Nautical fiction - Knowledge (XXG)

731:. Thematically, Marryat focuses on ideas of heroism, proper action of officers, and reforms within the culture of the navy. His literary works form part of a larger British cultural examination of maritime service during the early part of the 19th century, where subjects such as naval discipline and naval funding were in widespread public debate. Peck describes Marryat's novels as consistent in their core thematic focuses on masculinity and the contemporary naval culture, and in doing so, he suggests, they provide reflection on "a complex historical moment in which author, in his clumsy way, engages with rapid change in Britain." Marryat's novels encouraged the writing of other novels by veterans of the Napoleonic wars during the 1830s, like M. H. Baker, 1435:. On the other hand, Forester's Hornblower is a model hero, presenting bravery, but inadequate at life ashore and beyond the navy and with limited emotional complexity. More recently O'Brian has explored complex ideas about masculinities through his characters Jack Aubrey and Stephen Maturin's friendship, along with the tension between naval life and shore life, and these men's complex passions and character flaws. Bassnett argues, these models of manliness frequently reflect the historical contexts in which authors write. Marryat's model is a direct political response to the reforms of the Navy and the Napoleonic Wars, while Forrestor is writing about post- 1474: 2578:"Women in the Royal Navy serve in many roles; as pilots, observers and air-crew personnel; as divers, and Commanding Officers of HM Ships and shore establishments, notably Cdr Sarah West, who took up her appointment as CO of HMS PORTLAND in 2012, taking her ship from a refit in Rosyth to her current deployment as an Atlantic Patrol vessel. In another milestone for the Royal Navy, Commander Sue Moore was the first woman to command a squadron of minor war vessels; the First Patrol Boat Squadron (1PBS) ... Women can serve in the Royal Marines but not as RM Commandos." 251: 1969:, or the assumption of a higher status than is warranted, is a running theme of the book. This theme focuses upon that major theme of maritime fiction, the proper conduct of a gentleman; however, it also deals with his often-stormy friendship between the protagonist Talbot and one of the officers, Lieutenant Summers, who sometimes feels slighted by Talbot's ill-thought-out comments and advice. Like many of Golding's books, it also looks at man's reversion to savagery in the wake of isolation. This novel forms the trilogy 760: 300:(1876), that depict cultural situations dependent on the maritime economy and culture, without explicitly exploring the naval experience. However, as critic Luis Iglasius notes, when defending the genesis of the sea novel genre by James Fenimore Cooper, expanding this definition includes work "tend to view the sea from the perspective of the shore" focusing on the effect of a nautical culture on the larger culture or society ashore or focusing on individuals not familiar with nautical life. 585: 1457:, describes order of battle. Yet, the investigation of masculinity is central to the novels; Critic Steven Hathorn describes "Cooper deliberately invests his nautical world with a masculine character, to such a degree that the appearance of women aboard ships presents an array of problems the novels explore how some of the biggest challenges to manhood come from within—from the very nature of masculinity itself." James Fenimore Cooper's 1395: 38: 6032: 1391:

Jerome de Groot identifies naval historical fiction, like Forester's and O'Brian's, as epitomizing the kinds of fiction marketed to men, and nautical fiction being one of the subgenre's most frequently marketed towards men. As John Peck notes, the genre of nautical fiction frequently relies on a more "traditional models of masculinity", where masculinity is a part of a more conservative social order.

1592:(2002), the first novel in the young adult fiction series set in the early 19th century centering around the titular character Mary (Jacky) Faber. The first adventure featured Jacky disguised as a cabin boy aboard a British naval ship. The eleven subsequent titles feature other maritime or river adventures, with reference to and direct inspiration from nautical culture, historical events and people, 1371: 565:(1748) as populating the naval world with characters unfamiliar with the sea to better understand land-bound society, not fulfilling the immersive generic expectations of nautical fiction. Following the development of the genre's motifs and characteristics in works like those of Cooper and Marryat, a number of notable European novelists explored the genre, such as 1764:", and this novel continues with details of how life as a stoker "will destroy a man physically". George Garrett in his short stories also wrote "about life among harsh realities" on both land and at sea. The works of these writer diverges greatly from earlier writers who use more romantic depictions of upper-class men at sea, like Fenimore Cooper, Melville (even 4485: 78:, that focuses on the human relationship to the sea and sea voyages and highlights nautical culture in these environments. The settings of nautical fiction vary greatly, including merchant ships, liners, naval ships, fishing vessels, life boats, etc., along with sea ports and fishing villages. When describing nautical fiction, scholars most frequently refer to 1952:. Several chapters of this novel deal with the eponymous hero's voyage to Australia. While Trollope claims "that life at sea is unlike life in general" the novel, in fact, presents "an intensified version of ordinary life, with social divisions rigorously enforced" which is underlined by "the physical separation of first- and second-class passengers". 808:" genre. Moreover, unlike the earlier novels, which were written during a thriving nautical economic boom, full of opportunities and affirmation of national identity, novels by these authors were written "at a point where a maritime based economic order disintegrating." The genre also inspired a number of popular mass-market authors, like American 547:

the larger culture or society ashore and individuals not familiar with nautical life; by example Iglesias points to how Jane Austen's novels don't represent the genre, because, though the sea plays a prominent part in their plots, they keeps actual sea-culture as a "peripheral presence." Similarly, Iglesias describes earlier English novels like

