301:
296:
291:
286:
267:
262:
257:
252:
247:
347:, also praising Brown's "brilliant" trumpeting, delves into Vaughan's vocal stylings in detail, encouraging listeners of the album to note how "sometimes she stretches out a song so deliberately and so reconfigures its melody, that the lyrics lose sense, linguistic phrasing having been replaced by
381:
But even while praising the album, some critics found elements of fault. Ratliff expresses distaste for the album's "shizy moments, when... rockets between hoity-toity...and so blues-singer earthy, in certain low-register moments, that she approaches vulgarity." A review in the music magazine
388:
at the time of its first release lamented: "Sarah sounds like an imitation of herself, sloppy, affected and so concerned with sound that she forgets that she is a singer, forgets the lyric of the song itself to indulge in sounds that are meaningless." Kernfeld suggests that
40:
319:
opining, "Here are nine examples of Sarah
Vaughan's vocal gifts. Her individual phrasing, her highly distinctive mannerisms are in the grooves. For the dealer with any jazz trade at all, this package is virtually a must."
204:
label. It was the only collaboration between the two musicians. Well received, though not without some criticism, the album was
Vaughan's own favorite among her works through 1980. The album was inducted into the
377:
selected this album as part of its suggested "Core
Collection," stating "it is very difficult to find any flaw in what should be recognized as one of the great jazz vocal records," and awarded it "crown" status.
1129:
339:
states that "Vaughan is arguably in the best voice of her career here" and praises Brown for "displaying his incredible bop virtuosity," indicating that "n whichever incarnation it's reissued,
1702:
1709:
1143:
1346:
2350:
371:
placed the album as among
Vaughan's best, indicating that the recording session seemed among those blessed sessions where "even middle-level musicians can sound like gods."
1469:
1297:
2440:
2096:
1381:
1332:
1455:
2000:
2338:
1448:
2455:
2200:
2135:
1101:
162:
2460:
2180:
1838:
1804:
1283:
1483:
1043:
1790:
1199:
1108:
1873:
1325:
715:
2450:
1730:
1441:
1360:
1353:
1185:
1136:
1395:
1164:
2298:
1716:
1318:
1069:
954:
907:
874:
816:
725:
359:
opines that "t is perhaps this pure devotion to the exploration of sound that has made her such a favourite of jazz listeners." In
1674:
1367:
1064:
2390:
1885:
1765:
1427:
1227:
2445:
2435:
2330:
2172:
2128:
930:
618:
212:
The album has been re-released on CD and LP many times, with its original nine-track listing and with an additional track.
2425:
1960:
1653:
1262:
1968:
1831:
1646:
1171:
1984:
1737:
1611:
1036:
335:, characterizing this as one of Vaughan's "jazziest" albums, describes it also as one of her greatest. In its review,
1015:
2049:
2041:
2029:
1723:
1087:
2261:
2121:
1695:
1688:
1639:
1625:
1192:
942:
926:
395:
373:
432:
1952:
1597:
1248:
1824:
1797:
1772:
1434:
1558:
1508:
1029:
144:
2318:
2069:
1660:
1526:
1476:
1220:
1001:
848:
563:
424:
276:
1681:
1234:
2430:
2008:
1897:
1857:
Years given are for the recording(s), years in square brackets refer to the listed 12" LP/CD release.
1420:
1374:
315:
2277:
1913:
1632:
1490:
1255:
1157:
409:
206:
1758:
1744:
1618:
1604:
1388:
1304:
946:
934:
634:
628:
417:
384:
17:
1206:
740:
1878:
1533:
1402:
1311:
1276:
950:
903:
870:
812:
768:
721:
899:
2383:
2144:
2062:
1922:
1890:
1269:
1122:
545:
494:
393:
is a weak element amongst the otherwise strong ensemble, "completely overmatched," although
348:
331:
notes simply of the album that "verything works," making of it an "essential acquisition."
