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Salus Populi Romani

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layer, which can be compared to other early Christian icons that display 'Pompeian' illusionistic qualities. The areas of linear stylization, such as Christ's garment which is rendered in golden hatching producing a flat effect, seem to go back to the 8th century, and can be compared with a very early icon of
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states, "After the Council of Ephesus (431) in which the Mother of Jesus was acclaimed as Mother of God, Pope Sixtus III erected at Rome on the Esquiline Hill, a basilica dedicated to the honor of the Holy Mother of God. It was afterward called Saint Mary Major and it is the oldest church in the West
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had formerly put an end to parts of the assumption procession, the reason being unruly crowds that were thought reduced the sacredness of the procession, the portrait itself continued to have a noteworthy function in Catholicism. Since 1613 it has been located in the altar tabernacle of the Cappella
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image in the 10th century, where she points to Christ with her right hand. "Rather than offering the Child, she keeps his body closer to hers and seeks physical and tactile contact with him." However the few other examples of this type do not have the Virgin's hands folded together – the right hand
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panel. Mary wears a gold-trimmed, dark blue mantle over a purple/red tunic. The letters in Greek at the top identify Mary as "Mother of God" (ÎœÎźÏ„Î·Ï ΘΔοῊ in lower case and ΜH΀HÎĄ ΘΕΟ΄ in upper case), as is usual in Byzantine art (Christ may originally have had an inscription under later re-painting).
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The image type itself suggests it is not a medieval invention, but rather an Early Christian concept dating from antiquity: a majestic, half-length portrait showing a frank outward gaze of the rulerlike Virgin, with her upright, stately pose and folded hands gently clasping the Child, unique among
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The icon in its current state of overpainting seems to be a work of the 13th century (as witnessed by the features of the faces), but other layers visible under the top one suggest it is a repainting of a much earlier piece; especially revealing is the modeling of Child's right hand in the first
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or "Queen of Heaven". In addition, the Virgin also wears a plain, golden, ring band in her middle finger of her right hand, later obscured by a gemstone. The image no longer wears its Canonical crowns and jeweled regalia, which has now been transferred in the treasury of the sacristy of
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Marian icon from 609, which already shows the Mother slightly subordinated to the Child by the imploring gesture and the turn of the head, and where the interaction of the bodies exists only in a flat plane. These comparisons suggest a date of the 7th century for the icon.
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prevailed upon St. Luke to paint a portrait of the Mother of God, it was the top of this table that was used to memorialize her image. While applying his brush and paints, St. Luke listened carefully as the Mother of Jesus spoke of the life of her son, facts which the
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later recorded in his Gospel. Legend also tells us that the painting remained in and around Jerusalem until it was discovered by Saint Helena in the 4th century. Together with other sacred relics, the painting was transported to Constantinople where her son, Emperor
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Issued a pontifical decree of coronation to the image on 11 October 1954. He later carried out the rite of coronation in person without a proxy on 1 November 1954, and ordered the image into Saint Peters Basilica to accompany his personal speech and the
1482:, Maria Vasilakē, ed.: "the dates proposed by various authors (often in an apodictic way) stretch from the fifth to the thirteenth century"; Wolf gives a bibliography; his date, based on a close examination in 1987 of the icon, a " 548:
influenced the art of that country from the 17th century onwards, repeating "every detail of her own and the Child's posture, the position of the hands being especially characteristic." More far flung apparent copies include a
1227:— also venerated the image in 1837 to pray for the end of the cholera epidemic. Gergory XVI would crown the image a year later on 15 August 1838, the Marian feast of the Assumption whilst issuing his Papal bull 490:
The image "has been confidently dated to almost every possible period between the fifth century and the thirteenth". The recent full-length study by Gerhard Wolf says, cautiously, that it is "probably
506:. A second restoration process started around 1100 and came to an end in the 13th century. The Virgin's blue mantle which is wrapped over her purple dress was severely altered in the outline; the red 928: 383:(352-366) and was restored and enlarged by Sixtus III. 
