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1230:. With his success in progressive house, Sasha has commented that he feels people try to "pigeon-hole" him into playing that genre. Rather than calling it progressive house, Sasha considers his most recent material to be between house, trance, and breaks, though he has stated that he prefers not to associate himself with a specific genre of music.
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Sasha attributes his success to his technical skill and ability to "connect with his dancers". During performances, he balances new and experimental material, while ensuring that "the party is still rockin'". His spontaneity carries over to studio work; he typically has only a vague idea of the track
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generally received favorable reviews, though critics noted that it was not as consistent and well produced as his DJ mixes. Sasha himself described it as "a selfish, slightly self-indulgent record", though he maintains that he is "happy with it to this day". Some critics, however, called it "sleepy";
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by System
Recordings. Ben Turner, creator of the DanceStar awards, retrospectively described the Delta Heavy tour as "a landmark moment for electronic music". Though the duo of Sasha and Digweed never explicitly split up, demanding schedules and frequent independent touring prevented any substantial
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has affected how Sasha obtains and uses tracks for performance. While he once hunted through record shops for new records on a regular basis, Sasha now regularly receives new tracks from producers and labels via the
Internet. These tracks, which number in the hundreds each week, are edited by Sasha
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Sasha and
Digweed have re-united again in recent years. The iconic duo Sasha & John Digweed performed a Back to Back set at the Ministry of Sound in London on 24 March 2016. Shortly thereafter, the duo announced a list of tour dates for September 2016 to re-launch themselves in a series of gigs
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Sasha runs a music studio and lives in New York City, and maintains a house in London. He brings his wife with him on his frequent tours. Sasha finds the constant touring to be physically tiring, though he also feels that he thrives on it. While fans may regard Sasha to be a DJ "hero", he is uneasy
656:. As well as providing guidance for BT, Sasha produced a "euphoric" and "introspective" 42-minute rendition of the album which formed the centrepiece of the UK release and appeared as a "bonus" second disc on the US release. He continued to advance his own production work by pairing with vocalist
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s pop critic, Alexis
Petridis, attributed the "terminal decline" of dance music to its over-commercialisation by big-name DJs, such as Sasha, and to their demands for increased fees for performances. Though dance music had been declared "dead" by many in the dance industry, Sasha continued to
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featured Sasha on its first cover, under the headline "SASHA MANIA – THE FIRST DJ PINUP?". While continuing to DJ, Sasha began to produce several of his own dance tracks. This, he later noted, was contrary to the career paths of many successful DJs, for whom it was more common to start out as
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was finally released, in August 2002, to much fanfare. However, the album was "received with a lot of head scratching", according to Sasha, which he attributed to its unexpected mix of genres. The album did not feature the heavier "club sound" of Sasha's previous mix albums, bearing a closer
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to produce another mix album. However, he found the process of creating a standard mix album unrewarding, and decided to apply his production and DJing skills to a mix compilation that resembled a "real" album—that is, one featuring original material. Sasha's next studio album,
669:, Sasha and Digweed's next double-CD entry in their Northern Exposure series. To support the album, the duo toured internationally, and in the process helped to define the sound of trance music in the late 1990s. After extensive touring, Digweed and Sasha took up residency at
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examinations. Instead of continuing his schooling, Sasha moved to Bangor to live with his father and stepmother. Sasha's stepmother forced him to take piano lessons which, although he disliked them at the time, he ultimately found to be beneficial to his music career.
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and video production, were more akin to rock concerts than to typical DJ events. This development was new to the DJing scene, and compelled other DJs to host similar concerts. A DVD of performance highlights, interviews, and behind-the-scenes footage was released as
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was the first album on which he regularly used the Maven controller. During DJ sets, clubbers often believe Sasha is playing new, unheard remixes; in fact, he is often playing modifications of tracks created in
Ableton. Sasha most often uses the built-in Ableton
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with fame; Sasha considers himself "shy at heart" and is typically uncomfortable discussing his personal life. He has mentioned on numerous occasions that he is so busy with DJing and production that he rarely has any free time. However, he enjoys watching
989:", consisting entirely of Sasha's reworkings of tracks by other artists. "I tried to take all the separate sounds to all the tracks ", he later explained, "and it allowed me to mix the tracks together on a much deeper level." He accomplished this by
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1080:, cooking, and sampling the cuisine of the countries he visits. The movie "New Emissions of Light & Sound" won the Best Original Score at the X-Dance Film Festival. The score was made up of new and previously unreleased tracks.
338:. Sasha's remixing and production often combine electronic music genres, making it difficult for critics to pinpoint his musical style. As well as remixes and compilation albums, Sasha has produced three albums of original works:
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Sasha began DJing with
Ableton Live in his live act as well, using it in tandem with turntables. Having explored its functionality, Sasha found that he could perform entirely through Ableton Live. He then co-developed the Maven
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listing when beginning work on a new mix album. Because of this, his albums never turn out quite as he expects. Sasha is known for applying new music technologies to both his studio and live work. Both Sasha and
Digweed used
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599:. Sasha and Digweed honed their DJing skills, often performing in tandem and focusing on track selection and technical mixing abilities. Renaissance was pleased with their performances, and had the duo compile the triple-CD
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style, though by the time of his
Shelley's residency he had begun to experiment more with American house. His tastes further developed as he moved to Renaissance, and he began to incorporate the pop-based sounds of
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Though frequent performing kept them apart for several years, Sasha and
Digweed announced that they would reunite for a few Australian performances. In November 2006, the duo performed at several venues, including
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found it "too complicated for the ear". Sasha is pleased with the album, and plans to make a series of
Fundacion albums. The next year, Sasha released 10,000 copies of a June 2006 DJ set for sale using
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517:. After DJing at Shelley's for several years, Sasha left his position because of increasing gang violence in and around the club. As a result of his growing reputation, Sasha was offered work in several
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1072:. The duo played at mainly larger venues on the weekends and smaller (750–1000 people) shows on weekdays. Sasha described their music as "driving and dark" with "a little throwback of Twilo sounds".
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and others for use in his live DJ sets. He still buys hundreds of records on vinyl, which are then recorded and converted into music files prior to being edited in Ableton by his team of engineers.
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turntable, and signed Zabiela to the Excession talent agency. The two toured the United States together, which extended Sasha's influence to already-popular American DJs such as Kimball Collins.
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Influenced by the early sound of The Haçienda, Sasha began his career playing records of the rough, danceable genre of acid house. By the early 1990s, he had moved towards a more dark European
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at the same time, which led to a "painful learning curve" at the outset. He released his first Remix single, "Appolonia", The Sasha Mixes of the Italo House Track By Indie, under the name
439:. A local DJ at a club Sasha frequented announced that he was looking for other DJs to travel with him on a regional tour; Sasha volunteered and made his first live appearance in nearby
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411:. After what he described as an "idyllic childhood", Sasha passed the entrance exam for Hatfield College at age 17. However, he did not like Epsom and left before completing his
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for sequencing, partially because of Pro Tools' higher price. In live performances up to the late 1990s, Sasha performed exclusively using records. Before he started using the
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in a traffic accident, further delaying the album's production. Though the accident temporarily impaired his hearing, he drew inspiration for the album from his ordeal.
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Sasha soon found himself in debt due to low-paying performances and the many records he bought. To finance his record collection, he performed at illegal warehouse
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and CDs in his DJ sets. He felt that whilst Ableton Live had developed significantly as production software, it had become less successful as a DJing tool.