751:, which were critical of naval disciplinary practices, during a period when public debates ensued around various social and political reform movements. However, Marryat's novels tend to be treated as unique in this regard; Peck argues that Marryat's novels, though in part supportive of the navy, also highlight a "disturbing dimension" thereof. 1855:, 2006) not only deals with men at sea but also encompasses the lives of boys growing up with dreams of becoming sailors and the experiences of the wives – and widows – of the seamen. James Hanley is another author who explores not only life afloat but the experiences of them and their families on land, especially in his series of five novels 1011: 411:(1589). Then during the 18th century, as Bernhard Klein notes in defining "sea fiction" for his scholarly collection on sea fiction, European cultures began to gain an appreciation of the "sea" through varying thematic lenses. First because of the economic opportunities brought by the sea and then through the influence of the 266:

sea, and immerse the characters in nautical culture. Typical sea stories follow the narrative format of "a sailor embarks upon a voyage; during the course of the voyage he is tested – by the sea, by his colleagues or by those that he encounters upon another shore; the experience either makes him or breaks him".

880:(1863) by Elizabeth Gaskell, where the nautical world is a foil to the social life ashore. However, British novelists increasingly focused on the sea in the 19th century, particularly when they wrote about the upper classes. In such works sea voyages became a place for strong social commentary, as, for example 1427:(nicknamed the "Sea Wolf"), whose heroic exploits have been adapted by Marryat, Forestor, and O'Brian, among others. Susan Bassnet maps a change in the major popular nautical works. On the one hand Marryat's heroes focus on gentlemanly characteristics modeled on idealized ideas of actual captains such as 1314:), published in two parts in 1941 and 1945. The hero Orm, later called Röde Orm (Red Snake) because of his red beard, is kidnapped as a boy onto a raiding ship and leads an exciting life in the Mediterranean area around the year 1000 AD. Later, he makes an expedition eastward into what is now Russia. 546:

as the first sea novel and Marryat's adaptation of that style, as continuing to "pioneer" the genre. Critic Luis Iglesias says that novels and fiction that involved the sea before these two authors "tend to view the sea from the perspective of the shore," focusing on the effect of nautical culture on

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What constitutes nautical fiction or sea fiction, and their constituent naval, nautical or sea novels, depends largely on the focus of the commentator. Conventionally sea fiction encompasses novels in the vein of Marryat, Conrad, Melville, Forester and O'Brian: novels which are principally set on the

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Because of the historical dominance of nautical culture by men, they are usually the central characters, except for works that feature ships carrying women passengers. For this reason, nautical fiction is often marketed for men. Nautical fiction usually includes distinctive themes, such as a focus on

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Though much of the tradition focuses on a militaristic storytelling, some of the prototypes of the genre focus on a commercial naval heritage but continue to highlight the role of masculinity and heroism with that tradition. For example, Iglesias describes Coopers novels and the subsequent novels in

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Until the 20th century nautical fiction focused on officer protagonists and John Peck suggests, that "the idea of the gentleman is absolutely central in maritime fiction". However, historically, the bulk of people aboard nautical voyages are common sailors, drawn from the working classes. An early,

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a narrative about her life aboard the USS Constitution as a warning to other young women. The book was widely read and accepted as fact, but historians now believe that Louisa Baker never existed, and that her story was created by publisher Nathaniel Coverly, Jr., and written by Nathan Hill Wright.

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Although contemporary sea culture includes women working as fishers and even commanding naval ships, maritime fiction on the whole has not followed this cultural change. Generally, in maritime fiction, women only have a role on passenger ships, as wives of warrant officers, and where the plot is on

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While many maritime novels focus on adventure and heroic deeds, the prime function of ships, other than warfare, is the making of money. The darkest aspect of this, involving both greed and cruelty is seen in the slave trade: "The story of Britain's involvement in the slave trade echoes the profit

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play about a brutish, unthinking laborer known as Yank as he searches for a sense of belonging in a world controlled by the rich. At first Yank feels secure as he stokes the engines of an ocean liner, and is highly confident in his physical power over the ship's engines, but later he undergoes a

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Those nautical novels dealing with life on naval and merchant ships set in the past are often written by men and deal with a purely male world with the rare exception, and a core themes found in these novels is male heroism. This creates a generic expectation among readers and publishers. Critic

