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family. The
Milanese architect Francesco Buzio was also involved in the redesign. Starting in 1654, again with Pamphilj patronage, the church was rebuilt with designs by Giovanni Maria Baratta, one of the main pupils of
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and depicts four female angels symbolising the four fundamental virtues of the
Augustinian Order: Chastity, Humility, Poverty and Obedience. There is also a
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There is a memorial in the right side of the chapel of Saint
Gregory the Illuminator; his cardinalitial hat hangs from the ceiling of the church.
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In the third chapel on the right side is the sepulchral monument of
Cardinal Federico Lante delle Rovere, with paintings by
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Miranda, Salvator. "Hassoun, Andon Betros", The
Cardinals of the Holy Roman Church, Florida International University
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The second chapel on the left, the
Buratti chapel, was designed by Giovanni Battista Mola, the father of
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Madonna with Child offering the
Miraculous Bread to Saint Nicholas, Saint Augustine and Saint Monica
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who began the ceiling fresco work, although after his death, it was finished by
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in 1599, and originally dedicated to the 13th century
Augustinian friar Saint
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The third chapel on the left, the
Gavotti chapel, was designed in 1668 by
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508:. The Sant'Agnese altarpiece to the left of the crossing is a copy of a
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Accurata e succinta descrizione topografica e istorica di Roma moderna
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The interior was refurbished during 1614–1620 by Carlo Buti and
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is octagonal, with eight windows. The cupola is frescoed (1643) by
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Apparition of the
Blessed Virgin of Savona to Blessed Anthony Botta
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318:. It is referred to in both Melchiori's and Venuti's guides as
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with Angels by Baratta. The surrounding stucco-work is by
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Church of Nicholas of Tolentino at the Gardens of Sallust
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In the second chapel on the right is an altarpiece by
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is in full communion with the Roman Catholic Church.
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402:The first chapel on the right has a depiction of
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567:San Nicola da Tolentino agli Orti Sallustiani
304:San Nicola da Tolentino agli Orti Sallustiani
22:San Nicola da Tolentino agli Orti Sallustiani
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443:. The sculptural relief at the altar of the
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330:of Armenia. The church was built for the
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359:. In 1883, the church was given to the
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532:Guida metodica di Roma e suoi contorni
95:Salita di San Nicola da Tolentino 17,
52:Click on the map for a fullscreen view
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512:original found in the Doria Gallery.
391:over the main altar was completed by
310:: Saint Nicholas of Tolentino in the
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498:Glory of Saint Nicholas of Tolentino
477:THe first chapel on the right has a
278:Not be confused with the church of
439:. The chapel was dedicated to the
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635:Armenian Catholic Church in Italy
404:Miracle by Saint Nicholas of Bari
33:Chiesa di San Nicola da Tolentino
406:(1710) by Filippo Laurenzi. The
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615:Churches of Rome (rione Trevi)
326:. It is one of the two Roman
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630:Baroque architecture in Rome
481:painted by Cristofaro Creo.
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620:Armenian Catholic churches
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412:Giovanni Ventura Borghesi
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369:Armenian Catholic Church
320:San Niccolò di Tolentino
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387:. The sculpture of the
379:The main altarpiece of
280:San Nicolò da Tolentino
461:Saint John the Baptist
332:Discalced Augustinians
582:Melchiorri, page 365.
381:San Giovanni Battista
336:Nicholas of Tolentino
207:Nicholas of Tolentino
76:41.90528°N 12.49111°E
16:Church in Rome, Italy
490:Pietro Paolo Baldini
426:Pietro Paolo Baldini
169:sannicoladatolentino
472:Pier Francesco Mola
290:in the province of
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357:Alessandro Algardi
312:Gardens of Sallust
238:Architectural type
232:Alessandro Algardi
81:41.90528; 12.49111
451:, and statues of
447:was completed by
441:Madonna of Savona
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604:Categories
519:References
496:depicting
437:Ciro Ferri
202:Dedication
67:12°29′28″E
64:41°54′19″N
45:The facade
288:Tolentino
153:Tradition
140:Sui iuris
510:Guercino
385:Baciccio
375:Interior
352:Pamphilj
292:Macerata
121:Armenian
92:Location
342:History
308:Italian
296:Vicenza
264:Diocese
242:Baroque
193:Founded
178:History
164:Website
107:Country
494:fresco
383:is by
367:. The
284:Venice
221:Active
183:Status
142:church
111:Italy
97:Trevi
504:and
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484:The
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316:Rome
269:Rome
253:1599
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171:.org
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