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636:"SON OF GOD?", though he resented the accolade. After touring together for two years, the duo became "true superstars" with the release of their double CD
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After the closing of Twilo, Sasha and Digweed embarked on their ambitious Delta Heavy Tour of the United States in 2002. Featuring veteran tour producer
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1005:-based software package that Sasha uses to engineer tracks in real-time, whereas he used Logic Pro primarily for premeditated edits to audio tracks.
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computers when mixing their compilation albums, and used turntables and records during live performances. For their remixes, however, they used an
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478:(to synchronize the beats of two simultaneously playing records). Though he enjoyed playing at The Haçienda, in 1990 Sasha left for a club called
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796:", Sasha's first charting single in four years. In between touring and producing original material, Sasha and Digweed released the mix album
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1184:. The focus shifted from the melodic themes of previous releases in favour of a stronger emphasis on the bassline. The Delta Heavy Tour and
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was released soon after Sasha's departure from Renaissance in April 1994. Following his success at Renaissance, Sasha was again featured on
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music on Sasha's work. These influences inspired the album's strong melodies, occasional breakbeat loops, and limited use of percussion.
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took several years to produce due to Sasha's desire for the album to be "as near to perfection as possible." That March, Sasha suffered a
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nightclub, where they would DJ for the entire night. In 1998, the two released separate mix albums on the Boxed label, as part of the
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as well as numerous tour dates throughout 2007. In 2008, Sasha and Digweed kicked off an American tour with a performance at the
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on the single "Breezer". Junkie XL, along with Charlie May, also assisted Sasha on his second album of original material,
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509:(the name is short for The Barry Manilow Experience, a joke in reference to Sasha's love of the piano), with producer
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music in the late 1980s. He partnered with John Digweed in 1993, touring internationally and producing a series of
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in 2000, prompting them to temporarily leave their Twilo residency for a promotional tour of the United States.
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music and the rebellious attitude he associated with it, he visited Manchester weekly and soon moved to nearby
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and the mix albums of the late 1990s. At the time, Sasha's music rotation included records by artists such as
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was the volume, I didn't even know where to plug my headphones in! I'm sure I was absolutely horrendous."
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During the late 1990s, the increased popularity and visibility of "superstar DJs" led to the creation of
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Preve, Francis (September 2004), "Spotlight: Remix summit: The avant-art of Sasha and Josh Gabriel",
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854:, the tour covered 31 cities and played to 85,000 people. The appearances, complete with
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was primarily a fusion of the musical style of house and ambient breakbeat music characterised by
936:". To encourage listeners' interest, Sasha held an amateur remix contest for the album's single, "
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After achieving success as a producer and DJ, Sasha worked with younger DJs and producers such as
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tour—despite the closing of many superclubs, including his resident club Twilo in May 2001.
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about his decision to change from using Live and the Maven controller to a combination of
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before each tour. Once he integrated CDs into his live act, Sasha operated CDJ1000s with
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equipment helped popularise technological innovations among DJs who formerly relied on
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with the singles "Higher Ground" and "Magic" (for which Digweed produced a remix) and
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did not receive a nomination. Sasha did receive a Grammy nomination for his remix of
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732:'s "Purple" for those artists' single releases. His success in pop music led him to
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2937:"Don't Speak: A man of few words, dance music hero Sasha talks with his hands"
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to produce the single "Be as One", which reached #17 on the UK singles chart.
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on his website, so that fans could download and create their own versions.
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marked a dramatic shift in style, and reflected the influences of relaxed
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as "boring and lackluster...stalled in a monochrome world of dead beats".
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and Australian clubs. He accepted, instead, a spot in the DJ rotation at
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stated that despite a "few stellar moments, is ultimately a let-down".
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311:(compilations of other artists' work played in a continuous fashion).
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running Ableton, but has since shifted to a setup that includes an
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490:. Because of his increased popularity and visibility at Shelley's,
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2385:"Cynical, exploitative and banking on ecstasy to mask the rip-off"
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282:. He was voted as World No. 1 DJ in 2000 in a poll conducted by
2260:"Scoring with Sasha: Interview with Rockstar Games and Psygnosis"
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alone, he has said, is "not going to look right or feel right".)
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used for arranging audio tracks. For more recent albums such as
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as a solo artist, as well as his collaborations with British DJ
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at #57. With this success, Sasha began a series of records for
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and record producer. He is best known for his live events and
3330:"Sasha – 2008 Interview – Sasha and Digweed 2008 Spring Tour"
835:. By 2003, however, electronic dance music clubs languished.
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Sasha reached a more mainstream audience with his remixes of
399:, on 4 September 1969. His early musical taste was primarily
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Later in 1993, Sasha, collaborating with Danny Campbell for
435:. Sasha purchased records and began to teach himself how to
2448:"Sasha & John Digweed – Delta Heavy: A DVD Documentary"
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Due to a legal dispute with the German singer also named
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1828:"Sasha: No rest for the world's last 'rock-star deejay'"
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During the latter half of 2002, Sasha collaborated with
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Sasha became aware of electronic dance music in 1988 at
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470:, Sasha secured work at The Haçienda, where he learned
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DJ Award for Best Progressive and Progressive House DJ
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received positive reviews for its originality, though
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Sasha (left) on stage with Duncan Forbes (center) and
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label. The album featured tracks from such artists as
443:. He recalled of his debut, "I'd never even touched a
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committee debated whether his mix compilation album,
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3361:"Sasha & John Digweed Confirm Fall 2016 Reunion"
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The emFire Collection: Mixed, Unmixed & Remixed
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3297:Schoenbohm, Kevin; Jules Mari (31 August 2006).
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1580:"Sasha Vs. Sasha: Trance DJ Keeps Right To Name"
1463:'s "Watching Cars Go By", which was featured on
1433:List of awards and nominations received by Sasha
754:. In addition to mixing and DJing, Sasha joined
693:, which drew from his experience touring on the
466:areas. With the assistance of another local DJ,
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2321:Dance Music Manual: Toys, Tools, and Techniques
1125:. Sasha's second Digweed collaboration, 1997's
2681:"Sasha: His Life, The Music & Neil Young?"
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3208:"Sasha tour dates (navigate to "Tour Dates")"
3089:
3087:
2975:"DJ Sasha: Crossfade into the Digital Domain"
2484:"DJ Sasha on Dance Music's Glowstick Culture"
2000:
1998:
8:
4076:Sasha & John Digweed present Delta Heavy
2165:
2163:
2098:
2096:
2094:
2048:, vol. 30, no. 9, pp. 38–41,
1884:
1882:
1880:
1246:at a 15 July 2006 performance at Panama, an
1008:In 2005, Sasha produced his next mix album,
862:Sasha & John Digweed present Delta Heavy
3232:
3230:
3228:
2930:
2928:
2808:"Wavy Gravy Remix contest winner announced"
2477:
2475:
2473:
2037:
2035:
2033:
1540:is a common diminutive version of the name
1483:Sasha & John Digweed § Discography
928:described it as being "more in league with
591:In early 1993, Sasha partnered with fellow
5000:
4986:
4978:
4504:
4490:
4482:
4124:
4110:
4102:
4089:
3979:
3965:
3957:
3716:
3702:
3694:
3654:
3446:
3444:
3442:
3440:
3239:"An interview with Sasha and John Digweed"
2554:"Junkie XL "Beauty Never Fades / Breezer""
1962:
1960:
1958:
1956:
1954:
1952:
1950:
1392:"Watching Cars Go By (Sasha Remix)" (2004)
38:
2674:
2672:
2670:
1860:The Virgin Encyclopedia of Nineties Music
1697:"Grammy Award nominees in top categories"
1455:decided that the album was eligible, but
427:dance venue. Drawn to the rough sound of
379:. In 2007, he formed a record label with
3292:
3290:
3265:"Sasha's Secret Of Superstar DJ Success"
2968:
2966:
2964:
1728:
1726:
1724:
1722:
1720:
1718:
1305:
873:
576:
1571:
1524:
2749:"Master Manipulator Keeps It Spinning"
1421:
3839:Global Underground 009: San Francisco
3484:Remix: The Electronic Music Explosion
3034:"One More Time: Interview with Sasha"
2747:Harrington, Richard (31 March 2006).
