409:, seeks his help. The aristocrats in the assembly are systematically killing off the deputies representing the common people by provoking them into duels. Moreau is not interested, until Dubuque mentions that de Maynes is one of the duelists; then he eagerly accepts the seat of a deceased deputy. Each day, he shows up at the assembly to challenge de Maynes, only to find his enemy absent on trivial but official duties, arranged by Aline, who works with Lenore to protect the man they both love. However, other nobles in the National Assembly are eager to fight the newcomer, challenging him on a daily basis. Moreau wins every duel; the Chevalier de Chabrillaine barely escapes with his life.
384:
woods, it is without Lenore, who, not knowing the identity or motive of de
Valmorin, escaped the carriage. They continue on their journey to meet Moreau's father, who is revealed to be the Comte de Gavrillac. Moreau runs into Aline de Gavrillac when her carriage breaks down in the road. They are strongly attracted to each other, but Moreau's ardor suddenly cools when he learns that she is his half-sister. He hides that information from her, partly because of sympathy, when they both enter the House of Gavrillac to see that the Comte has died.
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401:, he discovers a hidden talent as a performer. Burning for revenge, Moreau seeks out de Maynes' fencing instructor, Doutreval of Dijon, and trains diligently in secret for weeks, while also performing with the troupe. However, de Maynes appears during a training session, and they fight for a second time. Moreau is still overmatched, and is saved only by Aline's unexpected arrival, enabling Moreau to escape (with Doutreval's assistance).
779:
714:
humiliated her. It was terrible. All of the dueling scenes in
Scaramouche were wonderful, though. I'll give Granger credit for that. He didn't know how to do any of that, but worked hard and learned. Mel Ferrer, his counterpart in the movie, was extremely adept at the swordplay, but was a gentleman. He could have taken advantage and upstaged Granger, the star, but he never did.
413:
two men engage in a prolonged duel (reputedly the longest in screen history at about eight minutes) that ranges throughout the theater and finally back onto the stage itself. At the end, Moreau has de Maynes at his mercy, helpless as
Philippe de Valmorin had been, but something he cannot explain stays his hand. Moreau stalks off, leaving de Maynes bloodied but alive.
416:
Later, Moreau learns from
Philippe's father that he is not the son of the Comte de Gavrillac but the old Marquis de Maynes, the Comte de Gavrillac's friend; Noel then is his half-brother. He then realizes that he is not related to Aline after all, so they can be married. Lenore concedes him to Aline,
412:
In the meantime, de Maynes becomes engaged to Aline. Overhearing de Maynes' intention to confront Moreau that night, Aline persuades him to take her out instead. At the suggestion of de
Chabrillaine, they attend a performance of the De Binet Troupe, where Andre seizes his opportunity for revenge. The
387:
By chance, de Maynes encounters de
Valmorin. A master swordsman, de Maynes provokes de Valmorin into a duel, then toys with his inexperienced opponent before finally killing him. Enraged, Moreau attacks, but does no better than his dead friend. After de Maynes easily disarms him several times, Moreau
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review, "A cheekier attitude toward romance and a great deal more play with the swords are in this latter-day whip-up, and these are the things that make it fun. ... A little bit slow in getting started—a little bit on the pompous side, with a few rather efflorescent speeches and solemn respects to
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Jimmy knew how to fence already. He'd been in the theater in
England, and that's part of the training for actors on the London stage; they learn to fence. They learn how to ride, most all of them learn how to ride horseback. They're so much more developed as performers than we are; they get so much
726:
I'd been playing a lot of goody-goodys, making pictures for Metro; and they asked me to do this one. They asked me if I fenced, and I told them, "No." They said, "We thought you were a fencer." And I said, "No, I'm a dancer." They said, "So, what do we do about that?" I said, "It's very simple. I'll
383:
Marcus Brutus. Moreau tells de
Valmorin to leave Paris, taking Lenore with him. At the same time, Moreau visits his lawyer, Fabien, and forcefully threatens him to disclose the name of his father in order to learn why he has stopped sending an allowance. When Moreau and de Valmorin rendezvous in the
713:
It wasn't a conflict between the two of us. Everyone disliked this man ... Stewart
Granger was a dreadful person, rude ... just awful. Just being in his presence was bad. I thought at one point the crew was going kill him. Jean visited him on the set and would leave his dressing room in tears. He
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when preparing for the role. The 8-minute-long duel in the theater between
Granger and Ferrer took eight weeks of preparation, including memorizing eighty-seven fencing passes. Filming this scene left Granger with a wrenched knee, a damaged shoulder, and an injured back. Other accidents on set
688: – who was visiting her husband Granger – almost receiving a sword in her face, and a chandelier hitting a mattress upon which Granger was supposed to lie and embedding itself in the stage. He insisted on seeing the chandelier dropped once before shooting the scene.
