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Scherzo in F-sharp minor (Shostakovich)

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169:(now the Saint Petersburg Conservatory), when he was aged 13. Multiple dates, however, are recorded: the Scherzo is recorded as being written in 1920 in a compilation of works entitled 'A description of the life of Dmitriy Shostakovich' (1926); another compilation entitled 'List of Shostakovich's works' (1927) dates the Scherzo as 1919–1920; Shostakovich himself cited the Scherzo's date of composition as 1919 in subsequent lists of his works. The musicologist Ol'ga Digonskaya, however, writes that it is most likely that the piece was composed in late 1921 or early 1922 when Shostakovich was almost 15. Following Digonskaya's discovery, this generally remains the accepted date of composition. 291:, which incorporates elements of the flute and pizzicato violin counterpoint idea, and leads back to the scherzo section. Fanning writes that the retransition is "by some distance the most interesting structural initiative in the piece", as it acts as a "climax"—which a listener may have expected during the previous trio section—and a chance to develop thematic and textural ideas. The waltz theme is repeatedly stated in the brass section alongside the original scherzo contrapuntal theme from the opening. A further combination of themes is heard is the final phrase of the piece. 2057: 327:(Op. 69 No. 6). Richard Louis Gillies writes that the Scherzo in F-sharp minor is the first instance of Shostakovich composing in this key, which would go on to be "of particular significance" to the composer; Gillies cites 'The City Sleeps' from 164:
is one of the few surviving examples of Dmitri Shostakovich's early works, along with five of his Eight Preludes for piano. It is commonly dated as being written during the autumn or early winter months of 1919, the composer's first year at the
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school. Fanning writes that the professionalism of the music, particularly its orchestration, is less impressive following the discovery that the piece was written later than previously thought.
1059: 180:, who had taught Shostakovich at the Conservatory and encouraged both academic and aesthetic musical appreciation. Steinberg also assisted Shostakovich with the Scherzo's orchestration. 176:. The third movement—the only surviving movement of the work—was later orchestrated and became the Scherzo in F-sharp minor. Shostakovich dedicated the piece to his composition teacher 1397: 1933: 303:, who described it as "an excellent piece of course work by a talented pupil—no more than that". Malko was not as impressed by the Scherzo as he was by the composer's later 2009: 103:(1906–1975). Shostakovich was a Russian composer and pianist during the Soviet era. It was most likely written in 1921 or 1922 while Shostakovich was studying at the 2037: 1819: 746: 1279: 863: 2085: 2080: 627: 881: 1626: 1502: 314:, although its "flexible phrase structure" does not lend itself to dancing. Fay identifies that the work is stylistically aligned to the legacy of the 1605: 329: 333:
and his Suite in F-sharp minor as two later examples. The British premiere of the Scherzo in F-sharp minor occurred on 17 February 1996 in the
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Shostakovich used the opening theme from the Scherzo in F-sharp minor in the 'Clockwork Doll' movement from his collection of piano pieces
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Digonskaya, Ol'ga (2010). "Mitya Shostakovich's first opus (dating the Scherzo op. 1)". In Fairclough, Pauline (ed.).
115:, the Scherzo was later orchestrated with assistance from Steinberg and became an orchestral work in its own right. 1862: 1333: 823: 673: 650: 111:. The composition is one of the composer's earliest surviving works. Originally written as a single movement of a 1488: 617: 1943: 1523: 1411: 1376: 193: 2024: 1996: 1591: 1563: 1383: 1250: 979: 723: 315: 139: 1951: 1873: 1856: 1612: 1509: 1460: 1326: 338: 323: 148: 119: 104: 58: 2043: 2029: 1481: 1301: 922: 789: 622: 299:
In late 1921 or early 1922, Shostakovich played the Scherzo in F-sharp minor on piano for the conductor
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Scherzo in F-sharp minor is written for an orchestra similar in size and composition to those used by
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Fanning, David (2013). "Paths to the First Symphony". In Fairclough, Pauline; Fanning, David (eds.).
287:, beginning in the strings and repeated in the woodwinds and french horns. The trio is followed by a 177: 108: 68: 310:
Laurel Fay and David Fanning describe the composition as resembling ballet music of Tchaikovsky and
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In his first or second year at the Conservatory, Shostakovich began composing a Piano Sonata in
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was used by Shostakovich in the 'Clockwork Doll' movement from his collection of piano pieces,
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which leads back to the scherzo theme. The piece has been described as aligning with the
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section which introduces a main flute theme and a contrapuntal line played on
