242:(2012) a project by Sandi Hilal, Alessandro Petti, Eyal Weizman, Nicola Perugini with Yazeed Anani, Nishat Awan, Ghassan Bannoura, Benoit Burquel, Suzy Harris-Brandts, Runa Johannessen, Zografia Karekou, Cressida Kocienski, Lejla Odobasic, Carina Ottino, Elizabeth Paden, Sameena Sitabkhan, Amy Zion exhibited at the James gallery, New York City, USA. It reconstructed a small segment of the never used Palestinian parliament, which was started under the 1996 Oslo accord and halted in 2003 without ever being used.
304:, Nottingham, UK (2015). Group project by Sandi Hilal, Alessandro Petti, Eyal Weizman, Nicola Perugini with Yazeed Anani, Nishat Awan, Ghassan Bannoura, Benoit Burquel, Suzy Harris-Brandts, Runa Johannessen, Zografia Karekou, Cressida Kocienski, Lejla Odobasic, Carina Ottino, Elizabeth Paden, Sameena Sitabkhan, Amy Zion.
135:: they widen possibilities for re-establishing presence, by exploring provisionality and permanence in the built environment. They re-imagine, re-design and re-purpose Israeli architecture as de-colonial practice: “speculating about the seemingly impossible, the actual transformation of the structures of domination.”
161:
Concrete Tent, Dheisheh (2015) and (2018) is a project that explores the tent's historic role as a mobile or temporary housing structure. It works to make this solid, using concrete to fix the form of the tent as a more permanent structure. It was exhibited at the
Sharjah Architecture Biennial in
131:. The collective offers new pedagogical practices for teaching, sharing and assembling. Through processes of talking, treasuring and gathering with memories, they enact re-constructions of living spaces, focusing on diasporic existences and refugee camps. Their work extends thinking on
217:(2022). Art & Theory Publishing, in collaboration with Public Art Agency Sweden. Anthology edited by Annika Enqvist, Karolina Modig, Rebecka Katz Thor, Joanna Zawieja, asking, "What does it mean to remember through art?".
407:
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236:(2018) NYUAD Gallery, Abu Dhabi. A retrospective exhibition of the work of Sandi Hilal and Alessandro Petti covering 15 years of their collaborative practice on the theme of refuge and refugees.
153:
on the outskirts of
Jerusalem. created with the goal of making a collaborative space for learning that encourages participants as active agents in their education.
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architect, writer, and researcher. Hilal was Head of the
Infrastructure and Camp Improvement Program in the West Bank at
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The Campus in Camps project (2012–2016) created a learning and project space in refugee camps in collaboration with
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in
Transborder policies for daily life. She was then an assistant professor of Fine Art and Urban Studies at the
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in Dubai, 2021. Published as part of the 17th
International Architecture Exhibition, Venice Biennale, 2021.
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211:. Art &Theory Publishing in collaboration with the Royal Institute of Art, Stockholm, Sweden, 2018.
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601:"GSD MEdiNa Conversation: Sandi Hilal, "Architecture and Participation in Palestinian Refugee Camps""
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77:(United Nations Relief and Works Agency for Palestine Refugees in the Near East) from 2008 to 2014.
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Based in
Palestine, DAAR is a collective working on art and architecture, comprising Sandi Hilal,
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in
Bethlehem and with the support of the Popular Committees of Southern West Bank refugee camps.
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Aikau, Hokulani K.; Arvin, Maile; Goeman, Mishuana; Morgensen, Scott (2015).
