Alexander Scriabin

156: 553: 656: 1885: 1104:, and their spiritual ideas. Russian cosmism is an action-oriented tradition that aims to unite humanity through various means, from technology to spirituality, in a cosmic mission of active evolution and transformation. Scriabin's unique contribution to Russian cosmism was "the centrality of music’s role in his philosophy", believing in music's transformative power to achieve cosmist goals. This contrasts with other cosmists, who focused more on religious, scientific, or technological means. Scriabin's philosophy integrates music and spirituality, seeing them as interconnected pathways to mystical union. 1811: 886: 834: 968: 1627: 696: 1365:. Sofronitsky never met Scriabin, as his parents forbade him to attend a concert due to illness. Sofronitsky said he never forgave them, but he married Scriabin's daughter Elena. According to Horowitz, when he played for Scriabin as an 11-year-old, Scriabin responded enthusiastically and encouraged him to pursue a full musical and artistic education. When Rachmaninoff performed Scriabin's music, Scriabin criticized his pianism and his admirers as earthbound. 913:. During this period, Scriabin's music becomes more chromatic and dissonant, yet still mostly adheres to functional tonality. As dominant chords are more and more extended, they gradually lose their tensive function. Scriabin wanted his music to have a radiant, shining feeling, and attempted this by raising the number of chord tones. During this time, complex forms like the mystic chord are hinted at, but still show their roots in Chopinesque harmony. 648:. Scriabin's doctor remarked that the sore looked "like purple fire". His temperature shot up to 41 °C (106 °F) and he was now bedridden. Incisions were made on 12 April, but the sore had already begun to poison his blood, and he became delirious. Bowers writes: "Intractably and inexplicably, a simple spot had grown into a terminal ailment." On 14 April 1915, at age 43 and at the height of his career, Scriabin died in his Moscow apartment of 5987: 5533: 4528: 682: 392: 5997: 5543: 1029:. Though Scriabin has commonly been associated with theosophy, "The extent to which Scriabin seriously studied Theosophy ... is debatable, but nevertheless these associations earned him significant press coverage." Even Scriabin's brother-in-law, Boris de Schlözer, said that despite Scriabin's general interest in theosophy, he never took it seriously and was even disappointed by certain aspects of it. 76: 1330: 6104: 1165: 6276: 6231: 1096:'s ideas, Russian cosmism sought to unite humanity in a cosmic evolution, integrating spirituality and technology. Such cosmist ideas were hugely popular in Russia, and as a child of his age, Scriabin "demonstrates a creative adaptation of ideas typical of late imperial Russia" and emphasizes "concepts that corresponded to his intellectual contemporaries' preoccupation with 282: 6259: 6219: 928:

important to accumulate high tones. To make it shining, conveying the idea of light, a greater number of tones had to be raised in the chord. And, therefore, I raise the tones: At first I take the shining major third, then I also raise the fifth, and the eleventh—thus forming my chord—which is raised completely and, therefore, really shining.

1272:. It was played like a piano, but projected coloured light on a screen in the concert hall rather than sound. Most performances of the piece (including the premiere) have omitted this light element, although a performance in New York City in 1915 projected colours onto a screen. It has been erroneously claimed that this performance used the 3252:, Vol. 34, Issue 4, pp. 357–362: "authors conclude that the nature of Scriabin's 'color-tonal' analogies was associative, i.e. psychological; accordingly, the existing belief that Scriabin was a distinctive, unique 'synesthete' who really saw the sounds of music—that is, literally had an ability for 'co-sensations'—is placed in doubt." 1849:. Rimma died of intestinal issues in 1905 at age seven. Marina became an actress at the Second Moscow Art Theatre and the wife of director Vladimir Tatarinov. Lev also died at age seven, in 1910. At this point, relations with Scriabin's first wife had significantly deteriorated, and Scriabin did not meet her at the funeral. 6207: 479:). In August 1897, Scriabin married the pianist Vera Ivanovna Isakovich, and then toured in Russia and abroad, culminating in a successful 1898 concert in Paris. That year he became a teacher at the Moscow Conservatory and began to establish his reputation as a composer. During this period he composed his cycle of 1834:, whose birth name was Vyacheslav Skryabin. In his memoirs published by Felix Chuyev under the Russian title "Молотов, Полудержавный властелин", Molotov explains that his brother Nikolay Skryabin, who was also a composer, had adopted the name Nikolay Nolinsky in order not to be confused with Alexander Scriabin. 1345:

of Leipzig. The Welte rolls were recorded in February 1910 in Moscow, and have been replayed and published on CD. Those recorded for Hupfeld include the Sonatas Nos. 2 and 3 (Opp. 19 and 23). While this indirect evidence of Scriabin's pianism prompted a mixed critical reception, close analysis of the

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Scriabin returned triumphantly to his Moscow apartment on 4 April. He noticed a resurgence of a little pimple on his right upper lip. He had mentioned the pimple as early as 1914 while in London. His temperature rose, and he took to bed and cancelled his Moscow concert for 11 April. The pimple became

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The main sources of Scriabin's philosophy can be found in his notebooks, published posthumously. These writings are infamous for containing the declaration, "I am God." This phrase, often wrongly attributed to a megalomaniac personality by those unfamiliar with mysticism, is in fact a declaration of

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By 13 March 1904, Scriabin and his wife had relocated to Geneva, Switzerland. While living here, Scriabin separated legally from his wife, with whom he had had four children. He also began working on his Symphony No. 3 here. The work was performed in Paris during 1905, where Scriabin was accompanied

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Apparently precocious, Scriabin began building pianos after becoming fascinated with piano mechanisms. He sometimes gave houseguests pianos he had built. Lyubov portrays Scriabin as very shy and unsociable with his peers, but appreciative of adult attention. According to one anecdote, Scriabin tried

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Scriabin's funeral, on 16 April 1915, was attended by so many people that tickets had to be issued. Rachmaninoff, a pallbearer, subsequently embarked on a grand tour of Russia, performing only Scriabin's music for the family's benefit. It was the first time Rachmaninoff had publicly performed piano

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Scriabin gave his last concert on 2 April 1915 in Saint Petersburg, performing a large programme of his own works. He received rave reviews from music critics, who called his playing "most inspiring and affecting", and wrote, "his eyes flashed fire and his face radiated happiness". Scriabin himself

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According to Claude Herndon, in Scriabin's late music "tonality has been attenuated to the point of virtual extinction, although dominant sevenths, which are among the strongest indicators of tonality, preponderate. The progression of their roots in minor thirds or diminished fifths dissipate the

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With a wealthy sponsor's financial assistance, Scriabin spent several years travelling in Switzerland, Italy, France, Belgium and the United States, working on more orchestral pieces, including several symphonies. He also began to compose "poems" for the piano, a form with which he is particularly

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In 1892 he graduated with the Little Gold Medal in piano performance, but did not complete a composition degree because of strong personality and musical differences with Arensky (whose faculty signature is the only one absent from Scriabin's graduation certificate) and an unwillingness to compose

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Rachmaninoff recorded a conversation he had had with Scriabin and Rimsky-Korsakov about Scriabin's association of colour and music. Rachmaninoff was surprised to find that Rimsky-Korsakov agreed with Scriabin about associations of musical keys with colors; himself skeptical, Rachmaninoff made the

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Varvara Dernova writes, "The tonic continued to exist, and, if necessary, the composer could employ it . . . but in the great majority of cases, he preferred the concept of a tonic in distant perspective, so to speak, rather than the actually sounding tonic . . . The relationship of the tonic and

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At first, the added dissonances resolve conventionally according to voice leading, but the focus slowly shifts to a system in which chord coloring is most important. Later on, fewer dissonances in the dominant chords are resolved. According to Sabbagh, "the dissonances are frozen, solidified in a

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I decided that the more higher tones there are in harmony, it would turn out to be more radiant, sharper and more brilliant. But it was necessary to organize the notes giving them a logical arrangement. Therefore, I took the usual thirteenth-chord, which is arranged in thirds. But it is not that

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In 1882, Scriabin enlisted in the Second Moscow Cadet Corps. As a student, he became friends with the actor Leonid Limontov, who in his memoirs recalls his reluctance to become friends with Scriabin, who was the smallest and weakest among all the boys and sometimes teased due to his stature. But

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for humanity. His music, embodying flight and space exploration themes, aligns with cosmist beliefs in humanity's cosmic destiny. His philosophical ideas, particularly his declarations of being God and ideas about unity and multiplicity, should be understood within the mystical context of early

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praised Scriabin's thematic material as "truly individual, truly inspired", but criticized Scriabin for putting "this really new body of feeling into the strait-jacket of the old classical sonata-form, recapitulation and all", calling this "one of the most extraordinary mistakes in all music."

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during his later years. Alexander's father left the infant Sasha (as he was known) with his grandmother, great-aunt, and aunt. Scriabin's father later remarried, giving Scriabin a number of half-brothers and sisters. His aunt Lyubov (his father's unmarried sister) was an amateur pianist who

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Though Scriabin's late works are often considered to be influenced by synesthesia, an involuntary condition wherein one experiences sensation in one sense in response to stimulus in another, it is doubted that Scriabin actually experienced this. His colour system, unlike most synesthetic

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obvious objection that the two composers did not always agree on the colours involved. Both maintained that D major is golden-brown, but Scriabin linked E-flat major with red-purple, while Rimsky-Korsakov favored blue. Rimsky-Korsakov protested that a passage in Rachmaninoff's opera

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Scriabin's early harmonic language was especially fond of the 13th dominant chord, usually with the 7th, 3rd, and 13th spelled in fourths. This voicing can also be seen in several of Chopin's works. According to Peter Sabbagh, this voicing was the main generating source of the later

1904:(Stern Gang), undertaking special operations for the militant group, and she was imprisoned in 1947 for launching a terrorist letter bomb campaign against British targets and planting explosives on British ships that had been trying to prevent Jewish immigrants from travelling to 870:. But despite these tendencies, slightly more dissonant than usual for the time, all these dominant chords were treated according to the traditional rules: the added tones resolved to the corresponding adjacent notes, and the whole chord was treated as a dominant, fitting inside 1232:

accorded with their claim: the scene in which the Old Baron opens treasure chests to reveal gold and jewels glittering in torchlight is in D major. Scriabin told Rachmaninoff, "your intuition has unconsciously followed the laws whose very existence you have tried to deny."