2378:
2208:
1944:
832:
649:
549:
472:
468:
454:
413:
119:
2343:
2323:
1992:
1847:
1751:
1462:
1339:
1178:
1150:
657:
607:
536:
490:
356:
197:
112:
56:
2419:
2403:
2220:
2213:
2185:
1902:
1590:
1551:
1290:
1115:
1052:
892:
764:
691:
590:
527:
509:
193:
131:
52:
313:
was overwhelmingly a critical success. Contemporary critics were enthusiastic, with
2310:
1667:
643:
572:
483:
476:
461:
439:
107:
789:
2371:
2366:
2303:
2242:
2228:
1918:
695:
622:
613:
576:
554:
428:
390:
368:
328:
95:
2269:
2253:
2057:
2034:
1583:
1213:
594:
581:
498:
450:
2192:
2101:
1935:
1241:
505:
39:
2398:
1576:
997:
844:
752:
669:
585:
443:
239:
124:
1976:
540:
531:
343:
is one of the most important jazz-meets-vocal sessions ever recorded."
201:
2113:
682:
567:
558:
47:
1816:
1021:
189:
100:
2117:
1820:
1130:
Sarah
Vaughan and Billy Eckstine Sing the Best of Irving Berlin
1025:
894:
Jazz: A Critic's Guide to the 100 Most
Important Recordings
361:
Jazz: A Critic's Guide to the 100 Most
Important Recordings
27:
1955 studio album by Sarah
Vaughan with Clifford Brown
796:. Nielsen Business Media, Inc. 16 April 1955. p. 24.
2154:
Years given are for the recording(s), not first release.
1144:
Sarah
Vaughan Sings Broadway: Great Songs from Hit Shows
898:. New York Times Essential Library. MacMillan. pp.
323:
The record's reputation has grown since its release. In
765:"Penguin Guide to Jazz: 4-Star Records in 8th Edition"
1605:
That Lucky Old Sun (Just Rolls Around Heaven All Day)
2288:
2239:
2160:
2088:
2019:
1932:
1863:
1782:
1568:
1543:
1518:
1500:
1412:
1079:
130:
118:
106:
94:
86:
71:
63:
46:
32:
891:
2129:
2097:Alone Together: The Best of the Mercury Years
1832:
1037:
945:(8th. ed.). New York: Penguin. pp.
8:
2001:Clifford Brown and Max Roach at Basin Street
1470:One Night Stand – The Town Hall Concert 1947
998:Sarah Vaughan with Clifford Brown (original)
835:inkblotmagazine.com Retrieved on 2008-05-31.
283:
244:
1449:Sarah Vaughan with the Jimmy Rowles Quintet
860:
858:
856:
790:"Reviews and Ratings of New Popular Albums"
2136:
2122:
2114:
1839:
1825:
1817:
1456:Ronnie Scott's Presents Sarah Vaughan Live
1044:
1030:
1022:
921:
919:
741:Grammy Hall of Fame Award, Past Recipients
675:Mark Smith – reissue production assistance
219:
38:
29:
979:Coss, Bill (June 1955). "Sarah Vaughan".
90:Fine Sound Studios, 711 Fifth Avenue, NYC
1805:Unmarked Van: A Tribute to Sarah Vaughan
1284:Sarah Vaughan Sings the Mancini Songbook
809:Bebop: The Best Musicians and Recordings
325:Bebop: The Best Musicians and Recordings
1484:Linger Awhile: Live at Newport and More
706:
1791:The Calling: Celebrating Sarah Vaughan
2181:Cattin' with Coltrane and Quinichette
869:. Blackwell Publishing. p. 334.
225:
7:
2441:Grammy Hall of Fame Award recipients
939:The Penguin Guide to Jazz Recordings
867:The Blackwell Guide to Recorded Jazz
811:. Backbeat Books. pp. 182–183.
743:grammy.com. Retrieved on 2008-05-31.
460:"You're Not the Kind" (Will Hudson,
345:The Blackwell Guide to Recorded Jazz
1361:The Duke Ellington Songbook, Vol. 2
1354:The Duke Ellington Songbook, Vol. 1
1186:The Explosive Side of Sarah Vaughan
1137:Sarah Vaughan Sings George Gershwin
457:, Edward Ross, Nelson Shawn) – 5:56
1396:The Planet Is Alive...Let It Live!
