389:) Yuba Bill tells Lize Heath that her husband Red Pete was one of the robbers who held up his stagecoach. Yuba Bill figures that means Red Pete will be abandoning her, since he is known to the vigilantes. But the vigilantes bring Red Pete and the young Man, who was also caught, into the clearing, so Pete can say goodbye to his family. Lize, despite Red's abuse of her, rails against vigilante justice until Pete stops her. Both men are to be hung for robbery, but Pete says the Man had nothing to with it. The vigilantes start to free him, when Rufe accuses him of Baldwin's murder. They decide to hang him, and Seth Low invites Salomy Jane to say goodbye to the young fellow who has no one else. Salomy Jane, impressed by the Man's stoicism and sense of honor, kisses him in front of the gathering. As they depart with their captives, Jack Marbury quietly slips some gold coins into Lize's apron while she sobs unaware.
372:) The vigilantes have called a meeting about some stagecoach robbers that held up and wounded Yuba Bill. At the meeting Larrabee and Madison Clay confront each other, but are separated and warned by Seth Low not to start a feud in California. Salomy Jane urges would-be beau Rufe Waters to avenge her honor upon Baldwin, but he hesitates. Later Baldwin is found dead, and Rufe secretly tells Salomy Jane that he slew him. She then allows him to put a ring on her finger. Anna May wanders in with a bangle that Yuba Bill recognizes from the robbery. The vigilantes now know they are hunting Red Pete. As they go out, Salomy Jane encounters the Man, and learns he was avenging his sister when he slew Baldwin. She brings him food and lets him go.
406:) Returning home, Salomy Jane and her father learn Red Pete was hung, but the young stranger escaped. Col. Starbottle warns Madison that Larrabee is goning to ambush him. Starbottle, like Yuba Bill and Jack Marbury, are all trying to court Salomy Jane. She fends off the older men with humor, and tells Jack Marbury she likes but doesn't love him. However, she is scathing with Rufe when he reproaches her for kissing the Man: "When you hang, I'll kiss you too". Later, Salomy is awakened by a noise outside the cabin. Taking her father's shotgun with her in case its Larrabee, she finds the Man. He tells Salomy Jane he's come back to thank her. When Rufe comes by, stalking the Man, Salomy disguises him with her father's hat and
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420:) Larrabee, mistaking the Man for Madison Clay tries to shoot him, but is himself shot by the Man using Madison's shotgun. Roused by the shots, neighbors come running. Salomy tries to hide the gun, but Madison see her with it and tells everyone he shot Larrabee. Soon Madison, Salomy, and the Man are all fugitives. Madison leads the vigilantes in one direction, to give Salomy time to get a horse.
719:. Producer Tyler said the premiere was nearly derailed when playwright Paul Armstrong became tipsy on champagne and gave a third act curtain speech. Armstrong gave the audience a narcissistic version of the play's writing that had the first-nighters starting to snicker, but redeemed himself by abruptly ending the speech proclaiming he owed it all "to the great soul of Bret Harte".
427:) At the corral Salomy Jane tells the Man to pick out a horse for their escape. They are caught by Rufe, who holds them at gunpoint. The Man calls Rufe's bluff, knowing he doesn't have to nerve to fire. He further frightens Rufe by saying he'll strangle him like he did Baldwin. Rufe fades away and the couple make their escape. (
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reviewer singled out the playwright's use of a backstory in the first act to explain Salomy Jane's reason for kissing the stranger. They also cited the playwrights characterization, saying the play "is melodrama with human beings in it instead of theatrical stock figures".
759:, claiming long tradition would ascribe weakness to a new work if an older play supported it. George C. Tyler replied that Armstrong's contract with Liebler & Company was for an indefinite period and the playwright couldn't expect Miss Robson to go on playing
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reported "attendance at the
Liberty Theatre is nightly increasing and seats are already at a premium". Beginning February 27, 1907, Wednesday matinees at the Liberty Theatre were devoted to a revival of
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finished at the
Liberty Theatre on May 18, 1907. It would return September 2, 1907 as the first of several works in repretory, previous hits of Eleanor Robson such as
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478:. According to Tyler's 1934 memoir, none of the three was very successful, so he commissioned Paul Armstrong to write another. Armstrong completed
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critic thought the first two acts went smoothly, but the melodrama lost its punch in the third through obviousness, while the fourth act was weak.
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Liebler & Company was a partnership between investor
Theodore A. Liebler and producer-manager George C. Tyler. After Robson's success in
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on
January 19, 1907. This was a Saturday, so the producers announced ahead of time there would be no matinee that day. Eleanor Robson had
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410:. The disguise doesn't fool Jack Marbury, who holds the Man at gunpoint. Salomy Jane persuades Jack to let him go.
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197:. It ran on Broadway from January through May 1907, returned in September 1907 for a month then went on tour.
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The day after the play closed Warner married Mrs. Fred R. Hamlin, widow of a theatrical manager.
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Fuller, about 10 years old during the production, had memorized all of
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A traditional prerogative of playwrights at this time, which fell out of fashion after 1910.
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Gallaher, age 11, told an interviewer he wanted to be a civil engineer, not an actor.
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These matinees led to a minor contremps when Paul
Armstrong protested the playing of
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The play was never published; this synopsis is based on newspaper reviews from 1907.
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for the 1906–1907 season, in order to showcase her in several new plays. These were
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is about 10, antecedents unclear, who wants to become a stage driver like Yuba Bill.
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is about 8, the older daughter of Lize Heath and Red Pete, friend to Willie Smith.
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Pike, Marion J. (January 20, 1907). "Theatrical
Attractions In The Metropolis".
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is a third Bret Harte stock character (Jack Hamlin in other stories), a gambler.
