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Saigyō

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351: 326:(formed with poetry written by Saigyō and others writing in the same style) was less subjective, had fewer verbs and more nouns, was not as interested in word play, allowed for repetition, had breaks in the flow, was slightly more colloquial and more somber and melancholic. Due to the turbulent times, Saigyō focuses not just on 40: 648:
subsequently looked back to Saigyō for artistic inspiration. For example, quoting Saigyō's poem on the pine tree at Shiogoshi, he wrote "Should anyone dare to write another poem on this pine tree, it would be like trying to add a sixth finger to his
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Many of his best-known poems express the tension he felt between renunciatory Buddhist ideals and his love of natural beauty. Most monks would have asked to die facing West, to be welcomed by the Buddha, but Saigyō finds the Buddha in the flowers:
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was considered to be in decline and no longer as effective a means of salvation. These cultural shifts during his lifetime led to a sense of melancholy in his poetry. As a youth, he worked as a guard to retired
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that she dreamed of writing a similar travel book after reading Saigyō's work at age 8. Nijō later followed in Saigyō's footsteps when she became a
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was concerned with subjective experience, word play, flow, and elegant diction (neither colloquial nor pseudo-Chinese), the
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Stoneman, Jack (February 2010). "Why Did Saigyō Become a Monk? An Archeology of the Reception of Saigyō's Shukke".
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to a noble family, he lived during the traumatic transition of power between the old court nobles and the new
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To be "heartless" was an ideal of Buddhist monkhood, meaning one had abandoned all desire and attachment:
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is Saigyō's personal poetry collection. Other collections that include poems by Saigyō are the
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Lady Nijo's Own Story: The Candid Diary of a Thirteenth-Century Japanese Imperial Concubine
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and the Western paradise. He lived alone for long periods in his life in Saga,
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pbk This is an expanded and matured reworking of the material in
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Saigyō travelled extensively, but one of his favorite places was
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Mirror for the Moon: A Selection of Poems by Saigyô (1118-1190)
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Awesome Nightfall: The Life, Times, and Poetry of Saigyō.
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Saigyō's journeys were an inspiration for the court lady
