377:, and to the Swiss sculptor Bernardino Quadri, who were responsible for the design of a building with a square base set between the ducal palace and the apse of the Cathedral . Furthermore, the two opted to elevate the chapel 6–7 meters with respect to the floor of the cathedral. This meant that the inside of the chapel was visible from inside the cathedral. The faithful could access the chapel through two large staircases placed at the end of each of the aisles, while the royals could access it through a portal on the first floor of the palace. The ellipsoidal foundations were therefore demolished and replaced, and for nine years the project proceeded apace. The construction was interrupted when the entablature of the first level was reached, when structural problems were noticed in the structure. Unable to solve the problem, Bernardino Quadri was removed from the project in 1666.
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590:, Iren and of others. In 2021 the partial restoration of the altar was also completed, thus completing the recovery of the monument. The restoration succeeded in recovering the surfaces and the marbles and structures of the altar, together with the cherubs and the statues of two angels (who survived the fire because they were temporarily in the sacristy at the time of the fire), the embossed silver tabernacle, the lamps and the pyramid candlesticks . The other statues, together with the large summit star in gilded wood, have not been recovered and are lost (an image of the altar before the fire with the lost parts can be
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night between 11 and 12 April 1997 caused a fire that heavily damaged the building. The flames caused subsidence and collapse, and the marbles were also heavily damaged, also due to the thermal shock caused by the icy water from the extinguishing jets. The Shroud itself risked being destroyed but was saved from the flames by the firefighters, who broke through the glass case containing the wooden and silver box that kept the cloth. To avoid the collapse of the entire structure, hoops with metal chains were placed around it.
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574:. The elements that could not be recovered were made from scratch with the help of 3D modeling. The dome was disassembled and reassembled entirely and suspended on temporary scaffolding to remove damaged material. The roofs and lead coverings, the metal hoops, the windows, the Grande Chilassone, and the sunburst with the Holy Spirit in the dome were completely redone. Cortella's cupola paintings were renovated.
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443:. To build the top of the dome, he created a series of six levels, each made up of six small arches arranged in a hexagonal plan. The size of each level shrinks with height and the hexagon plan of each floor is slanted in respect to the one below, so that the arches place their bases on the top of the arches below. The dome ends with a
468:
concentric circles of stars within Greek crosses, arranged in a way to accentuate the centrality of the altar. The altar was of black marble and decorated with gilded wood or metal ornaments and sculptures. The shroud case was positioned in the central part, placed inside a glass case protected by a golden grate. Above the
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The Chapel was closed to the public on May 4, 1990, when a fragment of marble from an internal cornice collapsed to the floor. The fall was caused by an infiltration of water. Three years later the restoration work began. With the conservative restoration site almost completed, a short circuit in the
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at the vertices (one at the entrance from the palace and the other two at the staircases towards the cathedral). As for the portion of the chapel not yet undertaken, Guarini completely revolutionized the project. In particular, Guarini redesigned the dome, in order to lighten it and give it an upward
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who, after leaving Paris in 1666, stopped in Turin in 1667 and took over the work on the chapel in 1668. He adopted the round-shaped project previously developed by
Bernardino Quadri, which had been completed up to the first level. Guarini modified the previously completed structure, reinforcing the
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The debris was immediately and the damage ascertained, from which it emerged that 80% of the stone surfaces needed to be restored. At the beginning of the 2000s the architectural restoration began, carried out in a conservative and most faithful way possible. The necessary marble was found in 2007
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Donato
Rossetti was appointed as Guarini's successor for the project in 1685, but died soon after in 1686. He was replaced by Antonio Bertola, who finished the project. At the center of the circular plan of the dome, Bertola placed a raised altar six steps from the floor. The floor was inlaid with
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in prayer or bearing the nails of the passion, while four angels with the symbols of the passion were placed on the sides of the reliquary, all made by the sculptors Cesare
Neurone and Francesco Borello between 1692 and 1694. In 1694 the Shroud was finally placed there. In 1825 King Carlo Felice
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in 2019, were completed after 28 years and the chapel was reopened to the city and visitors on 27 September 2018, thus becoming part of the Royal
Museums tour itinerary of Turin. The restoration was one of the most complicated ever carried out, and cost over 30 million Euros, of which 28 by the
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The dome was completed on 27 October 1679 and on 15 May 1680 Guarini himself celebrated the inaugural mass on a temporary wooden altar. The structure was usable, even if the interiors were not yet completed. Guarini died on March 6, 1683, leaving the floors, one of the stairways and the altar
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307:. Heavily damaged in a fire in 1997, it underwent a complex 21 year restoration project, and reopened in 2018. The chapel has an intricate and self-supporting wooden and marble
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decorated with windows (real at the base and fake at the top) with a golden globe surmounted by a cross on top. In 1680, Giacomo
Cortella frescoed the dome.