2679:McGeachin, Nick (24 September 2004).
2413:"Super DJs forced off the dancefloor"
1651:from the original on 12 December 2021
690:Global Underground 009: San Francisco
7:
1559:, he is known as DJ Sasha in Germany
1041:was released in September 2008, and
663:In 1997, Ministry of Sound released
30:For the Jamaican former deejay, see
3575:Romero, Dennis (17 February 2005).
2838:"Sasha's Freedom of Airdrawndagger"
2482:Juarez, Vanessa (3 February 2006).
2383:Petridis, Alexis (21 August 2003).
2006:"Sasha – Standing the Test of Time"
1530:
1528:
5177:British electronic dance music DJs
3486:. ArtistPro. pp. 65, 127–133.
3389:(4th ed.). Fireside. p.
2198:Drever, Andrew (5 December 2002).
25:
3523:"DJ Sasha talks Macs and Ableton"
3453:"Sasha – Fundacion NYC Interview"
3095:"Sasha launches new Empire label"
3063:Paoletta, Michael (24 May 2006).
2411:Gillan, Audrey (21 August 2003).
2350:Micallef, Ken (7 December 2000).
2014:. 18 October 2004. Archived from
1447:, was eligible for nomination as
1358:In February 2013, Sasha spoke to
985:, was "a fusion of mix album and
608:, releasing it on the club's own
5092:
5079:
5063:
5050:
5037:
5024:
4959:
4946:
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4907:
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4777:
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4738:
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4712:
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4634:
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4597:
4584:
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4463:
4450:
4437:
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4411:
4398:
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4333:
4320:
4307:
4294:
4281:
4268:
4255:
4242:
4229:
4216:
4203:
4190:
4177:
4164:
4151:
3101:. 22 August 2007. Archived from
2446:Jones, Simon (7 February 2006).
1735:"Sasha + John Digweed biography"
1422:Problems playing this file? See
1396:
1096:Sasha performing 8 July 2006 in
290:International Dance Music Awards
49:
5187:BT Digital Music Awards winners
4139:Essential Mix of the Year Award
4025:Renaissance: The Mix Collection
3181:Jones, Simon (10 August 2006).
2935:Reeves, Mosi (7 October 2004).
2901:Romero, Dennis (24 June 2004).
2552:Jones, Simon (4 January 2003).
2529:. February 2006. Archived from
1863:. London: Virgin. p. 340.
695:West Coast of the United States
605:Renaissance: The Mix Collection
303:Sasha began his career playing
55:Sasha performing in August 2006
5192:Deconstruction Records artists
5157:Musicians from Bangor, Gwynedd
4517:Top 100 DJs Poll − Number 1 DJ
4049:Northern Exposure: Expeditions
3812:Avalon Los Angeles CA 24/06/06
3328:Slomowicz, Ron (23 May 2008).
3263:Skrufff, Jonty (2 July 2005).
3237:Bilen, Andrew (24 July 2008).
2867:"James Zabiela – Alive Review"
2643:Jones, Simon (December 2001).
2140:The Rough Guide to House Music
1896:. 29 July 2004. Archived from
751:Northern Exposure: Expeditions
684:Global Underground 006: Sydney
1:
4914:Dimitri Vegas & Like Mike
4862:Dimitri Vegas & Like Mike
3847:Global Underground 013: Ibiza
3415:"DJ/Producer Sasha Interview"
3383:Nathan Brackett, ed. (2004).
3359:Medved, Matt (4 April 2016).
3155:Jones, Simon (29 July 2008).
3032:McCarthy, Zel (31 May 2005).
2106:Last Night a DJ Saved My Life
1967:Dresden, Dave (7 July 1997).
1084:and performing Back to Back.
784:. Soon after, he worked with
771:Global Underground 013: Ibiza
554:with Frederikse and vocalist
2584:"Beauty Never Fades/Breezer"
1795:Jones, Simon (3 July 2002).
1764:Jones, Simon (19 May 2006).
1149:influence distinguished his
1047:was released in March 2013.
878:Sasha at a performance with
27:Welsh DJ and record producer
5172:Progressive house musicians
3459:. About.com. Archived from
3065:"Sasha Plans Live DJ Mixes"
1641:"Interview: Sasha In Ibiza"
1612:"Sasha Plays the Name Game"
1449:Best Electronic/Dance Album
974:In 2004, Sasha signed with
540:. "Together" peaked on the
501:, he also set up an entire
318:tracks for artists such as
5213:
5197:Welsh electronic musicians
5182:Night Time Stories artists
3645:Sasha Tracklisting archive
2776:"Review of Airdrawndagger"
2230:"Record Labels: Excession"
1480:
1474:
1430:
1406:Sasha was nominated for a
1271:from the early 1990s—with
570:
497:producers. Upon signing a
29:
5019:
4146:
4099:
3994:
3731:
3682:
3670:
3662:
3657:
3386:Rolling Stone Album Guide
2713:"Airdrawndagger by Sasha"
1414:'s "Watching Cars Go By".
1234:Techniques and technology
48:
32:Sasha (Jamaican musician)
5132:British trance musicians
4223:Sasha & John Digweed
3988:Sasha & John Digweed
3941:Sasha & John Digweed
3658:Awards and achievements
3551:"RA.EX136 Sasha Podcast"
3498:"Sasha Fundacionnyc Mix"
3183:"John Digweed Interview"
2218:– via Djsasha.com.
1797:"Sasha "Airdrawndagger""
1766:"Sasha – Fundacion: NYC"
1165:'s single "My Lexicon".
705:for many DJs, including
582:Sasha & John Digweed
573:Sasha & John Digweed
280:Sasha & John Digweed
3482:Gerrish, Bruce (2001).
3006:Jewels (22 June 2006).
2617:"Airdrawndagger review"
2360:. Yahoo. Archived from
2325:. Focus Press. p.
2103:Brewster, Bill (2000).
1310:Sasha performing using
1145:. A rhythmic and bassy
1070:Winter Music Conference
113:, Wales, United Kingdom
5167:Welsh record producers
3741:Awards and nominations
2903:"Building a Better DJ"
1969:"Interview with Sasha"
1857:Larkin, Colin (2000).
1477:Sasha (DJ) discography
1385:
1374:Awards and nominations
1314:
1251:
1105:
1051:Reuniting with Digweed
971:
883:
781:Movement in Still Life
588:
546:Deconstruction Records
61:Background information
5147:Welsh house musicians
2317:Snoman, Rick (2004).
