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617:. The ceiling is supported by two large consoles, in the forms of the torsos of women with wings. They also made an ornate carved bench in the interior of the church for the church wardens who were responsible for the elderly parishioners. This bench disappeared during the Revolution. It was replaced in 1806 with a new bench, now on the north side of the nave, made by the master wood carver Jacob-Desmalter, who made furnishings for the residences of Napoleon. It formerly had eight carved columns, but these were removed in 1856.
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The stained glass windows, like most such windows during the
Baroque and classical period, were made with largely white glass, designed to admit a maximum of light, to make reading text easier and to make the art inside more visible. The figures and details on most of the stained glass in this period
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The oldest part of the interior, from the fifteenth century, contains the seven first traverses of the nave, and the first collateral aisle on the south side. In the 16th century, the next four traverses were added, and a second lower aisle on the south, and two new lower aisles on the north. At the
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The west front, or facade dates to the 15th century, and is
Flamboyant in style, with three pignons or pointed gables corresponding to the nave and the two lower aisles. The outer pignons have small circular windows, and are connected with the central pignon with flying arches. The central west front
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and
Fidelity". Much of the art was destroyed or disappeared. In December 1792, a painter and entrepreneur named Croupart received an order from the Revolutionary government to cover with plaster all the murals in a dozen of the chapels, "in order to remove the symbols of feudalism and superstition".
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As the population continued to grow, the church was enlarged again between 1576 and 1586. Additional traverses were added to the nave, as well as double aisles on the lower collateral portions on the north and south, and very decorative portal to the south transept. The tower, originally separate,
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At the time when the abbey and chapel were built, they were outside the city walls, but gradually the city surrounded them, and the chapel was also used by the residents of the new neighbourhood that grew up around the priory. The church was rebuilt and enlarged at the end of the 12th century. The
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While the west front is
Flamboyant, the south front features a Renaissance portal constructed at the end of the 16th century, with pilasters and columns representing the classical orders. Its decoration includes sculpted busts of women and angels sounding trumpets to the glory of God. On the west
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has the main portal, framed by a pointed arch and an accolade and two buttresses. Above the portal is large window with three vertical ribs. Above the window is a larger gable, at the top of which is a small rose window with three lobes. All the sculpture on the west front dates from 1843.
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with his sword, sceptre, and golden spurs, adoring the Virgin and the Christ Child. It takes its name from the donors, MĂ©ry and
Dominique Vic, who also appear in the painting. It is found in chapel 23, the Chapel of Saint Anne,on the disambulatory around the apse.
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front, the underside of the porch is decorated with particularly elaborate carved oak sculpture from the 17th century. The consoles of the walls on the west front are decorated with sculpted figures of winged female figures sounding trumpets.
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695:(1590–1649): "The Apostles at the Tomb of the Virgin" (Bottom) and "The Assumption of the Virgin", top. depicting the glory of heaven. A group of angels at the top the lower painting serves as a link between the two subjects.
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The most dramatic feature of the interior is the retable, or altarpiece. It was finished in 1629, and is one of the rare examples a major altarpiece from the 17th century in Paris. The altar was made by the sculptor
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early features of the church, including the west front, the lower bell tower, the seven first traverses of the nave, and the first collateral aisle on the south side. These were built between 1420 and 1480 in the
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of the church, and was frequently used for ceremonies, including baptisms, blessings of wedded couples, and the presentation of alms to the poor. The wood carving and sculpture was made in 1647–1649 by
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The most striking sight of the interior is the forest of one hundred columns. The
Flamboyant interior was largely modified in the 17th and 18th century to meet the demands of the more classical style of
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952:(1833-1922) is represented by the painting "Saint Vincent de Paul repurchases the galley slaves", found in the Chapel of the Holy Family in the left collateral aisle. His works are also found in the
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The thirty-three chapels of the church present a varied and colourful galley of works by major French religious painters, as well as
Italians and Spaniards, of the 16th and 17th centuries.
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Another enlargement took place from 1613 to 1615. This added two additional traverses to the nave, as well as a double disambulatory with radiating chapels. The choir was enlarged and the
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beginning of the 17th century, the final two traverses were added, along with the choir, the double disambulatory, or aisles around the east end behind the choir; and the chapels in the
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monastery, as a church for the servants of the abbey. The abbey at this time was one of the most important in France; it was called "the third daughter of Cluny", after
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during his
Italian campaign, like a number of paintings in Paris churches, and was carried to Paris. It is now found in the Chapel of the Saviour in the disambulatory.
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The bell tower is positioned slightly back from the west front. The lower portion dates to the 15th century, while the upper portion was rebuilt in the 17th century.
