27:
895:
151:
1389:
1336:
886:
typefaces with lower-case, as early as 1825. This was repeated by some authors, but is now known to be untrue: Wolfgang Homola dates it to 1882 based on a study of
Schelter & Giesecke specimens.
902:
Beginning in 1827 Schelter & Giesecke manufactured letterpress presses, cylinder proof presses and platen presses; and after World War I also of web-fed, letterpress and flexo printing presses.
1454:
1255:
976:
1459:
951:
1373:
1449:
1430:
1295:
155:
1366:
1464:
1197:
1178:
1157:
1136:
1088:
1067:
1046:
1025:
1359:
1423:
26:
905:
The
Leipzig house of foundry co-owner Georg Giesecke, designed by Berlin architect Max Hasak, survives and is listed.
131:
127:
1469:
1229:
1416:
780:
295:
386:
69:
838:
584:
123:
65:
882:
The foundry claimed by the twentieth century to have been one of the first to offer general-purpose
752:
540:
478:
234:
894:
588:
550:
264:
150:
602:
510:
462:
406:
330:
256:
37:
500:
402:
1291:
1249:
1193:
1174:
1153:
1132:
1084:
1063:
1042:
1021:
970:
952:"Type design in the age of the machine. The 'Breite Grotesk' by J. G. Schelter & Giesecke"
393:
1285:
532:
1400:
1343:
670:
1443:
198:
1230:"Comments on Typophile thread - "Unborn: sans serif lower case in the 19th century""
1318:
1314:
1225:
680:
660:
642:
632:
618:
440:
344:
315:
305:
115:
47:
957:. University of Reading (archived). Archived from the original on 12 January 2011
862:
794:
230:
214:
209:
135:
103:
1388:
1396:
883:
252:
1101:
991:
921:
898:
Villa Georg
Giesecke, the Leipzig house of foundry co-owner Georg Giesecke
1335:
158:
competition of 1965 uses the company's popular Breite halbfette
Grotesk.
248:
139:
119:
91:
87:
1317:
also comments that the claimed date is "forty years too early" and
893:
149:
1108:. School of Computer Science, McGill University, Montreal, Canada
998:. School of Computer Science, McGill University, Montreal, Canada
928:. School of Computer Science, McGill University, Montreal, Canada
989:
Unless otherwise noted, all types in this list are cited from
162:
These foundry types were produced by
Schelter & Giesecke:
1342:
This article about an industrial corporation or company is a
130:(1793-1850). The foundry was nationalized in 1946 by the new
1192:
David R. Godine, Publisher, Boston, Massachusetts, 1990,
1118:
Georg Kraus mentions the date 1915, as does Nick Curtis .
1404:
1347:
1169:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1148:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1127:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1079:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1058:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1037:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1016:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
945:
943:
473:(2014) on this typeface; see also the recent revival
118:
and manufacturer of printing presses started 1819 in
97:
83:
75:
61:
53:
43:
33:
16:
German type foundry and printing press manufacturer
1254:: CS1 maint: bot: original URL status unknown (
975:: CS1 maint: bot: original URL status unknown (
1287:Buchstadt Leipzig: der historische Reiseführer
1424:
1367:
8:
1236:. Archived from the original on 28 June 2014
1190:Lawson, Alexander S., Anatomy of a Typeface,
19:
1455:Manufacturing companies established in 1819
1431:
1417:
1374:
1360:
357:(1933), angular blackletterish script face
284:(1835; other publications mention 1890) +
25:
18:
1321:describes it as "thoroughly discredited".
1460:Manufacturing companies based in Leipzig
1307:
913:
1247:
1102:"J.G. Schelter&Giesecke / Koralle"
992:"J.G. Schelter&Giesecke type list"
968:
1450:Letterpress font foundries of Germany
7:
1385:
1383:
1332:
1330:
1290:. Ch. Links Verlag. pp. 80–81.
1062:. Blandford Press Lts.: 1953, 1983,
1041:. Blandford Press Lts.: 1953, 1983,
1020:. Blandford Press Lts.: 1953, 1983,
737:Schmale fette Edelgotisch und Zierat
247:(1886) This typeface influenced the
156:International Bartenders Association
1173:Blandford Press Lts.: 1953, 1983,
1152:Blandford Press Lts.: 1953, 1983,
1131:Blandford Press Lts.: 1953, 1983,
1083:Blandford Press Lts.: 1953, 1983,
14:
1387:
1334:
1171:The Encyclopedia of Type Faces.
1150:The Encyclopedia of Type Faces.
1129:The Encyclopedia of Type Faces.
1081:The Encyclopedia of Type Faces.