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Some scholars chose to expand the definition of what constitutes nautical fiction. However, these are inconsistent definitions: some like Bernhard Klein, choose to expand that definition into a thematic perspective, he defines his collection "Fictions of the Sea" around a broader question of the

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called men generally "found covered in grease below decks". Garrett wrote, that " could write romantically and vividly of a ship in heavy sea, but when it came to men aboard he wrote as a conservatively-minded officer", and criticizes Conrad's depiction of the sailor Donkin as a villain in his

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closely parallels Conrad's work, though here Captain Bottell's obsession is with a government official's wife. This causes him to descend into madness, leaving the crew struggling "heroically to keep the ship afloat" during a storm. Critic John Fordham sees Hanley's novel as "a conscious

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of nautical language and "faithful descriptions of nautical maneuvers and the vernacular expression of seafaring men" as reinforcing his work's authority for the reader, and as giving more credence to characters, which distinguishes it from earlier fiction set on or around the sea.

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to Europe aboard a German passenger ship. The large cast of characters includes Germans, a Swiss family, Mexicans, Americans, Spaniards, a group of Cuban medical students, and a Swede. In steerage there are 876 Spanish workers being returned from Cuba. Porter's title alludes to

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into the Atlantic for insurance purposes. According to historical accounts, one slave survived and climbed back onto the ship; and in D'Aguiar's narrative this slave – about whom there is next to no historical information – is developed as the fictional character Mintah.

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The 1930s saw the publication of a number of short stories and novels about life of seamen below deck, some written by adventure seekers from wealthy families, like Melville and O'Neill, and others from the working class, who had gone to sea out of necessity. Moneyed

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and heroism, investigations of social hierarchies, and the psychological struggles of the individual in the hostile environment of the sea. Stylistically, readers of the genre expect an emphasis on adventure, accurate representation of maritime culture, and use of

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A distinct sea novel genre, which focuses on representing nautical culture exclusively, did not gain traction until the early part of the 19th century. However, works dealing with life at sea had been written in the 18th century. These include works dealing with

1169:(1914–2000), define the conventional boundaries of contemporary naval fiction. A number of later authors draw on Forester's and O'Brian's models of representing individual officers or sailors as they progress through their careers in the British navy, including 1185:, distinguishing itself from Hornblower, one reviewer even commented the books have "escaped the usual confines of naval adventure attract new readers who wouldn’t touch Horatio Hornblower with a bargepole." There are also reviews that compare these works to 2070:, The allegory depicts a vessel without a pilot, populated by human inhabitants who are deranged, frivolous, or oblivious, and seemingly ignorant of their course. The concept makes up the framework of the 15th century book which served as the inspiration for 5931: 1439:

Britain, and O'Brian is exploring the social and scholarly complexities of the later part of the 20th century. Like O'Brian's novels, other 20th century authors treat masculinity as a complex plurality, full of questions about the idea of

861:, it was also named "the greatest book of the sea ever written" by D.H. Lawrence. In this work, the hunting of a whale by Captain Ahab immerses the narrator, Ishmael, in a spiritual journey, a theme also featured in Conrad's much later 747:; these authors frequently both reflect on and defend the public image of the navy. Novels by these authors highlight a more conservative and supportive view of the navy, unlike texts from those interested in reforming the navy, like 1894:

being a primary medium for exploring the issue. The story line has a very extensive cast of characters, and the narrative interweaves elements of appalling cruelty and horror with extended comic interludes. It shared, in 1992, the

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trilogy, explores the complexities of what constitutes a stable and acceptable male role as the civilian main character is thrust into the militaristic world of the navy, and is forced to work out afresh his own ideas of manhood.

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was "driven to the docks in the family limousine", when he was eighteen to begin a voyage "as deck hand, cabin boy and ultimately a fireman's helper on a tramp steamer". From this experience as a common seaman came Lowry's novel

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The development of nautical fiction follows with the development of the English language novel and while the tradition is mainly British and North American, there are also significant works from literatures in Japan, France,

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comments that Frank's "encounters with prostitutes and a relationship with an actress resulting in a child are not what might be expected", that is he is not "the kind of honest lad', the kind of midshipmen portrayed by

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At the same time that literary works embraced the sea narrative in Britain, so did the most popular novels of adventure fiction, of which Marryat is a major example. Critic John Peck emphasizes this subgenre's impact on

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In Britain, the genesis of a nautical fiction tradition is often attributed to Frederick Marryat. Marryat's career as a novelist stretched from 1829 until his death in 1848, with many of his works set at sea, including

280:". Choosing not to fall into this wide of a definition, but also opting to include more fiction than just that which is explicitly about the sea, John Peck opts for a broader maritime fiction, which includes works like 140:

1836) in the early 19th century. There were 18th century and earlier precursors that have nautical settings, but few are as richly developed as subsequent works in this genre. The genre has evolved to include notable

270:"Britain and the Sea" in literature, which comes to include 16th and 17th maritime instructional literature, and fictional depictions of the nautical which offer lasting cultural resonance, for example Milton's 2766: 804:. John Peck describes Herman Mellville and Joseph Conrad as the "two great English-language writers of sea stories": better novelists than predecessors Cooper and Marryat, both flourished writing in the " 1965:(1980) is set on board a warship the ship is also carrying a number of passengers on their way to Australia, who encompass a motley yet representative collection of early 19th century English society. 1583:. Annie and her crew also did some crime fighting and helped people caught in storms and floods. The series was extremely popular and there were two films and a television show that were based on it. 2031:(1962), a ship can be a symbol: "if thought of as isolated in the midst of the ocean, a ship can stand for mankind and human society moving through time and struggling with its destiny." Set in 1931 1238:

is about sea voyages to Australia in the early nineteenth century, and draws extensively on the traditions of Jane Austen, Joseph Conrad and Herman Melville, and is Golding's most extensive piece of

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A distinction between nautical fiction and other fiction merely using the sea as a setting or backdrop is an investment in nautical detail. Luis Iglesias describes James Fenimore Cooper's use in

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Sea narratives have a long history of development, arising from cultures with genres of adventure and travel narratives that profiled the sea and its cultural importance, for example

1549:, Book 1 of the Patricia MacPherson Nautical Adventure Series is historical fiction, which were inspired by the documented occurrences of actual women who served aboard ship as men. 1498:(1913), where in the final section Captain Anthony takes his younger bride to sea with him and the captain's "obsessive passion" disturbs "the normal working relations of the ship". 1453:

the American tradition growing out of "a distinctive attitude borne of commercial enterprise, confronting and ultimately superseding its Atlantic rival." Only one of his novels,

638:(1844) he examines this subject again, as well as offering a critique of American politics. Cooper's novels created an interest in sea novels in the United States, and led both 1423:

However, as the genre has developed, models of masculinity and the nature of male heroism in sea novels vary greatly, despite being based on similar historical precedents like

658:(1840) as utilizing a similar style and addressing the same thematic issues of national and masculine identity as nautical fiction developing after Cooper's pioneering works. 1756:

has been described as "truly disturbing novel", and explores sexual abuse of a teenage youth aboard a cargo ship. According to Paul Lester the "opening pages of Jim Phelan's

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in the late 1920s ran a series of short stories about "Tugboat Annie" Brennan, a widow who ran a tugboat and successfully competed for a share of the towboat business in

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As the model of the sea novel solidified into a distinct genre, writers in both Europe and the United States produced major works of literature in the genre, for example

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utilizing quick "on the job" direct action. O'Neill was a major influence on a number of subsequent writers of nautical fiction, like James Hanley and George Garrett.

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This list includes some of the notable authors covered by Knowledge (XXG). For a more expansive list of notable authors and works, see the Knowledge (XXG) Category:

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Cruel Seas: Merchant Shipping-focused World War 2 Nautical Fiction, 1939 to 2004: an Annotated Bibliography of English Language Short Stories, Novels & Novellas

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book about the lives for'ard of the bridge". The novel portrays what Hanley calls the "real, horrible, fantastic, but disgustingly true". Hanley's own early novel

5182: 3640:, p. 82: "For sailors are of three classes able-seamen, ordinary-seamen, and boys In merchant-ships, a boy means a green-hand, a landsman on his first voyage." 5830: 3120: 1615:, published in 1849, Melville's semi-autobiographical account of the adventures of a refined youth among coarse and brutal sailors and the seedier areas of 307:. In so doing, this article highlights what critics describe as the more conventional definition for the genre, even when they attempt to expand its scope. 1816: 1419:

is based largely on Cochranes exploits in the action, and the character Jack Aubrey's heroic character is established through his similarities to Cochrane.

1529:, in 1816. Again historians doubt that the book, which is full of fantastic adventure, danger, and romance, is really an autobiography of Almira Paul of 928:. In these novels young male characters go through—often morally whitewashed—experiences of adventure, romantic entanglement, and "domestic commitment". 423:

in nature: 'of all the objects that I have ever seen, there is none which affects my imagination as much as the sea or ocean' ". Later in this century

5860: 3296: 5511: 2475: 1832:, that area of public houses, brothels, lodgings, etc., close to the docks which caters to their needs away from home. Herman Melville describes in 1643:

However, it was not until the twentieth century that sea stories "of men for'ard of the bridge" really developed, starting with American playwright

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Mellville's fiction frequently involves the sea, with his first five novels following the naval adventures of seamen, often a pair of male friends (

