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forgotten the beauty of form among idol temples and lumpy hills; indeed, without form, how can there be beauty? Form stammered here and there in a mosque, became rigid through nervousness even, but oh these
Italian churches! San Giorgio standing on the island which could scarcely have risen from the waves without it, the Salute holding the entrance of a canal which, but for it, would not be the Grand Canal!
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The
Benedictine monks kept control of chapels in the church and did not sell them to families to decorate and embellish as they pleased, as was done in many Venetian churches. They had income from property and were in a stronger position. Some altars were given over to distinguished families but the
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The church and monastery were rebuilt after the earthquake. The church, which had a nave with side chapels, was not in the same position as the present church, but farther back at the side of a small campo or square. There were cloisters in front of it, which were demolished in 1516. The monks were
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The model was completed and approved in 1566 and the foundation stone was laid in the presence of the Pope in the same year. The work was not finished before the death of
Palladio in 1580, but the body of the church was complete by 1575 except for the choir behind the altar and the facade. The
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and then came Venice. As he landed on the piazzetta a cup of beauty was lifted to his lips, and he drank with a sense of disloyalty. The buildings of Venice, like the mountains of Crete and the fields of Egypt, stood in the right place, whereas in poor India everything was placed wrong. He had
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had been ambassador to Edward VI in
England in 1547 and later a Bishop). Work on this chapel was delayed after the death of Domenico Bollani and it was still unfinished in 1619, with a poor painting as the altarpiece. Another painting was substituted in 1693, but it was not until 1708 that it
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The façade, initially under the superintendence of Simone
Sorella, was not commenced until 1599. The stonemason's contract provided that it was to follow Palladio's model and there were only minor changes. It was completed in 1610.
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The interior of the church is very bright, with massive engaged columns and pilasters on undecorated, white-surfaced walls. The interior combines a long basilican nave with a cruciform plan with transepts.
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282:, first built in 1467, fell in 1774; it was rebuilt in neo-classic style by 1791. It was ascended by easy ramps and there is now also a lift. There is a fine view across Venice from the top.
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Palladio arrived in Venice in 1560, when the refectory of the monastery was being rebuilt. He made great improvements to this and in 1565, was asked to prepare a model for a new church.
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415:(which shows them collecting and eating the manna, a gift of God to the Israelites in the desert after they escaped Egypt, and it foretells the gift of the Eucharist).
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442:. The altar is dedicated to St Andrew (in memory of a deceased son of Vincenzo Morosini) and the altarpiece is by Jacopo and Domenico Tintoretto showing the
625:, where the novel's hero Cyril Fielding contrasts what he perceives as lack of equilibrium in Indian buildings with the perfection of Italian architecture:
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464:. On the left is the Miracle of the immobility of Santa Lucia (she was condemned to prostitution but by a miracle it was found impossible to move her) by
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The altars in the transepts were retained by the monks. In the south transept is a painting by Jacopo and
Domenico Tintoretto of the
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The first church on the island was built about 790, and in 982 the island was given to the
Benedictine order by the Doge
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in the classical
Renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the
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The choir appears to have been designed in essentials by
Palladio before his death and was built between 1580 and 1589.
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In the
Cappella dei Morti (Chapel of the dead) is a painting of the Entombment of Christ, also by Jacopo Tintoretto.
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decoration was controlled by the monks. The chapel to the right of the high altar belonged to the Bollani family (
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The façade is brilliantly white and represents Palladio's solution to the difficulty of adapting a
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on high pedestals. This solution is similar to Palladio's slightly earlier facade for
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there, but in 1223 all the buildings on the island were destroyed by an earthquake.
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relate to the institution of the Eucharist and are placed on either side of the
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by Jacopo & Domenico Tintoretto (above Morosini altar to left of sanctuary)
18:"Church of San Giorgio Maggiore" redirects here. For the church in Naples, see
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Risen Christ and St Andrew with Vincenzo Morosini and members of his family
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mentions San Giorgio Maggiore in the chapter "On Beauty" of his novel
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Palladio's Venice: Architecture and Society in a Renaissance Republic
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The altar to the left of the sanctuary was the responsibility of the
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by Sebastiano Ricci (in Bollani chapel to right of high altar)
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features the church in chapter 516 of his long-running manga
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and forms the focal point of the view from every part of the
318:, where the other parts of the church had been designed by
427:
acquired the important work now seen there, which is the
897:
Western Architecture: From Ancient Greece to the Present
606:(Adoration of the Shepherds) by Jacopo Bassano (detail).
