456:, was chosen as the shooting location. According to Nirmala, after each day's shoot ended, Bapu "used to draw lines of his next day's shooting. He always drew his thoughts on paper so that everyone was comfortable when the shooting started." The scene depicting Kishtaiah and Chukka's marriage was shot at the Meesala Krishnudu temple of Pulidindi. The entire film was completed in less than 20 days.
417:. The film adaptation was produced by Suresh Kumar and Seshagiri Rao under Nandana Films. P. N. Selvaraj was chosen as the cinematographer at Bapu's suggestion. Bapu also worked as art director alongside Bhavaraju Seetharamudu, an engineer who helped the unit by laying new roads. Ramana wrote the film's dialogue, with most of it being in
301:, hires Fakeeru as his lorry driver to transport coconuts to the town. The only person Fakeeru cares for in the village is his sister Chukka. He abandons Ratthi, a woman who was madly in love with him. Kishtaiah's uncle Gourayya and his fellow guard are murdered by Fakeeru when trying to stop him from stealing coconuts from
647:
caustically commented, "20 rojullo teeste 20 rojule aaduddi" (the film will only run 20 days), a view shared by many others in the Telugu film industry. Despite this, the film received critical acclaim and ran for nearly a month, recovering its investment and making a marginal profit. It was later
311:
Fakeeru is arrested, but vows revenge. He escapes from prison, and no villager gives
Kishtaiah shelter. Chukka marries Kishtaiah, in the hope that her brother would not kill him. Fakeeru is unaware of this and attacks Kishtaiah, who eventually abandons his naïve persona and kills Fakeeru. All the
280:
believed the film would not run for even 20 days in theatres, it ran for almost a month and became a profitable venture, besides receiving critical acclaim. It was later screened at the
Tashkent film festival in 1968, where it was also well received. The film received critical acclaim during its
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was released on 1 July 1967. It was publicised via posters with the tagline "20 rojullo teesina chitram" (the film which was shot in less than 20 days), and rival producer
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s
Srivathsan Nadadhur, "The film not only lays importance on the crime angle, but also emphasises the need for humans to stand up for each other in times of crisis."
262:, the directorial debut of Bapu (who also worked as art director), was the first Telugu film to be shot completely in outdoor locations, with filming taking place in
1101:
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villagers who earlier shunned
Kishtaiah now surround him, but Kishtaiah, disgusted with their selfish behaviour, leaves the village and surrenders to the police.
409:(1952), retaining the plot element of a man sending a dreaded criminal to prison, and the criminal vowing revenge. For his directorial debut, Ramana's friend
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270:. It was the acting debut of Ranga Rao, who later prefixed the film's title to his name. The entire film was completed in less than 20 days.
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s garden. As
Kishtaiah is the sole witness to these murders, the village elders force him to testify against Fakeeru in court.
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was cast as the female lead Chukka, and this was the first film where they acted together. Before the commencement of
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was cast as the male lead
Kishtaiah. R. Ranga Rao was cast as Karanam in his acting debut, and later became known as
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679:"Superstar Krishna's life in photos: Tollywood legend, Mahesh Babu's father gave many firsts to Telugu cinema"
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belt. In the same area lives
Fakeeru, a dreaded criminal. The village head, known by his title
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472:"a rare instance of late 60s New Indian Cinema aestheticism in Telugu". According to
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screened at the
Tashkent film festival in 1968, where it was also well received.
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became the first Telugu film to be shot completely in outdoor locations.
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Kishtaiah is a naïve and bucolic boatman living in
Dachampaadu, an
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was released on 1 July 1967. Although many people in the
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397:and published in the 28 October 1959 issue of
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585:"Amma Kadupu Challaga Atha Kadupu Challaga"
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993:"Mullapudi leaves behind enduring legacy"
281:screening at the Tashkent film festival.
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452:, a village located on the banks of the
266:, a village located on the banks of the
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563:"Silipoda Sinnoda Cheera Dochukunnoda"
991:Prasada Sarma, G. V. (5 March 2011).
903:from the original on 18 February 2015
782:Nadadhur, Srivathsan (29 June 2017).
738:Narasimham, M. L. (9 November 2018).
421:dialect. Satyam handled the editing.
7:
602:"Padhi Mandhi Kosam Nilabadda Neeku"
242:in supporting roles. It is based on
238:, Allu Venkateswarlu, Jagga Rao and
677:Jain, Vaishali (15 November 2022).
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857:Parankusam, Aditya (2 July 2017).
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1005:from the original on 4 March 2019
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752:from the original on 4 March 2019
922:Rajadhyaksha & Willemen 1998
840:Rajadhyaksha & Willemen 1998
665:Rajadhyaksha & Willemen 1998
1493:Films scored by K. V. Mahadevan
784:"Bapu-Ramana's Sakshi turns 50"
489:The soundtrack was composed by
1037:Encyclopaedia of Indian Cinema
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466:Encyclopaedia of Indian Cinema
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859:"50 glorious years of Sakshi"
1473:1967 directorial debut films
935:"Sakshi (1967)-Song_Booklet"
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1463:1960s Telugu-language films
1311:Srinatha Kavi Sarvabhoumudu
543:"Dayaledha Neeku Dayaledha"
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244:Mullapudi Venkata Ramana
230:, with Ramana Panthulu,
214:written and directed by
63:Mullapudi Venkata Ramana
1263:Edi Dharmam Edi Nyayam?
