Knowledge (XXG)

Sally Michel Avery

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Michel continued to paint in her free time and shared space in the studio alongside her husband, Milton Avery, often working on smaller 18 x 20 inch canvases. The two critiqued one another as they developed what would be known as the Avery style, an artistic reflection on the importance of family and
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In 1924 Michel joined her peers in Gloucester, Massachusetts, a relaxing and picturesque locale where she went to focus on developing her artwork outside of illustration. Here, Michel got to know her soon-to-be husband, Milton Avery, who was in awe of her dedication to her art. They married and Avery
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empathy to the hardships of the Great Depression. With Michel's encouragement as Avery's manager, studio mate, and wife, his career took off during the 1950s. Michel and her family chose to travel and paint almost every summer, visiting Massachusetts, Vermont, Florida, Canada, Mexico and Europe.
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While Michel was driven to advance her husband's career with curators, collectors, and art dealers, she only showed her own work on rare occasions during her lifetime and often downplayed her own talents. She was considered a colleague, travelled with, and actively participated developing the
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moved to New York to be with Michel in 1926 where they would eventually live together in the top floor apartment at 294 West 11th Street, Manhattan. Michel served as the primary source of income for their small family from the 1920s-1950s, throughout the
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Born in Brooklyn, Michel knew from around the time she was five or seven years old that she had the drive and desire to become an artist. She began working immediately as a freelance illustrator after high school creating fashion illustrations for
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paintings of abstracted figures, landscapes, and genre scenes capturing personal moments of everyday life. She was the co-creator of the "Avery style", wife and collaborator of artist
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Sally Michel and Milton Avery share a vocabulary of artistic styles that included an interest in the harmony and atmospheric effects of color on abstracted, but familiar subjects.
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artistic language of expressionism and figural abstraction through discussions with friends and fellow artists
802: 444: 178: 762: 480: 270: 668: 498: 964: 959: 289: 354:, Smithsonian Institution Traveling Exhibition Service and The Corcoran Gallery of Art, DC (1986) 735: 516: 186: 622: 582: 486: 470: 574: 266: 225: 173:, and harmonious but unusual colors juxtapositions. Michel's work is the collections of the 122: 240:
Drawing of Milton Avery by artist Sally Michel, Collection of the National Portrait Gallery
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for over twenty years. While working, Michel also took evening classes at
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Preserving the Past, Securing the Future: Donations of Art, 1987-1997
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American Masters: Works on Paper from The Corcoran Gallery of Art
888:"Sally Michel: Rhythms of Light and Color | D. Wigmore Fine Art" 801:
Division, Columbia University Libraries Digital Program (2010).
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MacDowell Colony Fellowship, Peterborough, NH (1953, 1954,1956)
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University of Iowa Museum of Art, Iowa City, IA (1987-1988)
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Painting and Sculpture by Wives of Painters and Sculptors
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Yaddo Colony Fellowship, Saratoga Springs, NY (1955-1956)
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e, Danforth Museum of Art, Framingham, MA (1999-2000)