405:, where they can be seen from the altar rail. These are
853:. (Yale University Press. New Haven & London. 2005)
389:
Interior: The nave, looking east towards the high altar
260:
decoration of the interior was completed subsequently.
1606:
City of Vicenza and the Palladian Villas of the Veneto
1680:
17th-century Roman Catholic church buildings in Italy
471:
There are other paintings in the monastery building.
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considering the rebuilding of the church from 1521.
1584:
1565:
1544:
1513:
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899:. World of Art. London: Thames and Hudson. p.
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Civiltà di Venezia Vol 1: Le Origini e il Medio Evo
456:On the first altar on the right of the nave is the
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919:Guida d’Italia del Touring Club Italiano – Venezia
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576:by Leandro Bassano (1st altar on left in the nave)
561:by Jacopo Bassano (1st altar on right in the nave)
42:San Giorgio Maggiore opposite Riva degli Schiavoni
544:Risen Christ & St Andrew with Morosini family
49:Click the map for an interactive, fullscreen view
760:Boucher pp.164–170; Goy p.193; Cooper pp.137–144
627:
1660:1610 establishments in the Republic of Venice
1155:
1004:
8:
868:. Upper Saddle River: Pearson Prentice-Hall.
516:by Jacopo Tintoretto (in Cappella dei Morti)
864:Hartt, Frederick; David G. Wilkins (2006).
1162:
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1140:
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997:
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844:Andrea Palladio: the Architect in his Time
710:List of buildings and structures in Venice
342:San Giorgio Maggiore seen across the water
27:
1650:Roman Catholic churches completed in 1610
957:
892:"The Renaissance: Ancient Rome 'Reborn'"
501:by Jacopo Tintoretto (in the presbytery)
486:by Jacopo Tintoretto (in the presbytery)
330:, to whom the church is also dedicated.
726:
473:
332:
1329:Palazzo Pretorio (Cividale del Friuli)
574:Miracle of the immobility of Sta Lucia
858:Venice, the City and its Architecture
591:(Manna harvest) by Jacopo Tintoretto.
7:
705:History of early modern period domes
451:Coronation of the Virgin with Saints
294:facade to the form of the Christian
881:Perocco, Guido & Salvadori, A.
700:San Giorgio Maggiore (Monet series)
326:are statues of Saint George and of
1655:Renaissance architecture in Venice
866:History of Italian Renaissance Art
14:
1574:I quattro libri dell'architettura
1490:Villa Trissino (Meledo di Sarego)
1184:Convento della Carità (cloisters)
1640:Andrea Palladio church buildings
1455:Villa Porto (Vivaro di Dueville)
1324:Palazzo Porto in Piazza Castello
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322:. On either side of the central
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201:in Venetian) is a 16th-century
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1616:Palladian villas of the Veneto
1119:Santa Maria Gloriosa dei Frari
31:Church of San Giorgio Maggiore
1:
885:. (4th edition. Venice, 1986)
876:The Companion Guide to Venice
529:Madonna enthroned with Saints
245:. The Benedictines founded a
1665:1610 establishments in Italy
1344:Palazzo Thiene Bonin Longare
1073:History of the Doge's Palace
429:Virgin and Child with Saints
397:Two very large paintings by
368:San Giorgio Maggiore at Dusk
20:San Giorgio Maggiore, Naples
1670:Church buildings with domes
1645:Basilica churches in Venice
1500:Villa Valmarana (Vigardolo)
1450:Villa Porto, Molina di Malo
1199:San Giorgio Maggiore church
1696:
715:List of churches in Venice
559:Adoration of the Shepherds
458:Adoration of the Shepherds
17:
1675:Minor basilicas in Veneto
1600:
1495:Villa Valmarana (Lisiera)
1284:Palazzo Barbaran da Porto
1243:
1193:San Francesco della Vigna
1029:
931:Vianello, S. (a cura di)
846:. (Abbeville Press, 1998)
784:Macadam p.207. Honour p.#
316:San Francesco della Vigna
54:
47:
35:
1485:Villa Trissino (Cricoli)
1440:Villa Pisani, Montagnana
1390:Villa Capra "La Rotonda"
1114:Santa Maria della Salute
981:Santa Maria della Salute
651:JoJo's Bizarre Adventure
1079:Gallerie dell'Accademia
207:island of the same name
25:Church in Venice, Italy
1592:Palladian architecture
1521:Ponte Vecchio, Bassano
1480:Villa Thiene (Cicogna)
1420:Villa Gazzotti Grimani
1217:San Pietro di Castello
1124:Santi Giovanni e Paolo
917:Touring Club Italiano
654:(within the story arc
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604:Adorazione dei pastori
499:The Jews in the desert
413:The Jews in the desert
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280:campanile (bell tower)
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274:Campanile - Upper part
227:Piazzetta di San Marco
187:Patriarchate of Venice
1435:Villa Pisani, Bagnolo
1289:Palazzo del Capitanio
1064:Ca' Vendramin Calergi
974:San Giorgio Maggiore
878:. (2nd edition, 1977)
617:Edward Morgan Forster
388:
273:
1309:Palazzo della Loggia
1109:San Giorgio Maggiore
933:Le chiese di Venezia
889:Sutton, Ian (1999).