1175:Sri Ramanjaneya Yuddham
1045:Oxford University Press
393:was a story written by
1488:Films directed by Bapu
1271:Mantri Gari Viyyankudu
1041:British Film Institute
1436:Neethi Devan Mayakkam
636:Release and reception
442:principal photography
147:1 July 1967
1199:Mana Voori Pandavulu
1029:Rajadhyaksha, Ashish
899:. 1 September 2014.
370:Jagga Rao as Fakeeru
278:Telugu film industry
1159:Sampoorna Ramayanam
710:. 15 November 2022.
683:www.indiatvnews.com
619:"Gunaasari Gunamma"
425:Casting and filming
206:) is a 1967 Indian
1498:Indian drama films
1468:1960s Indian films
1215:Toorpu Velle Railu
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218:. The film stars
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1022:Bibliography
1007:. Retrieved
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163:Running time
140:Release date
72:Suresh Kumar
18:
1429:Tamil films
1394:Mera Dharam
1378:Pyari Behna
1354:Hindi films
591:P. Susheela
531:P. Susheela
419:Rajahmundry
386:Development
364:as Gourayya
167:142 minutes
69:Produced by
41:Directed by
1458:1967 films
1452:Categories
1418:Paramaatma
1362:Hum Paanch
652:References
608:Mohan Raju
573:Ghantasala
485:Soundtrack
381:Production
376:as Karanam
212:drama film
210:-language
151:1967-07-01
126:Production
1035:(1998) .
998:The Hindu
960:"Saakshi"
944:19 August
789:The Hindu
745:The Hindu
511:Singer(s)
475:The Hindu
450:Pulidindi
406:High Noon
349:Raja Babu
336:as Ratthi
330:as Chukka
264:Pulidindi
249:High Noon
232:Raja Babu
107:Edited by
1402:Diljalaa
1386:Mohabbat
1319:Rambantu
1239:Tyagayya
1003:Archived
970:Archived
965:JioSaavn
901:Archived
869:Archived
816:"Sakshi"
794:Archived
750:Archived
605:Aarudhra
588:Aarudhra
546:Aarudhra
526:Aarudhra
353:Munasabu
344:Munasabu
303:Munasabu
299:Munasabu
295:Godavari
180:Language
115:Music by
81:Starring
59:Story by
1009:3 March
976:4 March
907:4 March
875:4 March
825:4 March
800:4 March
756:3 March
688:20 June
430:Krishna
322:Krishna
293:in the
220:Krishna
202:Witness
199:
196:transl.
172:Country
149: (
128:company
85:Krishna
1438:(1982)
1421:(1994)
1413:(1989)
1405:(1987)
1397:(1986)
1389:(1985)
1381:(1985)
1373:(1983)
1365:(1980)
1346:(2011)
1338:(2008)
1330:(2005)
1322:(1995)
1314:(1993)
1306:(1993)
1298:(1991)
1290:(1985)
1287:Bullet
1282:(1984)
1274:(1983)
1266:(1982)
1258:(1982)
1250:(1982)
1242:(1981)
1234:(1981)
1226:(1980)
1218:(1979)
1210:(1978)
1202:(1978)
1194:(1976)
1186:(1975)
1178:(1974)
1170:(1973)
1162:(1971)
1154:(1970)
1146:(1969)
1138:(1968)
1130:(1967)
1127:Sakshi
1070:Sakshi
1051:
641:Sakshi
628:
514:Length
508:Lyrics
470:Sakshi
468:calls
460:Themes
446:Sakshi
415:Sakshi
391:Sakshi
274:Sakshi
260:Sakshi
254:Sakshi
208:Telugu
191:Sakshi
183:Telugu
110:Satyam
35:Poster
24:Sakshi
505:Title
479:'
358:s son
356:'
306:'
291:islet
252:. In
175:India
1112:Bapu
1075:IMDb
1049:ISBN
1043:and
1011:2019
978:2019
946:2021
909:2019
877:2019
827:2019
802:2019
758:2019
690:2023
611:5:28
594:4:19
577:3:47
555:8:08
535:4:11
464:The
411:Bapu
316:Cast
285:Plot
226:and
216:Bapu
54:Bapu
45:Bapu
1073:at
501:No.
351:as
342:as
1454::
1047:.
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1031:;
1001:.
995:.
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893:.
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847:^
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716:^
706:.
681:.
616:6.
599:5.
582:4.
560:3.
540:2.
519:1.
493:.
234:,
222:,
1103:e
1096:t
1089:v
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625:—
622:—
194:(
153:)
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