239:
444:
42:
431:. Due to poor management, he retired in September, and the theatre was rented to the troupe of the Folies-Dramatiques from 14 September to 6 November. Mme Chabrillan took over again in 1863. She applied for permission to open a café, with vocal concerts inside and instrumental concerts outside on the terrace, and provisionally entrusted its direction to Auguste Armand Bourgoin, who began on 22 June 1863. The theatre was sold to Louis-Émile Hesnard (the actor known as
209:, where he first built his reputation as a theatre composer. It was subsequently used unsuccessfully by several companies until 1864, when it again became a profitable operetta theatre called the Folies-Marigny. When this company diminished in popularity, the theatre was closed. It was demolished in 1881 and replaced with the Panorama Marigny which was converted into the
348:
On 1 January 1861 Raignard, inventor of a novel system of décors and tricks, applied for permission to use the theatre for presentations between 2 and 5 p.m. at reduced prices targeted at the "numerous persons of a variable population", whose occupations and limited means kept them from attending the
519:
Levin 2009, p. 401, identifies the theatre as the "Salle Lacaze". Yon 2000, p. 111, describes it as a "petit théâtre de magie que le 'physicien' Lacaze a rouvert..." ("little theatre of magic that the 'conjurer' Lacaze opened..."). In this context, "physicien" has been translated as "conjurer"; see
369:. After the failure of this enterprise, the director was dismissed by a decree of 3 August 1861, and on 7 August a second decree authorized the artists to continue performances as a society under the direction of Octave Guillier. This effort was abandoned, however, by 31 August.
340:, and from July to early August the company performed in Lyon, leaving the Salle Lacaze empty. Legislation enacted in March 1861 prevented the Bouffes-Parisiens from continuing to use both theatres, and their appearances at the Salle Lacaze were discontinued.
284:
about two swindling "blind" Parisian beggars. This little piece soon acquired an international reputation due to visitors from the
Exposition and due to some controversy over its subject matter. Another notable premiere that summer was
291:. Further performances in the summer of 1855 were primarily of satirical sketches which only included a few musical numbers. The season, however, was so successful that Offenbach was able to resign his position as conductor of the
333:
After
Deburau, the theatre was again used by the Bouffes-Parisiens (1859). During the summer of 1860 Offenbach's company performed in Brussels in June, while Offenbach himself went to Berlin to conduct the Berlin premiere of
404:
on the avenue
Montaigne). She gave its direction to Eugène Audray-Deshorties, who received his authorization on 20 January 1862 and reopened the theatre on 19 April. His repertory was confined to one-, two-, and three-act
1011:
225:
a small theatre called the Salle Lacaze was built for a magician named Lacaze. It was a summer theatre, and in it he presented "legerdemain and amusing physical representations." His theatre was also known as the
443:
238:
478:. In April 1870 the theatre was taken over by Leduc. The last performance was in April 1881, and shortly thereafter it was demolished, to be replaced with a panorama designed by the architect
299:
on the rue
Monsigny. The company also used the Salle Lacaze for the 1856, 1857, and 1859 summer seasons, and a total of 16 Offenbach pieces were premiered here by the Bouffes-Parisiens.
349:
theatre in the evening. He also intended it to help young authors, composers, and actors. By a ministerial order of 5 February his repertory was limited to one- and two-act
274:
on 5 July 1855. The theatre had a capacity of only 300 spectators. At the inaugural performance, Offenbach conducted four of his own works, the last of which was
114:
474:
but had experienced a decline in the allure of his voice, purchased the Folies-Marigny in 1868, and produced an operetta of his own composition called
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into a new theatre, which opened on 22 January 1896 under the name Folies-Marigny, but this was soon shortened to
Marigny-Théâtre or
221:
The first recorded entertainment use of the site dates to 1835, when a showman set up attractions at the
Marigny junction. After the
1006:
935:
384:
from 13 June to 31 August. Their run of performances on the Champs-Élysées was short, however, only lasting from 3 to 10 September.
483:
41:
563:
Lamb 1992, p. 653, gives the capacity of the Salle Lacaze as 300. Gammond 1980, p. 37, says it had a seating capacity of 50.
267:
247:
930:
Levin, Alicia (2009). "A documentary overview of musical theaters in Paris, 1830–1900" in Fauser 2009, pp. 379–402.
455:
107:
479:
100:
775:
467:
295:. This theatre was soon renamed Bouffes d'Été, as during the winter Offenbach directed the Bouffes d'Hiver in the
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222:
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243:
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210:
28:
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191:
96:
361:(melodramas with magic) with tableaus, choruses, and dances. Performances were given under the name
424:
315:
250:
at the front slightly left of center and the small Salle Lacaze (the first theatre of
Offenbach's
890:
420:
393:
230:(Castle of the Underworld). Lacaze began losing money, and sometime after 1852 he closed down.
