Knowledge (XXG)

Saâdane Afif

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453:. This experience introduced a process that would radically affect his artistic practice. These song commissions follow very precise rules: Afif sends the authors a document in which he tells them about the art piece related to the song (title, form, context of appearance, intentions, sketches). In return, the song will have to keep the same title and a link with the object described. The texts are then presented on the walls, alongside the works to which they refer, imitating the presentation notes that usually punctuate the exhibition itinerary. Their poetic register, however, determined by the commission, consciously distances them from any didactic attention. 348:’, Saâdane Afif's work focuses on interpretation, exchange and circulation. He works in various media (performance, objects, sculptures, text, posters and works in neon). The complex procedures he uses are not categorised under any specific discipline. All of his works are subject to a continuous process of alteration. He integrates elements of art history, music, poetry and dance into his work, sometimes inviting authors to write texts based on existing artworks for other artists to set to music or use in drama. Afif himself refuses to appear in public, preferring to direct from afar. 214: 66: 371:, every page containing a picture of the urinal is torn out and then carefully framed. The frame, used both for its preservative and decorative purposes, is also part of the artistic process. Every step of the archiving process follows meticulous rules which form a part of this artistic process. Each new archived image has its own inventory card, which acts as a certificate of authenticity. Publications which discuss Afif's project (and therefore reproduce images of Duchamp's urinal) are also included in the 128: 25: 1429:
Selected public collections include numerous regional contemporary art funds ("fonds régional d'art contemporain, FRAC"), notably those of the Île-de-France, Poitou-Charentes, Champagne-Ardenne and Pays de la Loire regions, as well as the FRAC Provence-Alpes-Côte d'Azur; the collection of the
391:. The MMK Zollamt was an exhibition outside the main exhibition space, presenting Saâdane Afif's "Anthologie de l’humour noir". It highlighted some aspects of African influence in a new and unusual light, since this was also connected to modern French art and 1553:
Valentina Vlasic: Saâdane Afif, in: The Present Order is the Disorder of the Future, Schriftenreihe Museum Kurhaus Kleve – Ewald Mataré-Sammlung Nr. 62, Freundeskreis Museum Kurhaus und Koekkoek-Haus Kleve e.V. (Hrsg), 2013, p.
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Valentina Vlasic: Saâdane Afif, in: The Present Order is the Disorder of the Future, Schriftenreihe Museum Kurhaus Kleve – Ewald Mataré-Sammlung Nr. 62, Freundeskreis Museum Kurhaus und Koekkoek-Haus Kleve e.V. (Hrsg), 2013,
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project: these, though, are treated as special objects as they constitute a historical echo of the original work. This is the only exception to the generally strict rule that each photograph can only be included in the
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in Belgium in 2018. These mutant objects at the crossroads of two imaginations, both emanating from and extending the meaning of a given work, will then become essential material for the artist's work.
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Eva Huttenlauch: "Everything must be scandalous", in: Saâdane Afif. Another Anthology of Black Humor, published by Susanne Gaensheimer and Eva Huttenlauch, Verlag für Moderne Kunst, Nürnberg 2012.
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René Zechlin: Toutes Directions – Le Prix Marcel Duchamp, published by Astrid Ihle and René Zechlin, Wilhelm-Hack-Museum, in Silvana Editoriale Verlag, p. 17.