654:Kiyoshi "Boxman" Koyama – research
25:
2456:Albums conducted by Ernie Wilkins
1319:Sarah Vaughan with Michel Legrand
833:Sarah Vaughan with Clifford Brown
678:Sherniece Smith – art coordinator
341:Sarah Vaughan With Clifford Brown
285:
246:
185:Sarah Vaughan with Clifford Brown
18:Sarah Vaughan with Clifford Brown
2461:Albums arranged by Ernie Wilkins
1347:How Long Has This Been Going On?
717:Sassy: The Life of Sarah Vaughan
399:disagrees with this assessment.
299:
294:
289:
284:
265:
260:
255:
250:
245:
1428:After Hours at the London House
666:Richard Seidel – CD preparation
2331:An Evening with Billie Holiday
1961:Clifford Brown & Max Roach
639:Peter Keepnews – notes editing
1:
1263:Pop Artistry of Sarah Vaughan
865:Kernfeld, Barry Dean (1995).
1969:Brown and Roach Incorporated
720:. DeCapo Press. p. 78.
688:Michael Ullman – liner notes
2451:Albums produced by Bob Shad
2394:(Dinah Washington, 1953–54)
1985:Clifford Brown with Strings
663:Paul Ramey – CD preparation
75:December 18, 1954
2477:
2354:(Prestige All-Stars, 1957)
2050:A Night at Birdland Vol. 3
2042:A Night at Birdland Vol. 2
2030:A Night at Birdland Vol. 1
1717:Everything I Have Is Yours
1095:Sarah Vaughan (1955 album)
1088:Sarah Vaughan (1950 album)
2391:After Hours with Miss "D"
2262:Dance Session Album No. 2
2151:
1854:
1193:Count Basie/Sarah Vaughan
1059:
943:The Penguin Guide to Jazz
482:"I'm Glad There Is You" (
396:The Penguin Guide to Jazz
374:The Penguin Guide to Jazz
233:
230:
138:
37:
1953:Clifford Brown All Stars
1766:Someone to Watch Over Me
1626:How Important Can It Be?
1249:Sarah Slightly Classical
1798:Sarah: Dedicated to You
1731:If You Could See Me Now
1724:I've Got a Crush on You
1519:Other album appearances
1435:Sassy Swings the Tivoli
714:Gourse, Leslie (1994).
192:album featuring singer
2351:Wheelin' & Dealin'
1559:The Divine Sarah Sings
1509:Sarah Vaughan in Hi-Fi
182:, reissued in 1991 as
145:The Divine Sarah Sings
2446:Clifford Brown albums
2436:EmArcy Records albums
2319:Kansas City Revisited
1661:Broken Hearted Melody
1527:2:00 AM Paradise Cafe
1477:In the City of Lights
1221:Sarah Sings Soulfully
1016:Verve Records listing
890:Ratliff, Ben (2000).
807:Yanow, Scott (2000).
660:– reissue photography
277:Penguin Guide to Jazz
2426:Sarah Vaughan albums
2339:Lady Sings the Blues
2009:Sonny Rollins Plus 4
1898:Arranged by Montrose
1738:Moonlight in Vermont
1647:The Banana Boat Song
1375:Songs of the Beatles
1102:In the Land of Hi-Fi
644:reissue art director
486:, Paul Mertz) – 5:14
221:Professional ratings
163:In the Land of Hi-Fi
2314:(Gene Ammons, 1958)
2278:The Swinging Count!
1703:Dancing in the Dark
1633:Whatever Lola Wants
1491:Divine Lady of Song
1256:Vaughan with Voices
1158:Vaughan and Violins
410:Lullaby of Birdland
357:Barry Dean Kernfeld
327:, jazz commentator
222:
207:Grammy Hall of Fame
2053:(Art Blakey, 1954)
2045:(Art Blakey, 1954)
1759:Send In the Clowns
1745:My Funny Valentine
1689:Autumn in New York
1682:A Lover's Concerto
1501:Compilation albums
1389:Crazy and Mixed Up
1382:Send in the Clowns
1333:Send in the Clowns
1305:Sassy Swings Again
1298:It's a Man's World
981:Metronome Magazine
831:Greilsamer, Marc.
