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in 1172. Although this is not the direct ancestor of the Saint-Chapelle established to serve the new building in the 1240s, Duke Hugues' Sainte-Chapelle also found itself between royal and papal authority. Rivalry between the Sainte-Chapelle and
Chapelle royale existed from at least 1511 when Louis
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the Sainte-Chapelle originally indicated not only the building, but more the costs and functions of clerical and musical establishment attached to it. However, unlike the
Chapelle-royale the choir of the Sainte-Chapelle did not change residence or travel with the king.
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2003 p248 "La Sainte-Chapelle avait été fondée par le duc Hugues III en 1172. Elle dépendait directement des deux autorités royale et papale, et son prestige avait été encore rehaussé par le don de la Sainte-Hostie dû au Pape Eugène IV et
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1975 "Since the two institutions had become more distinct than in the past — in fact they were by then completely separate, although some of the members of the Sainte-Chapelle might also have had duties in the royal chapel, as
35:- the members of which may have overlapped with the choir and instrumentalists. However, following the dissolution of the musical establishment in the French Revolution, the term
113:, the boys choir. Although this was officially part of Charpentier's job, from the 1460s the non-musical responsibilities in regard to the boys in practice delegated to the
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1973 "Nous ne trouverons pas avant l'année 1463 un document qui désigne nominativement l'un des maîtres des enfants de la Sainte-Chapelle"
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59:, to mean a choral establishment, rather than the building where the priests, singers and instrumentalists of the
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XII was petitioned by both the treasurer of the Sainte-Chapelle and the master of the
Chapelle royale for funds.
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109:, from 1698. The masters were not only responsible for music for services, but also for the care of the
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Constitutions des tresorier, chanoines et college de la Sainte-Chapelle du palais; Paris , 1779
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The distinction between the men and the building comes from the original meaning of French
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Notable composers who served as maîtres and sous-maîtres of the Sainte-Chapelle include
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The establishment of the Sainte-Chapelle royale consisted of a treasurer, canons, and
24:, the men of the clerical and musical institution which attached to the building, the
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94:
105:, Thomas Gobert, and Jean Veillot, but the most notable was perhaps
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Maîtrises & chapelles aux XVIIe & XVIIIe siècles
144:
French music in the fifteenth and sixteenth centuries
117:(grammar teacher) and sous-maîtres of the chapelle.
176:Les musiciens de la Sainte-Chapelle du Palais
8:
39:after 1803 applies only to the building.
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63:were based. Consequently, as with the
7:
205:Music organizations based in France
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200:1803 disestablishments in France
89:Masters of the Sainte-Chapelle
28:(built 1243–1249), in Paris.
1:
195:1249 establishments in Europe
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210:Musical groups from Paris
107:Marc-Antoine Charpentier
111:enfants de la chapelle
72:Between King and Pope
20:was the name for the
115:maître de grammaire
149:Claudin de Sermisy
99:Claudin de Sermisy
51:, as with Italian
160:Bernard Dompnier
142:Isabelle Cazeaux
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82:Sainte-Chapelle
78:Duke Hugues III
76:The Burgundian
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65:Chapelle royale
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37:Sainte-Chapelle
26:Sainte-Chapelle
18:Sainte-Chapelle
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174:Michel Brenet
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103:Nicolas Formé
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95:Pierre Certon
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55:or Spanish
189:Categories
121:References
80:founded a
61:chapelle
53:cappella
49:chapelle
43:Cappella
22:chapelle
57:capilla
33:college
165:..."
16:The
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101:,
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