330:, Paris from September 2010 until January 2011. In 2011, he was the 46th most influential person in the French art world, according to the March issue of 153: 1599: 1577: 1451: 1215: 1631: 1415: 820: 87: 460:, the series now includes more than two hundred texts written by around one hundred people, part of which has been gathered in the book 1394:
Saâdane Afif's work can be found in numerous museums and public collections around the world. Selected museum collections include the
1395: 142: 189: 171: 109: 52: 38: 1626: 798: 1403: 326:; as a result of winning this prize, he presented his artwork in the exhibition "Anthology of black humour" at Space 315, 554: 1419: 999: 384: 80: 74: 213: 1171: 1129: 1118: 1064: 747: 1539: 758: 1407: 675: 91: 1355: 311: 1482: 363:. In this project, Afif collects and archives every single publication in which he finds a reproduction of 1636: 1507: 1233: 878: 819:, Three Tokyo Sessions, Tokyo Art Meeting VI – "TOKYO" - Sensing the Cultural Magma of the Metropolis, 693: 138: 1621: 1344: 323: 44: 149: 787: 345: 298:, where he currently lives and works. Afif's work has been exhibited at many venues, including the 1527: 1031: 434: 364: 360: 1096: 1595: 1573: 1447: 1426:, Contemporary Art Museum in Luxembourg; and the Institut d'art contemporain in Villeurbanne. 1085: 769: 532: 392: 259: 988: 377: 372: 352: 1430:
Lafayette Anticipations foundation; the Centre national des arts plastiques (CNAP) and the
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2008 : ONE, FRAC Fonds Régional d'Art Contemporain Pays de la Loire, Carquefou, France
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2008 : TWO..., FRAC Fonds Régional d'Art Contemporain Basse-Normandie, Caen, France
922: 889: 356: 332: 310:) in 2004. In 2006, he was awarded the International Prize for Contemporary Art of the 1615: 1502: 1478: 1365: 1204: 404: 368: 287: 399:
which plays an ode to the deceased. The shape of the coffin is a reference to the
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Elena Filipovic, Xavier Hufkens: Sâadane Afif. Fontaines. Triangle Books, 2014,
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Elena Filipovic, Xavier Hufkens: Sâadane Afif. Fontaines. Triangle Books, 2014,
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and later received his 1998 postgraduate degree from the School of Fine Arts in
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https://boutique.centrepompidou.fr/en/books/anthologie-de-lhumour-noir/211.html
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Prix International d’Art Contemporain de la Fondation Prince Pierre de Monaco
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2017 : The Fairytale Recordings, Frac Franche-Comté, Besançon, France
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Günther-Peill-Stiftung am Leopold-Hoesch-Museum & Papiermuseum Düren
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Meeting Points 6: Locus Agonistess – Practices and Logics of the Civic
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Vice de Forme: Das Kabarett, SCORES - Musical Works by Visual Artists
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RE-SET: Appropriation and Transformation in Music and Art since 1900
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Broken Music Vol. 2, 70 Years of Records and Sound Works by Artists
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http://www.mehdi-chouakri.com/kuenstler/safif/Biographie_SA.pdf
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2015 : Prix Meurice pour l'art contemporain, Paris, France
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La Carte d’après Nature. An Artist’s Selection by Thomas Demand
1010: 609: 565: 471: 510: 499: 121: 59: 18: 1182: 944: 831: 576: 488: 1146:, EACC Espai d’Art Contemporani de Castelló, Castelló, Spain 278:(École des Beaux Arts). In 2001, he was in residence at the 1273: 1053: 941:
Sept notes sur le travail de Peter Roehr (with Peter Roehr)
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Oh les Beaux Jours, une esthétique des moyens disponibles
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Made in Germany 2: Internationale Kunst in Deutschland,
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Saâdane Afif graduated from the School of Fine Arts in
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to write lyrics relatedto the four works exhibited:
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Ridiculously Yours! Art, Awkwardness and Enthusiasm
237: 227: 204: 737:Performance! The collection of the Centre Pompidou 533:Hamburger Bahnhof – Nationalgalerie der Gegenwart 403:and it was titled Humour Noir (a translation of " 987:, Re:emerge-Towards a New Cultural Cartography, 908:Souvenirs: Leçon de Géométrie, Where are we now? 1526:Biography Saâdane Afif, Gallery Mehdi Chouakri| 974:The Present Order is the Disorder of the Future 383:In April 2012, an exhibition took place at the 846:The Laguna’s Tribute, All the World’s Futures, 694:Leopold-Hoesch-Museum & Papiermuseum Düren 355:. This currently contains about 500 images of 286:(France); in 2002, he was in residence at the 8: 351:In 2008, Afif began a project entitled the 156:of quality, and to make it neutral in tone. 53:Learn how and when to remove these messages 1151:Vice de Forme : In Search of Melodies 1104:Saâdane Afif – Anthologie de l’Humour Noir 1093:A Lecture, A Recording & Few Witnesses 212: 201: 1172:Witte de With Center for Contemporary Art 1130:Witte de With Center for Contemporary Art 1119:Witte de With Center for Contemporary Art 1065:Witte de With Center for Contemporary Art 965:, WWTBD – What Would Thomas Bernhard Do, 788:Ecole Nationale Supérieure des Beaux-Arts 562:Dwarf Lift Dwarf sings Pirates’ Who’s Who 190:Learn how and when to remove this message 172:Learn how and when to remove this message 110:Learn how and when to remove this message 1594:. Brussels: Triangle Books & WIELS. 1549: 1547: 919:Sept notes sur le travail de Peter Roehr 73:This article includes a list of general 1519: 1007:L’S BELLS – The Busker of the Gray Line 839:6th Moscow Biennale of Contemporary Art 395:. The centrepiece was a coffin made in 1503:Saâdane Afif at Gallery Xavier Hufkens 1493:Saâdane Afif at Gallery Mehdi Chouakri 1416:National Museum of Modern Art of Tokyo 1378:2001 : Scholarship (Residence), 1323:, Maison Populaire, Montreuil, France 1316:, Le Creux de l’Enfer, Thiers, France 921:, Mouse On Mars – 21 AGAIN Festival, 828:Threads: Fantasmagoria about Distance 7: 1285:Moscow Biennale for Contemporary Art 1013:, New York, United States of America 16:French conceptual artist (born 1970) 1422:in Frankfurt am Main, Germany; the 1082:– Practices and Logics of the Civic 848:56th International Art Exhibition, 551:The Fountain Archives and Beyond... 421:In 2004, as part of his exhibition 407:"). This phrase was made famous by 1508:Saâdane Afif at mfc-michèle didier 1097:OPA Oficina para Proyectos de Arte 1079:Meeting Points 6: Locus Agonistess 930:Blue Time, Blue Time, Blue Time... 79:it lacks sufficient corresponding 14: 1216:Fondation Prince Pierre de Monaco 610:Museum für Gegenwartskunst Siegen 312:Fondation Prince Pierre de Monaco 294:(Scotland). In 2003, he moved to 34:This article has multiple issues. 