794:, they begin to care less about saving face, implying the possibility of change in traditional Chinese family ethics. The ending scene of the movie included Ma, Wil, and Vivian as a way to indicate Wil's development where all aspects of her life have now become interconnected. The end is also a result of the relationships between these three women, further demonstrating the importance of their relationships in achieving "personhood and…empowerment…The progressive liberating process of coming out of the closet embraced by Ma and Wil in the end also invokes cultural change in the Chinese American community."
806:’s major themes is the concept of face, a value central to many Chinese families where family members are “expected to perform his or her role properly to maintain the family reputation …and strongly monitored by the community.” The very first scene in the film, Wil is wearing a face mask, indicating that she is hiding and not being her true self. When Ma shows up to Wil's apartment with her face covered by sunglasses, it is a physical manifestation of her father and her own loss of face since she has been banished from Flushing for being pregnant
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accepting her daughter's sexuality because she believes it is based on a “bad ideology” on top of it negatively affecting her reputation (face). In this way, the closet serves as a way to reinforce the concept of face because it is used to hide Wil's sexuality and in the same vein, Ma's pregnancy. Consequently, both characters perform normative forms of heterosexuality in order to hide these realities that are perceived as shameful by their community.
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she loves. Old Yu protests, and Little Yu, his son, stands up and announces that he is the one. Wil and her mother run out of the wedding and onto a bus, laughing. After an emotional talk with her mother, Wil rushes to the airport to catch Vivian. Wil apologizes, but Vivian challenges Wil to kiss her to prove her sincerity. Unable to publicly display her love out of fear, Wil is left at the terminal as Vivian leaves for Paris.
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as a link between Wil's two worlds (the city and
Flushing). By falling in love with Wil and wanting her to be open about their relationship, Vivian gave her the confidence to come out to her mother and her community. Eventually, Wil is able to come out which allows for her to start living her life as her true life which also inspires her to stop her mother's unwanted wedding, giving her the same gift of freedom.
889:. Throughout most of the film, Wil's mother is both constrained by traditional Chinese values and the enforcer of these values. She decides to marry a man that she does not love in order to please her father and regain her family's honour while also setting Wil up with men even though she already knew that she was interested in women. Moreover, Ma's character defies norms despite this emphasis on
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Because she was not a native
Mandarin speaker and the film required natural comedic timing, Wu allowed Krusiec's character to respond to her mother's Mandarin in English, which the director-writer said “is a very first-generation-American thing to do”. Wil was made to only speak in Mandarin “when she
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After Wil’s grandmother passes away unexpectedly, Hwei-Lan accepts Cho's marriage proposal. At the wedding, Wil interrupts with a love note from the father of the child saying how much he loves her and wants to marry her despite their age gap. Wil points out the elderly pharmacist, Old Yu, as the man
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two kiss. The couple goes on several dates, but Wil is afraid of kissing Vivian in public. At Vivian's request, Wil presents Vivian to her mother as a friend so that they can meet and the three share an awkward dinner. It is revealed later that her mother knows of her homosexuality, but is in denial.
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The concept of face is especially clear during the climactic scene of the film: when Wil comes out to her mother by saying “I love you…and I’m…gay”. When Ma responds by saying “How can you say you love me, and throw that in my face?”, face has a double meaning. Wil's mother sees the impossibility of
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Ma's character starts as being dependent, not open about her feelings and willing to marry a man only to restore her father's honour. After being banished from
Flushing for her scandalous pregnancy, she is able to deepen her relationship with Wil while simultaneously becoming more independent and in
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centralizes the relationships between women and their perspectives, mainly that of Vivian and Wil and Wil and Ma. At the start of the movie, Wil is guarded, focused on work and juggling her life as a lesbian in the city and a dutiful daughter in the
Chinese community in Flushing, Queens. Vivian acts
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Three months later, Wil goes to another party at Planet China, where Hwei-Lan and Little Yu are now a couple. Wil sees Vivian, who has come to see her mother. Wil approaches Vivian and asks her to dance. They dance and kiss. Hwei-Lan and Vivian's mother smile at each other while giving a thumbs up.
