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Scribbly the Boy Cartoonist

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410:, the group notices that the Red Tornado is in the room. She explains that she wasn't invited to the meeting, but she came up on the fire escape. She gets a warm greeting from the group, but when they invite her to take her cape off and relax, she suddenly announces that she has to leave. The Flash laughs when he discovers that she tore her pants when she climbed in through the window. Later Justice Society stories established that Ma is an honorary member of the team, and in 2007, she returned to DC in 421:#45 (Dec 1942), Mayer himself entered the comic strip. In "Sheldon Mayer Meets the Red Tornado", Scribbly, Ma Hunkel, the Cyclone Kids, and the neighborhood kids are complaining that their stories are boring and repetitive, so Mayer enters the comic panels to respond to their complaints. Disheartened by their criticism, Mayer tries to commit suicide by jumping from the top panel, but the Red Tornado rushes to catch him before he hits the bottom panel. 381:, possibly even influencing it, Mayer chose a woman to be his costumed avenger, remaking the formidable Ma Hunkel into the even more formidable Red Tornado. Actually the people in the strip never knew the true sex of the Tornado. They only knew that this bulky figure in the red flannels, bedroom slippers, cape, and inverted stew pot could be counted on to tackle all sorts of criminals from the biggest to the smallest". 490:, which ran for 15 issues, starting in September 1948. Mayer continued to write and draw the title, which is a romantic comedy about Scribbly trying to find a steady job and win the affection of his girlfriend Red Ringley, who was a famous cartoonist and coworker. The Red Tornado didn't appear in this reboot of the strip. 450:
F'rinstance let's see what would happen if instead of people we draw these characters as animals..." Mayer then explained that Scribbly would be a horse in this issue — "maybe it's because I always know where to find a horse, but I go nuts finding an idea for Scribbly" — while Ma Hunkel would be
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Sheldon Mayer began his career in cartooning at age fifteen, and he created Scribbly when he was nineteen. Mayer later explained: "Scribbly was a thing I dreamed up during my lunch hour one day in the cafeteria... I followed the old rule of writing only what you know about. What was more natural than
370:. By issue #23, the Red Tornado was sharing billing with Scribbly, and in #24, Ma's two kids joined the fight against crime, calling themselves "the Cyclone Twins". The kids scared criminals more than the Tornado herself. The series continued for three more years as "Scribbly & the Red Tornado". 365:
story in issue #20 (Nov 1940), Ma Hunkel became a superhero herself. In the story, Scribbly's little brother and Ma Hunkel's daughter Sisty are kidnapped, and the police are unable to locate them. Scribbly tells Ma about the Green Lantern, and she's inspired to don a costume and fight crime, calling
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At one point in the strip, "Why Big Brothers Leave Home" becomes so popular that Scribbly's principal creates his own autobiographical strip, "Scene in P.S. 83 as Seen by the Principal". A teacher in the school is unhappy with the way that she's portrayed in the principal's strip, and starts a
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Andrew J. Kunka describes the way that the strip began: "In the earliest Dell-published strips, Mayer's series begins with Scribbly as a kid known in his neighborhood for drawing cartoons on any surface he can find, including walls and fences (something Mayer did in his youth, as well). These
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By issue #59 (July 1944), Mayer had grown tired of the characters, and openly admitted it in the introduction to that issue's story: "This goes on every issue — sometimes it's funny — sometimes it isn't — anyhow — I'm getting a little tired of it — just this
290: 277:, either at the top or the bottom of the page, drawn in cruder form to indicate that it was a cartoon-within-a-cartoon. Readers were encouraged to send in ideas for "Why Big Brothers Leave Home", collaborating with Scribbly on his autobiography. 332:, the owner of a local grocery store. In another autobiographical touch, Ma Hunkel was inspired by the owner of a boarding house where Mayer lived, Mrs. Lindenbaum. Scribbly was also established as the brother of Mortimer "Dinky" Jibbet of the 567:, who is very knowledgeable on such -- is arguably the first autobiographical example of a cartoonist writing about a cartoonist in America. Shelly created it at first for Dell, but then he brought it to DC when he became the first editor of 596:— an underrated, often brilliantly wild cartoon about a boy cartoonist with whom, needless to say, I identified like mad. I regret that it is not within the province of this book to give Mayer or Scribbly the space both of them deserve". 237:. Jean-Paul Gabilliet said: " presented all the pages as Sunday panels because, at the time, the fact that a strip had previously appeared in a newspaper was perceived as an indicator of quality". Scribbly strips also appeared in Dell's 268:
A remarkable aspect of the comic is that Scribbly is creating his own autobiographical comic: "Why Big Brothers Leave Home", about his relationship with the pesky Dinky (himself based on Mayer's little brother, Monte). In most of the
261:. Scribbly's strip quickly catches on, and while he tries to work from home, his brother, Dinky, inadvertently gives him even more material. This early iteration of the series, before Mayer moves to 247:
drawings are discovered by a famous cartoonist, Ving Parker, who happens to be Scribbly's hero. Ving takes on Scribbly as an apprentice and even introduces him to real-life cartoonists like
607:, opining that it would have been better if the comic "focused more on what it's like to be a cartoonist in a superhero world". He also felt that some of the art for Scribbly was off. 787:
Kunka, Andrew J. (2018). "Cranky Bosses, Rebellious Characters, and Suicidal Artists: Scribbly, Inkie, and Pre-Underground Autobiographical Comics". In Aldama, Frederick Luis (ed.).