772:Western Architecture
589:Raccolta della manna
514:Entombment of Christ
231:Riva degli Schiavoni
195:San Giorgio Maggiore
127:Order of St Benedict
1526:Arco delle Scalette
1304:Palazzo Dalla Torre
1264:Basilica Palladiana
73:45.4293°N 12.3433°E
69: /
1410:Villa Forni Cerato
1294:Palazzo Chiericati
1129:St Mark's Basilica
1094:Punta della Dogana
678:Catholicism portal
637:A Passage to India
622:A Passage to India
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150:Architectural type
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1222:Tempietto Barbaro
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977:Succeeded by
935:. (Electa, 1993)
927:978-88-365-4347-2
860:. (Phaidon. 1997)
849:Cooper, Tracy E.
820:Cooper pp.128–131
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1514:Other structures
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1279:Palazzo Antonini
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1202:and monastery
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1104:Rialto Bridge
1102:
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1087:
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1082:
1080:
1077:
1074:
1070:
1069:Doge's Palace
1067:
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1059:Ca' Rezzonico
1057:
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965:Rialto Bridge
960:
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946:
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941:88-435-4048-3
938:
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910:0-500-20316-4
906:
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867:
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856:Goy, Richard
855:
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826:
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748:
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742:Boucher p.163
739:
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328:Saint Stephen
325:
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317:
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302:and low side
301:
297:
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285:
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264:
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243:Tribuno Memmo
236:
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91:
87:
82:
53:
46:
39:
34:
29:
21:
16:
1572:
1555:
1529:
1475:Villa Thiene
1470:Villa Serego
1460:Villa Repeta
1445:Villa Pojana
1375:Villa Badoer
1269:Casa Cogollo
1235:
1210:
1188:Il Redentore
1099:Il Redentore
979:
970:
963:
932:
918:
896:
882:
875:
873:Honour, Hugh
865:
857:
850:
843:
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789:
780:
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765:
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747:
738:
729:
692:Italy portal
655:
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373:Claude Monet
366:
289:
277:
265:
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240:
198:
194:
193:
139:Architect(s)
133:Architecture
110:Denomination
15:
1084:Grand Canal
1049:Ca' Foscari
657:Golden Wind
375:, 1908–1912
213:, northern
203:Benedictine
76: /
1634:Categories
1556:attributed
1530:attributed
1505:Villa Zeno
1425:Villa Godi
1236:attributed
1232:Le Zitelle
1211:attributed
1054:Ca' Pesaro
837:References
612:In fiction
403:presbytery
399:Tintoretto
354:The facade
308:architrave
64:12°20′36″E
61:45°25′45″N
1405:Villa Emo
1044:Ca' d'Oro
1023:landmarks
921:. 3° ed.
320:Sansovino
247:monastery
170:Completed
1195:(façade)
1178:Churches
770:Sutton.
664:See also
633:—
381:Interior
286:Exterior
223:basilica
183:District
115:Catholic
89:Location
1611:Vicenza
1585:Related
1545:Jewelry
1256:Palazzi
1034:Arsenal
237:History
99:Country
1577:(1570)
1358:Villas
1020:Venice
939:
925:
907:
639:(1924)
324:portal
304:aisles
296:church
211:Venice
154:Church
93:Venice
1566:Books
721:Notes
215:Italy
103:Italy
937:ISBN
923:ISBN
905:ISBN
411:and
300:nave
278:The
173:1610
165:1566
901:147
660:).
460:by
431:by
209:in
1636::
903:.
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468:.
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371:,
233:.
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1554:(
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1528:(
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1234:(
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1209:(
1163:e
1156:t
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1071:(
1012:e
1005:t
998:v
913:.
197:(
22:.
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