105:
958:
46:
981:
402:
184:. Many musical historians believe that "Syrinx", which gives the performer generous room for interpretation and emotion, played a pivotal role in the development of solo flute music in the early twentieth century. Some say
225:, in which Pan falls in love with Syrinx. Syrinx, however, does not return the love to Pan; she turns herself into a water reed and hides in the marshes. Pan cuts the reeds to make his pipes, in turn killing his love.
290:
152:
59:
1025:
235:
and other instruments. It quickly became a piece of standard literature for the saxophone, and has been recorded on both the alto and soprano saxophones. It is also a track on
470:
520:
315:
1018:
769:
354:
1044:
123:
401:
372:
1064:
532:
239:
1069:
565:
854:
1011:
580:
416:
122:
217:, and was originally called "Flûte de Pan". It was given its final name in reference to the myth of the amorous pursuit of the nymph
395:
897:
718:
167:
166:
wrote in 1913. It generally takes three minutes or less to perform. It was the first significant piece for solo flute after the
732:
347:
276:"Parallel paths: historical-documentary and analytical contributions as a basis for the performance of Debussy's Syrinx"
174:
over 150 years before (1747), and it is the first such solo composition for the modern Böhm flute, developed in 1847.
725:
862:
1059:
1049:
807:
739:
261:
1054:
408:
171:
114:
889:
559:
451:
961:
921:
340:
195:
The piece is commonly performed off stage, as it is thought when
Debussy dedicated the piece to the flutist
17:
926:
799:
584:
387:
494:
159:
881:
755:
697:
673:
526:
311:
846:
711:
682:
665:
553:
513:
991:
777:
478:
931:
748:
657:
649:
625:
995:
936:
815:
690:
617:
486:
206:
275:
988:
943:
435:
181:
609:
363:
326:
214:
163:
37:
1038:
633:
196:
189:
156:
121:
915:
762:
188:
was originally written by
Debussy without barlines or breath marks. The flutist
45:
138:
33:
838:
320:
232:
222:
242:
199:, it was for him to play during the interval of one of Debussy's ballets.
192:
may have later added these, and most publishers publish Moyse's edition.
641:
980:
704:
218:
70:
180:
is commonly considered to be an indispensable part of any flutist's
332:
443:
336:
262:"Flute Sonata in A minor, H.562 (Bach, Carl Philipp Emanuel)"
103:
999:
329:
323:
from Emily Shin of the
Columbia University Orchestra.
908:
873:
830:
791:
601:
594:
546:
505:
462:
427:
379:
291:"Debussy's Syrinx: mystery, myth, and a manuscript"
91:
76:
66:
55:
25:
231:has also been transposed and performed on the
1019:
348:
8:
1026:
1012:
788:
598:
502:
355:
341:
333:
44:
22:
316:International Music Score Library Project
253:
136:
770:Hommage Ă S. Pickwick Esq. P.P.M.P.C.
533:Rhapsodie for saxophone and orchestra
7:
977:
975:
566:Dances for Harp and String Orchestra
581:Six sonatas for various instruments
129:Performed by Sarah Bassingthwaighte
998:. You can help Knowledge (XXG) by
14:
855:Cinq poèmes de Charles Baudelaire
521:Fantaisie for piano and orchestra
471:Prélude à l'après-midi d'un faune
979:
957:
956:
400:
289:Price, Kristen Jan (Fall 2008).