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and designed by Richard N. Gould, who projected the colors into the auditorium reflected by Mylar vests worn by the audience. The Yale Symphony repeated the presentation in 1971 and brought the work to Paris that year for what was perhaps its Paris premiere at the

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According to later reports, between 1901 and 1903 Scriabin envisioned writing an opera. He expounded its ideas in the course of normal conversation. The work would center around a nameless hero, a philosopher-musician-poet. Among other things, he would declare:

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formal tensions are created by the absence of harmonic contrast and "between the cumulative momentum of the music, usually achieved by textural rather than harmonic means, and the formal constraints of the tripartite mould". He also argues that the

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Rather than seeking musical versatility, Scriabin was happy to write almost exclusively for solo piano and for orchestra. His earliest piano pieces resemble Chopin's and include music in many genres that Chopin employed, such as the

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to conduct an orchestra composed of local children, an attempt that ended in frustration and tears. He performed his own plays and operas with puppets to willing audiences. He studied the piano from an early age, taking lessons with

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represents the culmination of his mystico-philosophical worldview. Scriabin "came to believe that he had a mission to regenerate mankind through art. This goal was to be achieved by means of a work which he referred to as the

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dominant functions in Scriabin's work is changed radically; for the dominant actually appears and has a varied structure, while the tonic exists only as if in the imagination of the composer, the performer, and the listener."

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Scriabin won his peers' approval at a concert where he performed on the piano. He ranked generally first in his class academically, but was exempt from drilling due to his physique and given time each day to practice piano.

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tonality with the same tonic, such as C minor and C major. Indeed, influenced by theosophy, he developed his system of synesthesia toward what would have been a pioneering multimedia performance: his unrealized magnum opus

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and was responsible for communications between the command in Toulouse and the partisan forces in the Tarn district and for taking weapons to the partisans, which resulted in her death when she was ambushed by the

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and eventually was given theoretical explication by the composer. Roslavets was not alone in his innovative extension of Scriabin's musical language, as quite a few Soviet composers and pianists, such as Feinberg,

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In 1909, Scriabin permanently returned to Russia, where he continued to compose, working on increasingly grandiose projects. For some time before his death he had planned a multimedia work, to be performed in the

1076:, the bedrock of Russian mysticism, is another contributing factor to Scriabin's declaration "I am God": if everything is interconnected and everything is God, then I, too, am God, as much as anything else. 1152:, which was to last seven days, would involve all means of expression and all of humanity, and would transform the world." Ideas of unity, transcendence, the synthesis of arts, and transformation pervade 662:—Traduction française de Joseph Belleau—Imprimé par Alexandre Scriabine—Don fait par la veuve du pianiste canadien et proche ami de Scriabine Alfred LaLiberté au grand pianiste canadien Marc-André Hamelin 1927:, while her son Joseph (Yossi, born 1943) served in the Israeli special forces, before becoming a poet, publishing many poems dedicated to his mother. One of her great-grandsons, via Betty Knut-Lazarus, 1708: 1049:

extreme humility in both Eastern and Western mysticism. In these traditions, the individual ego is so fully eradicated that only God remains. Different traditions have used different terms (e.g.,

264:, "No one was more famous during their lifetime, and few were more quickly ignored after death." Nevertheless, his musical aesthetics have been reevaluated since the 1970s, and his ten published 372:

documented Sasha's early life until he met his first wife. As a child, Scriabin was frequently exposed to piano playing; anecdotal references describe him demanding that his aunt play for him.

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Ariadna's daughter (by her first marriage to French composer David Lazarus), Betty (Elizabeth) Knut-Lazarus, became a famous teenage heroine of the French Resistance, personally winning the

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On 22 November 1969, the work was fully realized, making use of the composer's color score as well as newly developed laser technology on loan from Yale's Physics Department, by

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at the piano. Nemtin eventually completed a second portion ("Mankind") and a third ("Transfiguration"), and Ashkenazy recorded his entire two-and-a-half-hour completion with the

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was to be a weeklong performance including music, scent, dance, and light in the foothills of the Himalayas that was somehow to bring about the world's dissolution in bliss.

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described Scriabin's music as "a sincere expression of genius." Scriabin's oeuvre exerted a salient influence on the music world over time, and inspired composers such as

3226:: "In fact, there is considerable doubt about the legitimacy of Scriabin's claim, or rather the claims made on his behalf, as we shall discuss in Chapter 5." (pp. 31–32). 1346:

recordings within the context of the limitations of the particular piano roll technology can shed light on the free style he favoured for his own works, characterized by

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Scriabin used poetry to express his philosophical notions, and he communicated much of his philosophical thought through his music, the most prominent examples being

747: 451:, as a "cry against God, against fate." It was the third sonata he wrote, but the first to which he gave an opus number (his second was condensed and released as the 2215: 1707: 6371: 984:

In former times the chords were arranged by thirds or, which is the same, by sixths. But I decided to construct them by fourths or, which is the same, by fifths.

1784:, who compiled a catalogue of Scriabin's piano music in 1927, was championing his music in recitals and regarded him as "the greatest composer since Beethoven". 1280:; in fact, it was a novel construction supervised personally and built in New York specifically for the performance by Preston S. Miller, the president of the 6351: 6336: 4400: 4395: 4383: 4378: 4373: 4156: 5579: 4531: 2085:, which was also the most popular spelling used in English-language publications during his lifetime. First editions of his works used the Romanizations " 806:. Many passages in them can be said to be tonally vague, though from 1903 through 1908, "tonal unity was almost imperceptibly replaced by harmonic unity." 676: 4174: 1744:, unlike Prokofiev's and Stravinsky's, is often seen as a direct extension of Scriabin's. But unlike Scriabin's, Roslavets' music was not explained with 672: 142: 6431: 6406: 6326: 6311: 4086: 889:

Examples of enhanced dominant chords in Scriabin's early work. Extracted from the Mazurkas Op. 3 (1888–1890): No. 1, mm. 19–20, 68; No. 4, mm. 65–67.

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Scriabin wrote only a small number of orchestral works, but they are among his most famous, and some are performed frequently. They include a

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According to Samson, while the sonata form of Scriabin's Sonata No. 5 has some meaning to the work's tonal structure, in his Sonatas Nos.

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For five years, Scriabin was based in Moscow, during which time his old teacher Safonov conducted the first two of Scriabin's symphonies.

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Zverev's students in the late 1880s. Scriabin, with military attire, is second from the left. Rachmaninoff is the fourth from the right.

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Scriabin had seven children in total: from his first marriage Rimma (Rima), Elena, Marina (1901–1989), and Lev, and from his second

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The development of Scriabin's style can be traced in his ten piano sonatas: the earliest are composed in a fairly conventional late-

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Ballard, Lincoln M. (Summer 2012). "A Russian Mystic in the Age of Aquarius: The U.S. Revival of Alexander Scriabin in the 1960s".

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In 1894, Scriabin made his debut as a pianist in Saint Petersburg, performing his own works to positive reviews. The same year,

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manner and reveal the influence of Chopin and sometimes Liszt, but the later ones are very different, the last five lacking a

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Scriabin's original colour keyboard, with its associated turntable of coloured lamps, is preserved in his apartment near the

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and eschatological visions of life transformation." Scriabin was deeply influenced by figures like Solovyov, Berdyaev, and

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Scriabin's music has since undergone a total rehabilitation and can be heard in major concert halls worldwide. In 2009,

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called Scriabin a "sad pathological case, erotic and egotistic to the point of mania". At the same time, the pianist

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Scriabin was an innovator as well as one of the most controversial composer-pianists of the early 20th century. The

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Autograph signature, from the manuscript of Two Poems, Op. 63. The composer uses the French spelling "Scriabine".

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Common spellings of the dominant chord and its extensions during the common practice period. From left to right:

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harmonic language. But Scriabin's voice is present from the very beginning, in this case by his fondness for the

815: 787:. Scriabin's music rapidly evolved over the course of his life. The mid- and late-period pieces use very unusual 590: 488: 240: 967: 833: 6135: 5250: 5075: 3353: 2997: 2920: 2348: 1773: 1467: 1396: 534:

In 1907, Scriabin settled in Paris with his family and was involved with a series of concerts organized by the

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agreed to pay Scriabin to compose for his publishing company (he published works by notable composers such as

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Edited by Caryl Emerson, George Pattison, and Randall A. Poole. London: Oxford University Press, 2020, 388.

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is not a dominant chord, but a basic chord, a consonance. It is true—it sounds soft, like a consonance.

321:. His mother, Lyubov Petrovna Scriabina (née Schetinina), was a concert pianist and a former student of 4860: 4740: 4189: 3292: 1416: 1107:

Scriabin's works reflect key cosmist themes: the importance of art, cosmos, monism, destination, and a

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Starcevic, Vladan (February 2012). "The life and music of Alexander Scriabin: megalomania revisited".

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Julian, a child prodigy, was a composer and pianist, but died by drowning at age 11 (1919) in the

1900:, as well as the French Croix de Guerre. After the war she became an active member of the Zionist 615:. Several late pieces published during Scriabin's lifetime are believed to have been intended for 268:

and other works have been increasingly championed, garnering significant acclaim in recent years.

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Scriabin (sitting on the left of the table) as a guest at Wladimir Metzl's home in Berlin, 1910

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after the war, where her son Eli (born 1935) became a sailor in the Israeli Navy and a noted

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associated. While in New York City, in 1907, he became acquainted with the Canadian composer

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Scriabin's own recording of the third and fourth movements of his Piano Sonata No. 3, Op. 23

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bears great likeness to Scriabin's tone and style. Another admirer was the English composer

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Scriabin himself made recordings of 19 of his own works, using 20 piano rolls, six for the

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in 1819. Alexander's paternal grandmother, Elizaveta Ivanovna Podchertkova, daughter of a

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between 1957 and 2003. Scriabin was not a relative of Soviet Minister of Foreign Affairs

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by Tatiana Fyodorovna Schlözer—a former pupil and the niece of the pianist and composer

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Scriabin's first period is usually considered to last from his earliest pieces to his

523:. Tatiana would become Scriabin's second wife, with whom Scriabin had other children. 244:

said of him, "no composer has had more scorn heaped on him or greater love bestowed."

6295: 6235: 5903: 5661: 5631: 5260: 5195: 5130: 4985: 4940: 4685: 4680: 4675: 4620: 4514: 4474: 3729: 3710: 3583: 3175: 3026: 2460: 2177: 2125: 1935: 1788: 1733: 1523: 1495: 1491: 1444: 1412: 1392: 1050: 1026: 1009:

Scriabin was interested in the philosophies and aesthetics of German authors such as

803: 612: 419:. He became a noted pianist despite his small hands, which could barely stretch to a 408: 3436: 3125: 3010: 1768:

Scriabin's music was greatly disparaged in the West during the 1930s. In the UK Sir

6042: 5938: 5893: 5807: 5802: 5681: 5671: 5641: 5626: 5205: 5125: 5120: 5100: 5065: 4915: 4910: 4895: 4875: 4835: 4820: 4800: 4630: 4610: 4494: 3405: 1901: 1769: 1604: 1596: 1499: 1420: 1388: 1350:

variations in tempo, rhythm, articulation, dynamics, and sometimes even the notes.

