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306:, where he depicted delta marshes, gravel paths, cypress brakes used in duck hunting, weather-beaten and abandoned houses, sharecroppers’ cabins and more. He set his portraiture and genre scenes in these same locations. Stuart did not receive as much acclaim as Scott, but was instrumental in managing both of their artistic careers through his vast social network. The brothers rekindled their love for birds and Audubon as adults, and Stuart was the driving force behind publishing and marketing their work in
286:, and attracted over 5,000 attendees in a single month - a gallery record. Though Scott saw early success in his career, much to his chagrin, he was often labeled a “realist” and compared with Andrew Wyeth. In interviews he would clarify that he preferred to classify his work as “representational” and that the moods of his paintings, where he aimed to capture compassion and humor, were “entirely different” from Wyeth's.
186:, and moved to Fort Worth, Texas, at the age of five with his family. His mother, Barbara Johnson, was a trained social worker and his father, Dr. Allen Gentling worked as the Head of Anesthesiology at Harris Methodist Hospital. The twins grew up with an older brother, Peter, and younger sister, Suzanne. After Scott's death, Suzanne was crucially involved in preserving the twins’ works and documents.
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Scott transferred to PAFA in the fall of 1962, while Stuart remained at Tulane. This brief time apart during their college years was challenging for the inseparable twins, but gave them the opportunity to pursue their interests and study under their respective stylistic role models. Scott trained in
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Scott lived a fairly ascetic life, engrossed in his artwork until his death. He left the responsibility of promoting artwork and managing their business to Stuart. He became more of a recluse after Stuart's death in 2006. Scott died a few weeks after suffering from a series of strokes shortly after
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Gentling continued to pursue sculpture and model making through his fascination for Aztec history and culture; he combined his skills and scholarly research to produce drawings and models of cities and temples, which, as artistic interpretations, have been displayed at museums across the country,
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Scott had a keen artistic eye as a child, and was often seen drawing things that intrigued him. The intellectual introvert demonstrated exceptional precision and attention to detail through his interest in making models of trains, ships, cityscapes and more; his fascination for miniaturization
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Upon returning to Fort Worth from PAFA, Scott concentrated on landscapes, portraits and still lifes. He and Stuart often made road trips to the countryside and rural areas in search of inspiration. Scott's first solo exhibition was held in 1966, at the
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Recognizing the need to develop his own signature style, Gentling focused his work on life in the South, and captured the struggle “between the land and man”. Many of his landscape paintings were rooted in
198:. He initially considered a career in architecture, but by the time he graduated from Fort Worth's Arlington Heights High School, he had decided he wanted to be a professional artist.
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As Scott's talent for portraiture also gained popularity, he was inundated with requests for commissions. Among the many portraits he has completed throughout his career are those of
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154:, he often rejected the term, and preferred to describe his work as representational. He was also known for his artistic collaborations with his fraternal twin,
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Neither twin strived for national-level acclaim; they mostly directed their attention to their local patrons. Though Scott was invited to join a gallery in
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336:. The brothers were avid collectors of various curios, and enjoyed creating still lifes of them. Scott painted 18th century costumes, musical instruments,
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Passionate and well-read about a wide range of subjects, both twins were considered “boy geniuses”. As children, they enjoyed copying bird paintings of
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in the early 1970s, he declined the offer as he did not care much for the dominating New York art scene and preferred to work in Texas.
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along with Stuart; but, dissatisfied with the part-time format of their art program, he began researching full-time art schools.
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in his second year at PAFA, he found himself drawn to drybrush watercolor, abandoning etching. Scott pursued themes of
237:. Impressed with Scott's paintings, Stuempfig urged PAFA to invite Scott to attend their institution.
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etching and printmaking with Morris
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in his work much like his mentors and idols, such as John McCoy, John
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146:(December 31, 1942 – February 8, 2011) was an American visual artist based in
506:. Vol. 12. Stephenville, TX: Tarleton State University. pp. 66–96.
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temples and cities in his adulthood, some of which are now housed at the
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518:"Stuart and Scott Gentling – U.S. Department of State"
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including the
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472:Gentling, Stuart; Gentling, Scott (2001-11-15).
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690:Pennsylvania Academy of the Fine Arts alumni
562:"Works – Scott Gentling – Artists – eMuseum"
352:(LACMA). His work can be found today at the
328:(newspaper publisher and oil investor), and
432:Imagined Realism: Scott and Stuart Gentling
430:Amon Carter Museum of American Art (2021).
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502:Phillips, Atlee Marie (2015–2016).
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610:"OJAC Collection - Scott Gentling"
354:Amon Carter Museum of American Art
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196:Houston Museum of Natural Science
700:People from Rochester, Minnesota
350:Los Angeles County Museum of Art
346:Denver Museum of Natural History
645:20th-century American sculptors
434:. : University of Texas Press.
358:Modern Art Museum of Fort Worth
695:Artists from Fort Worth, Texas
640:20th-century American painters
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478:. University of Texas Press.
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670:American portrait painters
340:pottery, and more.
320:(then Governor of Texas),
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715:Tulane University alumni
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566:collection.themodern.org
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162:and the murals at the
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164:Bass Performance Hall
710:Sculptors from Texas
655:American draughtsmen
542:www.cartermuseum.org
334:Ludwig van Beethoven
280:Valley House Gallery
184:Rochester, Minnesota
36:Rochester, Minnesota
685:Painters from Texas
376:his 69th birthday.
308:Of Birds and Texas.
223:Emily Guthrie Smith
160:Of Birds and Texas,
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255:Thomas Hart Benton
207:Of Birds and Texas
203:John James Audubon
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324:(primatologist),
219:Tulane University
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32:December 31, 1942
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338:Mesoamerican
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132:Jane Goodall
124:Trammel Crow
725:2011 deaths
720:1942 births
251:regionalism
229:, from the
120:Edward Bass
93:Regionalism
83:Visual arts
57:Nationality
634:Categories
619:2021-09-24
595:2021-09-24
571:2021-09-24
547:2021-09-24
523:2021-09-24
450:1243263727
380:References
348:, and the
300:East Texas
170:Early life
304:Louisiana
213:Education
115:Patron(s)
105:(brother)
65:Education
370:New York
89:Movement
60:American
273:Ă€ Marat
178:Vespers
152:realism
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265:Career
257:, and
99:Family
192:Aztec
480:ISBN
446:OCLC
436:ISBN
302:and
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