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Sailor Beware! (play)

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Albert Tuffnell is in love with Shirley, but he views the prospect of marrying into her family with concern. He is an orphan and has never known home life. He decides to shock Mrs Hornett into recognising how badly she behaves to other people. By pretending to jilt Shirley on their wedding morning he
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sets off a chain of events that lead family, neighbours and even the vicar to tell Emma what they think of her. She is duly chastened and all ends happily, though not without a hint that Shirley has the potential to become as formidable a wife as her mother has been.
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wrote that although the theme of the play was "as ancient as its development, whereby the husband-to-be jilts his bride", the authors' dialogue was "authentic suburban poetry". He said of Mount's performance, "She scorches the earth about
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The play depicts the successful attempt by a young sailor to curb the tyrannical ways of his prospective mother-in-law. It was the first London appearance by
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predicted a long run, and commented that he laughed despite himself: "The farce may be preposterous in its broad way it sweeps along the audience." In
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replaced Mount towards the end of the run. The play ran at the Strand until 22 February 1958, a total of 1,231 performances.
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The Hornett household is dominated by Emma, the tyrannical wife of Henry, sister-in-law of Edie, and mother of Shirley.
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as Emma was found less imposing than Mount had been in the original play. It ran until June 1961, and was
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The notices for the play were good, and those for the cast – particularly for Mount – still better.
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in 1956, with Mount and Cyril Smith playing their original stage roles. A stage sequel,
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Hope-Wallace, Philip. "'Sailor Beware!' – A Successful Comedy at the Strand",
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became a staple of provincial repertory, and received a London revival at the
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called "The toast of the town … the actress London is raving about".
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all praised the other members of the cast, who in the words of the
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as Albert. A 1992–93 tour of Britain starred Jane Freeman and
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critic, "each contribute a nicely judged share to the comedy.
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of London on 16 February 1955 and ran for 1,231 performances.
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Nightingale, Benedict. "Mount scaled with true wit",
457:, British Film Institute, retrieved 13 September 2015 322:, Contemporary Authors Online, Gale, 19 April 2002 22:From the 1955 London production: left to right 268:The play was adapted for the cinema under the 221:called the comedy "simple but successful". In 107:repertory company in 1954. The cast included 8: 412:Trewin, J C. "The World of the Theatre", 367:Whitcombe, Noel. "The Toast of the Town", 424: 422: 392: 390: 388: 386: 312: 193:The Rev Oliver Purefoy – Anthony Marlow 408: 406: 89:, had written an earlier hit comedy, 7: 396:"Strand Theatre – 'Sailor Beware'", 190:Shirley Hornett – Sheila Shand Gibbs 95:(1945), and had collaborated with 14: 352:"Richard Coleman – Lives online" 428:Tynan, Kenneth. "Versatility", 1: 342:, 14 February 2009, pp. 50–51 414:The Illustrated London News 336:"Obituary: Richard Coleman" 224:The Illustrated London News 575: 466:"Return of the Hornetts", 290:Lyric Theatre, Hammersmith 187:Daphne Pink – Jean Burgess 103:was first produced by the 66:in 1954, it opened in the 522:Gaye, Freda, ed. (1967). 