629:executive producer
606:Robert Appleton –
433:E.Y. "Yip" Harburg
418:George David Weiss
220:
216:Critical reception
200:, released on the
2413:
2412:
2201:On the Sunny Side
2111:
2110:
1814:
1813:
1654:Passing Strangers
1534:Back on the Block
1421:At Mister Kelly's
1403:Brazilian Romance
1312:A Time in My Life
681:Kiyoshi Tokiwa –
635:reissue mastering
612:Michael Bourne –
367:jazz commentator
333:Ink Blot Magazine
308:
307:
175:
174:
171:
170:
16:(Redirected from
2468:
2384:Dinah Washington
2145:Paul Quinichette
2138:
2131:
2124:
2115:
2063:Dinah Washington
1923:Maynard Ferguson
1841:
1834:
1827:
1818:
1773:With These Hands
1270:The Lonely Hours
1046:
1039:
1032:
1023:
1004:
995:
989:
988:
976:
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967:
961:
960:
923:
914:
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761:
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744:
738:
732:
731:
711:
650:reissue producer
648:Bryan Koniarz –
546:Paul Quinichette
495:Maxwell Anderson
349:musical phrasing
304:
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292:
288:
287:
270:
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21:
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2466:
2465:
2416:
2415:
2414:
2409:
2379:Blazing Ballads
2290:
2284:
2244:
2241:
2235:
2209:The Chase Is On
2164:
2162:
2156:
2147:
2142:
2112:
2107:
2084:
2021:
2015:
1945:Best Coast Jazz
1934:
1928:
1865:
1859:
1850:
1845:
1815:
1810:
1778:
1612:Thinking of You
1564:
1539:
1514:
1496:
1408:
1235:Sweet 'n' Sassy
1207:You're Mine You
1075:
1074:
1055:
1050:
1018:, with samples.
1012:
1007:
996:
992:
978:
977:
973:
968:
964:
957:
935:"Sarah Vaughan"
925:
924:
917:
910:
889:
888:
884:
877:
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843:
839:
830:
826:
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788:
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783:
773:
771:
763:
762:
758:
753:Allmusic review
751:
747:
739:
735:
728:
713:
712:
708:
704:
633:Ellen Fitton –
619:William Claxton
603:
550:tenor saxophone
524:
519:
473:George Gershwin
469:Embraceable You
455:Caesar Petrillo
438:"He's My Guy" (
414:George Shearing
405:
300:
295:
290:
266:
261:
256:
251:
218:
166:
157:
148:
78:
76:
59:
28:
23:
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15:
12:
11:
5:
2474:
2472:
2464:
2463:
2458:
2453:
2448:
2443:
2438:
2433:
2428:
2418:
2417:
2411:
2410:
2408:
2407:
2395:
2387:
2375:
2363:
2355:
2347:
2344:Billie Holiday
2335:
2327:
2324:Bob Brookmeyer
2315:
2307:
2294:
2292:
2286:
2285:
2283:
2282:
2274:
2266:
2258:
2249:
2247:
2237:
2236:
2234:
2233:
2225:
2217:
2205:
2197:
2189:
2177:
2168:
2166:
2158:
2157:
2152:
2149:
2148:
2143:
2141:
2140:
2133:
2126:
2118:
2109:
2108:
2106:
2105:
2092:
2090:
2086:
2085:
2083:
2082:
2074:
2066:
2054:
2046:
2038:
2025:
2023:
2017:
2016:
2014:
2013:
2012:(CB/MRQ, 1956)
2005:
1997:
1993:Study in Brown
1989:
1981:
1973:
1965:
1957:
1949:
1940:
1938:
1930:
1929:
1927:
1926:
1910:
1894:
1882:
1874:Memorial Album
1869:
1867:
1861:
1860:
1855:
1852:
1851:
1848:Clifford Brown
1846:
1844:
1843:
1836:
1829:
1821:
1812:
1811:
1809:
1808:
1801:
1794:
1786:
1784:
1783:Related topics
1780:
1779:
1777:
1776:
1769:
1762:
1755:
1752:Poor Butterfly
1748:
1741:
1734:
1727:
1720:
1713:
1710:Don't Blame Me
1706:
1699:
1692:
1685:
1678:
1671:
1664:
1657:
1650:
1643:
1636:
1629:
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1615:
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1594:
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1544:Extended plays
1541:
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1530:
1522:
1520:
1516:
1515:
1513:
1512:
1504:
1502:
1498:
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1487:
1480:
1473:
1466:
1463:Gershwin Live!