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Public Memory, Public Art – Reflections on
Monuments and Memorial Art Today
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183:. By Sandi Hilal, Alessandro Petti, Eyal Weizman. Sternberg Press (2013)
688:"DAAR Presents "Concrete Tent" at Sharjah Architecture Triennial 2023"
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771:"Common Assembly (Decolonizing Architecture Art Residency - DAAR)"
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2016 Keith Haring
Fellowship in Art and Activism at Bard College
142:(Al Quds/Bard Partnership) and hosted by the Phoenix Center in
713:"DAAR - Sandi Hilal and Alessandro Petti | Stateless Heritage"
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737:"Permanent Temporariness: Sandi Hilal and Alessandro Petti"
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89:, near Bethlehem. She graduated with a Master's from the
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189:. Art & Theory Publishing in collaboration with
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324:2010 Prince Claus Prize for Architecture from the
149:Shu'fat School (2014) is a girls school built in
900:Academic staff of the UniversitĂ Iuav di Venezia
566:, Columbia University Press, pp. 191–216,
300:, James Gallery, New York City, USA (2012) and
858:"The awards of the Biennale Architettura 2023"
486:"Towards Dwelling in Spaces of Inhospitality"
113:DAAR - Decolonising Architecture Art Research
105:. She has since been a visiting professor at
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222:Exhibitions and institutional collaborations
492:, Leuven University Press, pp. 61–82,
342:The Anni and Heinrich Sussmann Artist Award
338:Vera List Center Prize for Art and Politics
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795:"The artistic research practice of DAAR"
572:10.7312/columbia/9780231153591.003.0010
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119:Decolonizing Architecture Art Residency
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525:Frontiers: A Journal of Women Studies
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459:"LAS22 (re)Activating architectures"
818:"DAI Roaming Academy - Sandi Hilal"
935:Sapienza University of Rome alumni
664:"Sandi Hilal and Alessandro Petti"
382:"Sandi Hilal and Alessandro Petti"
230:(2021–22) Mosaic Rooms, London UK.
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910:Palestinian expatriates in Sweden
895:Academic staff of Lund University
605:Harvard Graduate School of Design
521:"Indigenous Feminisms Roundtable"
191:Royal Institute of Art, Stockholm
915:Palestinian installation artists
905:Palestinian expatriates in Italy
558:Alexander, Livia (2012-09-18),
350:Venice Biennale of Architecture
490:Making Home(s) in Displacement
434:"Curriculum Vitae Sandi Hilal"
314:, Ramallah (2021), group show.
248:(2003, 2008, 2009, 2013, 2015)
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838:"Women, Design and Democracy"
662:Kufer, Katrina (2018-04-30).
412:Swedish Arts Grants Committee
181:Architecture after Revolution
940:University of Trieste alumni
925:Palestinian women architects
484:Singh, Ashika (2022-01-17),
358:The Laboratory of the Future
356:for the best participant in
920:Palestinian women academics
560:"Confessing Without Regret"
157:Architectural Interventions
91:Sapienza University of Rome
32:1973 (age 50–51)
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103:UniversitĂ Iuav di Venezia
625:"West Bank refugee camps"
345:2011 Art Initiative Grant
298:Center for the Humanities
537:10.1353/fro.2015.a604904
81:Early life and education
930:People from Beit Sahour
302:Nottingham Contemporary
234:Permanent Temporariness
209:Permanent Temporariness
498:10.2307/j.ctv25wxbvf.6
282:Qalandia International
775:Forensic Architecture
144:Dheisheh Refugee Camp
99:University of Trieste
16:Palestinian architect
308:Palestine from Above
151:Shu'fat refugee camp
438:Bir Zeit University
264:Bienal de SĂŁo Paulo
133:intangible heritage
276:Marrakesh Biennial
270:Asian Art Biennial
228:Stateless Heritage
140:Al Quds University
85:Hilal was born in
639:"School in Exile"
581:978-0-231-15359-1
564:Screening Torture
326:Prince Claus Fund
312:Qattan Foundation
258:Home Works Beirut
252:Istanbul Biennial
69:(born 1973) is a
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414:. 14 March 2023
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166:Publications
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129:Eyal Weizman
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890:1973 births
744:Art Gallery
354:Golden Lion
87:Beit Sahour
71:Palestinian
67:Sandi Hilal
51:Palestinian
47:Nationality
40:Beit Sahour
23:Sandi Hilal
879:Categories
864:2024-04-29
843:2024-06-10
823:2024-06-10
800:2024-06-10
780:2024-05-20
749:2024-05-20
722:2024-05-20
698:2024-05-20
673:2024-05-20
648:2024-05-20
610:2024-05-20
587:2024-05-23
503:2024-05-23
393:2024-05-20
365:References
203:Art Jameel
57:Occupation
692:ArchDaily
545:1536-0334
290:13 (2017)
97:from the
60:Architect
36:West Bank
668:Artforum
387:CCS Bard
443:10 June
174:(2003)
643:Archis
578:
543:
469:23 May
465:. 2022
418:23 May
319:Awards
296:, The
284:(2016)
278:(2016)
272:(2015)
266:(2014)
260:(2010)
254:(2009)
195:Iaspis
162:2023.
93:and a
742:NYUAD
348:2023
75:UNRWA
576:ISBN
541:ISSN
471:2024
445:2024
420:2024
127:and
29:Born
568:doi
533:doi
494:doi
336:'s
95:PhD
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