436:(Pakistan) wrote: "For the first time, people witnessed a trained singer from a classical gharana (in this case Patiala) making perfect use of his vocal range to add depth to rock and roll riffs in arrangements. "Aankhon Ke Saagar" by the trio of Immu, Shallum, and Shafqat took the industry by storm as it was something truly unimaginable, especially at that time. This was a mainstream rock band finding a following across age brackets in every household." Referring to the track, "Akhian," Mahmood wrote: "Featuring Shafqat Amanat Ali, one of the most impeccable vocalists of the subcontinent, along with Imran Momina, and Shallum Xavier, "Akhian" changed the landscape of the music industry in the early 2000s."
362:"Aankhon Ke Saagar" was the first song to be composed and recorded for the album and went on to become immensely popular in India and Pakistan, including becoming the number one song in Pakistan. Recalling how the song came about, Shallum Asher Xavier narrates that he and Shafqat were at Momina's recording studio and were feeling bored. He started strumming a melody on his guitar that he had been developing for a while and Shafqat starting humming along spontaneously. Shafqat recalls, "I really liked the melody, so I started writing some dummy lyrics wrote the lines
359:, Ali shared: "It wasn’t like I was trying to be a rebel; breaking convention. I was only taking a fresh route to the ragas to place them in a global soundscape. After all, classical elements lend soul to a composition. Music derives its meditative quality from them." The overall tone of the album is pensive and meditative, with varying notes of rock and jazz.
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achieved significant commercial success and sold a record 500,000 copies in
Pakistan, a singular feat for an album at the time. It was also critically acclaimed for its innovative use of classical ragas in pop rock compositions, its "experimentation and collaboration between different soundscapes and
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The lead single of the album, "Aankhon Ke Saagar" as well as the songs "Khamaj" (also known as "Mora
Saiyaan") and "Akhian" received significant airtime on music channels and FM radio stations in both India and Pakistan. The tracks "Khamaj (Mora Saiyaan)" and "Teray Bina" were also featured in the
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has been described as "timeless" and "game-changing" and has been lauded for making a "significant contribution to
Pakistani music." The album was also praised for being among the first to make fusion music "commercially palatable for a mass audience." Reflecting on the legacy of the album, Rafay
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The album is notable for its unique soundscape that showcases influences of
Persian, Arabic, and Indian music, as well as western pop rock. The songs in the album feature a common strain where aspects of Hindustani classical
461:, and Best Composer Award and Best Ballad Award at the Indus Music Awards. In 2004, the music video of "Khamaj (Mora Saiyaan)," directed by Saqib Malik, starring Pakistani actor
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has delivered live performances of several tracks from the album — with variations in arrangement — including "Khamaj (Mora
Saiyaan)," "Aankhon Ke Saagar," and "Akhiyan" for
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was among the first albums in
Pakistan to be produced entirely using digital recording equipment at a time when the analog format was still the norm. The overall reaction to
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in the 2000s. The album also made history by becoming the first album to be released by a band simultaneously in both India and
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then and there, and by the end of the jamming session, we had a rough picture of the song in mind." The song is based on raga
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was generally positive and it was both commercially successful and critically well received. All three founding members of
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941:"Raga & Rocks: Fuzon's Shafqat Amanat Ali Khan on Music & More : Bollywood News - Bollywood Hungama"
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compositions, and it is widely considered a pathbreaking album for the way it revolutionized
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and some of them — "Khamaj," "Madhbanti," and "Malhaar" — are eponymously named after the
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went on to win multiple awards. In 2003, it won Best
Emerging Talent at the
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style of singing. Discussing Fuzön's approach to composing the tracks for
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1513:"Shaan Shahid recalls unforgettable memories from Fuzon's Khamaj | SAMAA"
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and was re-released in 2004 by the Sound Master record label.
1389:"Verdict on Nescafé Basement: Promising but non-experimental"
1262:"I didn't get my due: Shafqat Amanat Ali - Times of India"
1137:"Lost tales of Pakistan's 10 game-changing songs – Part 2"
290:— producer and keyboardist Imran (Emu) Momina, guitarist
912:"Aankhon Ke Saagar Fuzon's debut Song and Album - Video"
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musical disciplines," and its "stylistic reinventions."
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are woven into pop melodies, combined with traditional
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1286:"An artiste is always greedy: Shafqat Amanat Ali"
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483:All music is written, arranged, and composed by
403:incorporate elements from Hindustani classical
672:Imran (Emu) Momina – keyboards, backing vocals
395:, I introduced the contemporary audience to a
1050:"More music means more peace: Shallum Xavier"
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1414:"Shafqat Amanat Ali disappoints with Raaz 3"
1238:"Patiala Gharana: Music Through Generations"
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1365:"Millennium jukebox: Hits of the decade"
1187:"Yousuf Kerai: A story of raag and taal"
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364:'aankhon kay saagar, honton kay saaghar'
251:is noteworthy for embedding elements of
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1026:"SOUNDCHECK: THIRD TIME'S A CHARM"
383:tradition of music. Lead vocalist
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1338:Sabeeh, Maheen (Feb 11, 2007).
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887:"Fuzon: A decade of soul music"
1024:Shaikh, Shahzeb (2017-07-23).
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253:Hindustani classical
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667:Shallum Asher Xavier
415:Reception and impact
322:Coke Studio Pakistan
294:, and lead vocalist
292:Shallum Asher Xavier
258:within pop rock and
150:Shallum Asher Xavier
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1393:The Express Tribune
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891:The Express Tribune
851:"Rock the world..."
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535:"Aankhon Ke Saagar"
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330:MTV Unplugged India
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1585:Fuzön albums
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1494:. 2018-11-12
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1471:. Retrieved
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1420:. 2012-08-14
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1395:. 2013-11-05
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1292:. 2016-02-26
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1218:. 2014-06-26
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1195:. Retrieved
1193:. 2011-10-25
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1170:. Retrieved
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1145:. Retrieved
1143:. 2015-05-05
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1111:. Retrieved
1109:. 2015-05-23
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1097:
1086:. Retrieved
1084:. 2020-03-01
1081:
1058:. Retrieved
1056:. 2019-09-06
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1004:. Retrieved
1001:thehindu.com
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920:. Retrieved
918:. 2013-02-11
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895:. Retrieved
893:. 2011-10-31
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