 Pope Liberius selected a venerated picture that hung in the pontifical oratory. It had allegedly been brought to Rome by 1188: 1833: 423:
The image is five feet high by three and a quarter feet wide (117 x 79 cm) – very large for an icon, especially one with an early date. It is painted on a thick
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of the two bodies, which suggests direct observation, can be compared with a 5th-century Mount Sinai icon of the Virgin and Child in Kiev, and contrasted with the
1821: 1291:— undertook the task of restoring and conserving the image, and celebrated a pontifical Mass in her honor on 28 January 2018 on the anniversary of the icon's 1791: 1490:" icon, is "relatively early": "I have no hesitation in seeing it as part of the group of icons extant by the late sixth or early seventh centuries" pp31-33. 2038: 754: 544:) was moved in a procession to Santa Maria Maggiore to 'meet' with it. Monneret de Villard has shown that engravings of this icon brought by Jesuits to 1128: 681: 1326:
was tasked with the full restoration and conservation process of the venerated image. The restoration process included the following conservations:
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The image adorned with its Canonical crowns and jewel regalia, no longer attached today. The crowns are stored within the treasury department of
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next to the icon that shall be his final resting place upon his death. Francis will be the first Pope to be buried outside of the Vatican since
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The folded together position of Mary's hands distinguishes this image as a version of the earlier type from before the development of the
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of Santa Maria Maggiore (considered the third of the Roman patriarchal basilicas) where in the year 1240 it began to be called
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seems to have reproduced it already in the 8th century), and the role it played in the ritual on the feast of the Virgin's
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all icons. Lively turning of the maturely developed and attired Child also attests to the painting's antiquity. The vivid
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Topographies of Power in the Early Middle Ages By Mayke de Jong, F. (Frans) Theuws, Carine van Rhijn, p64
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Livy, Book 7: "Nobis deum benignitate, felicitate tua populique Romani, et res et gloria est integra..."
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which was purchased by the Schoenstatt Sisters in Switzerland in 1964 and has since been called the
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blessing. Francis visits the icon before and after trips outside the Vatican, calling the icon his “
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on 28 January 2018, on the anniversary of the translation of the icon to its new permanent shrine.
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From at least the 15th century, it was honored as a miraculous image, and it was later used by the
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The repainting of the hands and forehead cross, once obscured by gemstones and various ornaments.
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Refilling of insect holes and various damage to the image, to the mantle, faces and background.
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Aufstieg und Niedergang der römischen Welt: Geschichte und Kultur Roms im Spiegel der neueren
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symbol, later an imperial one, means this image is probably one of the type showing Mary as
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Paolina that was built specifically for it, later known to English-speaking pilgrims as the
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The process was completed within a year and was given the honor of a Pontifical Mass by
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to its new permanent shrine. In 2020 Francis presented the icon during an extraordinary
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The early fame of the icon can be gauged from the production of replicas (a fresco in
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Wolf, Gerhard. “Icons and Sites: Cult Images of the Virgin in mediaeval Rome.” In
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K Noreen, "The icon of Santa Maria Maggiore, Rome: an image and its afterlife" in
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The brightening of the faces of the image, re-highlighting its facial structures.
1285:— also venerated the image on various occasions under that specific Marian title. 1215: 503: 436: 429: 334: 295: 275: 267: 212: 158: 154: 150: 1159: 557:
by the Jesuits, and copies in China, of which a 16th-century example is in the
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in Ingolstadt, in 1604. According to the Schoenstatt, on 6 April 1604, Father
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The restoration of its golden halo, from the corroded red lacquer (oxidized).
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crowned the image again and ordered a public religious procession during the
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The varnishing of the back of the image, strengthening its original frame.
