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there was yet in them such quiet, simple truth, and so much real artistic feeling united with skilful manipulation, that it was impossible to study them and not be convinced they were the productions of one possessing refined taste, poetical conception, knowledge of natural effects, and sound
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in Water
Colours (now the Royal Institute of Painters in Water Colours), to whose annual exhibition he became a regular contributor, chiefly of coastal scenes, until his death 1859.
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Always weak as a colourist, and especially so when his pictures hung in juxtaposition with some of the deeptoned works of his contemporaries...
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133:Ottley, Henry (1866).
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