1060:The Encyclopedia of Type Faces
1039:The Encyclopedia of Type Faces
1018:The Encyclopedia of Type Faces
599:Rosenzierat Serien 534 und 535
517:Moderne enge halbfette Fraktur
447:Kartuschen Einfassung serie 72
1:
743:Schmale fette Schelterantiqua
179:(1883), borders and ornaments
1403:. You can help Knowledge by
1346:. You can help Knowledge by
922:"J.G. Schelter&Giesecke"
807:Shieldface Combinationpieces
733:(1908), a German Romanesque.
611:(1909; others say 1902-1903)
128:Christian Friedrich Giesecke
112:J.G. Schelter & Giesecke
20:J.G. Schelter & Giesecke
813:Silhouette Border Series 63
399:Halbfette Gutenberg-Gotisch
1486:
1382:
1329:
679:(1906) Revived in 2020 by
427:(1883) a black-letter face
318:), a decorated version of
132:German Democratic Republic
1212:Handbuch der Schriftarten
855:, a non-connected script.
653:Salzmannschrift halbfette
629:Kräftige Salzmann Fraktur
415:(1890), a pirate map face
369:(1933), brush-like script
197:Baldur (1895) Revived by
24:
1465:Industrial company stubs
1214:. Leipzig: Seeman. 1926.
751:(1840) Rived in 2020 by
272:Breite Halbfette Grotesk
251:and was a forerunner of
779:(1918) Digitization by
731:Schmale Anker Romanisch
691:Leipziger Lateinschrift
657:schmale Salzmannschrift
485:Leipziger Lateinschrift
401:(1890) The original by
1399:-related article is a
899:
583:, later copied by the
547:Patriz Huber Ornamente
419:Initialen zur Rousseau
159:
1284:Sabine Knopf (2011).
897:
853:Kartenschrift Watteau
835:Walgunde mit Zieraten
563:Reklameschrift Radium
296:F.H. Ernst Schneidler
276:Breite magere Grotesk
153:
1234:Typophile (archived)
763:Schmale Steinschrift
703:(1907) a variant of
693:(1907) a variant of
585:Central Type Foundry
387:Herbert Thannhaueser
363:(1907), handwriting.
890:Press Manufacturing
791:Shakespere Mediäval
685:Schelter Antiqua WF
543:also did a revival.
437:Kalender Vignetten
425:Italian Renaissance
261:Schelter Grotesk NF
183:Akropolis Ornamente
21:
950:Homola, Wolfgang.
900:
809:(1881), ornamental
531:(1896) Revived by
471:Koralle Rounded NF
343:(1905) Revived by
160:
70:Christian Giesecke
38:Aktiengesellschaft
1412:
1411:
1355:
1354:
1297:978-3-86153-634-5
1271:Letters of Credit
839:Eduard Lautenbach
757:Schmale Mediaeval
749:Schmale Medieäval
701:Tauchnitz-Antiqua
449:(1887), ornaments
394:Gutenberg-Gotisch
286:Halbfette Kanzlei
233:face, revived by
221:Biedermeierzierat
154:A poster for the
109:
108:
1477:
1470:Typography stubs
1433:
1426:
1419:
1391:
1384:
1376:
1369:
1362:
1338:
1331:
1322:
1312:
1302:
1301:
1281:
1275:
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1266:
1260:
1259:
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1243:
1241:
1222:
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1215:
1208:
1202:
1188:
1182:
1167:
1161:
1146:
1140:
1125:
1119:
1117:
1115:
1113:
1098:
1092:
1077:
1071:
1056:
1050:
1035:
1029:
1014:
1008:
1007:
1005:
1003:
987:
981:
980:
974:
966:
964:
962:
956:
947:
938:
937:
935:
933:
918:
875:Zierschrift 1400
869:Zierschrift 1328
803:(1881) caps only
725:Schlanke Grotesk
719:Schlanke Grotesk
705:Schelter Antiqua
695:Schelter Antiqua
677:Schelter Antiqua
625:Salzmann Fraktur
615:Salzmann Antiqua
537:Münster Gotische
409:dates from 1880.
249:Bauhaus movement
126:and typefounder
29:
22:
1485:
1484:
1480:
1479:
1478:
1476:
1475:
1474:
1440:
1439:
1438:
1437:
1381:
1380:
1327:
1325:
1313:
1309:
1305:
1298:
1283:
1282:
1278:
1269:Tracy, Walter.