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and is also associated with another well known Madonna, namely the 1898
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the most. He reported that after meditation and looking at the image of
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Images of the Mother of God: Perceptions of the Theotokos in Byzantium
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Images of the Mother of God: Perceptions of the Theotokos in Byzantium
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Images of the Mother of God: Perceptions of the Theotokos in Byzantium
379:"The Liberian basilica, today called Saint Mary Major, was founded by 1343: 888: 499: 456: 1773:
by Irénée Henri Dalmais, Aimé Georges Martimort, Pierre Jounel 1985
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Likeness and Presence: a history of the image before the era of art
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in particular to foster devotion to the Mother of God through the
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Video of the 2017 restoration of the icon by the Vatican Museum.
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in 313 AD, the phrase was sanctioned as a Marian title for the
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goes back to the legal system and pagan rituals of the ancient
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of 1 November 1954. The image was cleaned and restored by the
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The image has been venerated by several Popes and acted as a
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on 1 November 1954, accompanied by a personal speech at the
1953:"Thrice Admirable: Why? : University of Dayton, Ohio" 1400:, SJ, desired to know which of the invocations from the 428:
Christ is holding a book in his left hand, presumably a
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near the icon, intended to be his final resting place.
1748:"Salus Populi Romani : University of Dayton, Ohio" 1627:"Salus Populi Romani : University of Dayton, Ohio" 1669:, p.196, Ashgate publishing Co, Burlington, Vermont, 368:
dedicated to the honor of the Blessed Virgin Mary."
278:. For centuries it was placed above the door to the 325:" believed to have been painted from real life by 219:, then given a Pontifical Mass on 28 January 2018. 93: 79: 69: 61: 51: 21: 1988:Die Geschichte römischer Kultbilder im Mittelalter 1878:"Pope: Mary is a mother who helps Christians grow" 1865:Benedict XVI's Message to Rome Conference on Laity 130:title associated with the venerated image of the 1237:— honored the image in the following occasions: 377: 331: 1822:Homage To The Immaculate At The Spanish Steps 1607:in Hildegard Temporini, Wolfgang Haase, eds. 1346:blue paint and its diagonal checkered border. 1182: 8: 2008:Short video of the 1954 Canonical Coronation 1205:symbol for the city of Rome and its people. 230:. After the legalisation of Christianity by 1374:is also said to be the source of the title 1661: 1659: 1259:, which also established the feast of the 1189: 1175: 568: 1603:(Weinheim, 1991) pp161-70; J. Linderski, 1271:— highlighted its iconography during the 510:are also not part of the original image. 1724:, The University of Chicago Press, 1996. 1500: 1498: 1496: 359:, erected a church for its enthronement. 