2138:Bidder, Sean (1999).
1453:The Recording Academy
1384:
1309:
1241:
1095:
961:
947:After the release of
877:
580:
515:Union City Recordings
332:the Chemical Brothers
5075:No Award (2011-2017)
3650:Sasha DJ Sets Videos
3581:Los Angeles CityBeat
3577:"In a Grammy Groove"
3136:on 28 September 2007
2949:on 15 September 2005
2907:Los Angeles CityBeat
1671:"Sasha tops DJ poll"
1339:material, he used a
1218:music, with work by
1168:With the 2000 album
1001:. Ableton Live is a
827:such as Liverpool's
480:Shelley's Laserdrome
288:. He is a four-time
5070:D-Nox & Beckers
4314:Swedish House Mafia
4041:Northern Exposure 2
3425:on 28 December 2005
3309:on 17 February 2006
3157:"Sasha – Invol2ver"
3126:"Interviews: Sasha"
3044:on 19 November 2005
3008:"Sasha – Fundacion"
2987:on 27 November 2006
2913:on 31 December 2005
2788:on 16 December 2004
2754:The Washington Post
2686:Virgin Megamagazine
2364:on 29 November 2005
1935:on 14 December 2006
1838:on 20 December 2006
1733:Birchmeier, Jason.
1161:, and Breeder, and
806:had mixed reviews:
666:Northern Exposure 2
610:Renaissance Records
381:Renaissance Records
224:Last Night on Earth
4327:Above & Beyond
4236:Above & Beyond
4210:Sander Kleinenberg
3785:Compilation albums
3758:The Qat Collection
3243:Progressive-Sounds
3187:Progressive-Sounds
3161:Progressive-Sounds
2846:. 24 February 2003
2818:on 10 October 2003
2725:on 5 December 2005
2693:on 27 January 2006
2649:Progressive-Sounds
2596:on 10 January 2006
2558:Progressive-Sounds
2527:Progressive-Sounds
2452:Progressive-Sounds
2291:"Spooky biography"
2240:on 9 February 2005
2210:on 1 November 2004
2200:"Come in, spinner"
2018:on 4 February 2005
1801:Progressive-Sounds
1770:Progressive-Sounds
1677:. 20 November 2000
1495:The Qat Collection
1386:
1364:Native Instruments
1347:and Ableton Live.
1315:
1252:
1163:Sander Kleinenberg
1106:
1098:Bucharest, Romania
976:Global Underground
972:
906:perforated eardrum
884:
776:Yoshitoshi Records
736:the music for the
681:series: Digweed's
679:Global Underground
626:The Mix Collection
589:
551:The Qat Collection
499:recording contract
395:Sasha was born in
367:. His use of live
341:The Qat Collection
292:winner, four-time
260:Alexander Paul Coe
228:Night Time Stories
202:Global Underground
71:Alexander Paul Coe
5114:
5113:
5108:
5107:
4975:
4974:
4479:
4478:
4086:
4085:
4033:Northern Exposure
3954:
3953:
3692:
3691:
3683:Succeeded by
3275:on 30 August 2005
3124:Woodcock, Clare.
3105:on 27 August 2007
3038:Groovetickets.com
2973:Schaal, Tilmann.
2172:"Sasha biography"
1900:on 11 August 2004
1645:Pioneer DJ Sounds
1620:. 7 November 2000
1592:on 15 August 2018
1461:Felix da Housecat
1412:Felix da Housecat
1410:for his remix of
1401:
1297:Allen & Heath
1269:personal computer
1147:progressive house
1127:Northern Exposure
1031:mix and the next
987:production record
816:, too, described
644:Ministry of Sound
639:Northern Exposure
369:audio engineering
254:
253:
215:Ministry of Sound
154:progressive house
16:(Redirected from
5204:
5162:British remixers
5137:British club DJs
5097:
5096:
5084:
5083:
5068:
5067:
5055:
5054:
5042:
5041:
5029:
5028:
5002:
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4988:
4979:
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4925:
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4912:
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4899:
4898:
4886:
4885:
4873:
4872:
4860:
4859:
4847:
4846:
4834:
4833:
4823:Armin van Buuren
4821:
4820:
4808:
4807:
4797:Armin van Buuren
4795:
4794:
4784:Armin van Buuren
4782:
4781:
4771:Armin van Buuren
4769:
4768:
4758:Armin van Buuren
4756:
4755:
4743:
4742:
4730:
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4169:
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4156:
4155:
4140:
4135:
4126:
4119:
4112:
4103:
4094:Awards for Sasha
4090:
3981:
3974:
3967:
3958:
3934:Related articles
3718:
3711:
3704:
3695:
3663:Preceded by
3655:
3614:
3613:
3611:Official website
3597:
3596:
3594:
3592:
3583:. Archived from
3572:
3566:
3565:
3563:
3561:
3555:Resident Advisor
3547:
3541:
3540:
3538:
3536:
3519:
3513:
3512:
3510:
3508:
3494:
3488:
3487:
3479:
3473:
3472:
3470:
3468:
3448:
3435:
3434:
3432:
3430:
3421:. Archived from
3411:
3405:
3404:
3380:
3371:
3370:
3356:
3350:
3349:
3347:
3345:
3336:. Archived from
3325:
3319:
3318:
3316:
3314:
3305:. Archived from
3294:
3285:
3284:
3282:
3280:
3271:. Archived from
3260:
3254:
3253:
3251:
3249:
3234:
3223:
3222:
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3198:
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3193:
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3172:
3171:
3169:
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3152:
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3143:
3141:
3132:. Archived from
3121:
3115:
3114:
3112:
3110:
3091:
3082:
3081:
3079:
3077:
3060:
3054:
3053:
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3040:. Archived from
3029:
3023:
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3020:
3018:
3003:
2997:
2996:
2994:
2992:
2983:. Archived from
2970:
2959:
2958:
2956:
2954:
2945:. Archived from
2932:
2923:
2922:
2920:
2918:
2909:. Archived from
2898:
2889:
2888:
2886:
2884:
2875:. Archived from
2862:
2856:
2855:
2853:
2851:
2843:Resident Advisor
2834:
2828:
2827:
2825:
2823:
2814:. Archived from
2804:
2798:
2797:
2795:
2793:
2784:. Archived from
2772:
2766:
2765:
2763:
2761:
2744:
2735:
2734:
2732:
2730:
2721:. Archived from
2709:
2703:
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2698:
2689:. Archived from
2676:
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2651:. Archived from
2640:
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2612:
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2592:. Archived from
2580:
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2569:
2560:. Archived from
2549:
2543:
2542:
2540:
2538:
2519:
2506:
2505:
2503:
2501:
2496:on 27 April 2006
2492:. Archived from
2479:
2468:
2467:
2465:
2463:
2458:on 27 April 2006
2454:. Archived from
2443:
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2270:on 28 April 2006
2266:. Archived from
2256:
2250:
2249:
2247:
2245:
2236:. Archived from
2234:Resident Advisor
2226:
2220:
2219:
2217:
2215:
2206:. Archived from
2195:
2189:
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2167:
2158:
2157:
2135:
2129:
2128:
2100:
2089:
2088:
2086:
2084:
2079:on 27 April 2006
2075:. Archived from
2063:
2057:
2056:
2039:
2028:
2027:
2025:
2023:
2011:Resident Advisor
2002:
1993:
1992:
1986:
1984:
1975:. Archived from
1964:
1945:
1944:
1942:
1940:
1931:. Archived from
1921:
1910:
1909:
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1886:
1875:
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1854:
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1845:
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1834:. Archived from
1823:
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1803:. Archived from
1792:
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1772:. Archived from
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1588:. Archived from
1576:
1560:
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1547:
1532:
1403:
1402:
1383:
1360:Resident Advisor
1155:Space Manoeuvres
1143:Armin Van Buuren
993:the album using
882:on 27 April 2006
850:and opening act
831:and Sheffield's
542:UK Singles Chart
503:recording studio
447:: I thought the
272:electronic music
250:
247:
187:
132:, United Kingdom
108:
105:4 September 1969
104:
102:
78:
68:
53:
39:
21:
18:Sasha (Welsh DJ)
5212:
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5206:
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5104:
5099:Hernán Cattáneo
5091:
5086:Hernán Cattáneo
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3985:
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3904:
3885:
3818:
3799:
3780:
3745:
3727:
3722:
3688:
3679:
3668:
3638:discography at
3620:discography at
3609:
3608:
3605:
3600:
3590:
3588:
3574:
3573:
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3559:
3557:
3549:
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3413:
3412:
3408:
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3382:
3381:
3374:
3358:
3357:
3353:
3343:
3341:
3340:on 10 July 2014
3327:
3326:
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3312:
3310:
3296:
3295:
3288:
3278:
3276:
3269:Trackitdown.net
3262:
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3014:
3005:
3004:
3000:
2990:
2988:
2972:
2971:
2962:
2952:
2950:
2934:
2933:
2926:
2916:
2914:
2900:
2899:
2892:
2882:
2880:
2865:Davis, DJ Zak.
