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The winds are not used in the slow movement, but the trio of the minuet shows "the first emergence of winds from their earlier rôle ... in the earliest
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The Minuet is a canon between the higher and lower voices at the distance of one bar. Haydn would later write a similar canon in the minuet of his
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164:. Later still, Haydn himself would develop this technique into the "Canones in Diapason" of the minuet of his
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210:. London: Universal Edition & Rockliff (1955): 618. "2 ob., 2 cor., str., "
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46:, Hoboken I/3, is believed to have been written between 1760 and 1762.
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and similar canons would be later be written into G major minuets by
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69:. It was one of the earliest symphonies to have four movements:
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183:with two subjects that also integrates elements of
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16:This article is about the symphony by
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1052:. You can help Knowledge (XXG) by
170:D minor string quartet from Op. 76
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168:and the "Witches' Minuet" of his
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208:The Symphonies of Joseph Haydn
26:Symphony No. 3 (Michael Haydn)
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1099:Symphonies by Joseph Haydn
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233:Haydn: Chronicle and Works
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44:Symphony No. 3 in G major
149:for winds and strings."
1104:Compositions in G major
231:H. C. Robbins Landon,
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20:. For the symphony by
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154:twenty-third symphony
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204:H. C. Robbins Landon
219:(Landon, 1955): 218
175:The Finale is also
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279:Joseph Haydn
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177:contrapuntal
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147:divertimenti
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94:moderato in
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40:Joseph Haydn
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35:Joseph Haydn
18:Joseph Haydn
766:(La chasse)
185:sonata form
1093:Categories
987:(Drumroll)
966:(Military)
930:(Surprise)
853:(La Reine)
829:(The Bear)
582:(Farewell)
481:(Alleluia)
332:(Le matin)
273:Symphonies
191:References
179:. It is a
116:and Trio,
943:(Miracle)
837:(The Hen)
566:(Mercury)
348:(Le soir)
340:(Le midi)
1046:symphony
995:(London)
902:(Oxford)
743:(Laudon)
574:(Trauer)
67:continuo
974:(Clock)
132:Allegro
96:G minor
92:Andante
74:Allegro
63:strings
55:bassoon
1009:Portal
670:(Fire)
527:(Echo)
162:Mozart
114:Minuet
24:, see
1048:is a
873:88–92
688:61–81
547:41–60
418:21–40
181:fugue
59:horns
51:oboes
1050:stub
993:104
985:103
972:101
964:100
288:A–20
160:and
65:and
57:, 2
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275:by
42:'s
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224:^
206:,
187:.
172:.
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315:3
310:2
305:1
300:B
295:A
265:e
258:t
251:v
123:4
105:4
83:4
28:.
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