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691:(1592–1660. It occupies the entire choir, and takes the architectural form of the Jesuit churches of Rome. It was designed primarily to display two paintings by
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Audiganne, Armand, "Paris dans sa splendeur sous Napoléon III : monuments, vues, scènes historiques, descriptions et histoire" Volume 1,Part 1
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The
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It became a church again in 1802, and was fully restored between 1823 and 1829. It was shut down for three months during the
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To hear the main organ being played at a 1935 concert with its full range of effects (four minutes), click link below:
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One important early work is "The
Madonna of the Vic Family", by the celebrated Flemish portrait painter,
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style. The Gothic pillars that supported the arcades and vaults in the choir were replaced by classical
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Gothic style, while later portions, including the south portal, mostly built 1576–86, are examples of
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Vestige of the old abbey next to the church (1892 - Médiathèque de l'architecture et du patrimoine)
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carved sculpture, decoration and large collection of French Renaissance paintings in the interior.
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A smaller organ in the choir, housed in finely-sculpted wooden case, was installed in 1845,
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was surrounded by church structure and raised in height. All these additions were in the
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The first chapel was constructed at the end of the 11th century by the monks of the
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The disambulatory is also decorated with a modern work by the contemporary artist
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Dumoulin, Aline; Ardisson, Alexandra; Maingard, JĂ©rĂ´me; Antonello, Murielle;
967:. an updated version of the Stations of the Cross. in vivid and warm colors.
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created major decorative work in Paris churches. The most famous work of
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Detail of "The Assumption of the Virgin" lower painting in Retable by
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painter. This work was seized by Napoleon's army from a chapel in
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Hillairet, Jacques, "Connaissance du Vieux Paris" (2020), p. 124
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Hillairet, Jacques, "Connaissance du Vieux Paris" (2020), p. 124
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Hillairet, Jacques, "Connaissance du Vieux Paris" (2020), p. 124
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Hillairet, Jacques, "Connaissance du Vieux Paris" (2020), p. 123
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Hillairet, Jacques, "Connaissance du Vieux Paris" (2020), p. 123
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Hillairet, Jacques, "Connaissance du Vieux Paris" (2020), p. 123
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Hillairet, Jacques, "Connaissance du Vieux Paris" (2020), p. 123
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was painted on the glass with various mineral compounds such as
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Vault of Chapel 21 (south side), with angels and the Holy Shroud
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South front and transept, with pinnacles on the concealed arches
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1128:(1834–1839), François-Xavier Joseph Wackenthaler (1854–1855),
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was added. Among the organists who worked at the church were
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Roman Catholic churches in the 3rd arrondissement of Paris
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Detail of the south portal, in Renaissance style (17th c.)
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Another important early work is "The Virgin of Pity" by
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Church transformed into a socialist meeting hall during
300:(March–May 1871) and used as a socialist meeting hall.
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Stained glass depicting of marriage of Mary and Joseph
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in Burgundy, the monastery responsible for the order's
1548:
12th-century Roman Catholic church buildings in France
1397:; (2017); Éditions Payot-Rivages, Paris; (in French).
873:(c. 1680-1700) (Chapel 17, now entrance to sacristy)
801:, "St. Paul and St. Barnabas at Lystra", is found in
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Detail of the carved and gilded interior, west porch
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In 1995, the church became formally associated with
1095:Musician notation for blind musicians developed by
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The church in 1550 below the Priory of Saint Martin
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284:chapel and dome were constructed at the east end.
829:(1559-1619)(Chapel of the Saviour, Disambulatory)
651:The Assumption of the Virgin" (top painting), by
106:254 Rue Saint-Martin, 3rd arrondissement of Paris
1108:is a 17th-century instrument rebuilt in 1777 by
504:The choir and transept, with classical columns
1383:(2010), Éditions Massin, Issy-Les-Moulineaux,
889:(Chapel of Compassion, left collateral aisle))
433:Sculpture of angel with trumpet, south portal
8:
1187:Dumoulin, Ardisson, Maingard and Antonello,
728:Detail of the Resurrection fresco vault, by
563:Carved interior decoration of the west porch
1352:. American Foundation for the Blind. 2013.
1059:View of the grand organ over the west end
639:Retable of Saint-Nicolas-des-Champs (1629)
575:Carved ceiling of the west porch (17th c.)
27:
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1553:Roman Catholic churches completed in 1615
492:The nave from the west, facing the choir
948:The more modern Spanish realist painter
901:"The Madonna of the Vic Family", by the
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772:The Announciation to the Shepherds, by
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421:Sculpture of the west portal (19th c.)
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1112:and further modified in 1930, when an
857:"Saint Louis giving alms", (Chapel 8)
1356:from the original on 1 December 2017.
914:(1559-1619) was an important Italian
229:. It is notable particularly for its
7:
550:Interior of the west porch (17th c.)
1468:Church of Saint-Nicholas-des-Champs
626:The retable or altarpiece (17th c.)
33:Saint-Nicolas-des-Champs west front
1445:List of historic churches in Paris
1423:. Boston: National Braille Press.