1621: 1619: 1617: 1599:Gerhard Wolf, "Salus Populi Tomani" in 1471: 1378:(Mother Thrice Admirable) used for the 589: 540:(the panel painting of Christ from the 262:The image is held to have arrived from 1986:Wolf, Garhard. "Salus populi Romani", 1595: 1593: 1551: 1549: 1244:at the Borghese chapel of the icon on 553:, presumably based on a copy given to 447:The Virgin holding in her left hand a 18: 1876:Service, Catholic News (2013-05-06). 1709:Rome 1300: on the path of the pilgrim 1342:The restoration of the mantle to its 1218:— in 1571 to pray for victory at the 337:, when Our Lady moved to the home of 7: 1523: 1521: 1459:Maria Advocata (Madonna del Rosario) 1261:Queenship of the Blessed Virgin Mary 1013:Approved, with widespread liturgical 1478:Gerhard Wolf, "Icons and sites" in 1015:veneration endorsed by the Holy See 321:The image is one of the so-called " 2039:Paintings of the Madonna and Child 1565:. November 8, 1954. Archived from 329:himself. According to the legend: 14: 1737:(New York: Praeger, 1970), p. 148 1601:Die Geschicte römische Kultbilder 1158: 849: 848: 602: 572: 188:in 590 A.D. during the reign of 36: 1440:Mother Thrice Admirable Madonna 559:Field Museum of Natural History 1711:, Yale University Press, 2000. 1611:p 2256 (this paper in English) 929:Congregation of Marian Fathers 677:Consecrations and entrustments 266:in the year 590 AD during the 200:on 15 August 1838 through the 65:590 AD (first arrival in Rome) 27:Protectress and Health of the 1: 2059:Paintings in churches in Rome 1651:Miraculous Images of Our Lady 1423:has since become part of the 1305:”. 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Mass 1239: 1238: 1236: 1235:Pope Pius XII 1233: 1230: 1226: 1223: 1221: 1217: 1214: 1211: 1208: 1207: 1206: 1204: 1192: 1187: 1185: 1180: 1178: 1173: 1172: 1170: 1169: 1166: 1161: 1156: 1155: 1146: 1142: 1139:(21 November) 1138: 1134: 1130: 1126: 1123:(8 September) 1122: 1118: 1114: 1110: 1106: 1102: 1098: 1094: 1090: 1089:Mother of God 1086: 1085: 1082: 1077: 1076: 1067: 1066:Dowry of Mary 1064: 1063: 1062: 1059: 1057: 1054: 1052: 1049: 1047: 1044: 1042: 1039: 1037: 1034: 1030: 1027: 1026: 1025: 1022: 1021: 1016: 1010: 1009: 1006: 1001: 1000: 993: 990: 988: 985: 983: 980: 978: 975: 973: 970: 968: 965: 962: 960: 957: 955: 952: 950: 947: 945: 942: 940: 937: 935: 932: 930: 927: 925: 922: 921: 918: 913: 912: 905: 902: 900: 897: 895: 892: 890: 887: 885: 882: 880: 877: 875: 872: 871: 865: 864: 857: 856: 847: 846: 843: 840: 838: 835: 833: 830: 828: 825: 823: 820: 818: 815: 813: 810: 808: 805: 803: 800: 798: 795: 794: 791: 787: 782: 781: 774: 771: 769: 766: 764: 762: 758: 756: 753: 751: 748: 746: 743: 741: 738: 736: 733: 731: 728: 726: 723: 721: 718: 716: 713: 711: 708: 706: 704: 700: 699: 696: 691: 690: 683: 680: 678: 675: 673: 670: 668: 665: 663: 660: 658: 657:Hymns to Mary 655: 653: 650: 648: 645: 643: 640: 639: 636: 631: 630: 616: 612: 611: 605: 601: 600: 597: 592: 588: 584: 580: 579: 575: 571: 570: 564: 562: 560: 556: 552: 547: 543: 539: 538: 537:Acheiropoieta 533: 529: 524: 521: 517: 511: 509: 505: 501: 495: 493: 485: 480: 473: 471: 469: 464: 463: 458: 454: 450: 445: 442: 438: 433: 431: 426: 418: 415: 411: 407: 406:Pope Pius XII 403: 398: 391: 388: 386: 382: 381:Pope Liberius 376: 374: 369: 366: 360: 358: 353: 348: 344: 340: 336: 330: 328: 324: 319: 317: 313: 308: 306: 302: 297: 293: 289: 285: 281: 277: 273: 269: 265: 257: 252: 245: 243: 241: 237: 233: 229: 225: 220: 218: 214: 210: 209:Pope Pius XII 206: 203: 199: 195: 191: 187: 182: 180: 176: 172: 168: 164: 160: 156: 152: 148: 144: 141: 137: 133: 129: 125: 121: 117: 113: 109: 108: 99: 96: 92: 89: 88:Pope Pius XII 85: 82: 78: 75: 72: 68: 64: 60: 57: 54: 50: 45: 39: 34: 30: 24: 20: 2054:Books in art 1994: 1987: 1980: 1960:. Retrieved 1956: 1947: 1936:. Retrieved 1934:. 