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to a double-storied bell chamber with triple mullioned windows. It is surmounted by a conical spire with small pinnacles at each angle. The exterior is decorated with Roman sculptures. There were six bells in chord of F#, cast in the years: 1067, 1149, 1423, 1498 and 1755. Only four of them are still ringing on the bell tower. The treble, cast during the 8th century, is now displayed in the museum (see
228:, are the work of the sculptor Nicholaus and his workshop. The New Testament scenes and other historical subjects to the left of the porch are by a member of Nicholaus's workshop named Gugliemus. Their signature inscriptions are located over the lunette, in the background of "The Creation of Man" and on the cornice above the sculptures on the left.
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by shallow pilasters, passing visually through the colonettes and into the pediment. The triangular pediment defines the nave and creates a striking contrast with the tuff stone of the rest of the church's façade, being of white marble divided by seven pink marble pilasters. In 1905, graffiti designs for a large
168:, the façade is divided into three vertical components, the central nave surmounted by a pediment and the two aisle with sloping rooflines, all supported upon small pendanted blind arcades. The intersections of the three parts are marked by angled pilasters ending in foliate capitals below the pediment.
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Across the façade, at the level of the door lintel, runs a shallow arcade of paired arches, divided by thin paired colonettes identical to those found above in the rose window. The pink marble of the arcades contrasts with the light yellow stone of the façade. The façade is further divided vertically
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The bell tower stands as a separate building. It is 62 m-high and was begun in 1045 and completed in 1178. It is stylistically
Romanesque like the church, having a central vertical belt of alternating tuff and brickwork bands. It is divided in floors by cornices and small tuff arches, and rises
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Since 921, the crypt has housed the body of St. Zeno in a sarcophagus, his face covered by a silver mask. The crypt has a nave with eight aisles the arches of which are supported by 49 columns, each having a different capital. On the entrance arches, the local sculptor
235:(who had patronized the abbey); and her husband Godfrey, as well as the unknown sculptor of the work. Other panels show the three Theologic Virtues and, in the eight smallest ones, themes connected to music. As for the dating, some of the panels were made by
417:. It dates from the 6th or 7th century, being erected in the Christian necropolis across the Via Gallica. It is first mentioned however only in 845. After the 1117 earthquake it was totally rebuilt. It houses frescoes of various ages, including a
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429:. The 12th-century façade has a small narthex and two double mullioned windows. It has a single nave with a crypt, which is what remains of the original Palaeo-Christian structure. The crypt has a nave and two aisles.
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On
January 3, 1117, the church, along with most of the city, was damaged by an earthquake; the church was restored and enlarged in 1138. Work was completed in 1398 with the reconstruction of the roof and of the
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invasion in the early 10th-century, at which time Zeno's body was moved to the
Cathedral of Santa Maria Matricolare: on May 21, 921, it was returned to its original site in the
455:, only a large brick tower and the cloisters survive. It had originally another tower and the abbot's palace. For long time the abbey was the city's official residence of the
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The portal is flanked by 18 twelfth-century bas-reliefs. They portray scenes from the New and Old
Testament, together with episodes of the life of Theoderic: the duel with
311:, is of the Latin Cross layout with a nave, two aisles and transept. The aisles are divided by cruciform pilasters with alternating capitals with zoomorphic motifs and of
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The high altar houses the sarcophagus of Sts
Lupicinus, Lucillus and Crescentianus, all Veronese bishops. On the left of the apse, over the sacristy's entrance, is a
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The bronze door is decorated with 48 square panels. The identities of all the figures portrayed is not known: they include Saints Peter; Paul; Zeno; Helena;
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The sculptures associated with the porch, the portal itself, and those set into the wall to the right, depicting scenes from the Old
Testament and the
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The presbytery is raised on an arcade above the crypt which thus remains visible from the nave. The presbytery is accessible by stairs in the aisles.