1338: 1288: 1265: 1193: 859: 850: 681: 391: 345: 306: 265: 4750: 3384:: The Vestal Press, for the Automatic Musical Instrument Collectors' Association. 2395: 1329: 75: 4047: 4026: 3977:

Music and Decadence in European Modernism: The Case of Central and Eastern Europe

3975: 3930: 3733: 3697: 3409: 3375: 2811: 2773: 2734: 2621: 1706: 1685: 1664: 1643: 744: 712: 6120: 6093: 6081: 5878: 5863: 5468: 5215: 5150: 4955: 4935: 4780: 4755: 4484: 3591: 3453: 2411: 2391: 2282: 2252: 1928: 1893: 1511: 1487: 1483: 1456: 1424: 1400: 1395:, and Elina Akselrud. The complete published sonatas have also been recorded by 863: 728: 428: 245: 212: 204: 3159: 1378: 849:, dominant seventh with raised fifth, dominant seventh with a rising chromatic 351:

After her death, Nikolai Scriabin completed tuition in the Turkish language in

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I am the apotheosis of world creation. I am the aim of aims, the end of ends.

329:; its founder, Semyon Feodorovich Yaroslavskiy, nicknamed Schetina (from the 6076: 5913: 5833: 5716: 5326: 5300: 4705: 4645: 4541: 4509: 3954: 3798:”Blushed at Bomb Plot Charge". 26 August 1948, Morning Bulletin. Rockhampton 2978:

Varvara Dernova's Garmoniia Skriabina: A Translation and Critical Commentary

2296: 1913: 1745: 1612: 1353:

Pianists who have performed Scriabin to particular critical acclaim include

1269: 641: 567: 385: 281: 224: 200: 3890:

The Concise Edition of Baker's Biographical Dictionary of Musicians, 8th ed

3117: 2758: 3599: 3437:"The Performance of Scriabin's Piano Music: Evidence from the Piano Rolls" 2488: 6163: 6130: 6071: 5392: 3073:. Edited by Simon Nicholls. New York: Oxford University Press, 68 and 70. 1241: 1084:

Recent scholarship has positioned Scriabin within the tradition of early

1001:

scales, as well as the nine-note scale resulting from their combination.

875: 871: 818:. The works from this period adhere to the romantic tradition, employing 780: 772: 645: 546: 480: 368: 188: 176: 3767:"Смотрим Главное, Вести, Фильмы, Сериалы, Шоу И Эфир Российских Каналов" 3671:

Defining Moments: Vicissitudes in Scriabin's Twentieth-Century Reception

3309: 3236: 2929: 2775:

Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920

2736:

Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920

2586: 2254:

Rachmaninoff and Scriabin: Creativity and Suffering in Talent and Genius

1872:

and took the name Sarah. She co-founded the Zionist resistance movement

1141:) that encapsulate his philosophical ideas, perhaps his unfinished work 584:("Prefatory Action"), was eventually made into a performable version by 17: 5367: 4077: 3188:

Mitchell, Rebecca. "'Musical metaphysics' in late imperial Russia". In

2345: 1939: 1869: 1198: 1054: 788: 784: 443: 216: 180: 45: 1192:, which tends to prove it was mostly a conceptual system based on Sir 4134: 2356:

article from NashaGazeta.ch, 23 November 2011 (in Russian and French)

1920: 1888:

Scriabin's children from Tatiana: Julian, Marina and Ariadna, c. 1913

1772:

refused to play the Scriabin selections chosen by the BBC programmer

1761:

followed this legacy until Stalinist politics quelled it in favor of

649: 325:. She belonged to an ancient dynasty that traced its history back to 301:. His father, Nikolai Aleksandrovich Scriabin, then a student at the 290: 97: 2682:

Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook

917:

color-like effect in the chord"; the added notes become part of it.

3862:

The Concise Edition of Baker's Biographical Dictionary of Musicians

6145: 5557: 3907:

Ballard, Lincoln; Bengtson, Matthew; with John Bell Young (2017).

3668: 1883: 1809: 1328: 1321:

in Moscow, which is now a museum dedicated to his life and works.

1318: 1163: 966: 884: 832: 680: 654: 551: 420: 390: 326: 280: 4554: 1864:. Her third marriage was to the poet and WWII Resistance fighter 1205:

Scriabin did not, for his theory, recognize a difference between

1112:

Russian cosmism, emphasizing unity between man, God, and nature.

5362: 3909:

The Alexander Scriabin Companion: History, Performance, and Lore

195:

idiom. Later, and independently of his influential contemporary

6015: 6011: 5561: 4558: 4545: 4138: 3205:

Edited by Simon Nicholls. New York: Oxford University Press. 1.

183:. Before 1903, Scriabin was greatly influenced by the music of 3274:

Frisch, Walter (22 February 1971). "'Prometheus' Transcends".

2954: 2952: 1722:

music other than his own. Prokofiev admired Scriabin, and his

6241: 3738:. Continuum International Publishing Group Ltd. p. 183. 1983: 1462:

Other prominent performers of Scriabin's piano music include

595:. Part of that unfinished piece was performed with the title 3836: 3807:

Lazaris, V. (2000). Три женщины. Tel Aviv: Lado, pp. 363–368

1625: 1611:, and Ashley Hribar to honour Scriabin at various venues in 694: 2416:. Scriabin As a Face. Saint Petersburg: Liki Rossii, p. 13 2021: 1977: 1791:

called Scriabin "one of the greatest of modern composers".

3059:. Berkeley: University of California Press. pp. 68–9. 171:

25 December 1871] – 27 April [

3700:. Hawkes & Son. 30 May 1927 – via Google Books. 3337:"Scriabin Museum in Moscow 2019 ✮ Best Museums in Russia" 3042: 2033: 2027: 1989: 2835: 2833: 1268:

designed specifically for the performance of Scriabin's

1256:(1910), which includes a part for a machine known as a " 971:

The acoustic and octatonic scales, and their combination

952:"find a much happier co-operation of 'form' and 'content 506:

Op. 34 were originally conceived as arias in the opera.

380:, a strict disciplinarian, who was also the teacher of 2891:

Skryabin's new harmonic vocabulary in his sixth sonata

2396:

Chapter 11, 59–70: Yaroslvaskiy and Schetinin families

1368:

Surveys of the solo piano works have been recorded by

731:

Classical Music Student Workshop Concert. (2009-11-04)

545:

in the West at the time. He subsequently relocated to

455:, Op. 4). He eventually regained the use of his hand. 207:. Scriabin found significant appeal in the concept of 6195: 2036: 2015: 2012: 1992: 1971: 1968: 384:

and other piano prodigies, though Scriabin was not a

2375:, Dmitry Shakhovskoy. Moscow: Nasledie, p. 507–509 2324: 2322: 2320: 2318: 2030: 2018: 1986: 1974: 1919:

In total, three of Ariadna's children immigrated to

960:("Black Mass"), employ a more flexible sonata form. 309:

who had a brilliant military career and was granted

6154: 6111: 6049: 5952: 5822: 5782: 5611: 5604: 5456: 5401: 5335: 5314: 4601: 4467: 4451: 4419: 4361: 4340: 4263: 4256: 4240: 4181: 2024: 1980: 853:

on the fifth, and dominant seventh flattened fifth.

