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SPOD (band)

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the mustard these days." She felt the album, "tells the story of rushing headfirst into the autumn of existence as though you were still a spring chicken, only to dislocate your hip and find yourself in an ultra cosy armchair. From that vantage point, you spend your time telling the world how much better everything was when you were able to enjoy it more." It was issued via
212:" (1993), Griffin later recalled, "we both confessed that we loved this 'Push Th' Little Daisies' song to each other – quite sheepishly, as everyone else reacted terribly to that news. From that moment, we clicked into a high gear, decided to borrow a four track from his uni, started looping Beastie Boys beats on my CD player." 401:
noticed, "SPOD's getting old. And slightly blue on occasion. And he's not afraid to admit it. Back in the early noughties, he thought that happiness was all about aiming champagne corks at innocent bystanders, tossing streamers around and cranking the odd slow-grind. But the combo just isn't cutting
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Spod were formed in Sydney as an indie, electro duo, first named Jizm, by Brent Griffin (later a.k.a. Spod) on guitar and keyboards, and Mike Rickards. They had attended the same secondary school. Griffin was a public servant in the New South Wales' Premier's Department and Rickards was a university
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described how " started picking through the musical remains, discarding some songs, canvassing old and newly-created ones, and set about re-recording his whole album all over again." Alessio felt, " is ultimately a positive party album. From the playful 'Cats!' to the hip-hop drum machine onslaught
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s Katy Hall opined, "their unique blend of surf-pop and psychedelic lo-fi marks an important revival, one that not only seems to have gained gigantic momentum in recent times, but also one that clears through the often obscure genre-mixing styles of other bands of the moment." Spod reissued their
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joined on drums and guitar and Rickards left. Griffin related how "I played some two piece shows with Andy, but put it on a back burner till I decided to keep writing songs by myself at Andy's insistence. This is what drove me to move into the solo version of SPOD. Mike and Andy were my biggest
393:, where his party boy character (“this big suburban dude thinking he’s a sex symbol”) is transposed into an unsuccessful later life, lonely and hated by his kids. The song "Letz Dance" becomes "Last Dance"; "Totally Rad" becomes "Totally Sad"; and "F**k Yeah!!" becomes "Hell No". 247:. Griffin explained the concept of Radness, "It's the beatz, it's the melodies, it's eternity, it's the diamonds that pour from rainbow drenched cloudz that house armies of unicornz that sing songz of luv and triumph, woe and hizeartbreak, p and tha izarty." 381:. Whereas the original album celebrated youthful partying and sexual excess, the updated album was about being weighed-down by the baggage of adulthood: mundane jobs, parenting, mediocre relationships. The Guardian's A.H. Cayley described 338:
album launch where, " music sounds damn fine on record, but it is still in a live setting that it comes alive, strips down to its boxer shorts (or Ruggers) and throws streamers everywhere in a celebration of 'who gives a fuck-ness'."
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included input from Spod's backup vocalists, dancers and choreographers, Krylon and A-Blade (collectively, the Scorpionz of Sex), specifically on the track, "2131 Ride Wit Me". This song was included on a 2004 edition of Australian
310:(8 October 2007). Back in Sydney, Griffin was relocating to a new home when his laptop and two hard drives were damaged, "shattering his work and his dreams." He had been working on material for Spod's second album, 413:
s Darren Levin, " has decided to quit being a 'computer deadshit' and record a real-life album with real-life instruments in a real-life studio with real-life producer Owen Penglis (The Straight Arrows)."
842: 283:, in September 2004. The EP included metal re-workings of their tracks, "Country of Sweden", "Secks Party 4 Eva" and "Makin' Party". "Nerdz" was played extensively on local radio stations, such as 295:. Spod and Regurgitator collaborated on joint gigs in 2004 (advertised as "ReSPODutator") and they were recorded as part of Regurgitator's project, Band in the Bubble, during that year. 219:
for either Special Projects Organisational Division, Spinning Pizzas of Death, or Scorpion Powers of Destruction. Their recorded output was limited to home-made cassette tapes. In 1999
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in 2004. As the year progressed, Spod began to augment his live line-up with members of the metal band, Black Level Embassy. This live set-up led to the release of an extended play,
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observed that its "mixture of electroclash, rock, and juvenilia found an audience, helped by energetic and anarchic live shows featuring the rest of the enigmatically named band."
188:, which formed in 1995. It is also the pseudonym of the band's mainstay member, Brent Griffin, whether he is performing solo or with other members. They have released two albums, 940: 999: 306:, It was the group's first performance outside Australia. Also in that year Spod and Yeomans formed a side project, Blox, which issued a six-track EP, 1113: 776: 737: 322:
of 'Time Maggots Eating the Flesh of Destiny'. Griffin’s aim is to make you forget about the darker side of life and simply have fun."
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alongside Richard Cartwright, Jordy Lane, Pat Torres and Conrad Richters, which recorded the group's second album,
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One of Australia's most bizarre exports, Spod, will head to Austin for the very first time.
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Following its release, Spod toured extensively, including a position on the Sydney leg of
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On 5 October 2002 Spod headlined a concert at Thurles Castle in
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Interview with Brent Griffin (Spod) on Depth Perception podcast
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and reinvented them from the perspective of a person having a
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influences in making me want to create music the way I do."
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Spod issued a single, "Boys Night", in December 2016.
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are an Australian indie, electro band, often styled as
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Interview with Brent Griffin (Spod) on HearSej podcast
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in August 2013, with bonus material on a second disc.
1075: 168: 908: 906: 531:"Boys Night" (16 December 2016) â€“ Rice is Nice 163: 159: 131: 127: 115: 111: 90: 72: 41: 30: 23: 618:"From Radness to Sadness: Ten Years of Being Spod" 447:Taste the Radness: the 10 Years of Radness Edition 362:Taste the Radness: the 10 Years of Radness Edition 215:In 1995 the duo changed their name to Spod, as an 208:Griffin and Richards shared a passion for Ween's " 874: 872: 870: 1000:"SPOD: The top 10 saddest things to ever happen" 389:a song-by-song tonal flipside of his 2003 debut 534:''Becomes a Wife'' (19 July 2019)- Rice is Nice 387: 525:"Couple of Drinks" (11 September 2012) â€“ 963: 961: 8: 771:. Melbourne, Australia: Undercover Network ( 915:"Track By Track: SPOD- 'Taste The Sadness'" 714:. Internet Underground Music Archive (IUMA) 679: 677: 675: 673: 592:"Series 1, Episode 2: Brent Griffin (Spod)" 449:(expanded version, 22 August 2013) â€“ 20: 968:Crittenden, Jasmine (16 September 2014). 646: 644: 642: 640: 1027: 1025: 731: 729: 585: 583: 581: 579: 577: 460:(22 September 2008) â€“ Rice Is Nice/ 373:(2014), an album that took the songs of 298:In March 2007 Spod played at the annual 836: 834: 554: 552: 550: 548: 544: 814:"SPOD @ Oxford Art Factory 25/10/2008" 503:(6 October 2007) â€“ Valve Records 287:. The EP was recorded in the home of 7: 472:(22 August 2014) â€“ Rice Is Nice 998:Levin, Darren (1 September 2014). 478:(19 July 2019) â€“ Rice Is Nice 367:The following year, Spod released 14: 779:from the original on 3 April 2012 767:Cashmere, Tim (11 January 2007). 712:"IUMA: the drunk and the legless" 841:Hall, Katy (15 September 2010). 801:Blox Discography on spakatak.com 769:"SXSW Showcase Spotlight – Spod" 651:Alessio, Dom (27 October 2008). 913:Dayman, Lucy (26 August 2014). 243:/Spod Music and distributed by 939:Cayley, A.H. (3 August 2019). 616:Nail, Jonny (28 August 2014). 1: 1060:September 2008 review (p.101) 16:Australian indie electro band 1114:Australian indie rock groups 710:Scott, Jason (17 May 2012). 559:Dawes, Sam (14 April 2016). 436:(29 September 2003) â€“ 342:During 2010 Griffin joined 121:Spod (a.k.a. Brent Griffin) 1130: 498:Quan and Spod Present Blox 308:Quan and Spod Present Blox 812:Jonny (30 October 2008). 590:Podmin (17 August 2014). 35:Ashfield, New South Wales 891:. Street Press Australia 738:"An Interview with Spod" 596:Depth Perception Podcast 491:(September 2004) â€“ 653:"I Am the Resurrection" 210:Push th' Little Daisies 205:student and sportsman. 945:The Guardian Australia 397:Jasmine Crittenden of 395: 1033:"SPOD – 'Boys Night'" 818:Polaroids of Androids 509:(1 June 2008) â€“ 326:Polaroids of Androids 451:Rice Is Nice Records 404:Rice Is Nice Records 344:Richard in Your Mind 978:Concrete Playground 399:Concrete Playground 1010:on 7 February 2016 855:on 26 October 2010 438:Architecture Label 350:(September 2010). 314:(September 2008). 300:South by Southwest 250:Jody Macgregor of 241:Architecture Label 196:(September 2008). 972:Taste the Sadness 883:Taste the Radness 775:, Ros O'Gorman). 684:Macgregor, Jody. 515: 502: 489:Eternal Championz 470:Taste the Sadness 466: 433:Taste the Radness 406:and according to 391:Taste The Radness 383:Taste the Sadness 375:Taste the Radness 370:Taste the Sadness 360:first album as '' 281:Eternal Championz 256:Taste the Radness 237:Taste the Radness 190:Taste the Radness 179: 178: 1121: 1079: 1078: 1076:Official website 1061: 1055: 1049: 1048: 1046: 1044: 1029: 1020: 1019: 1017: 1015: 1006:. 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Index

Ashfield, New South Wales
Indie rock
electronica
electroclash
metal
Shock
Architecture
Andy Clockwise
spod.com.au
Push th' Little Daisies
acronym
Andy Clockwise
Chippendale
Newtown
Architecture Label
Shock Records
AllMusic
Rolling Stone
Big Day Out
FBi Radio
Regurgitator
Quan Yeomans
South by Southwest
Austin, Texas
Richard in Your Mind
BMA Magazine
midlife crisis
Rice Is Nice Records
Taste the Radness
Architecture Label

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