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208:(circa 1240). The Byzantine style image had popular devotion as the focus for prayers for infants and newborns (who were swaddled in "Mantellini") and this gave name to the area and street. Around the painting are depictions of saints by
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and the Arco di Santa Lucia. In the 14th-century, the convent was engrossed by the Walls of Siena. The church and bell-tower as we see it today was designed by
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developed at the site and was documented since about 1265. At this time, the church was outside the walls of the medieval city, outside the
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church and monastery located in Pian dei
Mantellini #30, near the corner of Via della Diana in the Terzo de Citta of
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Tradition holds that some hermits lived at the site in 770; the site then acquired an aedicule with the icon of the
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in 1517; work continued on the church until the 17th century. Later it became a military barrack.
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at the right end of the nave, was once kept by the wool-workers. The marble altar was created by
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An altar on the right houses an ancient and revered icon of the Virgin, the
273:(1515). The cloister was completed in the 16th century and was frescoed by
54:, region of Tuscany, Italy. The church now serves as the Oratory for the
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121:. A fresco in the second altar on the right depicts a 14th-century
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254:. The main altar with polychrome marble was designed by
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of
Pantera. Across the street from the belltower is the
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is on a sepulchral monument with relics of the blessed
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16th-century Roman
Catholic church buildings in Italy
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317:, Enrico Torrini, editor; Siena, (1907); page 77-78.
238:Next to the Main Altar is a canvas depicting the
62:. North along Pian dei Mantellini, toward the
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294:La chiesa di S. Niccolò del Carmine in Siena
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70:: in order they are the Neoclassical
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261:The Sacristy (1512) was designed by
235:also decorated this chapel in 1512.
201:in the altar near the lateral door.
18:Saint Michael (Beccafumi, 1526-1535)
296:, by Vittorio Lusini, 1907, page 7.
195:St Michael defeats the Rebel Angels
149:St Michael defeats the Rebel Angels
315:Guida di Siena e dei suoi dintorni
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371:Renaissance architecture in Siena
31:Church of San Niccolò al Carmine.
366:Roman Catholic churches in Siena
113:To the sides of the entry is an
217:Chapel of the Holiest Sacrament
68:Monastery of the Derelict Women
137:, Another painting here is by
94:. A church and convent of the
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175:Vision of St Teresa of Avila
133:, and completed by 1571 by
129:on the right was begun by
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127:Adoration of the Shepherds
231:. The Mannerist painter
123:Assumption of the Virgin
342:43.314199°N 11.327392°E
40:Santa Maria del Carmine
206:Madonna dei Mantellini
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36:San Niccolò al Carmine
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154:A canvas depicts the
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60:Palazzo Celsi Pollini
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347:43.314199; 11.327392
263:Vannoccio Biringucci
233:Girolamo del Pacchia
187:Giacomo Pacchiarotti
119:Dionisio Montorselli
64:Arco delle Due Porte
338: /
197:is a masterwork by
171:Alessandro Casolani
135:Arcangelo Salimbeni
305:V. Lusini, page 8.
271:Giacomo Cozzarelli
269:in terra cotta by
248:St Teresa of Avila
221:Lorenzo di Mariano
199:Domenico Beccafumi
191:Giovanni Colombini
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108:Baldassare Peruzzi
104:Gate of Stalloregi
102:, also called the
100:Porta de Due Porte
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179:Giuseppe Colignon
177:, was painted by
16:(Redirected from
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225:Nativity of Mary
183:Ascent of Christ
158:Franco da Grotti
72:Palazzo Incontri
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275:Giuseppe Nasini
244:Rutilio Manetti
210:Francesco Vanni
163:Rutilio Manetti
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76:Palazzo Ravissa
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240:Blessed Franco
167:St Bartholomew
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115:Anunciation
44:Renaissance
360:Categories
333:11°19′39″E
330:43°18′51″N
281:References
96:Carmelites
92:Mantellini
156:Blessed
78:and the
56:Contrada
86:History
46:style,
246:and a
229:Sodoma
193:. The
173:. The
131:Riccio
125:. An
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42:is a
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