148: 138: 121: 105: 82: 57: 3735:Understanding Music: Philosophy and Interpretation 3235:B. M. Galeyev and I. L. Vanechkina (August 2001). 2346:Nikolai Scriabin: First Russian Consul in Lausanne 753:Étude, Op. 8, No. 12. played by Domenico Stigliani 3190:The Oxford handbook of Russian Religious Thought. 3086:. Oakland: University of California Press, 187-8. 2893:. Journal of Musicological Research. p. 354. 993:Most of the music of this period is built on the 3786:Chronicles of the Life and Art of A. N. Scriabin 2058:[ɐlʲɪˈksandrnʲɪkɐˈla(j)ɪvʲɪtɕˈskrʲæbʲɪn] 1798:of Scriabin was placed in the Small Hall of the 1300:. The piece was reprised at Yale again in 2010 ( 297:family on Christmas Day, 1871, according to the 3291:Gawboy, Anna M.; Townsend, Justin (June 2012). 2778:. W.W. Norton & Company. pp. 156–157. 982: 975: 925: 4049:The Development of Harmony in Scriabin's Works 3911:. Lanham, Maryland: Rowman & Littlefield. 2902: 2900: 2813:The Development of Harmony in Scriabin's Works 487:, his first three piano sonatas, and his only 6027: 5573: 4570: 4150: 2728: 2726: 2685:. Connecticut: Greenwood Press. p. 483. 2213:(2001). "Skryabin , Aleksandr Nikolayevich". 1826:who directed the Russian Orthodox diocese in 531:, who became a personal friend and disciple. 427:, he damaged his right hand while practicing 8: 4028:The Composer-Pianists: Hamelin and The Eight 4006:. Oxford studies of composers (15). Oxford: 2455: 2453: 1065:, both of whom Scriabin knew. The notion of 203:, which accorded with his personal brand of 1172:in order to show the relationship with the 1025:, making contact with theosophists such as 677:Category:Compositions by Alexander Scriabin 459:pieces in forms that did not interest him. 231:composer and a major representative of the 219:tones of his scale, while his colour-coded 6034: 6020: 6012: 5608: 5580: 5566: 5558: 4577: 4563: 4555: 4542: 4260: 4157: 4143: 4135: 3545:The Lives and Times of the Great Composers 3414:. Westport, Connecticut: Greenwood Press. 3201:Simon Nicholls (2018). "Introduction". In 2805: 2803: 2801: 2799: 2797: 2795: 2618:Nuances. Preparation for The Final Mystery 2473:: Books for Libraries Press. p. 141. 1122:Apart from Scriabin's finished works (e.g. 673:List of compositions by Alexander Scriabin 215:, and associated colours with the various 74: 54: 4087:International Music Score Library Project 3868:. New York, Schirmer Books, 1993. p. 921 3782:Летопись жизни и творчества А. Н.Скрябина 3452: 3377:The Welte-Mignon: Its Music and Musicians 3308: 3144:"Alexander Scriabin as a Russian Cosmist" 2928: 2717: 632:wrote that during his performance of his 317:, came from a wealthy noble house of the 3084:Russian opera and the symbolist movement 2339: 2337: 549:(rue de la Réforme 45) with his family. 27:Russian composer and pianist (1872–1915) 6254: 6202: 3261: 3043:Ballard, Bengtson & Bell Young 2017 2943: 2863: 2851: 2839: 2406: 2404: 2229:10.1093/gmo/9781561592630.article.25946 2205: 2203: 2201: 2117: 1956: 491:, among other works, mostly for piano. 285:A young Alexander Scriabin (late 1870s) 175:14 April] 1915) was a Russian 3817:בטי קנוט־לזרוס – סיפורה של לוחמת נשכחת 3511: 3137: 3135: 2666: 2654: 2642: 2526: 2514: 2502: 2444: 2432: 2328: 760: 6372:Academic staff of Moscow Conservatory 4353:Étude in D-sharp minor, Op. 8, No. 12 4124:The Reproducing Piano Roll Foundation 2620:. Classical CD Review. Archived from 2056: 1822:of Sourozh, a renowned bishop in the 7: 4348:Étude in C-sharp minor, Op. 2, No. 1 3837:"Elisha Abas – the official website" 3780:Pryanishnikov and Tompakov (1985). 3499: 3411:The Classical Reproducing Piano Roll 3317:from the original on 1 February 2014 3203:The notebooks of Alexander Skryabin. 2466:Crotchets: A Few Short Musical Notes 2083:used the French spelling "Scriabine" 609:Deutsches Symphonie-Orchester Berlin 348:when Alexander was only a year old. 6352:Infectious disease deaths in Russia 6337:20th-century Russian male musicians 5436:Tchaikovsky and the Belyayev circle 4031:. Portland, Oregon: Amadeus Press. 3713:. "The Resurgence of Scriabin", in 3358:The Juilliard Manuscript Collection 3071:The notebooks of Alexander Skryabin 2069:; also transliterated variously as 1856:, and was posthumously awarded the 1601:The Scriabin Project Concert Series 1595:In 2015, German-Australian pianist 1310:, who, with Justin Townsend, wrote 898:This period begins with Scriabin's 277:Childhood and education (1872–1893) 3961:from the original on 19 March 2021 3650:. London, Macmillan, 1989. p. 157 2699:from the original on 19 March 2021 2612:Benson, Robert E. (October 2000). 2566:from the original on 19 March 2021 2158:from the original on 19 March 2021 956:" and that later sonatas, such as 761:Problems playing these files? See 227:. He is often considered the main 25: 4401:Prelude in A minor, Op. 51, No. 2 4396:Prelude in F major, Op. 49, No. 2 4083:Free scores by Alexander Scriabin 3843:from the original on 4 March 2008 3667:Ballard, Lincoln (January 2010). 3484:Horowitz plays Scriabin in Moscow 3216:Synaesthesia: The Strangest Thing 2493:ISBN is for January 2001 edition. 2303:from the original on 1 April 2008 1931:, is an Israeli concert pianist. 113:14 April] 1915 (aged 43) 6432:Nobility from the Russian Empire 6407:Russian male classical composers 6327:20th-century classical composers 6312:19th-century classical composers 6274: 6257: 6229: 6217: 6205: 6102: 5995: 5986: 5985: 5541: 5532: 5531: 4527: 4526: 3148:Studies in East European Thought 3142:Yansori, Ali (7 December 2023). 2962:, Moscow 1925, p. 47, quoted in 2182:Longman Pronunciation Dictionary 2008: 1964: 1714:Performed by Jennifer Castellano 1704: 1683: 1662: 1641: 1282:Illuminating Engineering Society 742: 710: 570:, that would cause a so-called " 154: 6357:Russian male classical pianists 6332:20th-century classical pianists 6317:19th-century classical pianists 4248:Piano Concerto in F-sharp minor 3303:(2). Society for Music Theory. 3011:10.5406/americanmusic.30.2.0194 1868:, after which she converted to 580:, although a preliminary part, 519:and sister of the music critic 165:Alexander Nikolayevich Scriabin 87:Alexander Nikolayevich Scriabin 5859:Modes of limited transposition 4130:Scriabin's Étude, Op. 8 No. 12 2982:Catholic University of America 2889:Herndon, Claude H. (1982–83). 1303:as conceived by Anna M. Gawboy 723:performs Alexander Scriabin's 502:The Poem Op. 32 No. 2 and the 403:Scriabin later studied at the 1: 3618:"Restoring Comrade Roslavets" 3374:Smith, Charles Davis (1994). 2679:Roberts, Peter Deane (2002). 2398:at Genealogia.ru (in Russian) 2067:Aleksandr Nikolaevič Skrjabin 1852:Ariadna became a hero of the 1244:: three numbered symphonies, 541:, who was actively promoting 340:), was the great-grandson of 187:and composed in a relatively 34:Eastern Slavic naming customs 4224:Prometheus: The Poem of Fire 3237:"Was Scriabin a Synesthete?" 3055:de Schloezer, Boris (1987). 2050:Александр Николаевич Скрябин 1276:invented by English painter 1253:Prometheus: The Poem of Fire 1132:Prometheus: The Poem of Fire 685:The beginning of Scriabin's 6322:19th-century male musicians 5909:Quartal and quintal harmony 5598:List of modernist composers 5479:Gothic Revival architecture 3892:. New York: Schirmer Books. 3788:] (in Russian). Muzyka. 3588:What to Listen for in Music 3454:10.5642/perfpr.199609.01.08 3441:Performance Practice Review 3293:"Scriabin and The Possible" 3069:Alexander Skryabin (2018). 