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learn to fence the way a dancer would learn a routine. If I were learning a ballet, I'd learn it by number. One, two, three, four ... four, you're on this spot; five, six, seven, you do that; that's the way you learn choreography." And I learned how to fence in six weeks.
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The film earned $ 2,739,000 at the North American box office in its first year of release. MGM records put its foreign earnings at $ 4,007,000, and overall the movie made a profit of $ 1,062,000. The movie was particularly popular in France, with admissions of 2,975,521.
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Meanwhile, minor nobleman André Moreau kidnaps his beloved Lenore to keep her from marrying another man. After the two decide to get married, Moreau learns that his best man, Philippe de Valmorin, is in hiding for promoting revolution and distributing pamphlets under the
29:
404:
He decides to seek out Doutreval's teacher, Perigore of Paris, the man who according to Doutreval "is the master of all swordsmen." Moreau takes the troupe to Paris for that purpose. There, Dr. Dubuque, a deputy of the new
371:
rousing hatred of the aristocracy. She also pressures de Maynes to marry to preserve his line, and at his request for her to choose his bride is introduced to Aline de Gavrilac, one of the Queen's
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co-starring as Aline before it was changed to more of a swashbuckling adventure film. Their commitments to the film were confirmed in early 1951. At one point, other than Kelly,
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the queen—the business gets moving in earnest when the leading swashbucklers first cross swords and keeps moving, ever more gaily, until the end of their big climactic duel."
611:
Eventually, Montalbán was dropped and it was announced Granger would play both the hero and the villain. Taylor was mentioned as a female lead in addition to Gardner.
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We did seven duels in the picture, and each one was different; we never repeated a sequence. And that's like learning seven ballets; it's very, very difficult ...
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The studio planned to adapt the novel in late 1938, with production set to commence in early 1939, though pre-production did not start until 1950.
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entirely; Montalbán returned to the film as the hero, and Lamas was cast as the villain. Granger went on to shoot part of
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Gardner was announced as Granger's co-star. Montalbán was signed to play the Marquis de Maynes, the villain.
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seizes a pistol and vows to kill de Maynes the same way he slew de Valmorin, then flees for his life.
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asks her cousin Noel, the Marquis de Maynes, to uncover the identity of "Marcus Brutus", a dangerous
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1235:"The Screen in Review; 'Scaramouche,' Metro Picture Based on Sabatini's Novel, Shown at Music Hall"
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Parker later said that Granger was the only person in her career that she did not get along with:
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Chased by de Maynes' henchmen, led by the Chevalier de Chabrillaine, Moreau hides out in the
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DVD Special Feature, "A Retrospective with Mel Ferrer." MGM Home Video, 2003.
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Granger, who performed most of his stunts himself, took fencing lessons with
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troupe in which Lenore performs. Forced to disguise himself as the character
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825:, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study
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THOMAS F BRADY (May 17, 1950). "'FRANCIS' STORIES ARE BOUGHT BY U.-I".
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Gardner and Taylor became unavailable for casting and were replaced by
380:
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THOMAS F BRADY (Jul 21, 1950). "REPUBLIC TO MAKE FILM ABOUT PACIFIC".
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THOMAS F BRADY (Dec 5, 1950). "FILM COUNCIL IRKED BY WARNER LAY-OFF".