1459:
1452:
1445:
1438:
1431:
1424:
1416:
1414:
1410:
1409:
1407:
1406:
1399:
1392:
1385:
1378:
1371:
1364:
1357:
1350:
1343:
1340:I Love Brazil!
1336:
1329:
1322:
1315:
1308:
1301:
1294:
1287:
1280:
1277:¡Viva! Vaughan
1273:
1266:
1259:
1252:
1245:
1238:
1231:
1224:
1217:
1210:
1203:
1196:
1189:
1182:
1179:The Divine One
1175:
1168:
1161:
1154:
1151:No Count Sarah
1147:
1140:
1133:
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1119:
1112:
1105:
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1010:External links
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658:Herman Leonard
655:
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642:Hollis King –
640:
637:
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616:
610:
608:reissue design
602:
599:
598:
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588:
579:
570:
561:
552:
543:
537:Clifford Brown
534:
523:
520:
518:
515:
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513:
504:"It's Crazy" (
502:
491:September Song
487:
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425:April in Paris
421:
404:
401:
365:New York Times
306:
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280:
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198:Clifford Brown
196:and trumpeter
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2359:Sarah Vaughan
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2299:The Big Sound
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2221:Basie Reunion
2218:
2215:
2214:Charlie Rouse
2211:
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2206:
2203:
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2186:John Coltrane
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2078:Sarah Vaughan
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2070:Helen Merrill
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1907:Jazz Immortal
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1903:Jack Montrose
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1696:Body and Soul
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1640:Mr. Wonderful
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1442:Live in Japan
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1291:The New Scene
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1123:Swingin' Easy
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1099:
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1080:Studio albums
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1053:Sarah Vaughan
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956:0-14-102327-9
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927:Cook, Richard
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909:0-8050-7068-0
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876:0-631-19552-1
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845:Sarah Vaughan
841:
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818:0-87930-608-4
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727:0-306-80578-2
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692:Ernie Wilkins
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627:Ken Druker –
626:
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591:Ernie Wilkins
589:
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528:Sarah Vaughan
526:
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510:Timmie Rogers
507:
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403:Track listing
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318:
317:
312:
311:Sarah Vaughan
281:
279:
278:
274:
273:
243:
241:
238:
237:
229:
226:Review scores
224:
215:
213:
210:
208:
203:
199:
195:
194:Sarah Vaughan
191:
187:
186:
181:
180:
179:Sarah Vaughan
165:
164:
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156:
155:
154:Sarah Vaughan
151:
147:
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137:
133:
132:Sarah Vaughan
129:
126:
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121:
117:
114:
111:
109:
105:
102:
99:
97:
93:
89:
85:
74:
70:
66:
62:
58:
54:
53:Sarah Vaughan
49:
45:
41:
36:
33:Sarah Vaughan
31:
19:
2397:
2389:
2377:
2365:
2358:
2357:
2349:
2337:
2329:
2317:
2311:Groove Blues
2309:
2297:
2276:
2268:
2260:
2252:
2227:
2219:
2207:
2199:
2191:
2179:
2171:
2153:
2095:
2089:Compilations
2077:
2076:
2068:
2056:
2048:
2040:
2028:
2007:
1999:
1991:
1983:
1975:
1967:
1959:
1951:
1943:
1912:
1906:
1896:
1884:
1872:
1856:
1803:
1796:
1789:
1598:Black Coffee
1557:
1550:
1532:
1525:
1507:
1489:
1482:
1475:
1468:
1461:
1454:
1447:
1440:
1433:
1426:
1419:
1401:
1394:
1387:
1380:
1373:
1366:
1359:
1352:
1345:
1338:
1331:
1326:Feelin' Good
1324:
1317:
1310:
1303:
1296:
1289:
1282:
1275:
1268:
1261:
1254:
1247:
1240:
1233:
1226:
1219:
1212:
1205:
1198:
1191:
1184:
1177:
1170:
1165:Close to You
1163:
1156:
1149:
1142:
1135:
1128:
1121:
1114:
1107:
1100:
1094:
1093:
1086:
993:
984:
980:
974:
969:Ratliff, 91.