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In the first half of the 19th century the chapel was decorated with groups of statues depicting famous members of the House of Savoy commissioned by King
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and the base of the dome. Above the arches, on the next level, he placed a ring walkway surmounted by six large arched windows alternating with six
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who pressed for its completion, uneasy with the Shroud being kept on a temporary wooden altar. He was in fact mindful of the great fire of 1532 in
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formed by a twelve-pointed star surrounded by twelve ovoid windows. Inside the star, a small circular cap is decorated with the dove of the
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and three spandrels formed by the three arches he placed large circular windows. These arches, in addition to concealing the
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728:"Closed for Nearly 30 Years, the Chapel of the Holy Shroud Reopens in Italy Following Massive Restoration Efforts"
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thrust. The original project included a hemispherical dome supported by piers. Guarini instead placed ornamental
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which had damaged the Shroud. The projects were entrusted to Carlo di
Castellamonte's son, the architect
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Meek, H.A., Guarino
Guarini and his architecture, Yale University Press, New Haven and London, 1988
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had held for several centuries. The initial plan called for an ellipsoidal chapel set between the
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walls which had caused problems for their thinness and structural capabilities. He decorated the
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Wittkower, R., Studies in the italian baroque, BAS Printers
Limited, Great Britain, 1975.
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and built at the end of the 17th century (1668–1694), during the reign of
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The restoration and reconstruction, resulting among the winners of the
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698:"21 Years After Fire, Shroud of Turin Chapel Restored to Former Glory"
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Varriano, J., Italian baroque and rococo architecture, New York, 1986
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External view (with the cathedral dome in the forefront and the
406:). Furthermore, he reshaped the right staircase. He reduced the
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295:. The chapel was designed by architect-priest and mathematician
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Church of the
Visitation of the Virgin Mary and Saint Barnabas
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Architecture for the shroud : relic and ritual in Turin
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commissioned the royal architect Carlo
Randoni to build the
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and the Palazzo Ducale (former bishop's palace and current
394:-inspired pilasters with images and symbols linked to the
504:(leader known as "Iron Head", who moved the capital from
431:, also made it possible to tighten the dimensions of the
888:"Turin shroud chapel opens 21 years after mystery fire"
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from the original quarries used in the 17th century in
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The restored chapel with the yet to be renovated altar
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from which luminous rays emerge. The dome ends with a
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17th-century Roman Catholic church buildings in Italy
500:) was sculpted by Benedetto Cacciatori, that of duke
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516:(who had begun the construction of the chapel) by
385:The project was entrusted to the priest-architect
323:commissioned the chapel between 1610 and 1611 to
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999:Conservation-restoration of the Shroud of Turin
919:"Iniziato il restauro all'altare della Sindone"
303:, and is considered one of the masterpieces of
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831:"GUARINI, Guarino in "Dizionario Biografico""
398:(including olive branches, crowns of thorns,
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8:
1786:Church of Our Lady of Sorrows and Saint Zita
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29:
1144:Fringe theories about the Shroud of Turin
347:or during the regency of Maria Cristina.
1052:Shroud of Turin Research Project (STURP)
762:. Chicago: University of Chicago Press.
898:from the original on September 29, 2018
867:from the original on September 28, 2018
688:
613:
1441:Residences of the Royal House of Savoy
1526:Museum of Human Anatomy Luigi Rolando
696:Magazine, Smithsonian; Daley, Jason.