4197: 5940: 2566: 2528:. Margaret Cohen, for example, states that "fter a seventy-five year hiatus, the maritime novel was reinvented by James Fenimore Cooper, with the 1428: 1424: 1407: 1375: 724: 4253: 978:(1897), all of which were also read by adults, and helped expand the potential of naval adventure fiction. Other novels by Stevenson, including 5194: 2593: 871: 436:(1798), developed the idea of the ocean as "realm of unspoiled nature and a refuge from the perceived threats of civilization". However, it is 3445: 540:, both of whose maritime adventure novels began to define generic expectations about such fiction. Critic Margaret Cohen describes Cooper's 6081: 2308: 1202:(1951) follows a young naval officer Keith Lockhart during World War II service aboard "small ships". Monsarrat's short-story collections 5993: 4523: 2015: 1633: 1079: 652:

to write novels in the genre. The prominence of the genre also influenced non-fiction. Critic John Peck describes Richard Henry Dana's

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Redburn: His First Voyage: Being the Sailor-boy Confessions and Reminiscences of the Son-of-a-Gentleman, in the Merchant Service

3921: 1659: 1479: 277: 4181: 1142: 1841:'s sailortown. There are also works that deal with their experiences in their home port and those of their families ashore. 1382:. Cochrane is frequently a historical model for the kinds of heroism depicted in fiction set during the Napoleonic wars and 1259: 3846:

See, Valerie Burton, " 'As I wuz a-rolling down the Highway one morn': Fictions of the 19th-century English Sailortown" in

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is the most definitive writer of this genre, writing over one hundred boys' books, "many with a maritime theme", including

5506: 4918: 2002: 1525:, was published. The success of this further inspired Nathaniel Coverly, Jr., to publish another tale of a female sailor, 1158:(1933), relating the adventures of the crew of a China tea clipper, who are forced to abandon ship and take to the boats. 442: 608:(1821). Cooper was frustrated with the inaccuracy of the depiction of nautical culture in that book. Though critical of 532:, which made "the sea the proper habit for aspiring authors", including the two most prominent early sea fiction writers 5775: 5060: 3396: 2090: 2027: 1944:

The importance of "the idea of the gentleman" can also be a theme of novels set on passenger ships, as for example with

1403: 622: 598: 542: 120: 31: 110:, and other Western traditions. Though the treatment of themes and settings related to the sea and maritime culture is 5816: 2251: 1250: 1239: 1211: 1061:. Most of Conrad's works draw directly from this seafaring career: Conrad had a career in both the French and British 432: 4489: 3898: 1321:

Authors continue writing nautical fiction in the twenty-first century, including, for example, another Scandinavian,

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Several other notable authors, wrote contemporary to O'Brian and Forester, but expanded the boundaries of the genre.

681:(1832–1834), and others, which were composed at the height of the Romantic movement. The more famous French novelist 4411:

Peck, H. Daniel (1976-10-01). "A Repossession of America: The Revolution in Cooper's Trilogy of Nautical Romances".

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There are, however, stories of women dressed as men serving at sea. In 1815, American Louisa Baker supposedly wrote

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crisis of identity. O'Neill spent several years at sea, and he joined the Marine Transport Workers Union of the

1071:(1899), is based on a three-year employment with a Belgian trading company. His other nautical fiction includes 6066: 6061: 5797: 4992: 4170:"Some Remarks on the Sailors' Language Terminology and Related Issues in British and American Nautical fiction" 2076: 1977: 1971: 1961: 1234: 992: 740: 649: 3461: 2455: 1742:

Writing about the men below decks required a different approach. For example, James Hanley describes Traven's

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Originally published in James Fenimore Cooper Society Miscellaneous Papers, No. 24, August 2007, pp. 3–8

4067: 1820:,1965), chronicles the story of Ryuji, a sailor with vague notions that a special honor awaiting him at sea. 6071: 5619: 5587: 5447: 5204: 5082: 4516: 4290:

Originally published in James Fenimore Cooper Society Miscellaneous Papers No. 25, May 2008, pp. 10–13.

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and looks metaphorically at the progress of the world on its "voyage to eternity" in the years leading to

1410:, which has been fictionalized by several nautical fiction authors; most famously Patrick O'Brian's first 959: 5427: 5422: 5402: 5303: 4756: 4272: 4216: 4201: 2699: 2022: 1829: 1494: 1411: 1198: 1178: 1097: 1054: 901: 533: 239: 186: 115: 4198:"Ship of State: American Identity and Maritime Nationalism in the Sea Fiction of James Fenimore Cooper" 3224: 2524:

This is a debatable claim, dependent on the limitations placed on the genre, per the discussion in the

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Stephenson, William (1998-01-01). "Sex, Drugs and the Economics of Masculinity in William Golding's