1032:Detail of border of stained glass
712:The Resurrection fresco vault, by
599:Detail of the west porch carvings
199:Church of Saint-Nicolas-des-Champs
14:
287:The church was closed during the
243:Priory of Saint-Martin-des-Champs
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1419:Louis Braille: A Touch of Genius
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1563:French Renaissance architecture
1450:Journal d'un bourgeois de Paris
1290:Dumolin, Ardisson (2010), p. 51
1272:Dumolin, Ardisson (2010), p. 51
1227:Dumolin, Ardisson (2010), p. 50
869:"Saint Roche and the Angel" by
744:"Fall of the Rebel Angels", by
524:French Renaissance architecture
516:Flamboyant vaults of the choir
227:French Renaissance architecture
207:Église Saint-Nicolas-des-Champs
42:
1335:Dumoulin, Ardisson 2010, p. 55
1326:Dumoulin, Ardisson 2010, p. 55
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1308:Dumoulin, Ardisson 2010, p. 54
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1254:Dumoulin, Ardisson 2010, p. 51
351:The western facade before 1892
16:Roman Catholic church in Paris
1:
841:"Christ and the Children" by
1558:Gothic architecture in Paris
257:. It is located next to the
1415:Mellor, C. Michael (2006).
1395:Connaissance du Vieux Paris
1099:, church organist (1834-39)
791:Michel Corneille the Elder
1579:
996:Stained glass of the choir
984:Stained glass of the choir
799:Michel Corneille the Elder
730:Michel Corneille the Elder
714:Michel Corneille the Elder
469:Detail of the tower, with
213:) is a Catholic church in
1493:Description of the organs
927:Frans Pourbus the Younger
903:Frans Pourbus the Younger
259:Musée des Arts et Métiers
211:St Nicholas-in-the-Fields
184:
26:
1374:Bibliography (in French)
1020:Detail of stained glass
912:Giovanni Battista Trotti
885:"The Virgin of Pity" by
827:Giovanni Battista Trotti
275:French Renaissance style
22:Saint-Nicolas-des-Champs
1189:Églises de Paris (2010)
1110:François-Henri Clicquot
1071:Case of the grand organ
945:at the feet of Christ.
157:end of the 12th century
153:end of the 12th century
1083:The choir organ (1845)
604:The west porch is the
409:Gothic style (15th c.)
1130:Jean-Chrisostome Hess
958:Hotel de Ville, Paris
1470:at Wikimedia Commons
1393:Hillairet, Jacques;
965:Jean-Paul Froidevaux
929:(1617). It portrays
809:Paintings in chapels
405:The west portal, in
269:late Gothic style.
219:Third arrondissement
62:Archdiocese of Paris
1519:48.8653°N 2.35389°E
1515: /
1161:Notes and citations
1132:(1855–c.1889), and
803:Notre Dame de Paris
615:Philippe de Buyster
530:columns, topped by
473:to eject rain water
311:Catholic movement.
1485:Emmanuel Community
1346:"Books in Braille"
845:(1775), (Chapel 1)
681:The Retable (1629)
621:Art and decoration
305:Emmanuel Community
144:French Renaissance
1466:Media related to
1430:978-0-939173-70-9
1403:978-2-2289-1911-1
1389:978-2-7072-0683-1
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939:Georges Lallemant
887:Georges Lallemant
785:was a student of
289:French Revolution
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1141:Louis Braille
1137:
1136:(1954–1972).
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1126:Louis Braille
1124:(1651–1669),
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1120:(1652–1707),
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1097:Louis Braille
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795:Quentin Varin
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789:in Rome, and
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746:Quentin Varin
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1104:The present
1103:
1040:silver stain
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716:(1601-1664),
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121:Architecture
1522: /
1490:(in French)
1482:(in French)
1474:(in French)
950:Leon Bonnat
776:(1612-1656)
748:(Chapel 16)
732:(1601-1664)
693:Simon Vouet
668:Simon Vouet
653:Simon Vouet
536:Ionic style
528:Doric order
309:evangelical
251:Cluny Abbey
247:Benedictine
231:Renaissance
45:Affiliation
1537:Categories
1507:48°51′55″N
843:Noël Hallé
407:Flamboyant
267:Flamboyant
223:Flamboyant
84:Roman Rite
1510:2°21′14″E
916:Mannerist
606:vestibule
532:pilasters
471:gargoyles
165:Completed
1439:See also
1354:Archived
956:and the
954:Panthéon
931:Louis IX
479:Interior
369:Exterior
103:Location
98:Location
57:Province
39:Religion
1350:Afb.org
1191:, p. 50
920:Cremona
787:Poussin
699:Frescos
534:in the
237:History
180:Website
170: (
155: (
1427:
1401:
1387:
1046:Organs
905:(1617)
203:French
129:Church
115:France
93:Active
90:Status
69:Region
1106:organ
307:, an
293:Hymen
215:Paris
135:Style
111:State
1425:ISBN
1399:ISBN
1385:ISBN
793:and
613:and
544:apse
282:apse
245:, a
197:The
189:.com
172:1615
168:1615
126:Type
80:Rite
1539::
1348:.
1178:^
960:.
805:.
546:.
277:.
217:'
205::
142:,
1433:.
201:(
174:)
159:)
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