779:, Nuit Blanche de Monaco, Monaco 716:Nouveau Musée National de Monaco 433:, Saâdane Afif requested artist 126: 64: 23: 1538:Boutique Centre Pompidou, 2011| 1498:Saâdane Afif at mor charpentier 991:, Sharjah, United Arab Emirates 726:The Fountain Archives 2008-2017 42:or discuss these issues on the 1287:, Lenin Museum, Moscow, Russia 1139:, Villa Paloma, Monaco, Monaco 1: 1404:New National Museum of Monaco 1368:Hors les Murs (Residence) in 1225:, Galleria Maze, Turin, Italy 468:WIELS Contemporary Art Centre 218:Saâdane Afif photographed by 1321:Parallèle Parallaxe Paradoxe 1174:, Rotterdam, The Netherlands 1132:, Rotterdam, The Netherlands 1126:ACT VII: Of Facts and Fables 1121:, Rotterdam, The Netherlands 1067:, Rotterdam, The Netherlands 777:Mount Moon Takes Monte Carlo 496:In Search of the Heptahedron 282:International Art School of 254:, Loir-et-Cher Département, 1632:French contemporary artists 1474:Exhibitions of Saâdane Afif 1281:Down at the Rock’nRoll Club 996:Anthologie de l’Humour Noir 934:Institut d'Art Contemporain 322:. In 2009, he received the 1653: 1396:Paris Museum of Modern Art 1074:, Argos, Brussels, Belgium 748:Ottignies-Louvain-la-Neuve 739:, Tripostal, Lille, France 672:The Reservoir of Modernism 656:, Utrecht, The Netherlands 1408:Kunstmuseum Liechtenstein 211: 1479:Saâdane Afif Artist Page 1420:Museum für Moderne Kunst 1168:Technical Specifications 1039:The Fairytale Recordings 1000:Museum für Moderne Kunst 963:The Fairytale Recordings 886:Affiches & Fontaines 755:Quoi ? - L'Éternité 617:Musiques pour Tuyauterie 606:Der Traum der Bibliothek 595:The Fairytale Recordings 385:Museum für Moderne Kunst 1483:Sommer Contemporary Art 599:Lafayette Anticipations 94:more precise citations. 1590:Afif, Saâdane (2018). 1338:Günther-Peill-Stiftung 1183:Galerie Mehdi Chouakri 1179:58:22 & Some Words 1054:Centre Culturel Suisse 945:Galerie Mehdi Chouakri 936:, Villeurbanne, France 912:5th Marrakech Biennale 786:, Nuit Blanche Paris, 577:Galerie Mehdi Chouakri 555:Fundació Antoni Tàpies 522:Galerie Michèle 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446: 442: 438: 422: 420: 415: 409:André Breton 405:black humour 382: 369:found object 350: 344:Defined as ‘ 343: 333:Eye Magazine 331: 269: 248:Saâdane Afif 247: 246: 206:Saâdane Afif 186: 168: 159: 136: 106: 97: 78: 50: 43: 37: 36:Please help 33: 1622:1970 births 1458:p. 57. 1390:Collections 1380:Villa Arson 1314:Mise à flot 834:, Lithuania 479:Exhibitions 280:Villa Arson 238:Nationality 220:Oliver Mark 150:clean it up 92:introducing 1616:Categories 1514:References 952:Mount Moon 897:Blue Times 705:La Panacée 393:literature 75:references 39:improve it 1011:Ludlow 38 985:Héritages 980:, Germany 750:, Belgium 568:, Belgium 546:, Germany 451:Blue Time 389:Frankfurt 45:talk page 1580:, p. 21. 1485:Gallery 1374:Scotland 1351:, France 1303:Playlist 1144:Feedback 1115:Morality 956:Liste 18 443:Everyday 1592:Paroles 1487:Website 1370:Glasgow 857:Là-bas. 701:Là-bas. 683:Posters 639:Paroles 463:Paroles 456:Titled 425:at the 367:. As a 314:at the 308:Germany 292:Glasgow 272:Bourges 252:Vendôme 148:Please 88:improve 1598:  1576:  1450:  1432:Kadist 1414:; the 1406:; the 1402:; the 1398:; the 1360:Monaco 1283:, 1st 1252:Lyrics 1050:Echoes 582:2019: 560:2021: 507:Enigma 505:2023: 458:Lyrics 416:Lyrics 380:once. 296:Berlin 276:Nantes 256:France 241:French 77:, but 1424:MUDAM 1412:Vaduz 1349:Paris 1245:Wiels 643:Wiels 439:Brume 431:Essen 397:Ghana 320:Paris 304:Essen 1596:ISBN 1574:ISBN 1448:ISBN 875:Ici. 690:Ici. 470:and 449:and 284:Nice 232:1970 228:Born 1554:57. 1481:at 1410:in 821:MOT 429:in 387:in 359:’s 340:Art 318:in 290:in 1618:: 1546:^ 1372:, 1358:, 1347:, 1305:, 1294:, 1265:, 1254:, 1243:, 1232:, 1214:, 1203:, 1192:, 1181:, 1170:, 1153:, 1128:, 1117:, 1106:, 1095:, 1084:, 1063:, 1052:, 1041:, 1030:, 1009:, 998:, 976:, 943:, 932:, 910:, 899:, 888:, 877:, 859:, 830:, 808:, 797:, 768:, 757:, 728:, 714:, 703:, 692:, 674:, 663:, 652:, 641:, 630:, 619:, 608:, 597:, 586:, 575:, 564:, 553:, 542:, 531:, 520:, 509:, 498:, 445:, 441:, 411:. 336:. 306:, 262:. 48:. 1604:. 1489:. 1454:. 302:( 193:) 187:( 175:) 169:( 164:) 160:( 146:. 113:) 107:( 102:) 98:( 84:. 55:) 51:(

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Oliver Mark
Vendôme
France
conceptual artist
Bourges
Nantes
Villa Arson
Nice
Villa Médicis
Glasgow
Berlin
Museum Folkwang
Essen
Germany
Fondation Prince Pierre de Monaco

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