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Lewis Stone played the villain, the Marquis de la Tour d'Azyr, in the
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THOMAS F BRADY (Jan 27, 1951). "ELIZABETH TAYLOR GETS METRO LEAD".
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THOMAS F BRADY (Nov 20, 1950). "R.K.O NEAR DEAL ON BRENNAN STORY".
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as Georges de Valmorin, Philippe's father and Andre's foster father
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THOMAS F BRADY (Dec 22, 1950). "STUDIOS ACQUIRE 3 MAJOR STORIES".
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591:, one of his stipulations was that he star in the then-upcoming
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624:) which required location filming in snow. This meant he left
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Box office information for Stewart Granger films in France
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but consoles herself with a certain Corsican officer,
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585:was contracted by the studio after his success in
664:Sidney had Parker dye her hair red for the film.
608:was assigned as producer and Sidney as director.
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309:production is loosely based on the 1921 novel
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722:appears to be mistaken. According to Ferrer:
1194:"Eleanor Parker: Incognito, but Invincible"
926:. University Press of Mississippi. p.
574:should have been a musical", said director
343:. The original music score was composed by
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491:as Isabelle de Valmorin, Philippe's mother
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543:Initially, the film was meant to be an
1112:Schallert, E. (May 9, 1951). "Drama".
718:Parker's perception of the fencing in
642:. MGM then decided to reassign him to
632:, then production was halted. He made
1763:English-language romantic drama films
7:
793:List of adventure films of the 1950s
1743:American historical adventure films
567:were also considered for the lead.
16:1952 American film by George Sidney
1245:from the original on Apr 21, 2022.
14:
1174:from the original on May 11, 2021
1748:1950s historical adventure films
1287:George Sidney:a Bio-Bibliography
1233:Crowther, Bosley (May 9, 1952).
1162:Royle, Alan (27 February 2019).
777:
446:as Aline de Gavrillac de Bourbon
1708:Films directed by George Sidney
1255:'Top Box-Office Hits of 1952',
885:"Scaramouche: Overview Article"
500:Curtis Cooksey as Lawyer Fabian
1683:American adventure drama films
843:"Notes for Scaramouche (1952)"
1:
1738:Films based on British novels
1703:Films based on romance novels
1688:American romantic drama films
1203:. Summer 2010. Archived from
661:replaced Lamas as de Maynes.
1753:1950s English-language films
1693:Films scored by Victor Young
1351:AFI Catalog of Feature Films
458:as Chevalier de Chabrillaine
359:In France just prior to the
1733:American swashbuckler films
1673:1950s adventure drama films
698:, wore the same costume as
1779:
347:and the cinematography by
1723:Metro-Goldwyn-Mayer films
1678:1952 romantic drama films
1423:
1380:Movie Review Query Engine
918:Davis, Ronald L. (2005).
614:Granger was then cast in
452:as Noel, Marquis de Mayne
26:
604:wrote the first script,
823:The Eddie Mannix Ledger
547:(MGM) musical starring
473:as Philippe de Valmorin
178:June 27, 1952
1718:Films set in the 1780s
1164:"Movie Trivia - PT109"
1140:, IMDb, archived from
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273:
263:
247:
1728:Romantic period films
1573:The Eddy Duchin Story
1285:Monder, Eric (1994).
890:Turner Classic Movies
848:Turner Classic Movies
638:, and then completed
506:as Doutreval of Dijon
335:from a screenplay by
327:. It was directed by
269:
253:
239:
1758:1950s American films
1501:The Three Musketeers
588:King Solomon's Mines
570:"I always felt that
33:Original film poster
1713:Films set in France
1289:. Greenwood Press.
1271:at Box Office Story
669:1923 silent version
545:Metro-Goldwyn-Mayer
281:is a 1952 romantic
153:Metro-Goldwyn-Mayer
1597:Who Was That Lady?