394:#3. The story, "The First Meeting of the Justice Society of America", has the heroes get together and swap stories about their heroics, and after hearing tales from 1226: 127:. Scribbly Jibbet is a semi-autobiographical character, presenting the adventures of a young man starting out in the cartooning business, and working for the 1191: 51: 1221: 1196: 1157: 1106: 967: 865: 760: 668: 997: 840: 796: 700: 32: 1071: 1046: 1216: 1211: 1201: 1020: 553:"I built this around Scribbly Jibbet, whose name you will probably not remember. I guess he's the only character in the 211:, to publish in one of their anthology books. Along with the recut strips, Mayer included a one-page strip of his own, 1206: 350: 451:
a big fat chicken, Sisty as a chick and Dinky as a pony. This talking animal story was the last "Scribbly" story in
385: 313:, beginning with the first issue (April 1939) and continuing until issue #59 (July 1944). Scribbly appeared on the 535: 304: 253: 165: 124: 203:, one of the pioneers of modern comic books, and the teenager's job was to cut and paste comic strips from the 986:
Cowsill, Alan; Irvine, Alex; Manning, Matthew K.; McAvennie, Michael; Scott, Melanie; Wallace, Daniel (2019).
455:, with Mayer presumably tired of the strip altogether. Mayer's next project was a talking animal humor book, 378: 367: 324:
newspaper, although most of the action in the strip took place in his New York neighborhood. In issue #3 of
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described Scribbly as "the greatest out-of-the-inkwell cartoonist of all". The book reprints six pages of
460: 896: 399: 464: 563:] DC. Shelly Mayer created Scribbly originally, as a boy. His Scribbly stories -- in the view of 546: 530: 274: 178: 136: 132: 395: 309: 295: 149: 1231: 987: 516:#30 reveals that he finally married his redhead girlfriend Red Ringley and had a son together. 1153: 1102: 993: 963: 861: 836: 832: 792: 756: 696: 664: 496: 403: 67: 1122: 430: 390: 265:, eventually shifts to pure slapstick and less about Scribbly's cartooning experiences". 564: 1185: 581: 354: 345:
comic in 1938, comic book publishers began featuring their own superhero characters.
227: 221: 204: 116: 83: 824: 571:. He did a run in that comic and then did about 15 issues of Scribbly's own comic". 374: 333: 307:. Mayer remained at the company as cartoonist and editor, and Scribbly appeared in 289: 248: 1072:"Levitz Returns to "Crisis on Infinite Earths" for "Convergence: World's Finest"" 554: 539: 525: 239: 233: 208: 173: 143:
telling more than one story in a magazine issue. Scribbly first appeared in the
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comic was dropped in January 1952. Scribbly did appear as a backup feature in
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made teen humor comics popular, Scribbly was given his own bimonthly title,
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s sales were unimpressive, and Mayer was more interested in his new comic,
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Comics About Cartoonists: Stories About the World's Oddest Profession
639: 288: 534:. In the series, he's depicted as transcribing the events of the 524:
In 2015, Scribbly was briefly revived in DC Comics continuity by
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One final "Scribbly" chapter was published in the one-shot giant
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Comics About Cartoonists: Tales of the World's Oddest Profession
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All-American was one of the two companies that merged to form
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The Encyclopedia of American Comics: From 1897 to the Present
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days was the creation, by Sheldon Mayer, of the humor strip
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pages into a comic book layout, which Gaines would sell to
459:, which launched with a Summer 1944 issue, with new stars 299:#1 (April 1939) alongside original comic strip characters. 273:
comics, "Why Big Brothers Leave Home" strip appeared as a
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from 1939 to 1944. He was then revived in his own series,
1175:, vol. 1, no. 29 (September 2010). 1047:"DC's Convergence Event Brings Back the Old DC Universe" 881:"The First Meeting of the Justice Society of America". 549:, Paul Levitz explained his revival of the character: 168:
characters, Scribbly was later considered part of the "
1021:"ALL of April, 2015's DC's CONVERGENCE Solicitations" 384:
In fact, Ma Hunkel had a one-page cameo in the first
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Of Comics and Men: A Cultural History of Comic Books