965:
938:
931:Brian Morton
893:
885:
866:
840:
827:
808:
802:
793:
784:
772:. Retrieved
759:
748:
736:
716:
709:
573:Joe Benjamin
484:Jimmy Dorsey
477:Ira Gershwin
462:Irving Mills
440:Gene de Paul
394:
383:
380:
372:
364:
360:
352:
344:
340:
336:
332:
324:
322:
314:
310:
309:
275:
211:
188:, is a 1955
184:
183:
178:
177:
176:
161:
153:
152:
143:
48:Studio album
2431:1955 albums
2372:Mal Waldron
2367:The Dealers
2304:Gene Ammons
2229:Like Basie!
2022:with others
1933:Co-led/with
1919:Clark Terry
1914:Jam Session
1413:Live albums
1200:After Hours
1109:After Hours
623:photography
614:liner notes
564:Jimmy Jones
555:Herbie Mann
522:Performance
429:Vernon Duke
391:Herbie Mann
369:Ben Ratliff
329:Scott Yanow
2420:Categories
2270:The Count!
2254:Basie Jazz
2058:Dinah Jams
2035:Art Blakey
1591:It's Magic
1584:Nature Boy
1368:Copacabana
702:References
685:, research
672:– producer
601:Production
582:Roy Haynes
499:Kurt Weill
134:chronology
79:1954-12-18
2193:For Basie
2165:co-leader
2163:leader or
2102:Max Roach
1936:Max Roach
1879:Blue Note
1864:Albums as
1675:Eternally
1242:Star Eyes
1228:Snowbound
1214:Sarah + 2
933:(2006) .
794:Billboard
595:conductor
517:Personnel
506:Al Fields
385:Metronome
353:Blackwell
316:Billboard
209:in 1999.
2399:For Lady
1905:, 1954)/
1893:, 1953 )
1891:Prestige
1886:Memorial
1881:, 1953 )
1577:Tenderly
1552:Hot Jazz
1002:AllMusic
987:(6): 32.
849:AllMusic
769:Tom Hull
696:arranger
683:remixing
670:Bob Shad
512:) – 5:01
501:) – 5:50
479:) – 4:54
464:) – 4:48
446:) – 4:17
444:Don Raye
435:) – 6:26
420:) – 4:06
337:AllMusic
240:Allmusic
125:Bob Shad
120:Producer
72:Recorded
64:Released
50: by
2406:, 1957)
2386:, 1951)
2374:, 1964)
2346:, 1956)
2326:, 1958)
2306:, 1958)
2216:, 1957)
2188:, 1957)
2065:, 1954)
2037:, 1954)
2020:Sideman
1977:Daahoud
1925:, 1954)
1070:Singles
541:trumpet
355:author
167:(1955)
158:(1955)
149:(1954)
77: (
2362:(1955)
2334:(1952)
2291:others
2281:(1952)
2273:(1952)
2265:(1952)
2257:(1952)
2232:(1959)
2224:(1958)
2212:(with
2204:(1957)
2196:(1957)
2176:(1954)
2100:(with
2081:(1954)
2073:(1954)
2004:(1956)
1996:(1955)
1988:(1955)
1980:(1954)
1972:(1954)
1964:(1954)
1956:(1954)
1948:(1954)
1921:&
1917:(with
1866:leader
1619:Vanity
1172:Dreamy
1065:Albums
953:
906:
873:
815:
774:9 July
724:
532:vocals
234:Rating
231:Source
202:EmArcy
113:EmArcy
87:Studio
2245:Basie
2243:Count
2184:(and
2173:Moods
1668:Misty
1569:Songs
1116:Sassy
586:drums
568:piano
559:flute
108:Label
96:Genre
55:with
2289:With
2240:With
951:ISBN
947:1325
904:ISBN
871:ISBN
813:ISBN
776:2020
722:ISBN
577:bass
190:jazz
101:Jazz
67:1955
2104:, )
1000:at
847:at
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530:–
508:,
497:,
475:,
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416:,
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282:👑
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