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Attached to the basilica is an abbey was erected in the 9th century over a pre-existing monastery. Of the original structure, destroyed in the
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The interior of the church is on three levels with an extensive crypt on the lower level, the church proper and a raised presbytery.
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The church of San Zeno constituted the model for all subsequent
Romanesque edifices in Verona. Built of cream-coloured
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111:. Erection of the present basilica and associated monastery began in the 9th century, when Bishop Ratoldus and King
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attended the translation of the saint's relics into the new church. This edifice was damaged or destroyed by a
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St. Mark's
Anglican, a Parish church in Portland, Oregon erected in 1925 as a replica of San Zeno, Verona.
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cup taken from a Roman bath-house, the octagonal baptismal font of the 13th-century, an altarpiece by
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in the 11th century, while others are from
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sculpted fanciful and monstrous animals. The crypt was restored in the 13th and 16th centuries.
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architecture and partly upon the tradition that its crypt was the place of the marriage of
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Above the door is a lunette with scenes of the
Veronese history of the time, including:
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St. Zeno died around 371–380. According to legend, at a site above his tomb along the
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constructed between 967 and 1398 AD. Its fame rests partly on its
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The most important artwork of the basilica is the polyptych by
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edifice was built by Bishop Raterius, with the patronage of
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basilica of San Zeno, constructed between 967 and 1398 AD
323:-arched wooden ceiling dates from the 14th century.
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200:St Zeno delivering a banner to the Veronese people
401:Adjacent to the basilica is the small church of
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202:. Under the lunette are bas-reliefs with the
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192:The Consecration of the Veronese Commune
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103:, the first small church was erected by
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792:San Fermo Minore di Brà (dei Filippini)
480:: architecture inspired by San Zeno.
123:of the present church. In 967, a new
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584:Basilica of Saint Anthony of Padua
198:, (symbol of imperial power) and
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1035:Romanesque architecture in Verona
1020:Roman Catholic churches in Verona
179:Central to the upper façade is a
176:were discovered on the pediment.
599:Dolomiti Bellunesi National Park
1015:10th-century churches in Italy
405:, which houses the remains of
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342:and a 13th-century fresco of
307:The central church, known as
196:St Zeno stamping on the Devil
907:Santa Teresa di Gesù Bambino
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423:St Blaise healing the Sick
361:, statue in the Presbytery
129:Otto I, Holy Roman Emperor
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902:Santa Teresa degli Scalzi
872:San Paolo in Campo Marzio
772:Cuore Immacolato di Maria
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439:Abbey of San Zeno, Verona
372:scene from the School of
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832:Santa Maria Consolatrice
639:Villa Capra "La Rotonda"
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609:Orto botanico di Padova
217:and the King hunting a
87:, both dedicated to St
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522:45.44250°N 10.97917°E
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963:San Pietro Martire
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419:Last Supper
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403:San Procolo
383:, known as
370:Crucifixion
239:masters of
181:rose window
101:Via Gallica
82:Benedictine
72:Shakespeare
1004:Categories
705:Sant'Elena
604:Lake Garda
513:10°58′45″E
510:45°26′33″N
488:References
409:(Italian:
374:Altichiero
350:Presbytery
317:polychrome
313:Corinthian
251:Bell tower
247:himself).
241:Hildesheim
125:Romanesque
109:Ostrogoths
68:Romanesque
52:San Zenone
36:Romanesque
700:Cathedral
433:The abbey
391:predellas
817:San Luca
750:Churches
463:See also
336:porphyry
328:Crucifix
275:Interior
147:Exterior
321:trefoil
215:Odoacer
160:Details
139:-style
95:History
54:) is a
568:Veneto
319:. The
152:Façade
137:Gothic
117:Magyar
60:Verona
290:Crypt
237:Saxon
121:crypt
85:abbey
421:and
334:, a
269:nave
267:The
219:deer
166:tuff
141:apse
42:The
34:The
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