3057:Scriabin: Artist and mystic 2367:Russian Academy of Sciences 1814:Scriabin with Tatiana, 1909 866:, altered 5ths, and raised 342:Vasili, Prince of Yaroslavl 6448: 6412:Russian Romantic composers 6397:Russian classical pianists 6367:Moscow Conservatory alumni 5420:Neue Zeitschrift für Musik 4595:List of Romantic composers 3982:Cambridge University Press 3160:10.1007/s11212-023-09590-6 2741:W. W. Norton & Company 2283:"Scriabin Again and Again" 2063:scientific transliteration 1820:Metropolitan Anthony Bloom 1818:Scriabin was the uncle of 1298:Théâtre des Champs-Élysées 670: 561:Return to Russia (1909–15) 167:(6 January 1872 [ 32:In this name that follows 31: 6100: 5973: 5595: 5511: 4592: 4552: 4547:Links to related articles 4523: 4206:Symphony No. 3 in C minor 4201:Symphony No. 2 in C minor 4196:Symphony No. 1 in E major 4172: 2976:Guenther, Roy J. (1979). 2960:Vospominanija o Skrjabine 2560:The Canadian Encyclopedia 2260:25 September 2009 at the 2184:(3rd ed.). Longman. 2049: 1862:Médaille de la Résistance 1806:Relatives and descendants 1325:Recordings and performers 1312:Scriabin and the Possible 1264:(Italian for "light"), a 1176:in Scriabin's variant of 810:First period (1880s–1903) 483:, Op. 8, several sets of 449:Piano Sonata No. 1, Op. 6 434:Réminiscences de Don Juan 241:Great Soviet Encyclopedia 153: 90:6 January 1872 [ 73: 64: 6392:Pupils of Sergei Taneyev 6387:Pupils of Nikolai Zverev 5441:Tchaikovsky and The Five 3974:Downes, Stephen (2010). 3822:29 December 2014 at the 3781: 3435:Leikin, Anatole (1996). 3214:*Harrison, John (2001). 3110:10.1177/1039856211432480 2921:Society for Music Theory 2816:. Universal-Publishers. 1221:In his autobiographical 510:Leaving Russia (1903–09) 463:Early career (1894–1903) 423:. Feeling challenged by 65: 6174:Mary Hallock-Greenewalt 4389:No. 10 in C-sharp minor 4078:UK Scriabin Association 4046:Sabbagh, Peter (2003). 4008:Oxford University Press 3826:Oded Bar-Meir, 05.05.11 3242:25 January 2021 at the 3098:Australasian Psychiatry 3082:Simon Morrison (2019). 2907:Kallis, Vasily (2008). 2810:Sabbagh, Peter (2001). 2221:Oxford University Press 2152:Random House Dictionary 2134:Encyclopædia Britannica 2081:. The composer himself 1824:Russian Orthodox Church 1619:Reception and influence 1577:, Margarita Shevchenko 1468:Elena Bekman-Shcherbina 1293:Yale Symphony Orchestra 894:Second period (1903–07) 473:Nikolai Rimsky-Korsakov 361:Active State Councillor 303:Moscow State University 5960:Second Viennese School 5953:Schools of composition 5464:Common practice period 4411:Prelude, Op. 74, No. 2 3542:Michael Steen (2011). 2614:"Scriabin's Mysterium" 2130:Merriam-Webster Online 1889: 1815: 1630: 1370:Gordon Fergus-Thompson 1334: 1180: 986: 979: 972: 930: 921:Third period (1907–15) 902:, and ends around his 890: 854: 816:Symphony No. 2, Op. 29 699: 689: 663: 557: 396: 363:; he was appointed an 286: 116:Moscow, Russian Empire 6377:Musicians from Moscow 6169:Louis Bertrand Castel 5944:Twelve-tone technique 4406:Prelude, Op. 59 No. 2 4114:The Pianola Institute 4025:Rimm, Robert (2002). 3932:Scriabin, a Biography 3864:, 8th ed. Revised by 2351:19 March 2021 at the 2266:Psychoanalytic Review 2251:E. E. Garcia (2004): 2100:19 March 2021 at the 1887: 1813: 1700:Prelude, Op. 67 No. 1 1679:Mazurka, Op. 40 No. 2 1658:Prélude, Op. 11 No. 2 1637:Prélude, Op. 11 No. 1 1629: 1332: 1167: 970: 964:suggested tonality." 888: 836: 698: 684: 658: 555: 394: 289:Scriabin was born in 284: 223:was also inspired by 94:25 December 1871] 6422:Russian Theosophists 6382:20th-century mystics 5501:Romantic nationalism 5447:War of the Romantics 4427:Fantaisie in B minor 4175:List of compositions 4096:has compositions by 4054:Universal-Publishers 3616:(20 February 2005). 2980:. PhD Dissertation, 2772:Samson, Jim (1977). 2733:Samson, Jim (1977). 2587:"Alexander Scriabin" 1603:, joined his pupils 1579:Margarita Shevchenko 1536:Burkard Schliessmann 1453:Mikhail Voskresensky 1449:Mariangela Vacatello 1355:Vladimir Sofronitsky 1278:A. Wallace Rimington 904:Sonata No. 5, Op. 53 900:Sonata No. 4, Op. 30 725:Étude, Op. 8, No. 12 706:"Étude Op. 8 No. 12" 687:Étude, Op. 8, No. 12 660:Le Poême de l’Extase 634:Sonata No. 3, Op. 23 453:Allegro Appassionato 319:Novgorod Governorate 143:List of compositions 6362:Modernist composers 6342:Composers for piano 6057:Music visualization 5496:Musical nationalism 5414:Musical nationalism 4369:24 Preludes, Op. 11 4217:The Poem of Ecstasy 3310:10.30535/mto.18.2.2 3297:Music Theory Online 3045:, pp. 122–125. 2930:10.30535/mto.14.3.2 2913:Music Theory Online 2657:, pp. 270–271. 2624:on 30 December 2007 2585:Minderovic, Zoran. 2556:"Alfred La Liberté" 1925:classical guitarist 1906:Mandatory Palestine 1800:Moscow Conservatory 1260:", also known as a 1247:The Poem of Ecstasy 1188:, accords with the 1168:Keys arranged in a 1160:Influence of colour 1126:The Poem of Ecstasy 1088:. Originating from 1034:The Poem of Ecstasy 847:dominant thirteenth 405:Moscow Conservatory 388:like Rachmaninoff. 382:Sergei Rachmaninoff 323:Theodor Leschetizky 311:hereditary nobility 109:27 April [ 6347:Deaths from sepsis 6244:Alexander Scriabin 6179:Alexander Scriabin 6141:Ocular Harpsichord 6126:Clavier à lumières 5409:Indianist movement 5327:Romantic orchestra 4505:Synesthesia in art 4480:Clavier à lumières 4452:Named for Scriabin 4432:Nocturne in A-flat 4166:Alexander Scriabin 4098:Alexander Scriabin 3937:Dover Publications 3886:Slonimsky, Nicolas 3719:, 26 February 1970 3669:"Lincoln Ballard, 3623:The New York Times 2471:Freeport, New York 2216:Grove Music Online 2154:. Dictionary.com. 2077:, and (in French) 1890: 1832:Vyacheslav Molotov 1816: 1755:Nikolai Myaskovsky 1631: 1609:Konstantin Shamray 1552:Matthijs Verschoor 1516:Alexander Melnikov 1474:, Marta Deyanova, 1417:Marc-André Hamelin 1363:Sviatoslav Richter 1335: 1258:clavier à lumières 1229:The Miserly Knight 1181: 973: 891: 880:functional harmony 855: 738:Étude Op. 8 No. 12 700: 690: 664: 640:a pustule, then a 601:Vladimir Ashkenazy 558: 477:Alexander Glazunov 397: 315:captain lieutenant 287: 233:Russian Silver Age 59:Alexander Scriabin 6417:Russian symbolism 6402:Russian inventors 6193: 6192: 6187: 6186: 6112:Instruments & 6009: 6008: 5818: 5817: 5555: 5554: 5426:New German School 5021:Felix Mendelssohn 5016:Fanny Mendelssohn 4539: 4538: 4500:Russian symbolism 4447: 4446: 4063:978-1-58112-595-5 4038:978-1-57467-072-1 4017:978-0-19-315438-4 3991:978-0-521-76757-6 3946:978-0-486-28897-0 3918:978-1-4422-3262-4 3866:Nicolas Slonimsky 3614:Taruskin, Richard 3421:978-0-313-25496-3 3391:978-1-879511-17-0 3362:The Rest Is Noise 2958:Leonid Sabaneev, 2854:, pp. 17–18. 2823:978-1-58112-595-5 2785:978-0-393-02193-6 2750:978-0-393-02193-6 2539:Bowers, Faubion. 2480:978-0-7222-5836-1 2238:978-1-56159-263-0 2191:978-1-4058-8118-0 1854:French Resistance 1763:Socialist Realism 1759:Alexander Mosolov 1751:Sergei Protopopov 1742:Nikolai Roslavets 1730:Kaikhosru Sorabji 1725:Visions fugitives 1709: 1688: 1667: 1646: 1564:Evgeny Zarafiants 1520:Stanislav Neuhaus 1504:Elena Kuschnerova 1476:Sergio Fiorentino 1472:Nikolai Demidenko 1359:Vladimir Horowitz 1240:(1896), and five 828:added tone chords 824:dominant function 748: 715: 529:Alfred La Liberté 521:Boris de Schlözer 469:Mitrofan Belyayev 359:in the status of 266:sonatas for piano 258:Karol Szymanowski 229:Russian symbolist 197:Arnold Schoenberg 162: 161: 67:Александр Скрябин 16:(Redirected from 6439: 6287: 6279: 6278: 6277: 6270: 6262: 6261: 6260: 6250: 6234: 6233: 6232: 6222: 6221: 6220: 6210: 6209: 6208: 6201: 6136:Graphic notation 6106: 6036: 6029: 6022: 6013: 5999: 5989: 5988: 5965:Darmstadt School 5899:Post-romanticism 5609: 5582: 5575: 5568: 5559: 5545: 5535: 5534: 5431:Post-romanticism 5296:Vaughan Williams 4579: 4572: 4565: 4556: 4543: 4530: 4529: 4468:Related articles 4384:No. 9 in E major 4379:No. 4 in E minor 4374:No. 1 in C major 4261: 4182:Orchestral works 4159: 4152: 4145: 4136: 4067: 4042: 4021: 3995: 3970: 3968: 3966: 3922: 3894: 3893: 3882: 3876: 3859: 3853: 3852: 3850: 3848: 3833: 3827: 3814: 3808: 3805: 3799: 3796: 3790: 3789: 3777: 3771: 3770: 3763: 3757: 3756: 3754: 3752: 3726: 3720: 3708: 3702: 3701: 3694: 3688: 3687: 3685: 3683: 3664: 3658: 3644:Kennedy, Michael 3641: 3635: 3634: 3632: 3630: 3610: 3604: 3603: 3580: 3574: 3573: 3566: 3560: 3559: 3539: 3533: 3532: 3521: 3515: 3509: 3503: 3497: 3491: 3485: 3480: 3474: 3473: 3471: 3469: 3456: 3432: 3426: 3425: 3402: 3396: 3395: 3382:Vestal, New York 3371: 3365: 3351: 3345: 3344: 3333: 3327: 3326: 3324: 3322: 3312: 3288: 3282: 3281: 3271: 3265: 3259: 3253: 3233: 3227: 3212: 3206: 3199: 3193: 3186: 3180: 3179: 3139: 3130: 3129: 3093: 3087: 3080: 3074: 3067: 3061: 3060: 3052: 3046: 3040: 3034: 3030: 2992: 2986: 2985: 2973: 2967: 2956: 2947: 2941: 2935: 2934: 2932: 2904: 2895: 2894: 2886: 2880: 2873: 2867: 2861: 2855: 2849: 2843: 2837: 2828: 2827: 2807: 2790: 2789: 2769: 2763: 2762: 2730: 2721: 2715: 2709: 2708: 2706: 2704: 2676: 2670: 2664: 2658: 2652: 2646: 2645:, p. 2:264. 