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The adjacent hospital was founded in 1355, and rebuilt over the centuries, with a major reconstruction in 1619. It contains a pharmacy from the 17th century. The church conserves antique music codices.
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176:. The wooden coffered ceiling has gilded floral panels. The dedication of the chapel to the Immaculate Conception is not only due to the Pulzone altarpiece, but to the fact that
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121:. Two paintings by Ribera were stolen during World War II. At the apse are the sculpted wooden choir stalls. Under windows are two paintings (1720) depicting the
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rule. Numerous reconstructions took place and now the structure represents a
Baroque style from the 1620s. The belltower-facade has a Maiolica clock made by
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The entrance in the interior, the first altar contains small paintings (1520–1525) by
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Gaeta: viaggio nell'arte : pittura, scultura e arti minori dal medioevo ad oggi
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193:, requesting feedback on what became the dogmatic proclamation in 1854.
82:(right). The second altars on both sides of the nave have canvases by
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in 1848, prayed at this chapel for guidance and from here wrote the
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depicting a number of scenes of the life of Jesus and the Virgin.
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Glory of St
Dominic with Sts Peter Martyr & Francis of Paola
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dates from 1500s. It was decorated in the early 1520-1530s by
180:, in exile at Gaeta during the revolt that formed the
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17th-century Roman
Catholic church buildings in Italy
133:. the main altar has a large polyptych (1521) by
105:The Chapel of the Holy Sacrament was designed by
51:The church and hospital were originally built in
55:-style in the early 1354, when Gaeta was under
327:Roman Catholic churches completed in the 1620s
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148:The main chapel of the church, called the
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228:, by Piergiorgio Granata, pages 25-26.
26:Sanctuary of the Santissima Annunziata
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307:Churches in the province of Latina
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312:Renaissance architecture in Lazio
144:Cappella d'Oro towards main altar
160:, perhaps with contributions of
113:. The altarpiece depicting the
246:Piergiorgio Granata, pages 26.
164:, with canvases depicting the
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317:Baroque architecture in Lazio
166:Life of Christ and the Virgin
109:. The ceiling was painted by
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123:Presentation at the Temple
72:Giovanni Filippo Criscuolo
283:41.2119583°N 13.5812917°E
94:; while on the right, an
172:(1582) was completed by
216:website, entry on site.
288:41.2119583; 13.5812917
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96:Adoration by Shepherds
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237:Pro Loco Gaeta entry.
170:Immaculate Conception
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127:Adoration of the Magi
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168:. A painting of the
100:Sts Anne and Joachim
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20:Facade of Sanctuary
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115:Madonna and Child
86:: on the left, a
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174:Scipione Pulzone
131:Sebastiano Conca
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119:Giacinto Brandi
111:Andrea Scapuzzi
68:Andrea Sabatini
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214:Pro Loco Gaeta
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182:Roman Republic
150:Cappella d'Oro
107:Jacopo Lazzari
76:Sant'Apollonia
61:Matteo De Vivo
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33:Roman Catholic
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274:13°34′52.65″E
271:41°12′43.05″N
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178:Pope Pius IX
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154:Grotta d'Oro
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39:, region of
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88:Crucifixion
80:Santa Lucia
78:(left) and
301:Categories
201:References
190:Ubi primum
186:encyclical
35:church in
256:Sanctuary
158:Criscuolo
43:, Italy.
162:Sabatini
135:Sabatini
90:with a
57:Angevin
47:History
30:Baroque
117:is by
98:and a
53:Gothic
41:Lazio
37:Gaeta
28:is a
125:and
70:and
24:The
152:or
129:by
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