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182:, a former Parisian theatre with a capacity of only 300 spectators, was built in 1848 by the
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in 1858 for one unsuccessful summer season (5 June to 14 October), when it was known as the
263:
146:
92:
303:
195:
898:
463:
428:
296:
869:
Mimes et
Pierrots: notes et documents inédits pour servir à l'histoire de la pantomime
262:
decided that the position of this modest wooden theatre was perfectly situated on the
1000:
415:
924:
884:
801:
787:
287:
912:
Lamb, Andrew (1992). "Offenbach, Jacques" in Sadie 1992, vol. 3, pp. 653–658.
783:
952:
Dictionnaire des théâtres parisiens au XIXe siècle: les théâtres et la musique
419:
of song and dance) and operettas of one act, and was mainly borrowed from the
357:
314:. Deburau's season included the premieres of three 1-act pieces with music by
129:
116:
17:
975:
971:
897:, originally published in 1937 in German, translated by Gwenda David and
396:(Mme Lionel de Chabrillan), who had it renovated and rechristened as the
876:
442:
246:
on the far side the Champs-Élysées and the Carré Marigny with the
237:
183:
355:
and operettas (with at most 5 characters) and one- and two-act
190:. It was located at the east end of the Carré Marigny of the
482:. In 1893 Garnier's panorama was converted by the architect
186:
for a magician named Lacaze and was originally known as the
1012:
Buildings and structures in the 8th arrondissement of Paris
528:. "Conjurer" is chiefly a British term, meaning "magician".
194:, close to the Avenue Marigny, but faced west toward the
760:
Fauser, Annegret, editor; Everist, Mark, editor (2009).
762:
Music, theater, and cultural transfer. Paris, 1830–1914
732:
Histoire de la chanson française : de 1780 à 1860
270:; after some modifications to the site he opened the
856:(fourth edition). Oxford: Oxford University Press.
168:
160:
155:
145:
106:
88:
57:
520:Faris, p. 48; Kracauer 2002, p. 166; Spiers 1908 (
782:(in French), supplement, volume 2. Paris: Didot.
447:The Folies-Marigny (blue) on an 1869 map of Paris
380:in. This troupe had previously performed in the
8:
826:, second edition. New York: Schirmer Books.
764:. Chicago: The University of Chicago Press.
462:(26 March 1864). Several early operettas of
201:In 1855 the Salle Lacaze became the home of
34:
895:Jacques Offenbach and the Paris of His Time
730:Duneton, Claude; Bigot, Emmanuelle (1998).
611:
609:
458:, turned it into a popular success as the
33:
367:Petit Théâtre Féerique des Champs-Élysées
749:. London & Boston: Faber and Faber.
27:For the later theatre on this site, see
824:The Encyclopedia of the Musical Theatre
522:A New French-English General Dictionary
503:
302:Offenbach sublet the hall to the mime
77:Théâtre des Champs-Élysées (1862–1863)
48:sometime before its demolition in 1881
7:
794:Galignani's New Paris Guide for 1852
780:Biographie universelle des musiciens
470:, who had formerly performed at the
266:to catch overspill traffic from the
854:The Oxford Companion to the Theatre
400:(not to be confused with the later
363:Théâtre Féerique des Champs-Élysées
258:In the spring of 1855 the composer
427:), the Bouffes-Parisiens, and the
25:
954:. Paris: Aux Amateurs de livres.
936:The New Grove Dictionary of Opera
392:The theatre was next acquired by
198:on the other side of the square.
939:(4 volumes). London: Macmillan.
40:
933:Sadie, Stanley, editor (1992).
917:Histoire des théâtres 1402–1904
466:were performed here. The tenor
254:) across the square at the left
67:Bouffes-Parisiens (1855–57, 59)
46:The Théâtre des Folies-Marigny,
839:Jacques Offenbach: A Biography
1:
915:Lecomte, Louis-Henry (1905).
372:The theatre was next used by
272:Théâtre des Bouffes-Parisiens
252:Théâtre des Bouffes-Parisiens
207:Théâtre des Bouffes-Parisiens
268:Universal Exposition of 1855
101:8th arrondissement of Paris
1033:
1017:Theatres completed in 1848
852:Hartnoll, Phyllis (1983).