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Yet at the end of the movie, this dichotomy between men and women at the dancehall is no longer present, and Wil and Vivian's kiss symbolize the breaking of this binary. While some of the partygoers leave, rejecting the inclusion of homosexual people in their community, others stay, including Wil's
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despite having walked in on her with a woman demonstrates this incompatibility as she continues to set Wil up with men. The incompatibility of gay and Asian identities was also exemplified in Wil's coming out scene when Ma says “I am not a bad mother. My daughter is not gay”, relating homosexuality
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At her first audition, Lynn Chen played Vivian simply as a friend of Wil's in the vending machine scene because she did not have access to the script and was therefore unaware that it was a lesbian romantic comedy. She returned to audition four more times, once with
Michelle Krusiec before securing
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as a lesbian to her middle-aged mother. Wu came out to her mother in her last year of college and remembered her reaction as “she basically said, 'I don't think you're gay, and I never want to see you again.' We didn't talk for two years. But I never doubted her love for me. It had everything to do
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Vivian reveals to Wil that she was accepted into a prestigious ballet program in Paris and is considering the offer. Wil congratulates Vivian and gives her encouragement to accept the offer. While Vivian still debates on the offer, Vivian's father speaks to Wil and presses her to convince Vivian to
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Vivian invites Wil to one of her dance shows and after the show, the two hang out. Vivian reveals the fact that they had met once before when they were children; Vivian kissed Wil on the nose after Wil rescued her from bullies; Wil ran away afterward. Vivian and Wil go to Vivian's apartment and the
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to her mother Hwei-Lan and her mother's friends. Wil is forced by her mother to come to a gathering at the restaurant Planet China with family friends where her mother has plans to set her up with a son of a friend, but Wil is drawn to Vivian, the daughter of one of the
Chinese mothers who recently
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Alice Wu described the casting process as “a challenge” due to her difficulty in finding
Mandarin-speaking actors. She felt the film needed to be bilingual in order to make it authentic and believable and thus met with over one thousand actors before finding the right cast. Wu also experienced an
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within an ethnic community and addressing “the multiple layers of minority status by examining intersections of gender, ethnicity, and sexual orientation”. The complexities and contradictions of these experiences are displayed using the changing identities of Wil and her mother as well as their
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to her mother because “ wanted her to know it’s not too late to fall in love for the first time. want her to leave the theater feeling that sense of hope.” She has also explained that although she has a lot in common with Wil, the situation of the film is not based on her life. Alice Wu later
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came along and gave me the opportunity to get the authenticity that I was craving for.” Similarly, Krusiec was appreciative of her role as a “fulfilling” opportunity to show “real depth” in a central role where she could develop her character. Lynn Chen also praised Alice Wu for her skill at
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This film's dealing with the topic of the incompatibility of homosexuality with
Chinese traditions and its evolution throughout demonstrate the fluidity of these traditions in accommodating new realities. Homosexuality is seen as a threat in traditional Chinese families because they threaten
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Looking back on the film at the eight-year anniversary reunion and press conference, Joan Chen, Michelle
Krusiec, and Lynn Chen recalled that the movie was a special project that they continue to treasure. On this topic, Joan Chen said “I was always this tragic woman, and Alice gave me this
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said that the film excelled at “spanning the fragile bridge between traditional values and independent spirit” and providing “gentle humor and universal emotional experience”. However, despite the “satisfying payoff” he also criticized the film for its predictability, pacing, and momentum.
453:. Zee described the process as "an awakening for me about the Asian American experience in Hollywood, because I was always such a part of the studio system. Every day there are actors coming in who are Chinese American, who don't get an opportunity except to play prostitutes or waiters."
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got a divorce. They run into each other at the hospital where Wil works, only to discover that Vivian's father is Wil's boss, Dr. Shing. Vivian and her father have a tense relationship since Vivian is currently pursuing her love of modern dance instead of the more respectable ballet.
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The production team came across budgetary issues when Wu insisted that they include landscape shots of New York to ground the film in its environment. With little money left, the team was able to film in a helicopter that was being used to get aerial shots of
Manhattan for the movie
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in 2017, Krusiec commented on the power of the movie, being one of the few lesbian movies with a happy ending. She explained that this film remains important because many viewers have told her that it has made them feel represented to the point where they were able to come out.