1268:
1267:
1263:
1246:
1239:
1237:
1224:
1223:
1219:
1210:
1209:
1205:
1189:
1185:
1168:
1164:
1147:
1143:
1126:
1122:
1111:
1109:
1100:
1099:
1095:
1078:
1074:
1057:
1053:
1036:
1032:
1015:
1011:
1001:
999:
990:
988:
984:
967:
960:
958:
954:
949:
948:
941:
931:
929:
920:
919:
915:
911:
892:
880:
849:Watteau Schmuck
845:Watteau-Schrift
785:DS-Schulfraktur
713:Schelter Kursiv
649:Salzmannschrift
639:Salzmann Kursiv
529:Münster-Gotisch
413:Hispania Script
263:(2010), and by
171:Accidenz-Zierat
165:
148:
124:Johann Schelter
122:by punchcutter
100:
66:Johann Schelter
17:
12:
11:
5:
1483:
1481:
1473:
1472:
1467:
1462:
1457:
1452:
1442:
1441:
1436:
1435:
1428:
1421:
1413:
1410:
1409:
1392:
1379:
1378:
1371:
1364:
1356:
1353:
1352:
1339:
1324:
1323:
1306:
1304:
1303:
1296:
1276:
1261:
1217:
1203:
1183:
1162:
1141:
1120:
1093:
1072:
1051:
1030:
1009:
982:
939:
912:
910:
907:
891:
888:
879:
878:
872:
866:
856:
842:
832:
822:
816:
810:
804:
798:
788:
766:
760:
753:Ralph M. Unger
746:
740:
734:
728:
722:
716:
710:
709:
708:
698:
674:
671:Jan Tschichold
664:
646:
636:
622:
612:
606:
596:
578:
572:
569:Roland Grotesk
566:
560:
554:
544:
541:Gerhard Helzel
526:
520:
514:
504:
494:
488:
482:
479:Ralph M. Unger
456:
450:
444:
434:
431:Jugend-Fraktur
428:
422:
416:
410:
390:
380:
370:
364:
358:
352:
334:
324:
323:
322:
299:
289:
282:Breite Kanzlei
279:
269:Sagen Grotesk,
245:Breite Grotesk
242:
235:Ralph M. Unger
224:
218:
206:
203:New Baldur APT
192:
186:
180:
174:
167:
147:
144:
107:
106:
101:
98:
95:
94:
85:
81:
80:
77:
73:
72:
63:
59:
58:
55:
51:
50:
45:
41:
40:
35:
31:
30:
15:
13:
10:
9:
6:
4:
3:
2:
1482:
1471:
1468:
1466:
1463:
1461:
1458:
1456:
1453:
1451:
1448:
1447:
1445:
1434:
1429:
1427:
1422:
1420:
1415:
1414:
1408:
1406:
1402:
1398:
1393:
1390:
1386:
1377:
1372:
1370:
1365:
1363:
1358:
1357:
1351:
1349:
1345:
1340:
1337:
1333:
1328:
1320:
1316:
1311:
1308:
1299:
1293:
1289:
1288:
1280:
1277:
1273:. p. 86.
1272:
1265:
1262:
1257:
1251:
1235:
1231:
1227:
1226:Mosley, James
1221:
1218:
1213:
1207:
1204:
1201:
1199:
1198:0-87923-333-8
1195:
1187:
1184:
1180:
1179:0-7137-1347-X
1176:
1172:
1166:
1163:
1159:
1158:0-7137-1347-X
1155:
1151:
1145:
1142:
1138:
1137:0-7137-1347-X
1134:
1130:
1124:
1121:
1107:
1103:
1097:
1094:
1090:
1089:0-7137-1347-X
1086:
1082:
1076:
1073:
1069:
1068:0-7137-1347-X
1065:
1061:
1055:
1052:
1048:
1047:0-7137-1347-X
1044:
1040:
1034:
1031:
1027:
1026:0-7137-1347-X
1023:
1019:
1013:
1010:
997:
993:
986:
983:
978:
972:
953:
946:
944:
940:
927:
923:
917:
914:
908:
906:
903:
896:
889:
887:
885:
876:
873:
870:
867:
864:
860:
857:
854:
850:
846:
843:
840:
836:
833:
830:
826:
823:
820:
817:
814:
811:
808:
805:
802:
799:
796:
792:
789:
786:
782:
778:
777:Schmale fette
774:
770:
769:Schul-Fraktur
767:
764:
761:
758:
754:
750:
747:
744:
741:
738:
735:
732:
729:
726:
723:
720:
717:
714:
711:
706:
702:
699:
696:
692:
689:
688:
686:
682:
678:
675:
672:
668:
665:
662:
658:
654:
650:
647:
644:
640:
637:
634:
630:
626:
623:
620:
616:
613:
610:
607:
604:
600:
597:
594:
590:
586:
582:
579:
576:
575:Roland Kursiv
573:
570:
567:
564:
561:
558:
555:
552:
548:
545:
542:
538:
534:
530:
527:
524:
521:
518:
515:
512:
508:
507:Mimosenzierat
505:
502:
498:
495:
492:
489:
486:
483:
480:
476:
472:
468:
464:
460:
457:
454:
451:
448:
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423:
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417:
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396:
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388:
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378:
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371:
368:
365:
362:
359:
356:
353:
350:
346:
342:
338:
335:
332:
328:
325:
321:
317:
313:
310:
309:
307:
303:
300:
297:
293:
290:
287:
283:
280:
277:
273:
270:
266:
262:
258:
255:. Revived by
254:
250:
246:
243:
240:
236:
232:
228:
225:
222:
219:
216:
212:
211:
207:
204:
200:
199:Alan Prescott
196:
193:
190:
187:
184:
181:
178:
175:
172:
169:
168:
166:
163:
157:
152:
145:
143:
141:
137:
133:
129:
125:
121:
117:
114:was a German
113:
105:
102:
96:
93:
89:
86:
82:
78:
74:
71:
67:
64:
60:
56:
52:
49:
46:
42:
39:
36:
32:
28:
23:
1405:expanding it
1394:
1348:expanding it
1341:
1326:
1319:James Mosley
1315:Walter Tracy
1310:
1286:
1279:
1270:
1264:
1238:. Retrieved
1233:
1220:
1211:
1206:
1191:
1186:
1170:
1165:
1149:
1144:
1128:
1123:
1110:. Retrieved
1105:
1096:
1080:
1075:
1059:
1054:
1038:
1033:
1017:
1012:
1000:. Retrieved
995:
985:
959:. Retrieved
930:. Retrieved
925:
916:
904:
901:
881:
874:
868:
858:
852:
851:(1913), aka
848:
844:
834:
828:
824:
818:
812:
806:
801:Shieldface A
800:
793:(1927–1929,
790:
784:
776:
772:
768:
762:
756:
748:
742:
736:
730:
724:
718:
712:
704:
700:
694:
690:
684:
681:Oliver Weiss
676:
666:
661:Max Salzmann
656:
652:
648:
643:Max Salzmann
638:
633:Max Salzmann
628:
624:
619:Max Salzmann
614:
608:
598:
592:
580:
574:
568:
562:
556:
551:Patriz Huber
546:
536:
528:
522:
516:
506:
499:(1904-1908,
497:Meierschrift
496:
490:
484:
474:
470:
466:
458:
452:
446:
441:Max Salzmann
436:
430:
424:
418:
412:
398:
392:
382:
376:
372:
366:
360:
354:
348:
345:Oliver Weiss
341:Schraffierte
340:
336:
326:
319:
316:Max Salzmann
311:
306:Max Salzmann
301:
298:), ornaments
291:
285:
281:
275:
271:
268:
265:Arve Båtevik
260:
244:
238:
226:
220:
208:
202:
194:
188:
182:
176:
170:
164:
161:
116:type foundry
111:
110:
84:Headquarters
48:Type foundry
34:Company type
1106:Luc Devroye
996:Luc Devroye
926:Luc Devroye
863:Georg Belwe
795:Georg Belwe
609:Rundgotisch
603:Heinz Keune
589:Saint Louis
565:(1904-1906)
511:Heinz Keune
475:Koralle RMU
469:(2012) and
463:Nick Curtis
407:Th. Friebel
377:breite Gnom
331:Albert Knab
327:Edelgotisch
257:Nick Curtis
231:Art Nouveau
215:Georg Belwe
210:Belwe Roman
136:VEB Typoart
104:Georg Belwe
1444:Categories
1397:typography
1240:15 October
961:17 January
909:References
884:sans-serif
829:Titan Gnom
501:C.F. Meier
477:(2018) by
467:Koralle NF
465:based his
433:(ca. 1900)
403:F.W. Bauer
312:Zierdolmen
292:Die Zierde
229:(1904) An
189:Alt Latein
134:, forming
99:Key people
1200:, p. 296.
1112:7 January
1002:7 January
932:7 January
775:(1890) +
771:(1886) +
581:Romanisch
397:(1885) +
349:WF Fafner
253:Helvetica
146:Typefaces
1250:cite web
971:cite web
819:Tauperle
781:Delbanco
593:De Vinne
539:(2009).
239:Borghese
227:Borghese
177:Akantrea
44:Industry
1181:p. 205.
1160:p. 201.
1091:p. 109.
1070:p. 263.
861:(1926,
859:Wieland
837:(1908,
787:(2001).
669:(1931,
659:(1910,
641:(1911,
631:(1911,
617:(1913,
601:(1905,
549:(1906,
533:Paulo W
509:(1909,
461:(1929)
459:Koralle
453:Kolibri
439:(1907,
385:(1935,
383:Gravira
329:(1901,
320:Dolmen.
314:(1922,
304:(1922,
294:(1913,
278:(2015).
241:(2015).
213:(1907,
205:(1996).
191:(1924)
140:Dresden
120:Leipzig
92:Germany
88:Leipzig
76:Defunct
62:Founder
54:Founded
1294:
1196:
1177:
1156:
1139:p. 67.
1135:
1087:
1066:
1049:p. 19.
1045:
1024:
877:(1889)
871:(1889)
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