2640: 2634: 2633: 2631: 2629: 2609: 2603: 2602: 2600: 2598: 2582: 2576: 2575: 2573: 2571: 2554:Potvin, Gilles. 2551: 2545: 2544: 2541:The New Scriabin 2536: 2530: 2524: 2518: 2512: 2506: 2500: 2494: 2492: 2457: 2448: 2442: 2436: 2430: 2424: 2408: 2399: 2389: 2383: 2373:Eugene Chelyshev 2363: 2357: 2341: 2332: 2326: 2313: 2312: 2310: 2308: 2275: 2269: 2249: 2243: 2242: 2219:(8th ed.). 2211:Powell, Jonathan 2207: 2196: 2195: 2174: 2168: 2167: 2165: 2163: 2144: 2142: 2140: 2122: 2105: 2060: 2055: 2051: 2043: 2042: 2039: 2038: 2035: 2032: 2029: 2026: 2023: 2020: 2017: 2014: 2007: 1999: 1998: 1995: 1994: 1991: 1988: 1985: 1982: 1979: 1976: 1973: 1970: 1961: 1910:Folke Bernadotte 1898:George S. Patton 1711: 1710: 1690: 1689: 1669: 1668: 1648: 1647: 1628: 1587: 1576: 1459:, among others. 1382: 1304: 1190:circle of fifths 1174:visible spectrum 1170:circle of fifths 1090:Nikolai Fyodorov 1075: 1023:Helena Blavatsky 955: 839:dominant seventh 750: 749: 717: 716: 697: 597:Prefatory Action 594: 586:Alexander Nemtin 582:L'acte préalable 539:Sergei Diaghilev 517:Paul de Schlözer 357:military attaché 353:Saint Petersburg 254:Sergei Prokofiev 221:circle of fifths 158: 100:, Russian Empire 78: 68: 55: 21: 6447: 6446: 6442: 6441: 6440: 6438: 6437: 6436: 6292: 6291: 6290: 6280: 6275: 6273: 6263: 6258: 6256: 6253: 6249:sister projects 6248: 6246:at Knowledge's 6240: 6230: 6228: 6224:Classical music 6218: 6216: 6206: 6204: 6196: 6194: 6189: 6188: 6183: 6156: 6150: 6113: 6107: 6098: 6062:Audiovisual art 6045: 6040: 6010: 6005: 5982: 5969: 5948: 5874:New Objectivity 5827: 5825: 5814: 5778: 5600: 5591: 5589:Modernist music 5586: 5556: 5551: 5528: 5524:Modernist music 5520: 5517:Classical music 5507: 5452: 5397: 5378:Romantic ballet 5373:Orchestral song 5353:Chorale prelude 5348:Character piece 5331: 5322:Romantic guitar 5315:Instrumentation 5310: 5146:Rimsky-Korsakov 4766:Ferdinand David 4603: 4597: 4588: 4583: 4548: 4540: 4535: 4519: 4490:Julian Scriabin 4463: 4459:ANS synthesizer 4443: 4415: 4357: 4336: 4278:Sonata-Fantasie 4252: 4236: 4210:The Divine Poem 4177: 4168: 4163: 4094:Mutopia Project 4074: 4064: 4045: 4039: 4024: 4018: 4000:Macdonald, Hugh 3998: 3992: 3973: 3964: 3962: 3947: 3927:Bowers, Faubion 3925: 3919: 3906: 3903: 3898: 3897: 3884: 3883: 3879: 3860: 3856: 3846: 3844: 3835: 3834: 3830: 3824:Wayback Machine 3815: 3811: 3806: 3802: 3797: 3793: 3783: 3779: 3778: 3774: 3765: 3764: 3760: 3750: 3748: 3746: 3728: 3727: 3723: 3709: 3705: 3696: 3695: 3691: 3681: 3679: 3666: 3665: 3661: 3642: 3638: 3628: 3626: 3612: 3611: 3607: 3582: 3581: 3577: 3568: 3567: 3563: 3556: 3541: 3540: 3536: 3529:cpaus.force.com 3525:"Artist Portal" 3523: 3522: 3518: 3510: 3506: 3498: 3494: 3483: 3481: 3477: 3467: 3465: 3434: 3433: 3429: 3422: 3404: 3403: 3399: 3392: 3373: 3372: 3368: 3364:website, p. 27. 3352: 3348: 3335: 3334: 3330: 3320: 3318: 3290: 3289: 3285: 3277:Yale Daily News 3273: 3272: 3268: 3260: 3256: 3244:Wayback Machine 3234: 3230: 3213: 3209: 3200: 3196: 3187: 3183: 3141: 3140: 3133: 3095: 3094: 3090: 3081: 3077: 3068: 3064: 3054: 3053: 3049: 3041: 3037: 2994: 2993: 2989: 2975: 2974: 2970: 2957: 2950: 2942: 2938: 2906: 2905: 2898: 2888: 2887: 2883: 2874: 2870: 2862: 2858: 2850: 2846: 2838: 2831: 2824: 2809: 2808: 2793: 2786: 2771: 2770: 2766: 2751: 2732: 2731: 2724: 2716: 2712: 2702: 2700: 2693: 2678: 2677: 2673: 2665: 2661: 2653: 2649: 2641: 2637: 2627: 2625: 2611: 2610: 2606: 2596: 2594: 2584: 2583: 2579: 2569: 2567: 2553: 2552: 2548: 2538: 2537: 2533: 2525: 2521: 2513: 2509: 2501: 2497: 2481: 2459: 2458: 2451: 2443: 2439: 2431: 2427: 2409: 2402: 2390: 2386: 2364: 2360: 2353:Wayback Machine 2342: 2335: 2327: 2316: 2306: 2304: 2291:(2). New York. 2279:Bowers, Faubion 2277: 2276: 2272: 2262:Wayback Machine 2250: 2246: 2239: 2209: 2208: 2199: 2192: 2176: 2175: 2171: 2161: 2159: 2146: 2145: 2138: 2136: 2124: 2123: 2119: 2114: 2109: 2108: 2102:Wayback Machine 2053: 2011: 2002: 2001: 1967: 1963: 1962: 1958: 1953: 1948: 1858:Croix de Guerre 1808: 1782:Edward Mitchell 1719: 1718: 1717: 1716: 1715: 1712: 1705: 1702: 1696: 1695: 1694: 1691: 1684: 1681: 1675: 1674: 1673: 1670: 1663: 1660: 1654: 1653: 1652: 1649: 1642: 1639: 1632: 1626: 1621: 1599:, as a part of 1590:Daniil Trifonov 1581: 1570: 1568:Aleksei Chernov 1540:Grigory Sokolov 1532:Jonathan Powell 1528:Mikhail Pletnev 1480:Andrei Gavrilov 1464:Samuil Feinberg 1433:Garrick Ohlsson 1376: 1327: 1302: 1242:symphonic works 1162: 1120: 1086:Russian cosmism 1082: 1080:Russian cosmism 1069: 1046: 1007: 987: 980: 953: 944:Poem of Ecstasy 931: 923: 909:Poem of Ecstasy 896: 820:common-practice 812: 768: 767: 759: 757: 756: 755: 754: 751: 743: 740: 734: 733: 732: 718: 711: 708: 701: 695: 679: 669: 629: 603:in Berlin with 588: 563: 512: 465: 365:honorary consul 299:Julian calendar 279: 274: 250:Igor Stravinsky 209:Gesamtkunstwerk 185:Frédéric Chopin 134: 117: 114: 101: 95: 89: 88: 69: 66: 60: 53: 28: 23: 22: 15: 12: 11: 5: 6445: 6443: 6435: 6434: 6429: 6424: 6419: 6414: 6409: 6404: 6399: 6394: 6389: 6384: 6379: 6374: 6369: 6364: 6359: 6354: 6349: 6344: 6339: 6334: 6329: 6324: 6319: 6314: 6309: 6304: 6294: 6293: 6289: 6288: 6286:from Wikiquote 6271: 6242: 6239: 6238: 6226: 6214: 6191: 6190: 6185: 6184: 6182: 6181: 6176: 6171: 6166: 6160: 6158: 6152: 6151: 6149: 6148: 6143: 6138: 6133: 6128: 6123: 6117: 6115: 6109: 6108: 6101: 6099: 6097: 6096: 6091: 6090: 6089: 6079: 6074: 6069: 6067:Chladni figure 6064: 6059: 6053: 6051: 6047: 6046: 6041: 6039: 6038: 6031: 6024: 6016: 6007: 6006: 6004: 6003: 5993: 5979:Romantic music 5975: 5974: 5971: 5970: 5968: 5967: 5962: 5956: 5954: 5950: 5949: 5947: 5946: 5941: 5936: 5931: 5926: 5921: 5916: 5911: 5906: 5901: 5896: 5891: 5886: 5884:Pandiatonicism 5881: 5876: 5871: 5869:New Complexity 5866: 5861: 5856: 5851: 5846: 5841: 5836: 5830: 5828: 5823: 5820: 5819: 5816: 5815: 5813: 5812: 5811: 5810: 5805: 5800: 5795: 5789:United States 5786: 5784: 5780: 5779: 5777: 5776: 5775: 5774: 5769: 5764: 5756: 5755: 5754: 5746: 5745: 5744: 5736: 5735: 5734: 5726: 5725: 5724: 5719: 5711: 5710: 5709: 5704: 5699: 5694: 5689: 5684: 5676: 5675: 5674: 5666: 5665: 5664: 5656: 5655: 5654: 5646: 5645: 5644: 5639: 5634: 5629: 5624: 5615: 5613: 5606: 5602: 5601: 5596: 5593: 5592: 5587: 5585: 5584: 5577: 5570: 5562: 5553: 5552: 5550: 5549: 5539: 5521: 5513: 5512: 5509: 5508: 5506: 5505: 5504: 5503: 5493: 5492: 5491: 5486: 5481: 5476: 5466: 5460: 5458: 5454: 5453: 5451: 5450: 5443: 5438: 5433: 5428: 5423: 5416: 5411: 5405: 5403: 5399: 5398: 5396: 5395: 5390: 5388:Symphonic poem 5385: 5383:Romantic opera 5380: 5375: 5370: 5365: 5360: 5355: 5350: 5345: 5339: 5337: 5333: 5332: 5330: 5329: 5324: 5318: 5316: 5312: 5311: 5309: 5308: 5303: 5298: 5293: 5288: 5283: 5278: 5273: 5268: 5263: 5258: 5253: 5248: 5243: 5238: 5233: 5228: 5223: 5218: 5213: 5208: 5203: 5198: 5193: 5188: 5183: 5178: 5173: 5168: 5163: 5158: 5153: 5148: 5143: 5138: 5133: 5128: 5123: 5118: 5113: 5108: 5103: 5098: 5093: 5088: 5083: 5078: 5073: 5068: 5063: 5058: 5053: 5048: 5043: 5038: 5033: 5028: 5023: 5018: 5013: 5008: 5003: 4998: 4993: 4988: 4983: 4978: 4973: 4968: 4963: 4958: 4953: 4948: 4943: 