432:, 20 February 1955, p. 13 400:, 17 February 1955, p. 12 358:, 20 January 2009, p. 60 166:Mrs Lack – Myrette Morven 157:Edie Hornett – Ann Wilton 125:, and Mount became what 524:Who's Who in the Theatre 509:, 23 October 1993, p. C4 470:, 25 February 1960, p. 4 445:, 17 February 1955, p. 5 371:, 19 February 1955, p. 2 443:The Manchester Guardian 324:(subscription required) 282:filmed in the same year 253:The Manchester Guardian 181:Carnoustie Bligh, AB – 416:, 5 March 1955, p. 416 175:Albert Tufnell, AB – 99:on five plays. Their 42: 21: 496:, 21 May 1991, p. 18 483:, 27 June 1961, p. 2 152:Original London cast 248:Philip Hope-Wallace 50:is a comic play by 43: 40:Sheila Shand Gibbs 334:Hayward, Anthony 278:Kathleen Harrison 169:Henry Hornettt – 60:repertory company 566: 535: 510: 503: 497: 490: 484: 477: 471: 464: 458: 452: 446: 439: 433: 426: 417: 410: 401: 394: 381: 378: 372: 369:The Daily Mirror 365: 359: 349: 343: 332: 326: 325: 317: 274:Watch It, Sailor 245: 128:The Daily Mirror 92:See How They Run 574: 573: 569: 568: 567: 565: 564: 563: 539: 538: 521: 518: 513: 504: 500: 491: 487: 478: 474: 465: 461: 455:"Sailor Beware" 453: 449: 440: 436: 427: 420: 411: 404: 395: 384: 379: 375: 366: 362: 350: 346: 340:The Independent 333: 329: 323: 318: 314: 310: 266: 243: 215: 177:Richard Coleman 160:Emma Hornett – 154: 141: 113:Richard Coleman 85:The co-author, 83: 12: 11: 5: 572: 570: 562: 561: 556: 551: 541: 540: 537: 536: 517: 514: 512: 511: 505:"On release", 498: 485: 472: 459: 447: 434: 418: 402: 382: 373: 360: 344: 327: 311: 309: 306: 265: 264:Later versions 262: 214: 211: 210: 209: 208: 207: 195: 194: 191: 188: 185: 183:James Copeland 179: 173: 167: 164: 158: 153: 150: 140: 137: 117:Strand Theatre 101:Sailor Beware! 82: 79: 62:production in 47:Sailor Beware! 32:Myrette Morven 13: 10: 9: 6: 4: 3: 2: 571: 560: 557: 555: 552: 550: 549:British plays 547: 546: 544: 533: 529: 525: 520: 519: 515: 508: 502: 499: 495: 489: 486: 482: 476: 473: 469: 463: 460: 456: 451: 448: 444: 438: 435: 431: 425: 423: 419: 415: 409: 407: 403: 399: 393: 391: 389: 387: 383: 380:Gaye, p. 1537 377: 374: 370: 364: 361: 357: 353: 348: 345: 341: 337: 331: 328: 321: 320:"Philip King" 316: 313: 307: 305: 303: 299: 295: 292:in 1991 with 291: 287: 286:Sailor Beware 283: 279: 275: 271: 263: 261: 259: 255: 254: 249: 240: 239:Kenneth Tynan 236: 235: 230: 226: 225: 220: 212: 205: 204: 199: 198: 197: 196: 192: 189: 186: 184: 180: 178: 174: 172: 168: 165: 163: 159: 156: 155: 151: 149: 146: 138: 136: 134: 133:Tessie O'Shea 130: 129: 124: 123: 118: 114: 110: 106: 102: 98: 97:Falkland Cary 94: 93: 88: 80: 78: 76: 71: 69: 65: 61: 57: 56:Falkland Cary 53: 49: 48: 41: 37: 33: 29: 25: 20: 16: 554:Comedy plays 523: 507:The Guardian 506: 501: 493: 488: 480: 479:"Theatres", 475: 467: 462: 450: 442: 437: 430:The Observer 429: 413: 397: 376: 368: 363: 355: 347: 339: 330: 315: 298:Colin Hurley 296:as Emma and 294:Jane Freeman 285: 273: 267: 257: 251: 234:The Observer 232: 229:J. C. Trewin 222: 218: 216: 201: 142: 126: 120: 100: 90: 84: 72: 46: 45: 44: 36:Jean Burgess 15: 302:Kathy Staff 171:Cyril Smith 162:Peggy Mount 145:Able Seaman 109:Peggy Mount 87:Philip King 75:Peggy Mount 52:Philip King 24:Peggy Mount 559:1954 plays 543:Categories 516:References 270:same title 58:. After a 28:Ann Wilton 494:The Times 481:The Times 468:The Times 398:The Times 356:The Times 219:The Times 213:Reception 203:The Times 122:The Times 200:Source: 105:Worthing 68:West End 64:Worthing 532:5997224 81:History 530:  244:  308:Notes 258:Times 528:OCLC 139:Plot 111:and 54:and 38:and 250:in 242:her 545:: 421:^ 405:^ 385:^ 354:, 338:, 304:. 284:. 237:, 227:, 34:, 30:, 26:, 534:. 206:.

Index


Peggy Mount
Ann Wilton
Myrette Morven
Jean Burgess
Sheila Shand Gibbs
Philip King
Falkland Cary
repertory company
Worthing
West End
Peggy Mount
Philip King
See How They Run
Falkland Cary
Worthing
Peggy Mount
Richard Coleman
Strand Theatre
The Times
The Daily Mirror
Tessie O'Shea
Able Seaman
Peggy Mount
Cyril Smith
Richard Coleman
James Copeland
The Times
The Illustrated London News
J. C. Trewin

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