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writes is stylistically reminiscent of Steinberg. The piece begins with a
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violins. This counterpoint idea is repeated in varying forms—including
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Saint Petersburg Academic Philharmonia Named After D. D. Shostakovich
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Dmitri Shostakovich : A Catalogue, Bibliography, and Discography
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Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985
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The themes introduced in the Scherzo are structured and handled
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The British premiere of the composition was played by the
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International Shostakovich Chamber Music Competition
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Twentieth Century-Fox 818:Shostakovich : a Life Remembered 586: 406: 7: 904:Lady Macbeth of the Mtsensk District 741:Fay, Laurel; Fanning, David (2001). 630:from the original on 18 January 2019 142:school. A theme from the Scherzo in 2086:Compositions for symphony orchestra 2081:Compositions by Dmitri Shostakovich 743:Shostakovich, Dmitry (Dmitriyevich) 515: 1578:The Sun Shines Over Our Motherland 14: 1291:Suite for Variety Orchestra No. 1 795:(Third ed.). United States: 2056: 2055: 1634:Four Verses of Captain Lebyadkin 1919:Dmitri Shostakovich-class ferry 762:Gillies, Richard Louis (2021). 1620:Six Poems by Marina Tsvetayeva 1285:Suite for Jazz Orchestra No. 2 1280:Suite for Jazz Orchestra No. 1 1: 1939:London Shostakovich Orchestra 1868:Piano Sonata No. 2 in B minor 1599:The Execution of Stepan Razin 691:Fairclough, Pauline (2019). 616:Cunningham, Carl R. (2018). 345:. It was first broadcast on 1815:Piano Trio No. 2 in E minor 1810:Piano Trio No. 1 in C minor 1503:The Unforgettable Year 1919 1352:March of the Soviet Militia 337:, London, performed by the 2107: 824:Princeton University Press 814:Wilson, Elizabeth (1994). 719:Shostakovich : A Life 674:Cambridge University Press 651:Cambridge University Press 196:. The piece is scored for 126:in 1996. It consists of a 2052: 879: 822:. Princeton, New Jersey: 349:in May of the same year. 279:. The music here is in a 28: 1805:Piano Quintet in G minor 787:Hulme, Derek C. (2002). 93:Scherzo in F-sharp minor 24:Scherzo in F-sharp minor 1997:Muddle Instead of Music 1800:Cello Sonata in D minor 1592:From Jewish Folk Poetry 1564:Suite on Finnish Themes 724:Oxford University Press 716:Fay, Laurel E. (2000). 1952:Shostakovich Peninsula 1912:Named for Shostakovich 1880:24 Preludes and Fugues 1857:Three Fantastic Dances 1517:Five Days, Five Nights 646:Shostakovich Studies 2 575:Fay & Fanning 2001 339:BBC Symphony Orchestra 167:Petrograd Conservatory 120:BBC Symphony Orchestra 105:Petrograd Conservatory 59:Petrograd Conservatory 2044:Wihuri Sibelius Prize 1820:Quartet Movement in E 1304:Encounter at the Elbe 623:University of Houston 1957:Shostakovich Quartet 955:Moscow, Cheryomushki 889:Operas and operettas 882:List of compositions 770:Taylor & Francis 295:Reception and legacy 178:Maximilian Steinberg 109:Maximilian Steinberg 69:Maximilian Steinberg 1896:Galina Shostakovich 1874:Children's Notebook 1585:Antiformalist Rayok 1571:Song of the Forests 1482:Meeting on the Elbe 1419:The Return of Maxim 873:Dmitri Shostakovich 797:The Scarecrow Press 694:Dmitry Shostakovich 335:Royal Festival Hall 324:Children's Notebook 149:Children's Notebook 101:Dmitri Shostakovich 31:Dmitri Shostakovich 1902:Maxim Shostakovich 1489:The Fall of Berlin 1405:The Youth of Maxim 1344:Concert/brass band 1065:American premieres 1060:Leningrad première 908:Katerina Izmailova 768:. 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United Kingdom: 200:, two flutes, two 2068: 2067: 2003:The Noise of Time 1929:2669 Shostakovich 1844: 1843: 1783:No. 16 in B major 1734:No. 11 in F minor 1524:Sofiya Perovskaya 1440:The Great Citizen 1261:The Limpid Stream 1224: 1223: 1134:No. 15 in A major 1129:No. 14 in G minor 1103:No. 12 in D minor 1093:No. 11 in G minor 1088:No. 10 in E minor 987:The Limpid Stream 931:The Twelve Chairs 915:The Big Lightning 779:978-1-000-48305-5 733:978-0-19-518251-4 708:978-1-78914-190-0 683:978-0-521-60315-7 660:978-0-521-11118-8 373:, pp. 32–33. 90: 89: 2098: 2059: 2058: 1966:Related articles 1826:major (c. 1960s) 1825: 1824: 1777: 1776: 1766: 1765: 1755: 1754: 1744: 1743: 1728: 1727: 1717: 1716: 1707:No. 8 in C minor 1701: 1700: 1691:No. 6 in G major 1685: 1684: 1675:No. 4 in D major 1670:No. 3 in F major 1665:No. 2 in A major 1660:No. 1 in C major 1648: 1384:Golden Mountains 1297:Festive Overture 1287:(orch. 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Index

Dmitri Shostakovich
Opus
Petrograd Conservatory
Maximilian Steinberg
Op.
Dmitri Shostakovich
Petrograd Conservatory
Maximilian Steinberg
piano sonata
BBC Symphony Orchestra
Mark Elder
scherzo
trio
retransition
Rimsky-Korsakov
F-sharp minor
Children's Notebook
F-sharp minor
Petrograd Conservatory
B minor
Maximilian Steinberg
Brahms
Tchaikovsky
piccolo
oboes
A clarinets
bassoons
horns
trumpets
trombones

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