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292:(original title: 'Inleyding tot de hooge schoole der schilderkonst: anders de zichtbaere werelt', Rotterdam, 1678) which is in length and theoretical scope one of the most ambitious treatises on the art of painting published in the Dutch Republic in the seventeenth century. It covers issues such as pictorial persuasion and illusionism, the painter's moral standards and the relation of painting to philosophy, referring to various ancient and modern authors. While reacting to international, mainly Southern European ideas on painting which Van Hoogstraten may have encountered during his travels, the treatise also reflects contemporary talk and thought on art from Dutch studios. He wrote it as a sequel to
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A sufficient number of Van
Hoogstraten's works have been preserved to show that he strove to imitate different styles at different times. In a portrait dated 1645, currently in the Lichtenstein collection in Vienna, he imitates Rembrandt. He continued in this vein until as late as 1653 when he
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A view of the Vienna
Hofburg, dated 1652, displays his skill as a painter of architecture. In contrast, a piece at the Hague representing a "Lady Reading a Letter as she crosses a Courtyard" (Mauritshuis) or a "Lady Consulting a Doctor," (in the
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Van
Hoogstraten's fame derives from his versatile career as a painter, poet and zealous social climber. Besides painting and directing a mint, he devoted some of his time to literary labours. His
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is a box with convincing 3D views of the interior of a Dutch house when viewed through peepholes on either end of the box. One of his perspective boxes is on show at the
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Portrait of
Mattheus van den Broucke (1620–85), Governor of the Indies, with the gold chain and medal presented to him by the Dutch East India Company in 1670
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produced a figure of a bearded man looking out of a window. This, one of the more characteristic examples of his style, is exhibited in the
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Thijs
Weststeijn, 'The Visible World: Samuel Van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age'
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Inleyding tot de hooge schoole der schilderkonst: anders de zichtbaere werelt) (1678)
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and stayed in
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in London. It shows the interior of a typical Dutch house of his time.
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De groote schouburgh der
Nederlantsche konstschilders en schilderessen
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De groote schouburgh der
Nederlantsche konstschilders en schilderessen
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Hoogstraten also employed his skill with perspective to construct "
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This article incorporates text from a publication now in the
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Introduction to the
Academy of Painting, or the Visible World
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Samuel Dirksz van
Hoogstraten trained first with his father
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as well, and some of his plates are still preserved. His
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He later made several travels which took him (1651) to
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A Peepshow with Views of the Interior of a Dutch House
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101:Nationality
640:Categories
584:(1718) by
575:(in Dutch)
534:(in Dutch)
489:(in Dutch)
480:(1718) by
449:References
68:1627-08-02
393:, c. 1670
363:, c. 1667
326:tragedies
225:peepshows
157:Rembrandt
153:Amsterdam
143:Biography
133:Dordrecht
94:Dordrecht
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244:etchings
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117:Movement
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332:Gallery
322:sonnets
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121:Baroque
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