1727: 1573:". Peck further suggests that in "Marryat's navy there is" both "contempt for" and "fear of women". 1546: 886: 5936: 5765: 5607: 5557: 5525: 5464: 5417: 5189: 5172: 5167: 5160: 5120: 5072: 4980: 4883: 4865: 4736: 3327: 3271: 2239: 1905: 1856: 1677: 1588: 1338: 1132: 974: 694: 570: 391: 362: 130: 99: 3382: 3375: 2946:

Susan Bassnett "Cabin'd Yet Unconfined: Heroic Masculinity in English Seafaring Novels" in Klein '

2890: 1560:(1829) explores an important part of sailor's life ashore, their sexual encounters. John Peck, in 5906: 5881: 5876: 5839: 5743: 5738: 5728: 5668: 5614: 5382: 5372: 5146: 5115: 5102: 4913: 4898: 4855: 4815: 4741: 4692: 4509: 4436: 4311: 4048: 3975: 3426:

orig. presented at the 2000 Central New York Conference on Language and Literature, Cortland, N.Y

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Cruel Seas : World War 2 Merchant Marine-Related Nautical Fiction from the 1930s to Present

2325: 2128: 1732: 1166: 876: 182: 2582: 5944: 5901: 5748: 5634: 5552: 5518: 5442: 5412: 5377: 5347: 5092: 5050: 5045: 4975: 4970: 4942: 4908: 4873: 4583: 4428: 4381: 4347: 4111: 3621: 3516: 3441: 3331: 3275: 3151: 3131: 3020: 2830: 2546: 2465: 2450: 2430: 2406: 2362: 2071: 1644: 1516: 1109: 1067: 1058: 980: 917: 863: 794: 732: 634: 584: 574: 525: 479: 227: 215: 174: 125: 4335: 3724: 1228:(1956) records the delusions experienced by a drowning sailor in his last moments. Golding's 6035: 5928: 5855: 5688: 5530: 5432: 5407: 5397: 5367: 5271: 5087: 5077: 5035: 4825: 4790: 4779: 4709: 4677: 4593: 4568: 4540: 4420: 4303: 3967: 3319: 3263: 3107: 2822: 2354: 2280: 2234: 2227: 2215: 1990: 1945: 1917: 1900: 1896: 1782: 1722: 1538: 1533:, and what it is more likely is that the story was based on the lives of real women such as 1454: 1267: 1182: 986: 944: 939: 929: 896: 881: 813: 510: 400: 142: 3958:

Frias, Maria (2002). "Building Bridges Back to the Past: An Interview with Fred D'Aguiar".

665:(1804 –1857), his naval experiences supplying much of the material for Sue's first novels, 632:(1827) Cooper explores the development of an American national identity. In the later work 5916: 5733: 5683: 5673: 5540: 5496: 5479: 5387: 4730: 4657: 4642: 4588: 4470:

Le roman maritime, un langage universel: aspects mythologique, métaphysique et idéologique

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led to numerous novels with nautical themes. Some of these just touch on the sea, as with

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Fictions of the Sea. Critical Perspectives on the Ocean in British Literature and Culture

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Fictions of the Sea: Critical Perspectives on the Ocean in British Literature and Culture

3320: 3264: 261:(circa. 1806). Turner's seascapes reflect the Romantic movement's new attitude to the sea 4095: 3356:"The Long Ships (1963) Screen: 'The Long Ships':Widmark and Poitier in Viking Adventure" 2700:"The'keen-eyed critic of the ocean': James Fenimore Cooper's Invention of the Sea Novel" 2080:: a ship—an entire fleet at first—sets off from Basel, bound for the Paradise of Fools. 890:(1877), in which he depicts a character traveling to Australia to make his fortune, and 513:

partially based on Smollett's experience as a naval-surgeon's mate in the British Navy.

5956: 5721: 5700: 5486: 5474: 5342: 5313: 5065: 4903: 4820: 4805: 4563: 4091: 2605: 2490: 2370: 1966: 1875: 1844: 1744: 1432: 1394: 1326: 1310: 1276: 1246: 1224: 1170: 1151: 891: 521: 428: 416: 316: 304: 296: 286: 111: 71: 4294:

Davis, James T. (2012). "Mixed Technological Language in Jack London's THE SEA-WOLF".

2601: 1461:

questions the role of nautical symbols of heroes of the revolutionary period, such as

1140:(1900–1976) wrote only four novels, the most famous of which is the pirate adventure, 37: 6050: 5782: 5647: 5535: 5491: 5437: 5357: 5327: 5266: 5224: 5007: 4985: 4932: 4772: 4751: 4746: 4598: 4578: 4558: 4315: 3979: 2842: 2396: 2374:, a British story paper aimed at young and teenage boys, published from 1879 to 1967. 2350: 2298: 2246: 1925: 1870: 1807: 1794:, 2013)) describes the exploitation of Japanese crab fishermen by ship owners from a 1706: 1702: 1682: 1671: 1663: 1654: 1649: 1628: 1627:. He returned on the same ship on the first of October, after five weeks in England. 1487:. Mrs Weldon (pictured here) is the only woman aboard the main ship during the novel. 1272: 1162: 1050: 1032: 662: 628: 566: 555: 272: 178: 170: 156: 87: 4498:- a website devoted to cataloging historical fiction within the Naval fiction genre. 3933: 3395:

Book review: Carsten Jensen's 'We, the Drowned' by Peter Behrens, February 22, 2011

2337:

In the twentieth century, sea stories were popular subjects for the pulp magazines.