943:. New York, NY: D. Wigmore Fine Art, Inc. p. 30. 467:, Philadelphia, PA Link to Museum Collection Record - 390:, National Museum of Women in the Arts, DC. (1997–98) 16:
American modernist artist and illustrator (1902-2003)
137: 131: 125: 104: 76: 66: 54: 28: 21: 615:"Sally Michel Avery, 100, Illustrator and Artist" 439:New York, NY Link to Museum Collection Record - 284:Michel and Avery were inspired by the American 364:American Women Artists: The Twentieth Century, 339:Paul Kessler Gallery, Provincetown, MA (1959) 345:Galerie du Jonelle, Palm Springs, CA (1973) 179:National Gallery of Art (Corcoran Collection) 8: 786:Ratcliff, Carter (May 2018). "Love Story". 412:Sally Michel Avery: Landscapes and Figures, 206:and was a contributor to the family column 18: 461:, Smithsonian Institution, Washington, DC 366:Knoxville Museum of Art, TN (1988 - 1990) 649:Southgate, Therese (2003). "The Cover". 511:University of Iowa Stanley Museum of Art 528: 372:, Corcoran Gallery of Art, DC (1989–90) 97: 1926; died 1965) 882: 880: 878: 876: 874: 872: 870: 868: 866: 864: 862: 860: 858: 856: 854: 852: 850: 848: 846: 844: 842: 807:oralhistoryportal.library.columbia.edu 736:"Sally Michel Avery, Horse Show, 1979" 699:"Sally Michel Avery, 100, illustrator" 336:, Contemporary Arts Gallery, NY (1933) 909: 907: 840: 838: 836: 834: 832: 830: 828: 826: 824: 822: 556: 554: 552: 465:Pennsylvania Academy of the Fine Arts 400:Sally Michel/Milton Avery: A Portrait 149: 7: 757: 755: 730: 728: 726: 724: 644: 642: 608: 606: 604: 602: 600: 598: 596: 550: 548: 546: 544: 542: 540: 538: 536: 534: 532: 453:National Museum of Women in the Arts 970:20th-century American women artists 402:, Knoedler & Company, NY (2003) 941:The Optimistic Art of Sally Michel 14: 376:Sally Michel: Mountain Landscapes 292:of the 1800s, and the art of the 183:Pennsylvania Academy of Fine Arts 517:Wadsworth Atheneum Museum of Art 384:, Fresno Art Museum, CA, (1990) 370:Seventy-five American Modernists 121: 980:American Expressionist painters 563:"Sally Michel: The Other Avery" 218:New York's Arts Students League 94: 71:New York's Arts Students League 975:20th-century American painters 705:. January 28, 2003. p. 19 675:. January 27, 2003. p. 30 358:Sally Michel: The Other Avery, 343:Oil Paintings by Sally Michel, 296:, especially the "Wild Beast" 1: 613:Smith, Roberta (2003-01-26). 418:Sally Michel: Idyllic Moments 408:, D. Wigmore Fine Art (2016) 651:American Medical Association 505:Smith College Museum of Art 414:Anne Loucks Gallery (2018) 996: 437:Metropolitan Museum of Art 394:Sally Michel: Retrospectiv 175:Metropolitan Museum of Art 459:National Portrait Gallery 420:, Childs Gallery (2019) 445:National Gallery of Art 348:Waverly Gallery (1981) 213:New York Times Magazine 165:, and mother of artist 767:Sheridan Road Magazine 561:Hobbs, Robert (1987). 481:Chrysler Museum of Art 426:, Bruce Museum (2019) 424:Summer with the Averys 241: 703:The News and Observer 499:Reading Public Museum 239: 763:"A Life's Landscape" 431:Selected collections 328:Selected exhibitions 567:Woman's Art Journal 288:movement, American 939:Wolf, Tom (2017). 788:Art & Antiques 619:The New York Times 242: 187:Wadsworth Atheneum 117:Sally Michel Avery 23:Sally Michel Avery 507:, Northampton, MA 487:Fresno Art Museum 114: 113: 987: 945: 944: 936: 930: 929: 927: 926: 911: 902: 901: 899: 898: 892:www.dwigmore.com 884: 817: 816: 814: 813: 798: 792: 791: 783: 777: 776: 774: 773: 759: 750: 749: 747: 746: 732: 719: 718: 712: 710: 695: 689: 688: 682: 680: 665: 659: 658: 646: 637: 636: 634: 633: 610: 591: 590: 558: 455:, Washington, DC 277:Style and legacy 267:Louis Eilshemius 226:Great Depression 208:Parent and Child 193:, among others. 