2864:
2863:
2859:
2849:
2847:
2836:
2835:
2831:
2821:
2819:
2806:
2805:
2801:
2791:
2789:
2774:
2773:
2769:
2759:
2757:
2746:
2745:
2738:
2728:
2726:
2711:
2710:
2706:
2696:
2694:
2678:
2677:
2668:
2658:
2656:
2642:
2641:
2637:
2627:
2625:
2614:
2613:
2609:
2599:
2597:
2582:
2581:
2577:
2567:
2565:
2551:
2550:
2546:
2536:
2534:
2521:
2520:
2509:
2499:
2497:
2481:
2480:
2471:
2461:
2459:
2445:
2444:
2433:
2423:
2421:
2410:
2409:
2405:
2395:
2393:
2382:
2381:
2377:
2367:
2365:
2349:
2348:
2344:
2337:
2316:
2315:
2311:
2301:
2299:
2288:
2287:
2283:
2273:
2271:
2258:
2257:
2253:
2243:
2241:
2228:
2227:
2223:
2213:
2211:
2197:
2196:
2192:
2182:
2180:
2169:
2168:
2161:
2154:
2137:
2136:
2132:
2125:
2102:
2101:
2092:
2082:
2080:
2065:
2064:
2060:
2041:
2040:
2031:
2021:
2019:
2004:
2003:
1996:
1982:
1980:
1979:on 4 March 2016
1966:
1965:
1948:
1938:
1936:
1925:"Sasha profile"
1923:
1922:
1913:
1903:
1901:
1888:
1887:
1878:
1871:
1856:
1855:
1851:
1841:
1839:
1832:Prefix Magazine
1825:
1824:
1820:
1810:
1808:
1794:
1793:
1789:
1779:
1777:
1763:
1762:
1755:
1745:
1743:
1732:
1731:
1716:
1706:
1704:
1695:
1694:
1690:
1680:
1678:
1669:
1668:
1664:
1654:
1652:
1638:
1637:
1633:
1623:
1621:
1610:
1609:
1605:
1595:
1593:
1578:
1577:
1573:
1569:
1564:
1563:
1554:
1550:
1533:
1526:
1521:
1485:
1479:
1473:
1435:
1429:
1428:
1420:
1418:
1417:
1416:
1415:
1404:
1397:
1394:
1387:
1381:
1376:
1293:acetate records
1277:music sequencer
1236:
1090:
1053:
913:resemblance to
872:
792:on the single "
762:to produce the
699:Bedrock Records
650:with the album
575:
569:
564:
403:pop music like
393:
257:
244:
232:
185:
180:
177:record producer
163:
109:
106:
100:
98:
90:
76:
66:
56:
44:
35:
28:
23:
22:
15:
12:
11:
5:
5210:
5208:
5200:
5199:
5194:
5189:
5184:
5179:
5174:
5169:
5164:
5159:
5154:
5149:
5144:
5139:
5134:
5129:
5119:
5118:
5112:
5111:
5106:
5105:
5103:
5102:
5089:
5076:
5073:
5060:
5047:
5034:
5020:
5017:
5016:
5007:
5005:
5004:
4997:
4990:
4982:
4973:
4972:
4970:
4969:
4956:
4943:
4930:
4917:
4904:
4891:
4878:
4865:
4852:
4839:
4826:
4813:
4800:
4787:
4774:
4761:
4748:
4735:
4722:
4709:
4696:
4683:
4670:
4657:
4654:Paul Oakenfold
4644:
4641:Paul Oakenfold
4631:
4617:
4615:
4611:
4610:
4608:
4607:
4594:
4581:
4578:Danny Rampling
4568:
4555:
4542:
4539:Danny Rampling
4528:
4526:
4522:
4521:
4511:
4509:
4508:
4501:
4494:
4486:
4477:
4476:
4474:
4473:
4460:
4447:
4434:
4421:
4408:
4395:
4382:
4369:
4356:
4343:
4330:
4317:
4304:
4291:
4278:
4265:
4252:
4239:
4226:
4213:
4200:
4187:
4174:
4161:
4147:
4144:
4143:
4131:
4129:
4128:
4121:
4114:
4106:
4100:
4097:
4096:
4093:
4084:
4083:
4081:
4080:
4071:
4069:
4065:
4064:
4062:
4061:
4053:
4045:
4037:
4029:
4020:
4018:
4014:
4013:
4011:
4010:
4003:
3995:
3992:
3991:
3986:
3984:
3983:
3976:
3969:
3961:
3952:
3951:
3949:
3948:
3943:
3937:
3935:
3931:
3930:
3928:
3927:
3920:
3912:
3910:
3906:
3905:
3903:
3902:
3893:
3891:
3890:Extended plays
3887:
3886:
3884:
3883:
3875:
3867:
3859:
3851:
3843:
3835:
3826:
3824:
3820:
3819:
3817:
3816:
3807:
3805:
3801:
3800:
3798:
3797:
3788:
3786:
3782:
3781:
3779:
3778:
3770:
3766:Airdrawndagger
3762:
3753:
3751:
3747:
3746:
3744:
3743:
3738:
3732:
3729:
3728:
3723:
3721:
3720:
3713:
3706:
3698:
3690:
3689:
3684:
3681:
3669:
3666:Paul Oakenfold
3664:
3660:
3659:
3653:
3652:
3647:
3642:
3633:
3624:
3615:
3604:
3603:External links
3601:
3599:
3598:
3587:on 25 May 2006
3567:
3542:
3531:. 26 June 2006
3514:
3489:
3474:
3436:
3406:
3399:
3372:
3351:
3334:dancemusic.com
3320:
3286:
3255:
3224:
3199:
3173:
3147:
3116:
3083:
3055:
3024:
2998:
2960:
2924:
2890:
2857:
2829:
2799:
2767:
2736:
2704:
2666:
2655:on 14 May 2006
2645:"BT interview"
2635:
2607:
2575:
2564:on 16 May 2006
2544:
2533:on 18 May 2006
2507:
2469:
2431:
2403:
2375:
2342:
2335:
2309:
2289:Cooper, Sean.