2322:, translated from the Russian by Neil Parsons. (London; Boston: Forest Books, 1986). 5787: 5652: 5025: 4761: 4702: 4647: 4620: 2263: 2183: 2044: 2011: 1692: 1637:(1897) about a black sailor from the West Indies was first published in America as 1534: 1436: 1342: 1330: 1122: 1116:

A number of other novelists started writing nautical fiction early in the century.

1020: 998: 934: 849: 809: 617: 474: 291: 2597: 1786: 1370: 4307: 6009: 5988: 5886: 5792: 5758: 5753: 5362: 5352: 5298: 5276: 5110: 4997: 4810: 4795: 4766: 4719: 4662: 4637: 4625: 4043: 2378: 2258: 2222: 2148: 1994: 1580: 1566: 1484: 1383: 1186: 1174: 1117: 1036: 1015: 817: 783: 728: 494: 489:(1724), which contains biographies of several notorious English pirates such as 412: 386: 357: 281: 231: 219: 194: 107: 4452:

Maritime fiction: sailors and the sea in British and American novels, 1719–1917

2382:, a British boys' paper published by D. C. Thomson & Co. From 1933 to 1959, 2357:

as part of their selection of fiction. Other works that included sea stories:

620:, such as a desire "to map the boundaries and identity of the nation." In both 440:"who has taken most of the credit for inventing the nineteenth-century sea, in 5642: 5547: 5239: 5155: 5150: 4830: 4800: 4548: 2768:

A general history of the robberies & murders of the most notorious pirates

2485: 2210: 1932: 1887: 1803: 1593: 1263: 1255: 1229: 1150:(1938) about a merchant ship caught in a hurricane. English poet and novelist 949: 716: 490: 4432: 4351: 4254:"The Red Rover and Looking at the Nautical Machine for Naturalist Tendencies" 2834: 2581:; for women as crew in the fishing industry, see "Women in Fish harvesting" 1878:(1930–2012), which is set in the mid 18th century in the English sea port of 5960: 5602: 5569: 5332: 5254: 5055: 4955: 4878: 4835: 4785: 4697: 4632: 4573: 4553: 4532: 2500: 2302: 2200: 1879: 1838: 1795: 1769: 1736: 1624: 1616: 1029: 1010: 778: 596:

James Fenimore Cooper wrote what is often described as the first sea novel,

376: 151: 43: 4714: 3804:, ed. Michael Murphy. Nottingham: Nottingham University Press, 1999, pxxi. 2047:. The novel tells the tale of a group of disparate characters sailing from 1354: 749:

Nautical Economy; or forecastle recollections of events during the last war

4484: 3971: 2826: 1214:, mined the same literary vein, and gained popularity by association with 5770: 5577: 5261: 5229: 5141: 5136: 5015: 4960: 4893: 4850: 4615: 4604: 2063: 2036: 1441: 1085: 800: 765: 161: 17: 4440: 1647:'s SS Glencairn one act plays written 1913–17, and his full-length play 1002:(co-authored with Lloyd Osbourne) have significant scenes aboard ships. 5850: 5705: 5469: 5337: 5293: 5288: 5218: 5040: 5030: 4845: 4667: 4495: 4164:, edited A. E. Cunningham. (New York: WW Norton, 1994), pp. 33–42. 2553: 1891: 1834: 1611: 1350: 1127: 843: 381: 211: 83: 4131:, introduced by Donald Kennicott. New York: The McBride Company, 1954. 5808: 5709: 5459: 5244: 5020: 4927: 4686: 4424: 4020:

Politics and History in William Golding: The World Turned Upside Down

3620:

See the Library of America edition edited by George Thomas Tanselle.

3322:

Politics and History in William Golding: The World Turned Upside Down

3266:

Politics and History in William Golding: The World Turned Upside Down

2895:

Sullen Fires Across the Atlantic: Essays in Transatlantic Romanticism

2048: 2040: 1301: 1293: 1218:. Another important British novelist who wrote about life at sea was 612:, Cooper borrowed many of the stylistic and thematic elements of the 470: 1189:

and similar authors. though this is not a universally held opinion.

685:(1802–1870) "made no secret of his admiration for Cooper" and wrote 2891:"Love and Merit in the Maritime Historical Novel: Cooper and Scott" 1868:

versus morality debate that is present in so many maritime novels".