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is an enemy of
Madison Clay who has carried a feud from their Kentucky home.
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is a young stockman interested in Salomy Jane who fails to show mettle.
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is a good-for-nothing drunken husband who turns to stagecoach robbery.
985:. San Francisco, California. October 9, 1914. p. 18 – via
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is Salomy Jane's widower father, a stockraiser from Kentucky with a
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is another Bret Harte stock character, a rambunctious stage driver.
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The original Bret Harte story revealed his name to be Jack Dart.
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Paul Armstrong later expanded his drama into a screenplay for a
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The play was produced by Liebler & Company, with staging by
1140:. Brooklyn, New York. February 16, 1907. p. 6 – via
1020:. New York, New York. November 14, 1906. p. 7 – via
947:. New York, New York. January 20, 1907. p. 39 – via
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is a young stranger who has come to the camp to avenge a woman.
1121:. Brooklyn, New York. January 21, 1907. p. 4 – via
1099:. New York, New York. January 20, 1907. p. 7 – via
894:. Brooklyn, New York. January 21, 1907. p. 7 – via
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is Red Pete's long-suffering wife and mother of his two girls.
1080:. New York, New York. January 5, 1907. p. 9 – via
966:. Brooklyn, New York. August 8, 1907. p. 2 – via
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is about 6, the younger daughter of Lize Heath and Red Pete.
1178:. New York, New York. March 7, 1907. p. 9 – via
1159:. New York, New York. March 6, 1907. p. 9 – via
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Afternoon, meeting place of the Vigilantes in the Redwoods.
1200:. New York, New York. May 19, 1907. p. 7 – via
1061:. New York, New York. May 5, 1907. p. 45 – via
1039:. New York, New York. May 20, 1907. p. 7 – via
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betrayed the Man's sister, and later accosted Salomy Jane.
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is a proud young woman with a cool manner towards suitors.
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1095:""Salomy Jane's Kiss" With Eleanor Robson".
1057:"Some Stage Children in New York Theatres".
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913:. Buffalo, New York. p. 10 – via
840:This was double-billed with a one-act play,
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981:"Salomy Jane Vividly Shown In Photoplay".
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387:Evening, exterior of Red Pete's shack.
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1155:"Protests Against Robson Matinees".
930:program guide for October 21, 1907.
1218:George C. Tyler and J. C. Furnas.
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1246:American plays adapted into films
177:, and electrical effects by the
911:The Buffalo Sunday Morning News
466:by Eugene Presbray, based on a
418:Scene 1: Dawn, same as Act III.
1035:"Henry Byron Warner Married".
737:One month after the premiere,
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1006:Tyler and Furnas, pp.175-177
771:The initial Broadway run of
698:Jan 19, 1907 - May 18, 1907
684:Jan 19, 1907 - May 18, 1907
671:Jan 19, 1907 - May 18, 1907
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518:Jan 19, 1907 - May 18, 1907
464:Susan in Search of a Husband
160:Calaveras County, California
133:Calaveras County, California
1196:"Miss Robson Ends Season".
1076:"Miss Robson's Next Play".
472:The Girl Who Has Everything
116:Romance amidst the Redwoods
16:1907 play by Paul Armstrong
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1117:"Miss Robson's New Play".
763:forever and nothing else.
83:January 19, 1907
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890:"Bret Harte Melodrama".
730:The Brooklyn Daily Eagle
1241:Plays set in California
1222:. Bobbs Merrill, 1934.
1016:"Notes of the Stage".
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707:Premiere and reception
681:Frances Golden Fuller
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962:"Theatrical Notes".
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1138:The Brooklyn Times
1097:The New York Times
1078:The New York Times
1059:The New York Times
842:A Tenement Tragedy
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724:The New York Times
695:Ruth Abbott Wells
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1063:NYTimes.com
806:Salomy Jane
800:Salomy Jane
789:Adaptations
773:Salomy Jane
761:Salomy Jane
757:Salomy Jane
717:top billing
663:Lize Heath
544:Reuban Fax
480:Salomy Jane
476:Clyde Fitch
470:story; and
260:Rufe Waters
143:Salomy Jane
60:Directed by
22:Salomy Jane
1236:1907 plays
1230:Categories
874:References
554:Yuba Bill
440:Background
332:Vigilantes
307:Lize Heath
232:Supporting
208:Characters
169:, sets by
156:Bret Harte
135:circa 1855
87:1907-01-19
54:Bret Harte
52:(1889) by
36:Written by
812:Wild Girl
667:Ada Dwyer
634:Seth Low
621:Red Pete
338:Off-stage
248:Yuba Bill
195:Ada Dwyer
167:Hugh Ford
124:Melodrama
64:Hugh Ford
525:The Man
351:Synopsis
295:Seth Low
279:of land.
267:Featured
70:Music by
46:Based on
945:The Sun
767:Closing
429:Curtain
400:Act III
344:Baldwin
326:Walk-on
225:The Man
185:, with
129:Setting
113:Subject
108:English
85: (
814:(1932)
808:(1923)
802:(1914)
502:Dates
499:Actor
414:Act IV
408:duster
383:Act II
193:, and
819:Notes
496:Role
366:Act I
240:is a
121:Genre
794:Film
781:and
486:Cast
213:Lead
844:by
474:by
458:by
154:by
1232::
1188:^
1109:^
1049:^
995:^
935:^
882:^
785:.
462:;
431:)
204:.
189:,
1204:.
1182:.
1163:.
1144:.
1125:.
1103:.
1084:.
1065:.
1043:.
1024:.
989:.
970:.
951:.
917:.
898:.
423:(
416:(
402:(
385:(
368:(
89:)
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