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initially opened at only 6 theaters, making $ 75,104 (averaging $ 12,517/theater) in its opening weekend, and went on to gross $ 1,187,266 from 56 theaters in its theatrical run. It grossed an additional $ 49,252 in the UK, for a worldwide gross of $ 1,236,518.
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to a “bad ideology” that could not have come from Ma's traditional Chinese teachings and must therefore originate in Wil's Americanization. When Vivian and Wil break up near the end of the film, it seems as though these two identities are truly irreconcilable.
656:. Holden's overall positive review noted that the film had failings at the end: "Sadly, as "Saving Face" ties up the strands of its story, it forfeits its credibility at a wedding finale with a series of instant feel-good solutions and reconciliations."
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Set up by Wil, Hwei-Lan goes on several dates to find a man to be a father to her unborn child, but remains unattached. She debates on whether to accept the affections of Cho, a man who has loved her for 15 years and is willing to parent her child.
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could bring more attention to the film. Despite further proposals for script changes, Wu maintained that the Mandarin dialogue, lesbian romance, and her involvement as both writer and director were non-negotiable.
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Michelle Krusiec explained that the Golden Horse nomination enabled her to begin perceiving the Asian and Asian American communities as a legitimate audience, leading her to pursue roles that targeted both groups.
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the film holds an 86% approval rating based on reviews from 88 critics, with an average rating of 6.70/10. The site's consensus describes it as "A charming tale of a love affair that overcomes cultural taboos". On
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posted in 2018 to YouTube, Michelle Krusiec and Lynn Chen appeared with the hosts and commented on specific scenes from the film, explaining the motivations and emotions of their characters in the scenes.
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while her mother is “germ-obsessed…and meddling matchmaker”. Elders are generally shown to be maintainers of tradition who pressure their children to integrate. For instance, Wil's grandfather practices
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The critical reaction to the movie was mostly positive, with most critics praising the tender romance and the light-hearted comedy, although some critics lambasted it for a lack of depth and a "
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Ledru, Juliette; Chan, Felicia; Willis, Andy (2006). "Blurred lines?: The dialectics of the margins and the mainstream in The Wedding Banquet (Ang Lee, 1993) and Saving Face (Alice Wu, 2004)".
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In between credits, Hwei-Lan has Wil and Vivian (now engaged), family and friends over at her apartment for a function. Hwei-Lan asks Wil about having babies, to which she reacts with a
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praised the movie’s interesting storyline and twists but stated that “the writer-director, Alice Wu, fudges a lot of the basics — I never believed the heroine was really a physician”.
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neighbour use paper plates because it is "safer." However, as the movie progresses, Ma becomes close friends with Jay, demonstrating her ability to change her traditional views.
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of the Chinese Flushing community is first displayed during the first dance hall scene when the shots alternate between those of men and women. These shots represent accepted
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issue in casting one of the main roles because the actor was stuck in China due to visa problems; therefore, she had to use her second choice, who was in the United States.
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As a first-time director and writer, Wu faced many challenges in maintaining her vision of the film. Studios that saw potential in her script wanted to make it like
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mother and grandfather. The happy ending shows that even though Chinese families are seen as traditional and static, they can transform to accept homosexuality.
864:. By combining these stereotypes with ironic comments, consumption of porn meant for men, a homosexual storyline and characters, Wu questions these stereotypes.
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to establish a “Chinese authenticity” for the characters while also subverting others in important ways. As an intelligent surgeon, Wil is an example of the
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This film has also been interpreted as an example of the blurring between mainstream and marginal representations of Chinese Americans in film. Wu uses
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The evolution of the importance of saving face is also intertwined with the character development of Wil and Ma since as they become more empowered and
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realized that her novel would be a better fit for a movie and drafted the first script in three days during a 12-week screen writing class at the
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with her willingness to make changes in her own life to be happy." Later, Wu and her mother grew very close, resulting in Wu dedicating
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Han, Qijun (2019). "Diasporic Chinese family drama through a transnational lens: The Wedding Banquet (1993) and Saving Face (2004)".
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400:, who directed the movie, wrote the script several years earlier while working as a program manager at Cinemania and Music Central,
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movies that stereotype Asian women as docile, the “China Doll” and “Dragon lady” who are all sexual objects for the Western white
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did not make a dramatic impact on Hollywood through the box office, the film has remained relevant through its staying power.