7:
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639:View from the Royal Palace courtyard
604:History of early modern period domes
283:believed to be the burial shroud of
2056:Burial sites of the House of Valois
1801:Church of the Immaculate Conception
1716:Sanctuary of Saint Anthony of Padua
1624:Italian Environmental Film Festival
653:Thomas Francis, Prince of Carignano
522:Thomas Francis, Prince of Carignano
1811:Church of the Sacred Heart of Mary
1746:Chiesa della Santissima Annunziata
886:Tom Kington (September 29, 2018).
301:Charles Emmanuel II, Duke of Savoy
27:Chapel housing the Shroud of Turin
25:
917:Ciattaglia, Andrea (2020-06-18).
797:"LA CAPPELLA DELLA SACRA SINDONE"
2041:Roman Catholic churches in Turin
1681:
1259:
1057:Radiocarbon dating of the shroud
1007:
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632:
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331:to preserve the Shroud that the
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2061:Roman Catholic chapels in Italy
1806:Church of the Most Holy Trinity
1521:Museo Nazionale dell'Automobile
929:from the original on 2022-12-22
841:from the original on 2022-12-07
807:from the original on 2022-01-19
738:from the original on 2022-12-22
708:from the original on 2022-12-22
472:of the altar were placed eight
64:
989:History of the Shroud of Turin
557:Restoration and recent history
1:
1771:Church of Mary Queen of Peace
1634:Turin International Book Fair
1603:Stadio Olimpico Grande Torino
861:"Turin shroud chapel reopens"
726:Cascone, Sarah (2018-09-28).
287:. It is located adjacent the
1781:Church of Our Lady of Health
1639:Terra Madre Salone del Gusto
1169:Relics associated with Jesus
253:Cappella della Sacra Sindone
38:Cappella della Sacra Sindone
2071:Church buildings with domes
1776:Church of Our Lady of Grace
859:ANSA (September 27, 2018).
756:Scott, John Beldon (2003).
367:Cardinal Maurizio di Savoia
361:The project was revived by
271:, constructed to house the
2087:
1531:Museum of the Risorgimento
1511:Museo Civico d'Arte Antica
1257:
803:(in Italian). 2020-06-18.
33:Chapel of the Holy Shroud
2066:Guarino Guarini buildings
1951:Santuario della Consolata
1821:Basilica of Corpus Domini
1796:Church of the Holy Spirit
1741:Chiesa della Misericordia
1731:Chapel of the Holy Shroud
1541:National Museum of Cinema
1319:Chapel of the Holy Shroud
1303:Santuario della Consolata
1288:Basilica of Corpus Domini
1024:Chapel of the Holy Shroud
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994:Secondo Pia, photographer
321:Carlo Emanuele I of Savoy
245:Chapel of the Holy Shroud
108:
48:
1756:Chiesa del Santo Sudario
1751:Chiesa della Visitazione
579:European Heritage Awards
526:House of Savoy-Carignano
1861:S. Giovanni Evangelista
1791:Church of Saint Martyrs
1766:Chiesa di Gesù Nazareno
380:
375:Amedeo di Castellamonte
55:Interior of the chapel.