460:Théâtre des Folies-Marigny
402:Théâtre des Champs-Élysées
398:Théâtre des Champs-Élysées
388:Théâtre des Champs-Élysées
378:Théâtre du Châlet des Îles
180:Théâtre des Folies-Marigny
81:Folies Marigny (1864-1881)
35:Théâtre des Folies-Marigny
26:
981:Yon, Jean-Claude (2000).
972:View formats and editions
811:. London: Omnibus Press.
778:; Pougin, Arthur (1881).
745:Faris, Alexander (1980).
326:(22 September), and
223:French Revolution of 1848
64:Salle Lacaze (1848–1852?)
53:
39:
1007:Former theatres in Paris
901:. New York: Zone Books.
867:Hugounet, Paul. (1889).
871:. Paris: Fischbacher.
841:. London: John Calder.
837:Harding, James (1980).
807:Gammond, Peter (1980).
699:(23 April 1870), p. 289
468:Achille-Félix Montaubry
435:) on 27 February 1864.
248:Cirque de l'Impératrice
73:Théâtre Féérique (1861)
581:Yon 2000, pp. 760–762.
572:Faris 1980, pp. 51–52.
448:
255:
130:48.868631°N 2.313669°E
70:Théâtre Deburau (1858)
950:Wild, Nicole (1989).
660:Wild 1989, pp. 70–71.
446:
244:Palais de l'Industrie
241:
822:Gänzl, Kurt (2001).
796:. Paris: Galignani.
454:and his future wife
352:comédies-vaudevilles
322:(3 September),
282:bouffonerie musicale
891:Kracauer, Siegfried
633:Levin 2009, p. 401.
615:Gänzl 2001, p. 915.
425:Boulevard du Temple
330:(10 October).
135:48.868631; 2.313669
126: /
36:
710:Lecomte 1905, pp.
642:Wild 1989, p. 139.
510:Faris 1980, p. 48.
449:
421:Folies-Dramatiques
376:, who brought his
324:La belle espagnole
256:
991:978-2-07-074775-7
983:Jacques Offenbach
968:978-2-905053-80-0
960:978-0-8288-2586-3
945:978-1-56159-228-9
919:. Paris:Daragon.
907:978-1-890951-30-6
862:978-0-19-211546-1
847:978-0-7145-3835-8
832:978-0-02-864970-2
817:978-0-7119-0257-2
770:978-0-226-23926-2
755:978-0-571-11147-3
747:Jacques Offenbach
740:978-2-02-017286-8
696:The Musical World
651:Wild 1989, p. 69.
590:Yon 2000, p. 201.
337:Orphée aux enfers
277:Les deux aveugles
260:Jacques Offenbach
234:Bouffes-Parisiens
203:Jacques Offenbach
176:
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16:(Redirected from
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734:. Paris: Seuil.
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382:Bois de Boulogne
374:Charles Bridault
344:Théâtre Féerique
293:Théâtre Français
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480:Charles Garnier
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328:Simple histoire
312:Bouffes-Deburau
308:Théâtre Deburau
304:Charles Deburau
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320:Le voiturier
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288:Le violoneux
286:
281:
280:, a one-act
275:
257:
242:View of the
227:
220:
217:Salle Lacaze
200:
188:Salle Lacaze
187:
179:
177:
156:Construction
58:Former names
18:Salle Lacaze
411:vaudevilles
133: /
108:Coordinates
1001:Categories
776:Fétis F-J.
494:References
423:(from the
416:intermèdes
169:Demolished
118:48°52′07″N
809:Offenbach
624:Yon 2000.
456:Mlle Macé
452:Montrouge
433:Montrouge
213:in 1893.
121:2°18′49″E
976:WorldCat
893:(2002).
429:Variétés
407:comédies
147:Capacity
877:Gallica
725:Sources
358:féeries
310:or the
95:on the
89:Address
989:
966:
958:
943:
905:
860:
845:
830:
815:
768:
753:
738:
684:p. 234
552:p. 921
539:p. 495
526:p. 537
476:Horace
413:(with
161:Opened
671:p. 28
601:p. 23
499:Notes
316:Hervé
987:ISBN
964:ISBN
956:ISBN
941:ISBN
921:View
903:ISBN
881:view
873:View
858:ISBN
843:ISBN
828:ISBN
813:ISBN
798:View
784:View
766:ISBN
751:ISBN
736:ISBN
409:and
178:The
172:1881
164:1848
974:at
923:at
883:at
875:at
800:at
786:at
524:),
365:or
205:'s
151:300
1003::
962:.
879:;
716:39
714:,
712:28
608:^
490:.
318::
99:,
993:.
978:.
947:.
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887:.
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31:.
20:)
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