96:, which stands out in Struth's photograph. The photograph unites both the spaces of the paintings in the wall and the interior of the church, with his large columns, pews and several visitors. A couple of visitors is seen at the left, attentively looking at the altarpiece. Other people are seated in the row of pews, possibly in meditation or prayer, as they mark the receding perspective of the composition. As in other similar works of the author, past and present in the mediums of painting and photography are united to create a new artwork.
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website states: "Struth's picture unifies the timeless and the ephemeral, making the ideal and the real two perspectives on the same theme. But if his photograph rivals painting on the high ground of seriousness and looks back upon five hundred years of tradition, it also faces forward: It will
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convey this inheritance to the next new medium that will, in turn, reflect upon photography and painting."
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dedicated to the interior of several museums and monuments across the world. It has a ten prints edition.
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A print of the photograph was sold for $ 1,124,191 ($ 1.47 million in 2023) at
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This article is about the photograph by Thomas Struth. For other uses, see
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Struth became interested by the work of the
Italian painter
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406:Düsseldorf School of Photography
368:Mailänder Dom (Fassade), Mailand
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.