2281:
2251:
2221:
2190:
2159:
2152:
2146:. p. 43.
2130:
2123:
2090:
2058:
2029:
1994:
1946:
1911:
1890:"Sasha speaks"
1876:
1869:
1849:
1826:James, Colin.
1818:
1807:on 4 June 2006
1787:
1776:on 19 May 2006
1753:
1714:
1703:. 12 July 2004
1688:
1662:
1631:
1603:
1570:
1568:
1565:
1562:
1561:
1548:
1523:
1522:
1520:
1517:
1516:
1515:
1507:
1503:Airdrawndagger
1499:
1475:Main article:
1472:
1469:
1431:Main article:
1419:
1405:
1395:
1390:
1389:
1388:
1379:
1378:
1377:
1375:
1372:
1235:
1232:
1210:. With 2005's
1187:Airdrawndagger
1089:
1088:Musical genres
1086:
1052:
1049:
949:Airdrawndagger
942:Airdrawndagger
919:Airdrawndagger
910:Airdrawndagger
902:Airdrawndagger
897:Airdrawndagger
871:
868:
790:Darren Emerson
703:booking agency
687:, and Sasha's
642:on mega-label
584:performing at
571:Main article:
568:
565:
563:
560:
511:Tom Frederikse
484:Stoke-on-Trent
392:
389:
347:Airdrawndagger
256:Musical artist
255:
252:
251:
242:
238:
237:
234:
233:
231:
230:
225:
222:
217:
212:
209:
207:Deconstruction
204:
198:
196:
192:
191:
188:
182:
181:
179:
178:
175:
171:
169:
165:
164:
162:
161:
156:
151:
146:
140:
138:
134:
133:
119:
115:
114:
96:
92:
91:
89:
88:
85:
81:
79:
73:
72:
69:
63:
62:
58:
57:
54:
46:
45:
42:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5209:
5198:
5195:
5193:
5190:
5188:
5185:
5183:
5180:
5178:
5175:
5173:
5170:
5168:
5165:
5163:
5160:
5158:
5155:
5153:
5152:Living people
5150:
5148:
5145:
5143:
5140:
5138:
5135:
5133:
5130:
5128:
5125:
5124:
5122:
5100:
5095:
5090:
5087:
5082:
5077:
5074:
5071:
5066:
5061:
5058:
5053:
5048:
5045:
5040:
5035:
5032:
5027:
5022:
5021:
5018:
5014:
5013:
5012:
5003:
4998:
4996:
4991:
4989:
4984:
4983:
4980:
4967:
4962:
4957:
4954:
4953:Martin Garrix
4949:
4944:
4941:
4936:
4931:
4928:
4923:
4918:
4915:
4910:
4905:
4902:
4901:Martin Garrix
4897:
4892:
4889:
4888:Martin Garrix
4884:
4879:
4876:
4875:Martin Garrix
4871:
4866:
4863:
4858:
4853:
4850:
4845:
4840:
4837:
4832:
4827:
4824:
4819:
4814:
4811:
4806:
4801:
4798:
4793:
4788:
4785:
4780:
4775:
4772:
4767:
4762:
4759:
4754:
4749:
4746:
4741:
4736:
4733:
4728:
4723:
4720:
4715:
4710:
4707:
4702:
4697:
4694:
4689:
4684:
4681:
4676:
4671:
4668:
4663:
4658:
4655:
4650:
4645:
4642:
4637:
4632:
4629:
4624:
4619:
4618:
4616:
4612:
4605:
4600:
4595:
4592:
4587:
4582:
4579:
4574:
4569:
4566:
4561:
4556:
4553:
4548:
4543:
4540:
4535:
4530:
4529:
4527:
4525:Magazine vote
4523:
4519:
4516:
4507:
4502:
4500:
4495:
4493:
4488:
4487:
4484:
4471:
4466:
4461:
4458:
4453:
4448:
4445:
4440:
4435:
4432:
4431:Josey Rebelle
4427:
4422:
4419:
4414:
4409:
4406:
4401:
4396:
4393:
4388:
4383:
4380:
4375:
4370:
4367:
4362:
4357:
4354:
4349:
4344:
4341:
4336:
4331:
4328:
4323:
4318:
4315:
4310:
4305:
4302:
4297:
4292:
4289:
4284:
4279:
4276:
4275:High Contrast
4271:
4266:
4263:
4258:
4253:
4250:
4245:
4240:
4237:
4232:
4227:
4224:
4219:
4214:
4211:
4206:
4201:
4198:
4193:
4188:
4185:
4184:Basement Jaxx
4180:
4175:
4172:
4167:
4162:
4159:
4154:
4149:
4148:
4145:
4141:
4136:
4127:
4122:
4120:
4115:
4113:
4108:
4107:
4104:
4098:
4091:
4078:
4077:
4073:
4072:
4070:
4066:
4059:
4058:
4054:
4051:
4050:
4046:
4043:
4042:
4038:
4035:
4034:
4030:
4027:
4026:
4022:
4021:
4019:
4015:
4009:
4008:
4004:
4002:
4001:
3997:
3996:
3993:
3989:
3982:
3977:
3975:
3970:
3968:
3963:
3962:
3959:
3947:
3944:
3942:
3939:
3938:
3936:
3932:
3925:
3921:
3918:
3914:
3913:
3911:
3907:
3900:
3899:
3895:
3894:
3892:
3888:
3881:
3880:
3876:
3873:
3872:
3868:
3865:
3864:
3863:Fundacion NYC
3860:
3857:
3856:
3852:
3849:
3848:
3844:
3841:
3840:
3836:
3833:
3832:
3831:Essential Mix
3828:
3827:
3825:
3821:
3814:
3813:
3809:
3808:
3806:
3802:
3795:
3794:
3790:
3789:
3787:
3783:
3776:
3775:
3771:
3768:
3767:
3763:
3760:
3759:
3755:
3754:
3752:
3750:Studio albums
3748:
3742:
3739:
3737:
3734:
3733:
3730:
3726:
3719:
3714:
3712:
3707:
3705:
3700:
3699:
3696:
3687:
3678:
3676:
3675:
3667:
3661:
3656:
3651:
3648:
3646:
3643:
3641:
3637:
3634:
3632:
3628:
3625:
3623:
3619:
3616:
3612:
3607:
3606:
3602:
3586:
3582:
3578:
3571:
3568:
3556:
3552:
3546:
3543:
3530:
3529:
3524:
3518:
3515:
3503:
3499:
3493:
3490:
3485:
3478:
3475:
3463:on 1 May 2006
3462:
3458:
3454:
3447:
3445:
3443:
3441:
3437:
3424:
3420:
3416:
3410:
3407:
3402:
3400:0-7432-0169-8
3396:
3392:
3388:
3387:
3379:
3377:
3373:
3368:
3367:
3362:
3355:
3352:
3339:
3335:
3331:
3324:
3321:
3308:
3304:
3300:
3293:
3291:
3287:
3274:
3270:
3266:
3259:
3256:
3244:
3240:
3233:
3231:
3229:
3225:
3213:
3209:
3203:
3200:
3188:
3184:
3177:
3174:
3162:
3158:
3151:
3148:
3135:
3131:
3130:4clubbers.net
3127:
3120:
3117:
3104:
3100:
3096:
3090:
3088:
3084:
3072:
3071:
3066:
3059:
3056:
3043:
3039:
3035:
3028:
3025:
3013:
3012:JIVE Magazine
3009:
3002:
2999:
2986:
2982:
2981:
2976:
2969:
2967:
2965:
2961:
2948:
2944:
2943:
2942:Houston Press
2938:
2931:
2929:
2925:
2912:
2908:
2904:
2897:
2895:
2891:
2879:on 6 May 2006
2878:
2874:
2873:
2868:
2861:
2858:
2845:
2844:
2839:
2833:
2830:
2817:
2813:
2809:
2803:
2800:
2787:
2783:
2782:
2777:
2771:
2768:
2756:
2755:
2750:
2743:
2741:
2737:
2724:
2720:
2719:
2714:
2708:
2705:
2692:
2688:
2687:
2682:
2675:
2673:
2671:
2667:
2654:
2650:
2646:
2639:
2636:
2624:
2623:
2618:
2615:Swan, Glenn.