747:, translated by William R. LaFleur, New Directions 1978. 101: 93: 81: 54: 21: 832:. New York: Columbia University Press, 1991. p.35 819:. New York: Columbia University Press, 1991. p.81 806:. New York: Columbia University Press, 1991. p.40 542: 452: 367: 842:Whitehouse, Wilfrid; Yanagisawa, Eizo (1974). 703:Gazing at the Moon: Buddhist Poems of Solitude 262: 206: 189: 152: 116: 61: 26: 640:nun, visiting many of the places he recorded. 8: 217:, meaning “Western Journey”, a reference to 38: 18: 349: 167:warriors. After the start of the age of 846:. Rutland and Tokyo: Charles E. Tuttle. 776: 7: 754:Boston: Wisdom Publications, 2003 724:, Columbia University Press, 1991 594:I'll forget the trail I marked out 540:, famous for its cherry blossoms: 267:, “Collection of a Mountain Home”) 14: 871:The Narrow Road to the Deep North 332:(sorrow from change) but also on 306:was no longer a big influence on 203:He later took the pen name Saigyō 830:Saigyo: Poems of a Mountain Home 817:Saigyo: Poems of a Mountain Home 804:Saigyo: Poems of a Mountain Home 786:Japanese Language and Literature 949:Kamakura period Buddhist clergy 705:, Shambhala Publications, 2021 792:(2): 69–118 – via JSTOR. 284:He died at Hirokawa Temple in 1: 860:(Tokyo 1970) p. 86 and p. 176 944:Heian period Buddhist clergy 929:12th-century Japanese poets 887:Classical Japanese Database 597:on Mount Yoshino last year, 422:under the blossoming trees, 244:Narrow Road to the Interior 970: 718:, Poems of a Mountain Home 557: 511:would be moved to sadness: 467: 382: 681:The Priest and the Willow 616: 601:go searching for blossoms 530: 515:autumn evening in a marsh 444: 263: 237:that would later inspire 208: 207: 191: 190: 153: 117: 62: 37: 27: 559: 469: 384: 310:poetry, compared to the 250:He was a good friend of 121:, 1118 – March 23, 1190) 869:Nobuyuki Yuasa trans., 609:I've never been before. 954:Shingon Buddhist monks 361: 300:In Saigyō's time, the 873:(Penguin 1983) p. 138 632:, who records in her 353: 939:Hyakunin Isshu poets 750:William R. LaFleur. 419:Let me die in spring 44:Saigyō Hōshi in the 893:E-text of his poems 764:Mirror for the Moon 701:Meredith McKinney. 493:Shigi tatsu sawa no 665:, anime, episode 7 654:In popular culture 362: 323:Shin Kokin Wakashū 272:Shin Kokin Wakashū 828:Watson, Burton. 815:Watson, Burton. 802:Watson, Burton. 662:The Great Passage 620: 619: 583:Mada minu kata no 579:Kozo no shiori no 534: 533: 489:Mi ni mo aware wa 448: 447: 430:that full moon of 410:Mochizuki no koro 404:Hana no moto nite 338:(loneliness) and 252:Fujiwara no Teika 109: 108: 89:(aged 71–72) 961: 874: 867: 861: 854: 848: 847: 839: 833: 826: 820: 813: 807: 800: 794: 793: 781: 720:, translated by 610: 606: 602: 598: 543: 524: 516: 512: 508: 453: 438: 431: 427: 426:let it be around 423: 408:Sono kisaragi no 368: 290:Osaka Prefecture 286:Kawachi Province 268: 266: 265: 216: 214: 213: 212: 199: 197: 196: 195: 158: 156: 155: 122: 120: 119: 88: 67: 65: 64: 42: 32: 30: 29: 19: 969: 968: 964: 963: 962: 960: 959: 958: 909: 908: 883: 878: 877: 868: 864: 855: 851: 841: 840: 836: 827: 823: 814: 810: 801: 797: 783: 782: 778: 773: 698: 672: 656: 625: 612: 608: 607: 604: 603: 600: 599: 596: 595: 589: 586: 585:Hana wo tazunen 584: 582: 580: 578: 571: 568: 566: 564: 562: 526: 518: 517: 514: 513: 510: 509: 507:free of passion 506: 505: 499: 496: 494: 492: 490: 488: 481: 478: 476: 474: 472: 440: 433: 432: 429: 428: 425: 424: 421: 420: 414: 411: 409: 407: 405: 403: 396: 393: 391: 389: 387: 348: 346:Poetry examples 298: 260: 204: 187: 150: 144: 136:Kamakura period 114: 86: 70: 68: 59: 50: 33: 24: 17: 12: 11: 5: 967: 965: 957: 956: 951: 946: 941: 936: 934:Buddhist poets 931: 926: 921: 911: 910: 907: 906: 901: 896: 890: 882: 881:External links 879: 876: 875: 862: 849: 834: 821: 808: 795: 775: 774: 772: 769: 768: 767: 748: 741: 714: 711:978-1611809428 697: 694: 693: 692: 690:Oiso, Kanagawa 683: 678: 671: 668: 667: 666: 655: 652: 651: 650: 642: 641: 624: 621: 618: 617: 614: 613: 592: 590: 574: 572: 556: 555: 552: 547: 532: 531: 528: 527: 502: 500: 484: 482: 466: 465: 462: 457: 446: 445: 442: 441: 417: 415: 399: 397: 381: 380: 377: 372: 347: 344: 297: 294: 182:religious name 143: 140: 107: 106: 103: 99: 98: 95: 91: 90: 83: 79: 