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the sides and depths of which were impenetrable to my sight. This well-preserved building stood as empty as it was lonely : no castellan, no huntsman, was to be found. I sat before the great glass doors upon the steps which run around the whole terrace. Here, surrounded by mountains, over a forest-grown, dark soil, which seemed yet darker in contrast with the clear horizon of a summer night, with the glowing, starry vault above me, I sat for a long time by myself on the deserted spot, and thought I never had felt such a solitude. How sweetly, then, was I surprised by the distant sound of a couple of French horns, which at once, like the fragrance of balsam, enlivened the peaceful atmosphere. Then there awakened within me the image of a lovely being, which had retired into the background before the motley objects of these travelling-days, but which now unveiled itself more and more, and drove me from the spot back to my quarters, where I made preparations to set off as early as possible.
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thicket; so now the spark-spitting forges played their sprightly firework towards us. We passed, in the depth of night, the smelting-houses situated in the bottom of the valley, and were delighted with the strange half -gloom of these dens of plank, which are but dimly lighted by a little opening in the glowing furnace. The noise of the water, and of the bellows driven by it; the fearful whizzing and shrieking of the blast of air, which, raging into the smelted ore, stuns the hearing and confuses the senses, — drove us away, at last, to turn into
Neukirch, which is built up against the mountain.
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But, notwithstanding all the variety and fatigue of the day, I could find no rest here. I left my friend to a happy sleep, and sought the hunting-seat, which lay still farther up. It looks out far over mountain and wood, the outlines of which were only to be recognized against the clear nightsky, but
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Nevertheless, some pleasant adventures, and a surprising firework at nightfall, not far from
Neukirch, interested us young fellows almost more than these important experiences. For as a few nights before, on the banks of the Saar, shining clouds of glow-worms hovered around us, betwixt rock and
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Today, only some fragments of the palace and the gardens are preserved. They are located in the city centre of
Neunkirchen, in the area of the Schlossstrasse, Seilerstrasse, and Kochgasse. Some of the remains are integrated in modern buildings, such as an Irish pub and a residential house. The
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During the French revolutionary wars, the principality was occupied by France. In 1792, Schloss Jägersberg served as a last refuge for the princely family for a period of a half year. The palace was plundered and set on fire by French troops in May 1793, when prince Louis already left for
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decided to create a new hunting lodge, Schloss Jägersberg. He engaged
Friedrich Joachim Stengel as architect. The first plans probably existed as early as 1749. The final design was made in 1752, and construction started in 1753. Building works continued at least until 1765.
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style, which extended to the Blies river. The old castle was partially demolished to create a grand entrance to the new palace, and the remaining part was turned into stables.
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in the Loire valley. Schloss Jägersberg remained in ruins until 1822. After its gradual decay, it was demolished. The grounds were parcelled out and partially built over.
146:, where the entire administration of the principality was located at that time. Nothing is known about the craftsmen and artists involved in the construction work either.
448:
Schneider, Reinhard (2005). "Ein Saarländisch
Sanssouci – Das untergegangene neue Schloss in Neunkirchen". In Dittscheid, Hans-Christoph; Güthlein, Klaus (eds.).
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Schneider, Reinhard (2005). "Ein Saarländisch
Sanssouci – Das untergegangene neue Schloss in Neunkirchen". In Dittscheid, Hans-Christoph; Güthlein, Klaus (eds.).
189:, wanted to purchase the ruins and restore the baroque palace. However, he was unable to realized these plans. It is said that he partially rented afterwards the
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Die
Architektenfamilie Stengel: Friedrich Joachim (1694 – 1787), Johann Friedrich (Fjodor Fjodorowitsch, 1746 – 1830?), Balthasar Wilhelm (1748 – 1824)
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Die
Architektenfamilie Stengel: Friedrich Joachim (1694 – 1787), Johann Friedrich (Fjodor Fjodorowitsch, 1746 – 1830?), Balthasar Wilhelm (1748 – 1824)
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All documents, invoices, plans, designs and plans relating the construction are considered lost. Probably, they were destroyed during the 1793 fire of
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The palace was designed in a half-moon shape, with a two-storey main building and a five-axial central projection. The palace had a terraced garden in
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constructed the first castle in
Neunkirchen: a quadrangular building with a tower on each corner. It was primarily used as a hunting lodge.
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in 1752, it was destroyed between 1793 and 1822. Except some small remains, nothing remembers anymore of the palace and its garden.
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556:"Decorative plate - Jägersberg Castle, Neunkirchen (Gift to Erich Honecker on the occasion of his visit to West Germany)"
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Schloss
Karlsberg : Legende und Wirklichkeit : die Wittelsbacher Schlossbauten im Herzogtum Pfalz-Zweibrücken
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The palace was primarily used for hunting and festivities, such as the six-day party in honor of the wedding of Prince
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The old renaissance castle of Neunkirchen, which was partially demolished in order to construct Jägersberg palace
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Schneider, Ralf (1993). "Barockschloss Jägersberg". In Conrad, Joachim; Flesch, Stefan (eds.).
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Schneider, Ralf (1993). "Barockschloss Jägersberg". In Conrad, Joachim; Flesch, Stefan (eds.).
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Plan from 1797 showing the location of Jägersberg palace and its gardens within Neunkirchen
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fragments are protected as cultural heritage monuments by the state of Saarland.
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visited Jägersberg palace. He writes about his visit to Neunkirchen in his book
433:(in German). Saarbrücken: SDV Saarbrücker Druckerei und Verlag. p. 114.
377:(in German). Saarbrücken: SDV Saarbrücker Druckerei und Verlag. p. 114.
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Heinz, Dieter (1954). "Die Rekonstruktion des Neunkircher Barockschlosses".
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105:. It served as a hunting lodge and summer palace for the princes of
475:(in German). Neunkirchen: Historischer Verein Stadt Neunkirchen e.V
268:(in German). Neunkirchen: Historischer Verein Stadt Neunkirchen e.V
452:(in German). Petersberg: Michael Imhof verlag. pp. 123–154.
345:(in German). Petersberg: Michael Imhof verlag. pp. 123–154.
414:(in German). Homburg (Pfalz): Ermer Verlag. pp. 87–89.
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405:(in German). Saarbrücken: Ost-West. pp. 176–186.
517:"Website Historischer Verein Stadt Neunkirchen e.V."
587:Buildings and structures in Neunkirchen, Saarland
607:Demolished buildings and structures in Germany
121:In the second half of the sixteenth century,
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129:William Henry, Prince of Nassau-Saarbrücken
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469:"Die beiden Neunkircher Schlösser"
262:"Die beiden Neunkircher Schlösser"
62:Prince Louis of Nassau-Saarbrücken
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488:Meiser, Gerd (30 December 2015).
431:Burgen und Schlösser an der Saar
375:Burgen und Schlösser an der Saar
16:Palace in Neunkirchen, Germany
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403:Festschrift für Karl Lohmeyer
536:"Barockschloss Neunkirchen"
307:"Barockschloss Neunkirchen"
153:and Princess Wilhelmine of
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540:www.neunkirchen.de
467:Schlicker, Armin.
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260:Schlicker, Armin.
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95:Neunkirchen
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581:Categories
560:www.dhm.de
229:References
205:In 1770,
164:‹See Tfd›
72:‹See Tfd›
99:Saarland
86:) was a
117:History
103:Germany
91:Schloss
88:baroque
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