2611:
2608:
2595:
2591:
2590:
2585:
2579:
2576:
2563:
2559:
2555:
2548:
2545:
2532:
2528:
2524:
2518:
2516:
2514:
2512:
2508:
2495:
2491:
2490:
2485:
2478:
2476:
2474:
2470:
2457:
2453:
2449:
2442:
2440:
2438:
2436:
2432:
2420:
2419:
2414:
2407:
2404:
2392:
2391:
2386:
2379:
2376:
2363:
2359:
2358:
2353:
2352:"Communicate"
2346:
2343:
2338:
2336:0-240-51915-9
2332:
2328:
2323:
2322:
2313:
2310:
2298:
2297:
2292:
2285:
2282:
2269:
2265:
2261:
2255:
2252:
2239:
2235:
2231:
2225:
2222:
2209:
2205:
2201:
2194:
2191:
2179:
2178:
2173:
2170:Prato, Greg.
2166:
2164:
2160:
2155:
2153:1-85828-432-5
2149:
2145:
2141:
2134:
2131:
2126:
2124:0-8021-3688-5
2120:
2116:
2112:
2108:
2107:
2099:
2097:
2095:
2091:
2078:
2074:
2073:
2068:
2062:
2059:
2055:
2051:
2047:
2046:
2038:
2036:
2034:
2030:
2017:
2013:
2012:
2007:
2001:
1999:
1995:
1990:
1978:
1974:
1970:
1963:
1961:
1959:
1957:
1955:
1953:
1951:
1947:
1934:
1930:
1926:
1920:
1918:
1916:
1912:
1899:
1895:
1891:
1885:
1883:
1881:
1877:
1872:
1870:9780753504277
1866:
1862:
1861:
1853:
1850:
1837:
1833:
1829:
1822:
1819:
1806:
1802:
1798:
1791:
1788:
1775:
1771:
1767:
1760:
1758:
1754:
1742:
1741:
1736:
1729:
1727:
1725:
1723:
1721:
1719:
1715:
1702:
1698:
1692:
1689:
1676:
1672:
1666:
1663:
1650:
1646:
1642:
1635:
1632:
1619:
1618:
1613:
1607:
1604:
1591:
1587:
1586:
1581:
1575:
1572:
1566:
1558:
1552:
1549:
1545:
1544:
1539:
1538:
1534:The nickname
1531:
1529:
1525:
1518:
1513:
1512:
1508:
1505:
1504:
1500:
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4680:John Digweed
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4340:Nicolas Jaar
4288:Flying Lotus
4262:Trentemøller
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4068:Video albums
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3677:Number 1 DJ
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2144:Rough Guides
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2070:
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1977:the original
1972:
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1898:the original
1893:
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1644:
1639:Sounds, DJ.
1634:
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1583:
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1535:
1511:Scene Delete
1509:
1501:
1493:
1487:
1486:
1464:
1456:
1442:
1436:
1408:Grammy Award
1357:
1349:
1336:
1327:
1316:
1312:Ableton Live
1285:Ableton Live
1280:
1253:
1244:Ableton Live
1242:Sasha using
1220:James Holden
1211:
1199:
1185:
1169:
1167:
1150:
1126:
1107:
1082:
1074:
1054:
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1028:
1025:Instant Live
1019:
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1007:
995:Ableton Live
980:
973:
948:
946:
941:
923:
918:
909:
901:
895:
885:
880:Lee Burridge
870:Post-Digweed
860:
845:
838:The Guardian
836:
822:
817:
807:
803:
797:
779:
778:and on BT's
769:
763:
749:
743:
726:Ray of Light
719:
715:Steve Lawler
688:
682:
664:
662:
658:Maria Nayler
651:
637:
629:
625:
603:
597:John Digweed
590:
556:Sam Mollison
549:
537:
527:
506:
491:
453:
421:The Haçienda
418:
394:
358:
353:Scene Delete
351:
345:
339:
313:
302:
298:Grammy Award
283:
276:John Digweed
263:
259:
258:
190:1989–present
186:Years active
87:The Man Like
36:
5127:1969 births
4614:Public vote
4591:Judge Jules
4197:Dave Clarke
4158:Tony De Vit
4134:BBC Radio 1
4057:Communicate
3804:Live albums
3736:Discography
3674:DJ Magazine
3622:MusicBrainz
3591:31 December
3560:28 February
3535:31 December
3507:31 December
3502:DJMixed.com
3467:31 December
3457:Dance Music
3451:Blue, Ben.
3429:31 December
3313:31 December
3279:31 December
3217:31 December
3212:Djsasha.com
3192:31 December
3140:31 December
3076:31 December
3048:31 December
3017:31 December
2991:31 December
2953:31 December
2917:31 December
2883:31 December
2850:31 December
2822:31 December
2812:Djsasha.com
2792:31 December
2760:31 December
2729:31 December
2697:31 December
2659:31 December
2628:31 December
2600:31 December
2568:31 December
2537:31 December
2500:31 December
2462:31 December
2424:31 December
2396:31 December
2368:31 December
2302:31 December
2274:31 December
2264:DJMixed.com
2244:31 December
2214:31 December
2183:31 December
2111:Grove Press
2083:31 December
2022:31 December
1983:31 December
1939:31 December
1929:SoundRevolt
1904:31 December
1842:31 December
1811:31 December
1780:31 December
1746:31 December
1471:Discography
1299:mixers and
1224:Tiefschwarz
1182:Jimmy Van M
1170:Communicate
1110:house music
1044:Invol<3r
966:(right) of
964:Charlie May
856:laser shows
852:Jimmy Van M
848:Kevin Lyman
833:Gatecrasher
818:Communicate
804:Communicate
799:Communicate
756:Charlie May
738:PlayStation
711:Nick Warren
593:Renaissance
567:Digweed era
523:Renaissance
488:a cappellas
468:Jon DaSilva
391:Early years
296:winner and
285:DJ Magazine
168:Occupations
130:North Wales
5121:Categories
4353:Eric Prydz
4017:Mix albums
3924:Wavy Gravy
3823:Mix albums
2718:Metacritic
2357:LAUNCHcast
2113:. p.
