
874:Versions
821:, three
819:trumpets
817:, three
811:bassoons
427:ostinato
387:♭
238:Location
218:Premiere
188:Recorded
65:Composed
2790:Chamber
2694:Nachruf
2350:Secular
2334:Aequali
2017:Te Deum
1830:(1896)
1559:Sources
894:at the
831:strings
827:timpani
813:, four
787:cadence
407:A major
403:D major
395:Scherzo
380:Andante
371:D minor
285:History
264:D minor
228: (
193: (
166: (
147: (
126: (
115: (
103: (
48:D minor
2927:Portal
2838:(1879)
2832:(1879)
2826:(1866)
2818:(1862)
2812:(1862)
2777:(1893)
2769:(1892)
2761:(1890)
2753:(1886)
2745:(1886)
2737:(1882)
2729:(1882)
2721:(1878)
2713:(1878)
2697:(1877)
2689:(1869)
2681:(1866)
2673:(1866)
2665:(1866)
2657:(1865)
2649:(1864)
2641:(1864)
2633:(1862)
2625:(1861)
2617:(1861)
2609:(1857)
2593:(1854)
2585:(1854)
2577:(1852)
2529:(1843)
2504:(1882)
2496:(1868)
2480:(1864)
2472:(1856)
2464:(1851)
2446:Lieder
2438:Lieder
2429:(1893)
2421:(1865)
2413:(1855)
2404:(1855)
2395:(1852)
2378:(1845)
2337:(1847)
2311:(1892)
2295:(1885)
2287:(1885)
2271:(1884)
2263:(1884)
2255:(1882)
2247:(1879)
2239:(1878)
2231:(1873)
2223:(1869)
2207:(1868)
2199:(1868)
2191:(1861)
2183:(1861)
2175:(1856)
2159:(1854)
2151:(1852)
2085:(1845)
2042:Motets
2034:Motets
2025:(1892)
2013:(1863)
2007:(1862)
1986:(1852)
1980:(1852)
1943:(1864)
1937:(1854)
1931:(1849)
1917:(1843)
1909:(1842)
1899:Masses
1891:Masses
1873:(1876)
1865:(1865)
1853:(1862)
1841:Other
1818:(1883)
1812:(1881)
1806:(1876)
1778:(1869)
1766:(1863)
1598:
1576:
1231:
1054:Vienna
936:Fourth
809:, two
805:, two
801:, two
799:flutes
775:Rienzi
376:Adagio
297:Second
241:Vienna
2353:vocal
2121:Four
1516:(PDF)
1352:(PDF)
1181:]
1081:]
1058:Josef
815:horns
803:oboes
390:major
172:(ed.
153:(ed.
132:(ed.
2332:Two
2146:Two
2072:Two
1596:ISBN
1574:ISBN
1546:)).
1229:ISBN
1128:and
1060:and
1011:bars
981:and
829:and
369:) —
338:and
305:beer
223:Date
195:1952
191:1952
168:1981
164:1981
149:1977
145:1977
128:1959
124:1959
117:1950
113:1950
105:1890
101:1890
77:1889
1674:at
1618:),
1538:) (
898:in
268:WAB
262:in
258:'s
176:) (
157:) (
138:) (
60:103
58:WAB
44:Key
24:by
2953::
1695:,
1542:,
1485:.
1445:^
1435:.
1417:.
1406:^
1368:.
1347:.
1336:^
1301:,
1266:^
1239:^
1223::
1179:de
1165:.
1132:.
1121:.
1079:de
1064:.
968:.
930:.
870:.
833:.
825:,
789:.
492::
360::
266:,
202:,
180:)
161:)
142:)
2929::
1796:(
1725:e
1718:t
1711:v
1604:.
1582:.
1550:.
1518:.
1489:.
1460:.
1439:.
1421:.
1354:.
943:.
918:(
857:F
767:.
739:.
721:.
698:.
680:.
663:.
593:.
574:4
560:.
537:.
504:.
482:.
463:.
445:.
384:E
232:)
213:4
197:)
170:)
151:)
130:)
119:)
107:)
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