4938: 4933: 4928: 4923: 4918: 4913: 4908: 4903: 4898: 4893: 4888: 4883: 4878: 4873: 4868: 4863: 4858: 4853: 4848: 4843: 4838: 4833: 4828: 4823: 4818: 4813: 4808: 4803: 4798: 4793: 4788: 4783: 4778: 4773: 4768: 4763: 4761:Félicien David 4758: 4753: 4748: 4743: 4738: 4733: 4728: 4723: 4718: 4713: 4708: 4703: 4698: 4693: 4688: 4683: 4678: 4673: 4668: 4663: 4658: 4653: 4648: 4643: 4638: 4633: 4628: 4623: 4618: 4613: 4607: 4605: 4599: 4598: 4593: 4590: 4589: 4586:Romantic music 4584: 4582: 4581: 4574: 4567: 4559: 4553: 4550: 4549: 4546: 4537: 4536: 4524: 4521: 4520: 4518: 4517: 4512: 4507: 4502: 4497: 4492: 4487: 4482: 4477: 4471: 4469: 4465: 4464: 4462: 4461: 4455: 4453: 4449: 4448: 4445: 4444: 4442: 4441: 4438:Vers la flamme 4434: 4429: 4423: 4421: 4417: 4416: 4414: 4413: 4408: 4403: 4398: 4393: 4392: 4391: 4386: 4381: 4376: 4365: 4363: 4359: 4358: 4356: 4355: 4350: 4344: 4342: 4338: 4337: 4335: 4334: 4325: 4316: 4311: 4302: 4297: 4292: 4287: 4282: 4273: 4267: 4265: 4258: 4254: 4253: 4251: 4250: 4244: 4242: 4238: 4237: 4235: 4234: 4227: 4220: 4213: 4203: 4198: 4193: 4185: 4183: 4179: 4178: 4173: 4170: 4169: 4164: 4162: 4161: 4154: 4147: 4139: 4133: 4132: 4127: 4117: 4101: 4100: 4090: 4080: 4073: 4072:External links 4070: 4069: 4068: 4062: 4043: 4037: 4022: 4016: 3996: 3990: 3971: 3945: 3923: 3917: 3902: 3899: 3896: 3895: 3877: 3854: 3828: 3809: 3800: 3791: 3772: 3758: 3744: 3730:Scruton, Roger 3721: 3711:Rubbra, Edmund 3703: 3689: 3659: 3636: 3605: 3584:Copland, Aaron 3575: 3561: 3555:978-1848311350 3554: 3548:. Icon Books. 3534: 3516: 3504: 3502:, p. 145. 3492: 3475: 3427: 3420: 3397: 3390: 3366: 3346: 3343:. 6 July 2016. 3328: 3283: 3266: 3254: 3228: 3207: 3194: 3181: 3154:(2): 305–331. 3131: 3088: 3075: 3062: 3047: 3035: 3005:(2): 194–227. 2998:American Music 2987: 2968: 2964:Musik-Konzepte 2948: 2936: 2896: 2881: 2877:Musik-Konzepte 2868: 2856: 2844: 2829: 2822: 2791: 2784: 2764: 2749: 2722: 2718:Macdonald 1978 2710: 2691: 2671: 2669:, p. 278. 2659: 2647: 2635: 2604: 2577: 2546: 2531: 2529:, p. 315. 2519: 2507: 2505:, p. 154. 2495: 2479: 2461:Scholes, Percy 2449: 2447:, p. 121. 2437: 2435:, p. 120. 2425: 2400: 2384: 2358: 2333: 2314: 2288:Aspen Magazine 2270: 2244: 2237: 2197: 2190: 2178:Wells, John C. 2169: 2116: 2115: 2113: 2110: 2107: 2106: 1955: 1954: 1952: 1949: 1947: 1944: 1879:French Militia 1807: 1804: 1778:Gerald Abraham 1713: 1703: 1698: 1697: 1692: 1682: 1677: 1676: 1671: 1661: 1656: 1655: 1650: 1640: 1635: 1634: 1633: 1624: 1623: 1622: 1620: 1617: 1560:Roger Woodward 1556:Arcadi Volodos 1548:Yevgeny Sudbin 1544:Alexander Satz 1441:Anatol Ugorski 1437:Roberto Szidon 1397:Dmitri Alexeev 1385:Maria Lettberg 1343:Ludwig Hupfeld 1326: 1323: 1238:piano concerto 1223:Recollections, 1161: 1158: 1138:Vers la flamme 1119: 1114: 1081: 1078: 1045: 1042: 1038:Vers la flamme 1006: 1003: 981: 974: 949:Vers la flamme 924: 922: 919: 895: 892: 843:dominant ninth 811: 808: 758: 752: 741: 736: 735: 721:Awadagin Pratt 719: 709: 704: 703: 702: 693: 692: 691: 668: 665: 628: 625: 619:, such as the 605:Alexei Lubimov 562: 559: 511: 508: 504:Poème tragique 489:piano concerto 464: 461: 439:Mily Balakirev 425:Josef Lhévinne 417:Vasily Safonov 413:Sergei Taneyev 378:Nikolai Zverev 344:. She died of 278: 275: 273: 270: 262:Faubion Bowers 160: 159: 151: 150: 146: 145: 140: 136: 135: 133: 132: 129: 125: 123: 119: 118: 115: 107: 103: 102: 96: 86: 84: 80: 79: 71: 70: 62: 61: 58: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6444: 6433: 6430: 6428: 6425: 6423: 6420: 6418: 6415: 6413: 6410: 6408: 6405: 6403: 6400: 6398: 6395: 6393: 6390: 6388: 6385: 6383: 6380: 6378: 6375: 6373: 6370: 6368: 6365: 6363: 6360: 6358: 6355: 6353: 6350: 6348: 6345: 6343: 6340: 6338: 6335: 6333: 6330: 6328: 6325: 6323: 6320: 6318: 6315: 6313: 6310: 6308: 6305: 6303: 6300: 6299: 6297: 6285: 6284: 6272: 6268: 6267: 6255: 6251: 6245: 6237: 6227: 6225: 6215: 6213: 6203: 6199: 6180: 6177: 6175: 6172: 6170: 6167: 6165: 6162: 6161: 6159: 6153: 6147: 6144: 6142: 6139: 6137: 6134: 6132: 6129: 6127: 6124: 6122: 6119: 6118: 6116: 6110: 6105: 6095: 6092: 6088: 6085: 6084: 6083: 6080: 6078: 6075: 6073: 6070: 6068: 6065: 6063: 6060: 6058: 6055: 6054: 6052: 6048: 6044: 6037: 6032: 6030: 6025: 6023: 6018: 6017: 6014: 6002: 5998: 5994: 5992: 5984: 5983: 5981: 5980: 5972: 5966: 5963: 5961: 5958: 5957: 5955: 5951: 5945: 5942: 5940: 5937: 5935: 5932: 5930: 5927: 5925: 5922: 5920: 5917: 5915: 5912: 5910: 5907: 5905: 5902: 5900: 5897: 5895: 5892: 5890: 5887: 5885: 5882: 5880: 5877: 5875: 5872: 5870: 5867: 5865: 5862: 5860: 5857: 5855: 5852: 5850: 5847: 5845: 5844:Expressionism 5842: 5840: 5837: 5835: 5832: 5831: 5829: 5821: 5809: 5806: 5804: 5801: 5799: 5796: 5794: 5791: 5790: 5788: 5787: 5785: 5781: 5773: 5770: 5768: 5765: 5763: 5760: 5759: 5757: 5753: 5750: 5749: 5747: 5743: 5740: 5739: 5737: 5733: 5730: 5729: 5727: 5723: 5720: 5718: 5715: 5714: 5712: 5708: 5705: 5703: 5700: 5698: 5695: 5693: 5690: 5688: 5685: 5683: 5680: 5679: 5677: 5673: 5670: 5669: 5667: 5663: 5660: 5659: 5657: 5653: 5650: 5649: 5647: 5643: 5640: 5638: 5635: 5633: 5630: 5628: 5625: 5623: 5620: 5619: 5617: 5616: 5614: 5610: 5607: 5603: 5599: 5594: 5590: 5583: 5578: 5576: 5571: 5569: 5564: 5563: 5560: 5548: 5544: 5540: 5538: 5530: 5529: 5526: 5525: 5519: 5518: 5510: 5502: 5499: 5498: 5497: 5494: 5490: 5487: 5485: 5482: 5480: 5477: 5475: 5472: 5471: 5470: 5467: 5465: 5462: 5461: 5459: 5455: 5448: 5444: 5442: 5439: 5437: 5434: 5432: 5429: 5427: 5424: 5422: 5421: 5417: 5415: 5412: 5410: 5407: 5406: 5404: 5400: 5394: 5391: 5389: 5386: 5384: 5381: 5379: 5376: 5374: 5371: 5369: 5366: 5364: 5361: 5359: 5356: 5354: 5351: 5349: 5346: 5344: 5341: 5340: 5338: 5334: 5328: 5325: 5323: 5320: 5319: 5317: 5313: 5307: 5304: 5302: 5299: 5297: 5294: 5292: 5289: 5287: 5284: 5282: 5279: 5277: 5274: 5272: 5269: 5267: 5264: 5262: 5259: 5257: 5254: 5252: 5249: 5247: 5244: 5242: 5239: 5237: 5234: 5232: 5231:J. Strauss II 5229: 5227: 5224: 5222: 5219: 5217: 5214: 5212: 5209: 5207: 5204: 5202: 5199: 5197: 5194: 5192: 5189: 5187: 5184: 5182: 5179: 5177: 5174: 5172: 5169: 5167: 5164: 5162: 5159: 5157: 5154: 5152: 5149: 5147: 5144: 5142: 5139: 5137: 5134: 5132: 5129: 5127: 5124: 5122: 5119: 5117: 5114: 5112: 5109: 5107: 5104: 5102: 5099: 5097: 5094: 5092: 5089: 5087: 5084: 5082: 5079: 5077: 5074: 5072: 5069: 5067: 5064: 5062: 5059: 5057: 5054: 5052: 5049: 5047: 5044: 5042: 5039: 5037: 5034: 5032: 5029: 5027: 5024: 5022: 5019: 5017: 5014: 5012: 5009: 5007: 5004: 5002: 4999: 4997: 4994: 4992: 4989: 4987: 4984: 4982: 4979: 4977: 4974: 4972: 4969: 4967: 4964: 4962: 4959: 4957: 4954: 4952: 4949: 4947: 4944: 4942: 4939: 4937: 4934: 4932: 4929: 4927: 4924: 4922: 4919: 4917: 4914: 4912: 4909: 4907: 4904: 4902: 4899: 4897: 4894: 4892: 4889: 4887: 4884: 4882: 4879: 4877: 4874: 4872: 4869: 4867: 4864: 4862: 4859: 4857: 4854: 4852: 4849: 4847: 4844: 4842: 4839: 4837: 4834: 4832: 4829: 4827: 4824: 4822: 4819: 4817: 4814: 4812: 4809: 4807: 4804: 4802: 4799: 4797: 4794: 4792: 4789: 4787: 4784: 4782: 4779: 4777: 4774: 4772: 4769: 4767: 4764: 4762: 4759: 4757: 4754: 4752: 4749: 4747: 4744: 4742: 4739: 4737: 4734: 4732: 4729: 4727: 4724: 4722: 4719: 4717: 4714: 4712: 4709: 4707: 4704: 4702: 4699: 4697: 4694: 4692: 4689: 4687: 4684: 4682: 4679: 4677: 4674: 4672: 4669: 4667: 4664: 4662: 4659: 4657: 4654: 4652: 4649: 4647: 4644: 4642: 4639: 4637: 4634: 4632: 4629: 4627: 4624: 4622: 4619: 4617: 4614: 4612: 4609: 4608: 4606: 4602:Composers and 4600: 4596: 4591: 4587: 4580: 4575: 4573: 4568: 4566: 4561: 4560: 4557: 4551: 4544: 4534: 4533: 4522: 4516: 4515:Unified field 4513: 4511: 4508: 4506: 4503: 4501: 4498: 4496: 4493: 4491: 4488: 4486: 4483: 4481: 4478: 4476: 4475:Accarezzevole 4473: 4472: 4470: 4466: 4460: 4457: 4456: 4454: 4450: 4440: 4439: 4435: 4433: 4430: 4428: 4425: 4424: 4422: 4418: 4412: 4409: 4407: 4404: 4402: 4399: 4397: 4394: 4390: 4387: 