Knowledge (XXG)

Samuel Spode

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Samuel Spode died in Dublin on 31 March 1872, leaving several children by several wives. Despite obviously still being married to the Irish girl, who was granted administration of his meagre estate, his death was registered by a Teresa Spode. Her connection to Samuel Spode has never been defined.
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Samuel Spode worked solely on commissions. Therefore, he never exhibited at any of the well-known exhibitions. As a result, he has been relatively unknown and unrecognised. However, his legacy is impressive, both in the number of paintings and the famous horses he depicted.
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at full gallop while watched on by an elegantly dressed couple, presumably the owners. 'Spode wears the blue sleeves and black body of the owner's silks and instead of a jockey's cap, wears a cream-coloured top hat.' (Daire O'Connell, America's Eye, op. cit.,
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While his brother and his wife remained in Van Diemen's Land, Samuel Spode and his family returned to England in 1826. When they returned to England, they stayed with his sister Sarah and her husband, the potter Charles James Mason (1791–1856), at their house
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In Van Diemen's Land, Samuel Spode had briefly served as clerk of the colony's Supreme Court, after being trained as a lawyer by his uncle, Thomas Fenton, who was married to Josiah Spode's youngest daughter, Anne.
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Even though Samuel Spode was able to make a living for a while with his legal training, he preferred to devote his time to painting. Painting was his passion, particularly animal painting, with a focus on horses.
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London, 21 November 2018, lot 69. Catalogue note: Although firm biographical information relating to Samuel Spode is elusive, he is thought to have been a trainer on the Curragh, Co. Klare
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On 6 February 1821, Samuel Spode married Mary Crewe. It was the time, when the British Government encouraged adventurers to emigrate to the penal colony of
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Little is known about Samuel Spode's life. There are few sources and the information is sparse. Samuel Spode was born 21 April 1798. He was the grandson of
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Samuel Spode loved equestrian sports. He painted many horse racing and fox hunting scenes. Spode also painted many famous racehorses, including
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In 1865, despite still being married to his fourth English wife, he claimed to be a bachelor and married an Irish girl named Delia in Dublin.
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In the 1830s, Samuel Spode travelled frequently to Ireland in search of commissions. However, he also worked as a horse trainer at the
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London, 21 November 2018, lot 70. Catalogue note: Henry Alken portrays Samuel Spode, horse trainer and painter, training
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for some time, as evidenced by a painting by Henry Samuel Alken Jnr (1810–1894), titled and dated
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Within a year of their return to England, Spode's wife died. The cause of death may have been
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Sometimes his patrons liked to be included in the paintings too, like John Dawson Duckett of
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an essay by Peter Roden, the artist's great great grandson. Retrieved 28 March 2024
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in the background. It can therefore be assumed that he lived briefly at nearby
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Spode History Blogspot – All about the world famous pottery manufacturer,
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Henry Samuel Alken Jnr (1810–1894) – S. Spode Training Eastern Bere,
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published by authority, Saturday, 15 April 1826, No. 519, front page
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Henry Samuel Alken Jnr (1810–1894) – S. Spode Training Eastern Bere
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A Living Legacy: Irish Art From The Collection Of Brian P. Burns,
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A Living Legacy: Irish Art From The Collection Of Brian P. Burns,
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At around 1845, Spode painted several paintings for patrons with
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on 15 April 1826: Samuel Spode is leaving the colony by the ship
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The Pinckney Family Coursing at Stonehenge, by Samuel Spode
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is regarded as his most famous work from this period.
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Index


tack
Josiah Spode
Van Diemen's Land

The Hobart Town Gazette
Staffordshire Potteries
Acquired brain injury

Copenhagen
Duke of Wellington's
war horse
Birdcatcher
Caractacus
Derby
St Leger
Copenhagen
Duke of Wellington's
war horse
Battle of Waterloo
Lord Cardigan
Charge of the Light Brigade
Stonehenge
Amesbury
Duckett's Grove
Earl of Lonsdale
The Sporting Magazine
Curragh Racecourse

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