137:Problems playing this file? See
119:
241:by the trumpeter Alison Balsom
1045:Compositions by Claude Debussy
1:
898:Le Martyre de saint SĂ©bastien
155:129, is a piece of music for
1065:Music based on Metamorphoses
1070:Classical composition stubs
726:La fille aux cheveux de lin
417:La chute de la maison Usher
1086:
974:
719:Ce qu'a vu le vent d'ouest
15:
952:
409:Le diable dans le beffroi
370:
43:
32:
792:Four hands or two pianos
808:Six Ă©pigraphes antiques
740:La cathédrale engloutie
733:La sérénade interrompue
327:Free HD Video Recording
205:was written as part of
18:Syrinx (disambiguation)
927:Impressionism in music
108:
987:This article about a
758:, Book 2 (1912–1913)
700:, Book 1 (1909–1910)
107:
922:Musée Claude-Debussy
712:Des pas sur la neige
396:Pelléas et Mélisande
373:List of compositions
16:For other uses, see
388:Rodrigue et Chimène
932:Debussy quadrangle
882:La Damoiselle Ă©lue
674:Reflets dans l'eau
527:Première rhapsodie
452:La boîte à joujoux
109:
1060:1913 compositions
1050:Solo flute pieces
1007:
1006:
970:
969:
847:Ariettes oubliées
826:
825:
787:
786:
749:La plus que lente
683:Children's Corner
637:suite (1894–1901)
626:Suite bergamasque
542:
541:
514:L'enfant prodigue
295:Flutist Quarterly
168:Sonata in A minor
124:
99:
98:
1077:
1055:Incidental music
1028:
1021:
1014:
983:
976:
960:
959:
816:En blanc et noir
789:
691:The Little Nigar
618:Valse romantique
599:
503:
404:
357:
350:
343:
334:
314:: Scores at the
299:
298:
286:
280:
279:
272:
266:
265:
258:
207:incidental music
126:
125:
106:
87:
85:
48:
23:
1085:
1084:
1080:
1079:
1078:
1076:
1075:
1074:
1035:
1034:
1033:
1032:
971:
966:
948:
944:Debussy Heights
904:
869:
822:
783:
669:, Set 1 (1905)
590:
538:
501:
458:
423:
375:
366:
361:
308:
303:
302:
288:
287:
283:
274:
273:
269:
260:
259:
255:
250:
144:
143:
135:
133:
132:
131:
130:
127:
120:
117:
110:
104:
83:
81:
51:
21:
12:
11:
5:
1083:
1081:
1073:
1072:
1067:
1062:
1057:
1052:
1047:
1037:
1036:
1031:
1030:
1023:
1016:
1008:
1005:
1004:
984:
968:
967:
965:
964:
953:
950:
949:
947:
946:
941:
940:
939:
929:
924:
919:
912:
910:
906:
905:
903:
902:
894:
890:Trois Chansons
886:
877:
875:
871:
870:
868:
867:
863:FĂŞtes galantes
859:
851:
843:
834:
832:
828:
827:
824:
823:
821:
820:
812:
804:
795:
793:
785:
784:
782:
781:
775:
774:
773:
766:
753:
745:
744:
743:
736:
729:
722:
715:
708:
695:
687:
679:
678:
677:
662:
658:L'isle joyeuse
654:
646:
638:
630:
622:
614:
610:Two Arabesques
605:
603:
596:
592:
591:
589:
588:
578:
569:
563:
560:String Quartet
557:
550:
548:
544:
543:
540:
539:
537:
536:
530:
524:
518:
509:
507:
506:With a soloist
500:
499:
491:
483:
475:
466:
464:
460:
459:
457:
456:
448:
440:
431:
429:
425:
424:
422:
421:
413:
405:
392:
383:
381:
377:
376:
371:
368:
367:
364:Claude Debussy
362:
360:
359:
352:
345:
337:
331:
330:
324:
321:Free recording
318:
307:
306:External links
304:
301:
300:
281:
267:
252:
251:
249:
246:
215:Gabriel Mourey
164:Claude Debussy
134:
128:
118:
113:
112:
111:
102:
101:
100:
97:
96:
93:
89:
88:
78:
74:
73:
68:
64:
63:
57:
53:
52:
49:
41:
40:
38:Claude Debussy
30:
29:
13:
10:
9:
6:
4:
3:
2:
1082:
1071:
1068:
1066:
1063:
1061:
1058:
1056:
1053:
1051:
1048:
1046:
1043:
1042:
1040:
1029:
1024:
1022:
1017:
1015:
1010:
1009:
1003:
1001:
997:
993:
990:
985:
982:
978:
973:
963:
955:
954:
951:
945:
942:
938:
935:
934:
933:
930:
928:
925:
923:
920:
917:
914:
913:
911:
907:
900:
899:
895:
892:
891:
887:
884:
883:
879:
878:
876:
872:
865:
864:
860:
857:
856:
852:
849:
848:
844:
841:
840:
836:
835:
833:
829:
818:
817:
813:
810:
809:
805:
802:
801:
797:
796:
794:
790:
779:
776:
772:
771:
767:
765:
764:
760:
759:
757:
754:
751:
750:
746:
742:
741:
737:
735:
734:
730:
728:
727:
723:
721:
720:
716:
714:
713:
709:
707:
706:
702:
701:
699:
696:
693:
692:
688:
685:
684:
680:
676:
675:
671:
670:
668:
667:
663:
660:
659:
655:
652:
651:
647:
644:
643:
639:
636:
635:
634:Pour le piano
631:
628:
627:
623:
620:
619:
615:
612:
611:
607:
606:
604:
600:
597:
593:
586:
583:(1915–1917):
582:
579:
576:
574:
570:
567:
564:
561:
558:
555:
552:
551:
549:
545:
534:
531:
528:
525:
522:
519:
516:
515:
511:
510:
508:
504:
497:
496:
492:
489:
488:
484:
481:
480:
476:
473:
472:
468:
467:
465:
461:
454:
453:
449:
446:
445:
441:
438:
437:
433:
432:
430:
426:
419:
418:
414:
411:
410:
406:
403:
398:
397:
393:
390:
389:
385:
384:
382:
378:
374:
369:
365:
358:
353:
351:
346:
344:
339:
338:
335:
328:
325:
322:
319:
317:
313:
310:
309:
305:
296:
292:
285:
282:
277:
271:
268:
263:
257:
254:
247:
245:
243:
240:
238:
234:
230:
226:
224:
220:
216:
212:
208:
204:
200:
198:
193:
191:
187:
183:
179:
175:
173:
172:C. P. E. Bach
169:
165:
161:
158:
154:
150:
149:
142:
140:
116:
94:
90:
79:
75:
72:
69:
65:
61:
58:
54:
50:The beginning
47:
42:
39:
35:
31:
28:
24:
19:
1000:expanding it
986:
972:
896:
888:
880:
861:
853:
845:
837:
814:
806:
800:Petite suite
798:
768:
761:
747:
738:
731:
724:
717:
710:
703:
689:
681:
672:
664:
656:
648:
640:
632:
624:
616:
613:(1888, 1891)
608:
585:Cello Sonata
572:
571:
512:
493:
485:
477:
469:
450:
442:
434:
415:
407:
399:(1893–1902)
394:
386:
294:
284:
270:
256:
236:
228:
227:
210:
209:to the play
202:
201:
197:Louis Fleury
194:
190:Marcel Moyse
185:
177:
176:
170:composed by
147:
146:
145:
26:
992:composition
916:Emma Bardac
874:Other vocal
866:(1891–1904)
858:(1887–1889)
850:(1885–1887)
803:(1886–1889)
763:Brouillards
686:(1906–1908)
629:(1890–1905)
535:(1901-1911)
529:(1909–1910)
523:(1889–1890)
498:(1905–1912)
490:(1903–1905)
482:(1897–1899)
447:(1912–1913)
439:(1911–1912)
420:(1908–1917)
412:(1902–1911)
391:(1890–1892)
221:by the god
1039:Categories
554:Piano Trio
463:Orchestral
182:repertoire
139:media help
34:Solo music
989:classical
839:Beau soir
575:for flute
479:Nocturnes
233:saxophone
56:Catalogue
962:Category
756:Préludes
698:Préludes
642:Estampes
77:Composed
67:Based on
909:Related
650:Masques
547:Chamber
237:Caprice
92:Scoring
82: (
937:crater
918:(wife)
901:(1911)
893:(1909)
885:(1889)
842:(1880)
819:(1915)
811:(1914)
780:(1915)
778:Études
752:(1910)
705:Voiles
694:(1909)
666:Images
661:(1904)
653:(1904)
645:(1903)
621:(1890)
587:(1915)
577:(1913)
573:Syrinx
568:(1904)
562:(1893)
556:(1879)
517:(1884)
495:Images
487:La mer
474:(1894)
455:(1913)
436:Khamma
428:Ballet
312:Syrinx
229:Syrinx
219:Syrinx
211:Psyché
203:Syrinx
186:Syrinx
178:Syrinx
162:which
148:Syrinx
115:Syrinx
71:Syrinx
27:Syrinx
994:is a
831:Songs
595:Piano
380:Opera
248:Notes
160:flute
95:flute
996:stub
602:Solo
444:Jeux
157:solo
84:1913
80:1913
223:Pan
213:by
62:129
36:by
1041::
293:.
244:.
153:L.
151:,
60:L.
1027:e
1020:t
1013:v
1002:.
356:e
349:t
342:v
297:.
278:.
264:.
141:.
86:)
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.