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directing and commanding the set and realized that she has not had as much of a special opportunity since filming
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as her mother. The studio then tried to compromise and asked to make the love interest white so that a star like
1168:"Message to mom: for her new lesbian romantic comedy, Saving Face, out filmmaker Alice Wu draws on her own life"
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was notably critical of the film, especially the latter half, describing it as collapsing into "nonsense".
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wants to elicit a response from her mother”. Before production began, Michelle Krusiec was flown out to
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Wil comes home to discover her mother has been kicked out by her grandfather for being pregnant out of
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Some people leave in disgust, but Wil and Vivian ignore them, while everyone else joins in to dance.
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1267:"Production Report: "American Hardcore," "Patch," "P.S.," "Saving Face," & "Vineyard Haven""
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750:, Lynn Chen won the Outstanding Newcomer Award. Alice Wu also won the Visionary Award at the
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entertainment department. She originally started writing a novel inspired by her experience
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914:, family continuity and family reputation” and is seen as linked to failed education and
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on 12 September 2004, and made its way around the independent film circuit, screening at
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Renée, Dennison Peltz; Wilinson-Lee, Ada M. (September 13, 2006). "Movie/Play Reviews".
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Drunk Lesbians Watch "Saving Face" (Feat. Ashly Perez, Michelle Krusiec & Lynn Chen)
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girlfriend. It was the first Hollywood movie that centered on Chinese Americans since
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accept the offer. Wil withdraws from Vivian, and Vivian accepts the job in Paris.
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tune with her own feelings. Furthermore, the film briefly addresses the issue of
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In an interview with Asians on Film, Michelle Krusiec mentioned that although
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1298:"'Saving Face' Turns Eight: The Cast Reunites, Talk Linsanity at SFIAAFF30"
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opportunity to play in a comedy. In a lot of the movies that I did, before
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was Lynn Chen's first feature film and Michelle Krusiec's first lead role.
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The name itself is a reference to the pan-East Asian social concept of
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238:, in her feature-length debut. The film focuses on Wilhelmina, a young
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1892:"San Diego Asian Film Festival Announces Sixth Annual Award Winners"
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and initially planned for release through their midbudget division
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in the scene when Ma goes to the video store. There, she examines
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1334:
Michelle Krusiec Interview: Saving Face & L.A. Coffin School
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1690:"The 200 Best Lesbian, Bisexual & Queer Movies Of All Time"
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ranked the film #2 of the best 200 Lesbian Movies of All Time.
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Chinese American community, the film features in a mixture of
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735:. Out of these, it won the Viewer's Choice Award at the 2005
584:. It was chosen as the opening night film in 2005 for the
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has continued to be screened at festivals such as at the
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Filming began in fall 2003 on the $ 2.5 million project.
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San Francisco International Asian American Film Festival
756:
San Francisco International Asian American Film Festival
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for three months to take an immersive Mandarin course.
1942:
International Journal of Media & Cultural Politics
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references mainstream Chinese American movies such as
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in Asian communities when Ma insisted that Jay, Wil's
425:, and taking a filmmaking class taught by Alan Oxman.
982:… But I really felt I wasn’t being authentic, and so
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it has a score of 65 out of 100 based on 28 reviews.
1523:"Juggling Her Chinese Clan, Gay Lover, Pregnant Mom"
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binary that places men and women on opposite sides.
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for Outstanding Film in Limited Release at the 2006
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754:and the Audience Award for Best Narrative at the
270:Dr. Wilhelmina "Wil" Pang is a successful young
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2165:
8:
3182:English-language romantic comedy-drama films
1207:"Q&A with Saving Face Director Alice Wu"
439:Coalition of Asian Pacifics in Entertainment
3147:LGBTQ-related films about Chinese Americans
2050:Chinese Cinemas: International perspectives
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2696:
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2172:
2158:
2150:
1862:"Asian-American Actress Gains Recognition"
29:
20:
3152:LGBTQ-related romantic comedy-drama films
3107:Films about mother–daughter relationships
1549:"Supporting cast's vibrancy saves 'Face'"
3092:Comedy-drama films about Asian Americans
1663:Rosenbaum, Jonathan (February 9, 2007).