1525:Annie Get Your Gun
1437:Pacific Rendezvous
1415:Films directed by
1339:TCM Movie Database
1239:The New York Times
1201:Noir City Sentinel
1137:Scaramouche (1952)
922:Just Making Movies
754:The New York Times
694:, who appeared as
497:as Michael Vanneau
419:Napoleon Bonaparte
394:commedia dell'arte
274:
264:
248:
1698:Films about duels
1655:
1654:
1621:A Ticklish Affair
1565:Jupiter's Darling
1485:Holiday in Mexico
1259:, January 7, 1953
1168:filmstarfacts.com
1114:Los Angeles Times
1091:Los Angeles Times
565:Ricardo Montalbán
407:National Assembly
361:French Revolution
321:1923 film version
283:swashbuckler film
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1093:. Feb 23, 1951.
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893:. Archived from
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851:. Archived from
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734:better training.
696:Marie Antoinette
616:Constable Pedley
557:Elizabeth Taylor
521:Aram Katcher as
489:Elisabeth Risdon
471:Richard Anderson
466:Marie Antoinette
365:Marie Antoinette
341:George Froeschel
331:and produced by
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1517:Key to the City
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635:The Light Touch
602:Talbot Jennings
583:Stewart Granger
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479:as Gaston Binet
434:as Andre Moreau
432:Stewart Granger
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319:as well as the
317:Rafael Sabatini
287:Stewart Granger
262:and Janet Leigh
254:Left to right:
245:Stewart Granger
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618:(later called
581:However, when
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555:as Lenore and
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345:Victor Young
333:Carey Wilson
310:
301:. Filmed in
278:Scaramouche
277:
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194:Running time
171:Release date
164:Loew's, Inc.
138:Victor Young
128:James Newcom
86:Carey Wilson
66:
1637:The Swinger
1541:Scaramouche
1375:Scaramouche
1358:Scaramouche
1345:Scaramouche
1334:Scaramouche
1323:Scaramouche
1312:Scaramouche
1221:Scaramouche
785:Film portal
720:Scaramouche
655:Janet Leigh
644:Scaramouche
626:Scaramouche
593:Scaramouche
572:Scaramouche
553:Ava Gardner
536:Development
504:John Dehner
483:Lewis Stone
444:Janet Leigh
399:Scaramouche
369:pamphleteer
312:Scaramouche
303:Technicolor
295:Janet Leigh
241:Janet Leigh
230:$ 6,746,000
222:$ 3,005,000
198:115 minutes
104:Janet Leigh
82:Produced by
68:Scaramouche
39:Directed by
22:Scaramouche
1668:1952 films
1662:Categories
1549:Young Bess
1370:at Variety
901:2011-07-08
859:2011-07-08
804:References
762:Box Office
659:Mel Ferrer
549:Gene Kelly
531:Production
510:John Litel
450:Mel Ferrer
299:Mel Ferrer
227:Box office
182:1952-06-27
145:Production
108:Mel Ferrer
72:1921 novel
49:Written by
1533:Show Boat
1148:March 14,
1122:166254661
1099:166206682
1089:"Drama".
1076:111848185
1053:111577928
1030:111685441
1007:111626328
984:111714148
961:111628905
739:Reception
704:1938 film
702:in MGM's
692:Nina Foch
684:included
595:project.
462:Nina Foch
440:as Lenore
323:starring
285:starring
271:Nina Foch
124:Edited by
1589:Pal Joey
1445:Pilot ♯5
1317:AllMovie
1243:Archived
1172:Archived
1118:ProQuest
1095:ProQuest
1072:ProQuest
1049:ProQuest
1026:ProQuest
1003:ProQuest
980:ProQuest
957:ProQuest
771:See also
744:Critical
675:Shooting
523:Napoleon
363:, Queen
211:Language
134:Music by
92:Starring
63:Based on
1378:at the
1348:at the
1337:at the
1257:Variety
551:, with
381:allonym
214:English
203:Country
180: (
147:company
1648:(1967)
1640:(1966)
1632:(1964)
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1592:(1957)
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305:, the
297:, and
219:Budget
1208:(PDF)
1197:(PDF)
373:wards
1605:Pepe
1328:IMDb
1291:ISBN
1180:2021
1150:2017
932:ISBN
653:and
563:and
425:Cast
355:Plot
339:and
243:and
1361:at
1326:at
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464:as
315:by
307:MGM
74:by
1664::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