78: 58:Satō Norikiyo 56: 52: 51: 47:Hyakunin Isshu 43: 35: 34: 22: 15: 13: 10: 9: 6: 4: 3: 2: 966: 955: 952: 950: 947: 945: 942: 940: 937: 935: 932: 930: 927: 925: 922: 920: 917: 916: 914: 905: 902: 900: 897: 894: 891: 888: 885: 884: 880: 872: 866: 863: 859: 856:Makoto Ueda, 853: 850: 845: 838: 835: 831: 825: 822: 818: 812: 809: 805: 799: 796: 791: 787: 780: 777: 770: 765: 761: 760:0-86171-322-2 757: 753: 749: 746: 742: 739: 738:0-231-07493-X 735: 731: 730:0-231-07492-1 727: 723: 722:Burton Watson 719: 715: 712: 708: 704: 700: 699: 695: 691: 687: 686:Shigitatsu-an 684: 682: 679: 677: 676:Eguchi (play) 674: 673: 669: 664: 663: 658: 657: 653: 647: 644: 643: 639: 635: 631: 627: 626: 622: 615: 611: 605:in directions 591: 588: 587: 573: 570: 558: 553: 551: 548: 545: 544: 541: 539: 538:Mount Yoshino 529: 525: 522: 504:Even a person 501: 498: 497: 495:Aki no yūgure 483: 480: 468: 463: 461: 458: 455: 454: 451: 443: 439: 436: 416: 413: 412: 398: 395: 383: 378: 376: 373: 370: 369: 366: 360: 359:Kikuchi Yōsai 356: 352: 345: 343: 341: 337: 336: 331: 330: 329:mono no aware 325: 324: 319: 318:Kokin Wakashū 315: 314: 313:Kokin Wakashū 309: 305: 304: 295: 293: 292:) at age 72. 291: 288:(present-day 287: 282: 280: 279: 278:Shika Wakashū 274: 273: 259: 255: 253: 248: 246: 245: 240: 236: 232: 228: 224: 220: 211: 201: 194: 186: 183: 179: 174: 170: 166: 162: 149: 148:Satō Norikiyo 141: 139: 137: 133: 129: 126: 113: 104: 100: 96: 92: 84: 80: 77: 73: 57: 53: 49: 48: 41: 36: 23:Saigyō Hōshi 20: 16:Japanese poet 870: 865: 858:Matsuo Bashō 857: 852: 843: 837: 829: 824: 816: 811: 803: 798: 789: 785: 779: 763: 751: 744: 717: 702: 660: 634:Towazugatari 633: 593: 577:Yoshino-yama 576: 575: 560: 554:Translation 535: 503: 486: 485: 470: 464:Translation 449: 418: 401: 400: 385: 379:Translation 363: 354: 339: 333: 327: 321: 317: 316:. Where the 311: 301: 299: 283: 276: 270: 256: 249: 242: 219:Amida Buddha 202: 184: 178:Emperor Toba 147: 145: 130:of the late 112:Saigyō Hōshi 111: 110: 87:(1190-00-00) 45: 924:1190 deaths 919:1118 births 899:digital 西行庵 895:in Japanese 581:Michi kaete 491:Shirarekeri 487:Kokoro naki 406:Haru shinan 402:Negawaku wa 227:Mt. Yoshino 913:Categories 771:References 134:and early 102:Occupation 696:Resources 630:Lady Nijō 546:Japanese 456:Japanese 371:Japanese 303:Man'yōshū 142:Biography 743:Saigyô, 670:See also 638:Buddhist 435:Kisaragi 275:and the 258:Sankashū 223:Mt. Koya 173:Buddhism 125:Japanese 94:Pen name 569:花をたづねむ 567:まだ見ぬかたの 563:こぞのしをりの 523:fly up. 340:kanashi 241:in his 165:samurai 904:山家集の研究 758:  736:  732:cloth 728:  716:Saigyô 709:  659:2016: 649:hand". 623:Legacy 550:Rōmaji 521:snipes 519:where 479:秋の夕暮れ 473:身にも哀れは 460:Rōmaji 437:month. 394:望月のころ 375:Rōmaji 355:Saigyō 235:Honshū 123:was a 97:Saigyō 646:Bashō 477:鴫立つ沢の 475:知られけり 392:その如月の 388:花の下にて 296:Style 239:Bashō 169:Mappō 161:Kyoto 146:Born 132:Heian 76:Japan 72:Kyoto 756:ISBN 740:pbk 734:ISBN 726:ISBN 707:ISBN 565:道かへて 390:春死なむ 386:願はくは 335:sabi 308:waka 185:En'i 154:佐藤義清 128:poet 118:西行法師 105:Poet 85:1190 82:Died 69:1118 63:佐藤義清 55:Born 28:西行法師 688:in 561:吉野山 471:心無き 357:by 264:山家集 231:Ise 159:in 915:: 790:44 788:. 281:. 254:. 247:. 229:, 225:, 210:西行 200:. 193:円位 171:, 138:. 74:, 766:. 713:. 261:( 215:) 205:( 198:) 188:( 157:) 151:( 115:( 66:) 60:( 31:) 25:(

Index

Saigyō Hōshi in the Hyakunin Isshu
Hyakunin Isshu
Kyoto
Japan
Japanese
poet
Heian
Kamakura period
Kyoto
samurai
Mappō
Buddhism
Emperor Toba
religious name
円位
西行
Amida Buddha
Mt. Koya
Mt. Yoshino
Ise
Honshū
Bashō
Narrow Road to the Interior
Fujiwara no Teika
Sankashū
Shin Kokin Wakashū
Shika Wakashū
Kawachi Province
Osaka Prefecture
Man'yōshū

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