2659:Chris Rock–Will Smith slapping incident
1080:Ferraro, Michael (September 29, 2005).
1037:
929:Wil's mother's refusal to accept Wil's
350:Guang Lan Koh as "Wai Po" (Grandmother)
2853:The Secret Diaries of Miss Anne Lister
2052:. London: Routledge. pp. 96–106.
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868:The fluidity of identity and tradition
588:. The film was subsequently bought by
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433:In 2002, Wu submitted her script for
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3077:American romantic comedy-drama films
2721:Audience Award for Best Feature Film
2628:DJ Jazzy Jeff & the Fresh Prince
1634:Rooney, David (September 19, 2004).
1372:. Girl Ship TV. September 23, 2018.
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1021:List of LGBT films directed by women
600:in the US through arthouse division
347:Jin Wang as "Wai Gung" (Grandfather)
1174:. Here Publishing. pp. 64–65.
582:Seattle International Film Festival
574:Toronto International Film Festival
441:and won. It was there that she met
3177:English-language independent films
2719:Inside Out Film and Video Festival
1996:Journal of Feminist Family Therapy
1868:. January 24, 2006. Archived from
1811:2019 San Diego Asian Film Festival
1778:. October 25, 2005. Archived from
1407:. Kristina Tameta. March 7, 2017.
1337:. Asians On Film. April 29, 2012.
880:explores the experiences of being
277:living in New York City. Wil is a
14:
3082:Asian-American LGBT-related films
2084:from the original on May 31, 2022
1840:University of North Texas Library
1411:from the original on May 30, 2022
1376:from the original on May 31, 2022
1341:from the original on May 31, 2022
3037:2004 romantic comedy-drama films
2672:
2671:
2334:Black Suits Comin' (Nod Ya Head)
1547:Morris, Wesley (June 10, 2005).
1521:Holden, Stephen (May 27, 2005).
802:Like the title suggests, one of
3117:Films about Taiwanese Americans
3087:Chinese-language American films
1460:Fuchs, Cynthia (May 28, 2005).
958:in 2019 and at the 30th annual
1724:. Fandango Media. May 27, 2005
1434:Leibowitz, Ed (May 29, 2005).
1166:Bolonik, Kera (June 7, 2005).
1123:Leibowitz, Ed (May 29, 2005).
905:and traditional Chinese values
437:to a contest sponsored by the
1:
3172:Films set in Queens, New York
3157:Overbrook Entertainment films
3102:Films about Chinese Americans
3052:2000s Mandarin-language films
956:San Diego Asian Film Festival
835:while Old Yu tells fortunes.
752:San Diego Asian Film Festival
539:on 35 mm film. Featuring the
380:Nathaniel Geng as Stimson Cho
3167:Sony Pictures Classics films
3122:Films produced by Will Smith
3072:Asian-American romance films
3047:2000s English-language films
3022:2004 directorial debut films
1205:Hill, Logan (May 26, 2005).
1056:AFI Catalog of Feature Films
818:Stereotypical representation
168:September 12, 2004
3162:Shanghainese-language films
3137:Films shot in New York City
3127:Films scored by Anton Sanko
3067:American multilingual films
3062:American LGBT-related films
2647:The Fresh Prince of Bel-Air
1586:. p. 1. Archived from
1234:"Saving Face with Alice Wu"
1082:"Saving Face with Alice Wu"
717:Breakthrough Director Award
590:Sony Pictures Entertainment
344:as Hwei-Lan Gao (Mother/Ma)
3198:
3132:Films set in New York City
1026:List of lesbian filmmakers
737:Golden Horse Film Festival
725:Golden Horse Film Festival
519:was filmed on location in
499:the role of Vivian Shing.
2963:Love, Spells and All That
2726:
2667:
2187:
1578:Park, Ed (May 17, 2005).