1761:Chiesa del Santo Volto
1546:Natural History Museum
1411:Castello del Valentino
1395:Piazza Vittorio Veneto
1269:Basilica and Cathedral
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329:Carlo di Castellamonte
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139:Geographic coordinates
37:
1851:S. Francesco d'Assisi
1846:S. Francesco da Paola
1617:Events and traditions
1191:Resurrection of Jesus
1029:Royal Palace of Turin
551:
520:, and that of Prince
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293:Royal Palace of Turin
291:and connected to the
259:style Roman Catholic
161:45.07332°N 7.685435°E
1926:Basilica of Our Lady
1921:Monte dei Cappuccini
1886:Madonna degli Angeli
1629:Torino Film Festival
1339:Monte dei Cappuccini
1293:Basilica of Our Lady
1244:Archaeological sites
702:Smithsonian Magazine
518:Innocenzo Fraccaroli
305:Baroque architecture
84:Archdiocese of Turin
1961:Basilica of Superga
1911:Basilica Mauriziana
1891:Madonna del Carmine
1562:Parco del Valentino
1536:Oriental Art Museum
1375:Piazza Carlo Felice
1298:Basilica of Superga
584:Ministry of Culture
524:(progenitor of the
514:Charles Emmanuel II
363:Charles Emmanuel II
157: /
2022:Synagogue of Turin
1901:S. Maria di Piazza
1896:Madonna del Pilone
1576:Sporting scenaries
1451:Villa della Regina
1446:University Library
1334:Madonna del Pilone
1184:Sudarium of Oviedo
1164:Holy Face of Jesus
1062:VP8 Image Analyzer
923:La Voce e il Tempo
627:in the background)
554:
502:Emmanuel Philibert
359:
166:45.07332; 7.685435
129:Shown within Turin
2028:
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1993:Waldensian Temple
1876:Gran Madre di Dio
1726:S. Carlo Borromeo
1688:Places of worship
1647:
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1555:Gardens and parks
1431:Palazzo Chiablese
1426:Palazzo Carignano
1421:Mole Antonelliana
1329:Gran Madre di Dio
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625:Mole Antonelliana
479:Grande Chilassone
419:and shell-shaped
381:Guarini's project
345:Vittorio Amedeo I
285:Jesus of Nazareth
277:Sindone di Torino
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16:(Redirected from
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1567:Botanical Garden
1501:Galleria Sabauda
1480:Teatro Carignano
1404:Other structures
1385:Piazza San Carlo
1349:San Filippo Neri
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325:Ascanio Vitozzi
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1485:Teatro Regio
1456:Royal Palace
1359:Santa Teresa
1354:San Dalmazzo
1344:San Domenico
1318:
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701:
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490:Amadeus VIII
483:
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459:unfinished.
457:
445:roof lantern
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341:Royal Palace
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183:Architect(s)
177:Architecture
42:(in Italian)
2008:Santa Croce
1946:S. Salvario
1871:S. Giuseppe
1836:S. Domenico
1831:S. Dalmazzo
1826:S. Cristina
1711:S. Agostino
1593:PalaRuffini
1324:San Lorenzo
1103:Joe Nickell
1088:Yves Delage
1071:Researchers
732:Artnet News
449:Holy Spirit
354:Project by
164: /
67:Affiliation
2035:Categories
2016:Synagogues
1986:Waldensian
1971:S. Tommaso
1956:S. Secondo
1931:S. Pelagia
1916:S. Michele
1906:S. Massimo
1881:S. Lorenzo
1721:S. Barbara
1598:PalaTorino
1154:Pray Codex
1123:Ian Wilson
933:2022-12-22
845:2022-12-22
811:2022-12-22
742:2022-12-22
712:2022-12-22
683:References
651:Statue of
592:found here
572:Apuan Alps
463:Completion
437:tabernacle
429:buttresses
412:vestibules
392:Corinthian
149:45°04′24″N
1966:S. Teresa
1866:S. Giulia
1736:S. Chiara
892:The Times
588:La Stampa
540:1997 fire
417:pediments
408:spandrels
337:cathedral
234:Completed
216:Funded by
152:7°41′08″E
2003:churches
1988:churches
1941:S. Rocco
1703:churches
1700:Catholic
1506:J-Museum
1473:Theatres
1416:Lingotto
1312:Churches
1017:Location
927:Archived
896:Archived
865:Archived
863:. ANSA.
839:Archived
805:Archived
778:49249788
736:Archived
706:Archived
598:See also
506:Chambery
498:antipope
470:baluster
453:pinnacle
425:lunettes
402:and the
371:Chambery
255:) is a
95:Location
90:Location
79:District
72:Catholic
61:Religion
1936:S. Rita
1494:Museums
1368:Squares
1233:Tourism
1137:Related
982:History
610:Gallery
492:(first
421:volutes
315:History
257:Baroque
249:Italian
210:Baroque
1460:Armory
776:
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568:Orobic
441:niches
439:-like
261:chapel
198:Chapel
1692:Turin
1458:with
1237:Turin
1179:blood
474:putti
319:Duke
281:relic
265:Turin
205:Style
103:Italy
99:Turin
1462:and
904:2018
873:2018
774:OCLC
764:ISBN
667:ISBN
570:and
496:and
433:drum
327:and
309:dome
243:The
237:1694
229:1668
194:Type
1690:in
1235:in
594:).
267:in
263:in
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