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Scribbly featured on the left of the cover photo in
196:writing about the adventures of a boy cartoonist?" 102: 94: 89: 79: 66: 50: 45: 24: 361:. The superhero trend was so powerful that in the 219:#6 (July 1936), alongside established strips like 642:as a famous artist who draws his feet too small. 588:(1965) that "the single unique stroke in the pre 992:(New ed.). DK Publishing. pp. 43, 55. 542:, Jim Fern, Joe Rubenstein and Shannon Wheeler. 303:In 1938, Gaines struck out on his own, founding 551: 755:. University Press of Michigan. p. 112. 115:is a comic book character created in 1936 by 8: 720: 718: 716: 714: 712: 603:got a negative review by Greg McElhatton in 317:cover only three times, including issue #2. 131:newspaper. His stories were told around the 962:. TwoMorrows Publishing. pp. 275–276. 414:vol. 3 as the curator of the JSA's museum. 989:DC Comics Year By Year: A Visual Chronicle 465:McSnurtle the Turtle, the Terrific Whatzit 30: 21: 960:American Comic Book Chronicles: 1940-1944 858:American Comic Book Chronicles: 1940-1944 686: 684: 682: 680: 663:. Bloomsbury Publishing. pp. 25–27. 428:, Scribbly also appeared occasionally in 791:. Taylor & Francis. pp. 44–56. 782: 780: 778: 776: 774: 772: 339:With the skyrocketing popularity of the 1123:"Convergence: World's Finest Comics #1" 981: 979: 829:Superhero: The Secret Origin of a Genre 651: 860:. TwoMorrows Publishing. p. 75. 7: 1227:Comics characters introduced in 1936 958:Mitchell, Kurt; Thomas, Roy (2019). 856:Mitchell, Kurt; Thomas, Roy (2019). 164:in the 1940s, and, like all of DC's 1045:Schedeen, Jesse (2 December 2014). 695:. Facts on File. pp. 322–323. 215:, and this was published in Dell's 948:#59, "Falsely Accused", July 1944. 531:Convergence: World's Finest Comics 373:Ron Goulart writes: "Anticipating 179:Convergence: World's Finest Comics 14: 638:#29, he is referenced by a young 922:"Mike's Amazing World of Comics" 897:"Mike's Amazing World of Comics" 424:Outside of usually appearing in 472:The Big All-American Comic Book 1152:. IDW Publishing. p. 23. 634:satire children's comic book, 434:and also in the humor series, 377:, that monumental creation of 1: 751:Gabilliet, Jean-Paul (2010). 727:"Scribbly the Boy Cartoonist" 147:series, and then appeared in 353:, and followed in 1940 with 16:American DC Comics character 1099:The Great Comic Book Heroes 789:Comics Studies Here and Now 599:The revival of Scribbly in 586:The Great Comic Book Heroes 351:Gary Concord, the Ultra-Man 213:Scribbly the Boy Cartoonist 113:Scribbly the Boy Cartoonist 36:Scribbly as he appeared in 1248: 1192:Child characters in comics 731:Don Markstein's Toonopedia 412:Justice Society of America 199:In 1936, Mayer worked for 1222:DC Comics male characters 1197:Male characters in comics 926:www.mikesamazingworld.com 901:www.mikesamazingworld.com 659:Kunka, Andrew J. (2017). 536:Seven Soldiers of Victory 305:All-American Publications 285:All-American Publications 125:All-American Publications 29: 1148:Yoe, Craig, ed. (2013). 580:Cartoonist and satirist 320:Scribbly worked for the 1097:Feiffer, Jules (1965). 661:Autobiographical Comics 474:, dated December 1944. 379:William Moulton Marston 349:responded in 1939 with 46:Publication information 1217:Dell Comics characters 573: 557:who preceeds [ 461:the Three Mouseketeers 300: 1212:Fictional cartoonists 1202:Comics about children 691:Goulart, Ron (1990). 292: 157:, from 1948 to 1952. 119:, first appearing in 885:(#3). December 1940. 605:Comic Book Resources 547:Comic Book Resources 528:, in the miniseries 446:I'm gonna have some 281:cartoon of her own. 176:, in the miniseries 137:American comic books 90:In-story information 40:#1 (September 1948). 946:All-American Comics 812:All-American Comics 614:, comics historian 569:All-American Comics 545:In an interview by 426:All-American Comics 419:All-American Comics 347:All-American Comics 328:, Mayer introduced 326:All-American Comics 310:All American Comics 296:All-American Comics 186:Publication history 150:All-American Comics 123:and then moving to 1207:1936 comics debuts 1078:. 23 February 2015 835:. pp. 26–27. 301: 1101:. Bonanza Books. 833:MonkeyBrain Books 831:. 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Index


Publisher
Dell Comics
DC Comics
First appearance
Sheldon Mayer
Sheldon Mayer
Dell Comics
All-American Publications
Golden Age era
American comic books
anthologies
All-American Comics
DC Comics
Golden Age
Earth-Two
Paul Levitz
Convergence: World's Finest Comics
Max Gaines
Sunday comics
Dell Comics
Smokey Stover
Winnie Winkle
Harold Teen
The Funnies
Lank Leonard
Mickey Finn
Milt Gross
topper strip

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