465:make the characters white
28:
2480:The Pursuit of Happyness
467:so that they could cast
459:My Big Fat Greek Wedding
419:University of Washington
3097:Destination Films films
3057:2004 multilingual films
3032:2004 LGBT-related films
2753:The Adventures of Felix
2733:Everything Will Be Fine
2638:Overbrook Entertainment
2496:The Secret Life of Bees
2058:10.4324/9781315691893-8
748:Asian Excellence Awards
640:, Wesley Morris of the
449:’s production company,
139:Overbrook Entertainment
3027:2004 independent films
2913:Angry Indian Goddesses
1436:"Kissing Vivian Shing"
1125:"Kissing Vivian Shing"
715:was nominated for the
602:Sony Pictures Classics
578:Sundance Film Festival
451:Overbook Entertainment
154:Sony Pictures Classics
3142:Lesbian-related films
2883:Reaching for the Moon
2743:Better Than Chocolate
2576:Bad Boys: Ride or Die
2440:(2013, also produced)
2080:. November 20, 2019.
2008:10.1300/J086v18n01_08
767:Character development
586:Florida Film Festival
16:2005 film by Alice Wu
3112:Films about surgeons
3042:2000s American films
2973:We Will Never Belong
2429:Film screenplay only
2380:Boy You Knock Me Out
2292:Gettin' Jiggy wit It
1954:10.1386/macp_00004_1
1492:"Saving Face (2005)"
1462:"Saving Face (2005)"
1051:"Saving Face (2004)"
1008:Drunk Lesbians Watch
664:Entertainment Weekly
371:David Shih as Norman
2833:Were the World Mine
2448:Films produced only
2073:Saving Face Reunion
1404:Saving Face Reunion
901:Incompatibility of
895:social construction
798:The concept of face
445:, the president of
227:is a 2004 American
2983:I Used to Be Funny
2602:Jada Pinkett Smith
2299:Just the Two of Us
2250:Compilation albums
1696:. January 18, 2022
1527:The New York Times
1129:The New York Times
873:Complex identities
808:outside of wedlock
792:sexually liberated
733:GLAAD Media Awards
721:2005 Gotham Awards
678:Jonathan Rosenbaum
637:The New York Times
620:Critical reception
596:before going into
477:Scarlett Johansson
383:Mao Zhao as Old Yu
332:as Wilhelmina Pang
144:GreeneStreet Films
3004:
3003:
2685:
2684:
2544:Bad Boys for Life
1898:. October 4, 2005
1872:on March 11, 2022
1782:on March 14, 2014
1752:. CBS Interactive
1590:on August 4, 2009
1006:In an episode of
998:reunion panel at
942:Impact and legacy
920:heteronormativity
853:Maid in Manhattan
842:The Joy Luck Club
781:anti-Black racism
729:GLAAD Media Award
654:Chinese Americans
604:on May 27, 2005.
572:premiered at the
469:Reese Witherspoon
463:She was asked to
252:The Joy Luck Club
234:film directed by
220:
219:
135:Destination Films
3189:
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2847:
2843:The Baby Formula
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2767:
2757:
2747:
2737:
2712:
2705:
2698:
2689:
2675:
2674:
2504:Lakeview Terrace
2372:Featured singles
2287:
2219:Big Willie Style
2174:
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2160:
2151:
2116:
2115:
2113:Official website
2098:
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2027:
2002:(1–2): 167–173.
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1559:on July 22, 2005
1555:. Archived from
1553:The Boston Globe
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1304:. March 16, 2012
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973:On Deadly Ground
846:The Last Emperor
785:African American
669:David Rooney of
545:Mandarin Chinese
330:Michelle Krusiec
240:Chinese American
175:
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101:Harlan Bosmajian
84:Michelle Krusiec
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2362:You Can Make It
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1302:Hyphen Magazine
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1273:. March 2, 2004
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924:heteronormative
916:Americanization
907:
897:of her values.
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697:Rotten Tomatoes
660:Owen Gleiberman
628:-like" ending.
622:
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598:limited release
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2552:Life in a Year
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2528:This Means War
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2520:The Karate Kid
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2240:Lost and Found
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2105:External links
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1967:
1948:(3): 323–343.