1567:References
1481:See also:
1424:media help
1320:controller
1250:nightclub.
1151:Xpander EP
1135:Matt Darey
1100:, playing
1003:music loop
991:sequencing
938:Wavy Gravy
825:superclubs
814:LAUNCHcast
786:Underworld
765:Xpander EP
741:video game
673:'s famous
622:2 Bad Mice
472:key mixing
429:acid house
425:Manchester
409:The Police
377:turntables
314:Sasha has
309:mix albums
305:acid house
144:Electronic
126:Flintshire
122:Sandycroft
101:1969-09-04
67:Birth name
5142:Welsh DJs
4552:Smokin Jo
4379:Ben Klock
3871:Invol2ver
3419:Kidzworld
3366:Billboard
3303:Djfix.com
3070:Billboard
2980:Apple.com
2872:About.com
2054:0730-0158
1989:About.com
1894:BBC Wales
1701:USA Today
1624:15 August
1596:15 August
1543:Alexander
1341:PowerBook
1257:Pro Tools
1248:Amsterdam
1212:Fundacion
1196:breakbeat
1131:Sven Väth
1123:Leftfield
1066:Melbourne
1038:Invol2ver
1033:Fundacion
999:Logic Pro
892:Junkie XL
745:Wipeout 3
632:with the
614:Leftfield
601:mix album
530:Pete Tong
476:beatmatch
464:Blackpool
460:Blackburn
441:Stockport
356:in 2016.
344:in 1994,
300:nominee.
294:DJ Awards
4849:Hardwell
4836:Hardwell
4628:Carl Cox
4604:Carl Cox
4444:Sherelle
3917:Scorchio
3879:Involv3r
3855:Involver
3631:AllMusic
3528:Macworld
3248:7 August
3166:6 August
2781:E!Online
2622:AllMusic
2489:Newsweek
2296:AllMusic
2177:AllMusic
2045:Keyboard
1973:DJ Times
1740:AllMusic
1707:26 March
1675:BBC News
1649:Archived
1585:MTV News
1465:Involver
1457:Involver
1444:Involver
1352:Internet
1337:Involver
1301:FireworX
1265:Atari ST
1200:Involver
1178:Mainline
1078:football
1062:Brisbane
1029:Involver
982:Involver
925:E!Online
888:big beat
794:Scorchio
445:Technics
336:Hot Chip
84:DJ Sasha
4392:Midland
4366:Caribou
3909:Singles
3898:Xpander
3640:Discogs
3299:"SASHA"
2589:Discogs
2523:"Sasha"
2204:The Age
2072:Discogs
2067:"Sasha"
1681:12 June
1655:8 March
1368:Traktor
1345:iMac G5
1333:plugins
1289:CDJ1000
1273:Notator
1228:Swayzak
1192:ambient
953:CDJ1000
890:artist
722:Madonna
634:tagline
458:in the
413:A-Level
405:The The
383:called
373:records
324:Madonna
316:remixed
246:djsasha
241:Website
5101:(2019)
5088:(2018)
5072:(2010)
5059:(2009)
5046:(2008)
5033:(2002)
5031:Tiësto
4968:(2023)
4955:(2022)
4942:(2021)
4929:(2020)
4916:(2019)
4903:(2018)
4890:(2017)
4877:(2016)
4864:(2015)
4851:(2014)
4838:(2013)
4825:(2012)
4812:(2011)
4799:(2010)
4786:(2009)
4773:(2008)
4760:(2007)
4747:(2006)
4734:(2005)
4721:(2004)
4719:Tiësto
4708:(2003)
4706:Tiësto
4695:(2002)
4693:Tiësto
4682:(2001)
4669:(2000)
4656:(1999)
4643:(1998)
4630:(1997)
4606:(1996)
4593:(1995)
4580:(1994)
4567:(1993)
4554:(1992)
4541:(1991)
4515:DJ Mag
4472:(2022)
4459:(2021)
4446:(2020)
4433:(2019)
4420:(2018)
4407:(2017)
4394:(2016)
4381:(2015)
4368:(2014)
4355:(2013)
4342:(2012)
4329:(2011)
4316:(2010)
4303:(2009)
4301:Sharam
4290:(2008)
4277:(2007)
4264:(2006)
4251:(2005)
4238:(2004)
4225:(2002)
4212:(2001)
4199:(2000)
4186:(1999)
4173:(1997)
4160:(1995)
4079:(2005)
4060:(2000)
4052:(1999)
4044:(1997)
4036:(1996)
4028:(1994)
3946:emFire
3901:(1999)
3882:(2013)
3874:(2008)
3866:(2005)
3858:(2004)
3850:(1999)
3842:(1998)
3834:(1995)
3815:(2006)
3796:(2008)
3777:(2016)
3769:(2002)
3761:(1994)
3397:
3344:23 May
3099:365mag
2333:
2150:
2121:
2052:
1867:
1514:(2016)
1506:(2002)
1498:(1994)
1439:Grammy
1226:, and
1208:Lostep
1180:, and
1141:, and
1121:, and
1119:Spooky
1064:, and
1058:Sydney
968:Spooky
760:Spooky
730:GusGus
728:" and
713:, and
707:Hybrid
630:Mixmag
620:, and
562:Career
519:London
493:Mixmag
433:Disley
401:Top 40
385:emFire
320:D-Ream
220:emFire
195:Labels
159:trance
137:Genres
118:Origin
111:Bangor
5057:Sasha
5044:Sasha
4667:Sasha
4457:Elkka
4249:Sasha
4000:Sasha
3725:Sasha
3680:2000
3636:Sasha
3627:Sasha
3618:Sasha
1557:Sasha
1537:Sasha
1519:Notes
1324:mouse
1204:UNKLE
1174:Morel
932:than
930:Yanni
829:Cream
734:score
675:Twilo
618:Fluke
586:Twilo
538:Sasha
507:BM:Ex
456:raves
264:Sasha
211:Boxed
149:house
43:Sasha
4418:HAAi
3593:2006
3562:2013
3537:2006
3509:2006
3469:2006
3431:2006
3395:ISBN
3346:2008
3315:2006
3281:2006
3250:2008
3219:2006
3194:2006
3168:2008
3142:2006
3111:2007
3078:2006
3050:2006
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2993:2006
2955:2006
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2885:2006
2852:2006
2824:2006
2794:2006
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2630:2006
2602:2006
2570:2006
2539:2006
2502:2006
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2426:2006
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2370:2006
2331:ISBN
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2276:2006
2246:2006
2216:2006
2185:2006
2148:ISBN
2119:ISBN
2085:2006
2050:ISSN
2024:2006
1985:2006
1941:2006
1906:2006
1865:ISBN
1844:2006
1813:2006
1782:2006
1748:2006
1709:2015
1683:2015
1657:2012
1626:2018
1598:2018
1350:The
1275:, a
1206:and
1194:and
1139:Tilt
1115:Moby
997:and
934:Moby
809:Spin
724:'s "
534:FFRR
462:and
423:, a
407:and
375:and
363:and
334:and
328:Moby
248:.com
95:Born
3629:at
3391:718
2327:142
2115:389
1617:NME
1261:Mac
1259:on
788:'s
758:of
653:Ima
595:DJ
532:'s
513:on
482:in
437:mix
278:as
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4470:KH
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330:,
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322:,
268:DJ
174:DJ
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