4385: 4382: 4380: 4377: 4375: 4372: 4371: 4370: 4367: 4366: 4364: 4360: 4354: 4351: 4349: 4346: 4345: 4343: 4339: 4333: 4331: 4326: 4324: 4322: 4317: 4315: 4312: 4310: 4308: 4303: 4301: 4298: 4296: 4293: 4291: 4288: 4286: 4283: 4281: 4279: 4274: 4272: 4269: 4268: 4266: 4262: 4259: 4255: 4249: 4246: 4245: 4243: 4239: 4233: 4232: 4228: 4226: 4225: 4221: 4219: 4218: 4214: 4211: 4207: 4204: 4202: 4199: 4197: 4194: 4192: 4191: 4187: 4186: 4184: 4180: 4176: 4171: 4167: 4160: 4155: 4153: 4148: 4146: 4141: 4140: 4137: 4131: 4128: 4125: 4121: 4118: 4115: 4111: 4108: 4107: 4106: 4105: 4099: 4095: 4091: 4088: 4084: 4081: 4079: 4076: 4075: 4071: 4065: 4059: 4055: 4051: 4050: 4044: 4040: 4034: 4030: 4029: 4023: 4019: 4013: 4009: 4005: 4001: 3997: 3993: 3987: 3983: 3980:. Cambridge: 3979: 3978: 3972: 3960: 3956: 3952: 3948: 3942: 3938: 3934: 3933: 3928: 3924: 3920: 3914: 3910: 3905: 3904: 3900: 3891: 3887: 3881: 3878: 3875: 3874:0-02-872416-X 3871: 3867: 3863: 3858: 3855: 3842: 3838: 3832: 3829: 3825: 3821: 3818: 3813: 3810: 3804: 3801: 3795: 3792: 3787: 3776: 3773: 3768: 3762: 3759: 3747: 3745:9781847065063 3741: 3737: 3736: 3731: 3725: 3722: 3718: 3717: 3712: 3707: 3704: 3699: 3693: 3690: 3678: 3674: 3672: 3663: 3660: 3657: 3656:0-333-48752-4 3653: 3649: 3645: 3640: 3637: 3625: 3624: 3619: 3615: 3609: 3606: 3601: 3597: 3593: 3589: 3585: 3579: 3576: 3571: 3565: 3562: 3557: 3551: 3547: 3546: 3538: 3535: 3530: 3526: 3520: 3517: 3514:, p. 99. 3513: 3508: 3505: 3501: 3496: 3493: 3490: 3486: 3479: 3476: 3464: 3460: 3455: 3450: 3447:(1): 97–113. 3446: 3442: 3438: 3431: 3428: 3423: 3417: 3413: 3412: 3407: 3406:Sitsky, Larry 3401: 3398: 3393: 3387: 3383: 3379: 3378: 3370: 3367: 3363: 3359: 3355: 3350: 3347: 3342: 3341:moscovery.com 3338: 3332: 3329: 3316: 3311: 3306: 3302: 3298: 3294: 3287: 3284: 3279: 3278: 3270: 3267: 3263: 3258: 3255: 3251: 3250: 3245: 3241: 3238: 3232: 3229: 3225: 3224:0-19-263245-0 3221: 3217: 3211: 3208: 3204: 3198: 3195: 3191: 3185: 3182: 3177: 3173: 3169: 3165: 3161: 3157: 3153: 3149: 3145: 3138: 3136: 3132: 3127: 3123: 3119: 3115: 3111: 3107: 3103: 3099: 3092: 3089: 3085: 3079: 3076: 3072: 3066: 3063: 3058: 3051: 3048: 3044: 3039: 3036: 3033: 3028: 3024: 3020: 3016: 3012: 3008: 3004: 3000: 2999: 2991: 2988: 2984:. p. 67. 2983: 2979: 2972: 2969: 2965: 2961: 2955: 2953: 2949: 2946:, p. 40. 2945: 2940: 2937: 2931: 2926: 2922: 2918: 2914: 2910: 2903: 2901: 2897: 2892: 2885: 2882: 2878: 2872: 2869: 2866:, p. 24. 2865: 2860: 2857: 2853: 2848: 2845: 2842:, p. 16. 2841: 2836: 2834: 2830: 2825: 2819: 2815: 2814: 2806: 2804: 2802: 2800: 2798: 2796: 2792: 2787: 2781: 2777: 2776: 2768: 2765: 2760: 2756: 2752: 2746: 2742: 2738: 2737: 2729: 2727: 2723: 2719: 2714: 2711: 2698: 2694: 2692:9780313017230 2688: 2684: 2683: 2675: 2672: 2668: 2663: 2660: 2656: 2651: 2648: 2644: 2639: 2636: 2623: 2619: 2615: 2608: 2605: 2592: 2588: 2581: 2578: 2565: 2561: 2557: 2550: 2547: 2543:. p. 47. 2542: 2535: 2532: 2528: 2523: 2520: 2517:, p. 60. 2516: 2511: 2508: 2504: 2499: 2496: 2490: 2486: 2482: 2476: 2472: 2468: 2467: 2462: 2456: 2454: 2450: 2446: 2441: 2438: 2434: 2429: 2426: 2423: 2422:5-87417-026-X 2419: 2415: 2413: 2407: 2405: 2401: 2397: 2393: 2388: 2385: 2382: 2381:5-201-13219-7 2378: 2374: 2370: 2368: 2362: 2359: 2355: 2354: 2350: 2347: 2343:Ivan Grezin. 2340: 2338: 2334: 2330: 2325: 2323: 2321: 2319: 2315: 2302: 2298: 2294: 2290: 2289: 2284: 2280: 2274: 2271: 2268:, 91: 423–42. 2267: 2263: 2259: 2256: 2255: 2248: 2245: 2240: 2234: 2230: 2226: 2222: 2218: 2217: 2212: 2206: 2204: 2202: 2198: 2193: 2187: 2183: 2179: 2173: 2170: 2157: 2153: 2149: 2135: 2131: 2127: 2121: 2118: 2111: 2103: 2099: 2096: 2092: 2088: 2084: 2080: 2076: 2072: 2068: 2064: 2059: 2047: 2041: 2005: 1997: 1960: 1957: 1950: 1945: 1943: 1941: 1937: 1936:Dnieper River 1932: 1930: 1926: 1922: 1917: 1915: 1911: 1907: 1903: 1899: 1895: 1886: 1882: 1880: 1875: 1871: 1867: 1863: 1859: 1855: 1850: 1848: 1844: 1841:(1906–1944), 1840: 1835: 1833: 1829: 1828:Great Britain 1825: 1821: 1812: 1805: 1803: 1801: 1797: 1792: 1790: 1789:Roger Scruton 1785: 1783: 1779: 1775: 1771: 1766: 1764: 1760: 1756: 1752: 1747: 1743: 1738: 1735: 1734:Aaron Copland 1731: 1727: 1726: 1701: 1680: 1659: 1638: 1618: 1616: 1614: 1610: 1606: 1602: 1598: 1593: 1591: 1585: 1580: 1574: 1569: 1565: 1561: 1557: 1553: 1549: 1545: 1541: 1537: 1533: 1529: 1525: 1524:Artur Pizarro 1521: 1517: 1513: 1509: 1505: 1501: 1497: 1496:Evgeny Kissin 1493: 1492:Andrej Hoteev 1489: 1485: 1481: 1477: 1473: 1469: 1465: 1460: 1458: 1454: 1450: 1446: 1445:Anna Malikova 1442: 1438: 1434: 1430: 1426: 1422: 1418: 1414: 1413:Bernd Glemser 1410: 1406: 1402: 1399:, Ashkenazy, 1398: 1394: 1393:Michael Ponti 1390: 1386: 1380: 1375: 1371: 1366: 1364: 1360: 1356: 1351: 1349: 1344: 1341:, and 14 for 1340: 1331: 1324: 1322: 1320: 1315: 1313: 1309: 1305: 1299: 1294: 1290: 1285: 1283: 1279: 1275: 1271: 1267: 1263: 1259: 1255: 1254: 1249: 1248: 1243: 1239: 1234: 1231: 1230: 1224: 1219: 1217: 1212: 1208: 1203: 1201: 1200: 1195: 1191: 1187: 1179: 1175: 1171: 1166: 1159: 1157: 1155: 1151: 1146: 1145: 1140: 1139: 1134: 1133: 1128: 1127: 1118: 1115: 1113: 1110: 1105: 1103: 1099: 1095: 1091: 1087: 1079: 1077: 1073: 1068: 1064: 1060: 1056: 1052: 1043: 1041: 1039: 1035: 1030: 1028: 1027:Jean Delville 1024: 1020: 1016: 1012: 1004: 1002: 1000: 996: 991: 985: 978: 969: 965: 961: 959: 958:No. 9, Op. 68 951: 950: 945: 940: 936: 929: 920: 918: 914: 912: 910: 905: 901: 893: 887: 883: 881: 877: 873: 869: 865: 861: 852: 848: 844: 840: 835: 831: 829: 825: 821: 817: 809: 807: 805: 804:key signature 801: 796: 794: 790: 786: 782: 778: 774: 766: 764: 739: 730: 726: 722: 707: 688: 683: 678: 674: 666: 661: 657: 653: 651: 647: 643: 637: 635: 626: 624: 622: 618: 614: 610: 606: 602: 598: 592: 587: 583: 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Strauss I 5190: 5116:Rachmaninoff 4871:Gretchaninov 4525: 4495:Mystic chord 4436: 4329: 4320: 4306: 4277: 4229: 4222: 4215: 4209: 4188: 4165: 4103: 4102: 4048: 4027: 4003: 3976: 3963:. Retrieved 3935:. New York: 3931: 3908: 3889: 3880: 3861: 3857: 3845:. Retrieved 3831: 3812: 3803: 3794: 3785: 3775: 3761: 3749:. Retrieved 3734: 3724: 3716:The Listener 3714: 3706: 3692: 3680:. Retrieved 3677:Academia.edu 3676: 3670: 3662: 3648:Adrian Boult 3647: 3639: 3627:. Retrieved 3621: 3608: 3590:. New York: 3587: 3578: 3564: 3544: 3537: 3528: 3519: 3507: 3495: 3478: 3466:. Retrieved 3444: 3440: 3430: 3410: 3400: 3376: 3369: 3349: 3340: 3331: 3319:. 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Schumann 5166:Saint-Saëns 5061:Niedermeyer 4951:Leoncavallo 4921:Kalkbrenner 4696:Bortkiewicz 4485:Color organ 4257:Piano music 4120:Piano Rolls 3751:28 November 3592:McGraw-Hill 3512:Downes 2010 2875:Taken from 2667:Bowers 1996 2655:Bowers 1996 2643:Bowers 1996 2570:10 December 2527:Bowers 1996 2515:Bowers 1996 2503:Bowers 1996 2445:Bowers 1996 2433:Bowers 1996 2412:Yuri Khanon 2392:Velvet Book 2329:Bowers 1996 1929:Elisha Abas 1894:Silver Star 1874:Armée Juive 1794:In 2020, a 1582: [ 1571: [ 1512:Eric Le Van 1488:Glenn Gould 1484:Emil Gilels 1457:Igor Zhukov 1425:Ruth Laredo 1401:Robert Taub 1377: [ 1374:Pervez Mody 1348:extemporary 1178:synesthesia 1109:common task 1070: [ 729:White House 589: [ 429:Franz Liszt 246:Leo Tolstoy 213:synesthesia 211:as well as 205:metaphysics 122:Occupations 46:family name 6296:Categories 6283:Quotations 5934:Surrealism 5929:Stochastic 5919:Sound mass 5854:Microtonal 5826:techniques 5824:Genres and 5772:Stravinsky 5732:Skalkottas 5637:Schoenberg 5457:Background 5358:Intermezzo 5291:Wieniawski 5271:Vieuxtemps 5236:R. Strauss 5161:Rubinstein 5086:Paderewski 5056:Mussorgsky 5051:Moszkowski 5026:Mercadante 4321:Black Mass 4307:White Mass 4104:Recordings 3468:4 February 3321:4 February 2703:15 October 2628:9 December 2597:9 December 2593:. 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