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1669:Chicago Reader
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1440:New York Times
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1240:. May 27, 2005
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632:Stephen Holden
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366:Wang Luoyong
360:Ato Essandoh
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213:Shanghainese
184:Running time
161:Release date
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2903:4th Man Out
2803:Saving Face
2793:Latter Days
2783:Madame SatĂŁ
2607:Jaden Smith
2456:Saving Face
2437:After Earth
2404:Other songs
2327:Freakin' It
2202:Filmography
2197:Discography
2140:Saving Face
2129:Saving Face
2121:Saving Face
1902:October 10,
1896:Film Threat
1846:October 10,
1786:October 10,
1473:October 10,
1467:Pop Matters
1238:Film Threat
1185:October 10,
1086:Film Threat
996:Saving Face
989:Saving Face
984:Saving Face
979:Judge Dredd
968:Saving Face
952:Saving Face
948:Saving Face
878:Saving Face
837:Saving Face
824:stereotypes
804:Saving Face
772:Saving Face
713:Saving Face
613:Saving Face
594:Screen Gems
570:Saving Face
517:Saving Face
493:Saving Face
471:as Wil and
435:Saving Face
429:Development
414:Saving Face
402:Microsoft's
224:Saving Face
120:Anton Sanko
109:Susan Graef
62:Produced by
44:Directed by
38:film poster
36:Saving Face
24:Saving Face
3017:2004 films
3011:Categories
2923:Sisterhood
2823:The Bubble
2584:Karate Kid
2419:Prince Ali
2387:Live It Up
2226:Willennium
2181:Will Smith
1749:Metacritic
1032:References
931:lesbianism
727:, and the
702:Metacritic
626:soap opera
608:Box office
447:Will Smith
409:coming out
388:Production
375:Brian Yang
188:91 minutes
172:2004-09-12
127:Production
66:Will Smith
54:Written by
2873:Margarita
2633:Westbrook
2394:Está Rico
2192:Accolades
2124:Press Kit
2078:Lynn Chen
2024:151443127
2016:0895-2833
1962:214403723
1776:Filmmaker
1700:April 19,
1271:IndieWire
1180:0001-8996
1137:0362-4331
962:in 2012.
862:male gaze
758:in 2005.
537:Manhattan
443:Teddy Zee
342:Joan Chen
336:Lynn Chen
318:spit take
201:Languages
129:companies
106:Edited by
92:Lynn Chen
88:Joan Chen
74:Teddy Zee
2893:Tru Love
2773:Gypsy 83
2763:Big Eden
2677:Category
2145:AllMovie
2082:Archived
1876:March 2,
1816:March 2,
1756:July 16,
1728:March 1,
1674:July 17,
1645:March 2,
1619:March 2,
1594:July 17,
1563:July 17,
1532:July 17,
1501:July 17,
1409:Archived
1374:Archived
1339:Archived
1308:March 2,
1277:March 2,
1244:March 2,
1218:March 2,
1212:New York
1142:March 2,
1091:March 2,
1062:July 28,
1015:See also
1000:Clexacon
533:Brooklyn
525:Flushing
521:New York
423:New York
398:Alice Wu
356:as Randi
283:closeted
272:American
255:(1993).
236:Alice Wu
229:romantic
210:Mandarin
116:Music by
80:Starring
57:Alice Wu
48:Alice Wu
2993:Sisters
2863:Weekend
2654:Agent J
2621:Related
2488:Hancock
2320:Will 2K
2268:Singles
2094:YouTube
2088:June 8,
1640:Variety
1445:July 6,
1421:YouTube
1415:June 8,
1386:YouTube
1380:June 8,
1351:YouTube
1345:June 8,
994:At the
833:tai chi
719:at the
680:of the
565:Release
549:English
511:Filming
484:Casting
393:Origins
291:wedlock
281:but is
279:lesbian
275:surgeon
243:surgeon
207:English
193:Country
170: (
2996:(2024)
2986:(2023)
2976:(2022)
2966:(2021)
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2595:Family
2587:(2025)
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2459:(2004)
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1614:EW.com
1580:"Film"
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918:. The
762:Themes
708:Awards
535:, and
529:Queens
505:Taiwan
405:CD-ROM
362:as Jay
247:dancer
2536:Annie
2464:Hitch
2306:Miami
2020:S2CID
1958:S2CID
1866:PRWeb
887:norms
558:Hitch
377:as Yu
2134:IMDb
2090:2022
2012:ISSN
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