153: 147: 146: 143: 142: 139: 136: 133: 130: 127: 98: 96: 61: 49:, New York, U.S. 42: 40: 19: 995: 994: 990: 989: 988: 986: 985: 984: 950: 949: 948: 938: 937: 933: 924: 922: 913: 912: 905: 896: 894: 886: 885: 820: 811: 809: 800: 799: 795: 785: 784: 780: 771: 769: 761: 760: 753: 744: 742: 734: 733: 722: 708: 706: 697: 696: 692: 678: 676: 667: 666: 662: 648: 647: 640: 631: 629: 612: 611: 594: 579:10.2307/1358160 560: 559: 530: 526: 513:, Iowa City, IA 475:Brooklyn Museum 433: 330: 317: 279: 263:Marsden Hartley 255:Adolph Gottlieb 234: 199: 124: 120: 100: 92: 88: 85: 62:(aged 100) 59: 58:January 9, 2003 50: 44: 38: 36: 35: 34: 24: 17: 12: 11: 5: 993: 991: 983: 982: 977: 972: 967: 962: 952: 951: 947: 946: 931: 903: 818: 793: 778: 751: 720: 715:Newspapers.com 690: 685:Newspapers.com 660: 638: 592: 527: 525: 522: 521: 520: 519:, Hartford, CT 514: 508: 502: 496: 490: 484: 478: 477:, New York, NY 472: 462: 456: 450: 442: 432: 429: 428: 427: 421: 415: 409: 403: 397: 391: 385: 379: 373: 367: 361: 355: 349: 346: 340: 337: 329: 326: 325: 324: 321: 316: 313: 278: 275: 259:Barnett Newman 233: 230: 198: 195: 112: 111: 106: 102: 101: 90: 86: 81: 80: 78: 74: 73: 68: 64: 63: 56: 52: 51: 45: 32: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 992: 981: 978: 976: 973: 971: 968: 966: 963: 961: 958: 957: 955: 942: 935: 932: 920: 916: 910: 908: 904: 893: 889: 883: 881: 879: 877: 875: 873: 871: 869: 867: 865: 863: 861: 859: 857: 855: 853: 851: 849: 847: 845: 843: 841: 839: 837: 835: 833: 831: 829: 827: 825: 823: 819: 808: 804: 797: 794: 789: 782: 779: 768: 764: 758: 756: 752: 741: 740:Taylor Graham 737: 731: 729: 727: 725: 721: 716: 704: 700: 694: 691: 686: 674: 670: 664: 661: 656: 652: 645: 643: 639: 628: 624: 620: 616: 609: 607: 605: 603: 601: 599: 597: 593: 588: 584: 580: 576: 572: 568: 564: 557: 555: 553: 551: 549: 547: 545: 543: 541: 539: 537: 535: 533: 529: 523: 518: 515: 512: 509: 506: 503: 501:, Reading, PA 500: 497: 494: 493:Israel Museum 491: 488: 485: 483:, Norfolk, VA 482: 479: 476: 473: 471: 469: 466: 463: 460: 457: 454: 451: 449: 446: 443: 441: 438: 435: 434: 430: 425: 422: 419: 416: 413: 410: 407: 406:Sally Michael 404: 401: 398: 395: 392: 389: 386: 383: 380: 377: 374: 371: 368: 365: 362: 359: 356: 353: 350: 347: 344: 341: 338: 335: 332: 331: 327: 322: 319: 318: 314: 312: 310: 306: 302: 301:Henri Matisse 299: 295: 291: 287: 282: 276: 274: 272: 268: 264: 260: 256: 252: 246: 238: 231: 229: 227: 221: 219: 215: 214: 209: 205: 196: 194: 192: 191:Israel Museum 188: 184: 180: 176: 172: 168: 164: 160: 156: 152: 145: 118: 110: 107: 103: 84: 79: 75: 72: 69: 65: 57: 53: 48: 43:July 27, 1902 31: 27: 20: 940: 934: 923:. 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Retrieved 618: 570: 566: 489:, Fresno, CA 423: 417: 411: 405: 399: 393: 387: 382:Sally Michel 381: 375: 369: 363: 357: 351: 342: 333: 309:Andre Derain 283: 280: 271:Stuart Davis 247: 243: 222: 211: 207: 200: 171:color fields 163:Milton Avery 154: 116: 115: 83:Milton Avery 60:(2003-01-09) 33:Sally Michel 965:2003 deaths 960:1902 births 919:artcritical 673:The Gazette 573:(2): 3–14. 495:, Jerusalem 315:Residencies 294:avant-garde 251:Mark Rothko 167:March Avery 109:March Avery 954:Categories 925:2021-05-24 897:2021-05-19 812:2021-05-26 772:2021-05-24 745:2021-05-18 632:2021-05-18 524:References 305:Raoul Dufy 197:Early life 189:, and the 39:1902-07-27 627:0362-4331 587:0270-7993 159:modernist 67:Education 790:: 62–69. 290:Folk Art 286:Tonalism 105:Children 47:Brooklyn 709:July 2, 679:July 2, 210:in the 99:​ 91:​ 87:​ 625:  585:  307:, and 298:Fauves 269:, and 232:Career 204:Macy's 185:, the 181:, the 177:, the 155:Michel 77:Spouse 657:: 13. 93:( 89: 711:2020 681:2020 623:ISSN 583:ISSN 55:Died 29:Born 655:290 575:doi 151:née 956:: 917:. 906:^ 890:. 821:^ 805:. 765:. 754:^ 738:. 723:^ 701:. 671:. 653:. 641:^ 621:. 617:. 595:^ 581:. 569:. 565:. 531:^ 303:, 273:. 265:, 257:, 253:, 228:. 220:. 148:; 129:eɪ 95:m. 928:. 900:. 815:. 775:. 748:. 717:. 687:. 635:. 589:. 577:: 571:8 144:/ 141:i 138:r 135:ə 132:v 126:ˈ 123:/ 119:( 41:) 37:(

Index

Brooklyn
New York's Arts Students League
Milton Avery
March Avery
/ˈvəri/
née
modernist
Milton Avery
March Avery
color fields
Metropolitan Museum of Art
National Gallery of Art (Corcoran Collection)
Pennsylvania Academy of Fine Arts
Wadsworth Atheneum
Israel Museum
Macy's
New York Times Magazine
New York's Arts Students League
Great Depression
Sally Michel, "Milton Avery", 1961, NGA 181123
Mark Rothko
Adolph Gottlieb
Barnett Newman
Marsden Hartley
Louis Eilshemius
Stuart Davis
Tonalism
Folk Art
avant-garde
Fauves

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