2023-12-13 1931: 1922: 1910: 1896: 1885:. Retrieved 1881: 1871: 1859: 1840: 1832:Vatican web 1828: 1820:Vatican web 1816: 1804:. Retrieved 1800:the original 1793: 1786: 1770: 1766: 1755:. Retrieved 1751: 1742: 1734: 1729: 1721: 1716: 1708: 1703: 1695: 1690: 1681: 1666: 1650: 1645: 1634:. Retrieved 1630: 1608: 1604: 1600: 1583: 1571:. Retrieved 1567:the original 1560: 1537:. Retrieved 1535:. 2023-12-13 1532: 1504: 1488:Late Antique 1479: 1474: 1457: 1438: 1435:Luigi Crosio 1428: 1420: 1418: 1413: 1412:, the title 1409: 1393: 1389: 1388: 1375: 1371: 1370: 1355:Pope Francis 1352: 1321: 1298:Urbi et Orbi 1296: 1289:Pope Francis 1277:Jubilee Year 1256: 1228: 1200: 1147:(8 December) 1137:Presentation 1105:Annunciation 1099:(2 February) 855:Marian hymns 854: 807:Flos Carmeli 760: 702: 608: 561:in Chicago. 535: 534:, where the 525: 516:contrapposto 512: 496: 492:Late Antique 489: 462:Regina coeli 460: 452: 448: 446: 434: 422: 416: 385:Saint Helena 378: 370: 362: 343:Saint Joseph 332: 320: 312:Jesuit Order 309: 300: 288:Regina Caeli 287: 261: 255: 234:through the 223: 221: 204: 183: 179:burial vault 175:Pope Francis 123: 119: 115: 111: 106: 105: 104: 29:Roman People 22: 1957:udayton.edu 1752:udayton.edu 1698:, p64, n.33 1631:udayton.edu 1406:Virgin Mary 1382:within the 1318:Restoration 1293:translation 1216:Pope Pius V 1115:(15 August) 1091:(1 January) 1005:Apparitions 967:(Blue Army) 623: 1675 504:Mount Sinai 437:iconography 430:Gospel Book 404:granted by 400:The second 392:Description 335:Crucifixion 323:Luke images 301:Lady Chapel 276:Tiber river 268:Pontificate 222:The phrase 213:Marian year 163:overpainted 159:gold ground 155:Gospel book 151:Child Jesus 112:Protectress 2023:Categories 1962:2020-01-21 1938:2023-12-13 1887:2020-01-21 1806:August 22, 1794:The Tablet 1757:2020-03-28 1636:2020-01-21 1539:2023-12-13 1484:palimpsest 1419:The title 1113:Assumption 1107:(25 March) 1061:Walsingham 1046:La Salette 827:Magnificat 682:Veneration 532:Assumption 441:Hodegetria 414:Papal bull 352:Evangelist 333:After the 327:Saint Luke 318:movement. 294:. In 1566 292:tabernacle 280:baptistery 202:papal bull 153:holding a 1398:Jakob Rem 1129:Holy Name 1097:Candlemas 1036:Guadalupe 812:Hail Mary 710:Mediatrix 703:Theotokos 672:Societies 647:Antiphons 591:Mariology 347:Jerusalem 140:Byzantine 120:salvation 1849:Archived 1781:page 135 1694:de Jong 1447:See also 1313:in 1903. 1279:of 2000. 1275:for the 1121:Nativity 837:Memorare 635:Overview 583:a series 581:Part of 546:Ethiopia 520:Pantheon 457:consular 412:and his 284:Basilica 167:Borghese 138:. 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Index

Roman People

Vatican Museum
Basilica of Saint Mary Major
Pope Gregory I
Pope Gregory XVI
Pope Pius XII
Basilica of Saint Mary Major
Catholic
Blessed Virgin Mary
Rome
Byzantine
icon
Madonna
Child Jesus
Gospel book
gold ground
overpainted
Borghese
Basilica of Saint Mary Major
Pope Francis
burial vault
Rome
Pope St. Gregory I
Pope Gregory XVI
canonical coronation
papal bull
Pope Pius XII
Marian year
Vatican Museum

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