5716: 5283: 5234: 5212: 4965: 4950: 4110:

Jones, Robert Kenneth. The Lure of Adventure. Starmont House,1989

2579: 2067: 1799: 1472: 1369: 1346: 1322: 1028:

Twentieth century novelists expand on the earlier traditions. The

837: 825: 758: 529: 437: 372: 303:

This article focuses on the sea/nautical novel and avoids broader

249: 79: 1916:

Greed and man's inhumanity to his fellows is also the subject of

1662:(IWW), which was fighting for improved living conditions for the 1337:(2006) describes life on both sea and land from the beginning of 177:(1937–67), and works by authors that straddle the divide between 5454: 5249: 4610: 4369:. Institute of Transportation Studies, University of California. 3604: 3602: 2557:

on 6 May 1801, generally regarded as one of the most remarkable

2315:(Translated from the Russian by Bernard Isaacs (Moscow, 1969?) ) 831: 114:, nautical fiction, as a distinct genre, was first pioneered by 5812: 4505: 3376:

https://newrepublic.com/article/85793/we-drowned-carsten-jensen

3297:"William Golding's Rites of Passage: A Case of Transtextuality" 1780:

Japanese authors have also explored working-men's life at sea.

1605:

somewhat disapproving, portrait of ordinary seamen is found in

697:(1793–1875), the author of numerous maritime novels, including 1545:(Alfred A. Knopf, 2006) by Linda Collison, and the subsequent 1541:—women who defied convention to live life on their own terms. 1492:

land. An example of a woman aboard a ship is Joseph Conrad's

75: 4248:. (Baton Rouge, Louisiana: Louisiana State University, 1977). 3462:"BBC – Radio 4 Making History – Thomas Cochrane, sea-captain" 2650:

Klein, Bernhard, "Introduction:Britain in the Sea" in Klein,

1400:

The Action and Capture of the Spanish Xebeque Frigate El Gamo

1035:

drew inspiration from a range of earlier nautical works like

4501: 4246:

A Thematic Study of James Fenimore Cooper's Nautical Fiction

4096:'Ship of Fools' argument against democracy (link to article) 3899:

Books of The Times; Trading in Misery On a Doomed Slave Ship

3513:

Signs of Masculinity: Men in Literature, 1700 to the Present

3121:"John Masefield a Biographical Sketch. The Masefield Society 2911:. (Princeton, NJ: Princeton University Press, 2010), p. 170. 2600:(though this list focuses only on "Age of Sail" fiction) or 1619:. In June 1839 Melville had signed aboard the merchant ship 693:. Another French novelist who had a seafarer background was 3748:

Hanley>James Hanley, "Sugi–Mugi" review of B. Traven's

2561:

in naval history, founded the legendary reputation of the

1890:. The novel's central theme is greed, with the subject of 1065:, climbing to the rank of captain. His most famous novel, 727:—who would also later inspire Patrick O'Brian's character 4330:. (Woodbridge: Boydell and Brewer, 2018), pp. 27–52. 3044:

Peck, "Mid-Victorian Maritime Fiction", pp. 127–148.

2596:. Others not included in Knowledge (XXG) can be found at 1828:

Another aspect of sailors' lives is their experiences of

1465:, and their unsavory naval practices while privateering. 1161:

The novels of two other prominent British sea novelists,

3250:

Encyclopedia of British Writers, 19th and 20th Centuries

2114:

Notable exponents of the sea novel not discussed above.

1623:

as a "boy" (a green hand) for a cruise from New York to

4241:. (Princeton, NJ: Princeton University Press, c. 2010). 4140:"Lost at Sea: The Story of The Ocean," introduction to 1357:, and voyages by the town's seamen all over the globe. 1049:'s book about his 1857–59 expeditions in search of Sir 661:

Fenimore Cooper greatly influenced the French novelist

3711:

Margerie Lowry, "Introductory Note" to Malcolm Lowry,

3698:

Margerie Lowry, "Introductory Note" to Malcolm Lowry,

2536:. Princeton: Princeton University Press, 2010, p. 133. 2320:

Running to the Shrouds: Nineteenth-Century Sea Stories

1798:

point-of-view. The book has been made into a film and

3559: 3557: 3391: 3389: 3301:

Miscelánea: A Journal of English and American Studies

3072: 3070: 3068: 3040: 3038: 3036: 2986: 2984: 2982: 1924:(1997), which was inspired by the true story of the 1517:

The Female Marine; or the Adventures of Louisa Baker

6008: 5915: 5869: 5661: 5633: 5568: 5312: 5203: 5101: 5006: 4941: 4864: 4676: 4539: 4200:. University of Wisconsin–Milwaukee. Archived from 4162:

Patrick O'Brian: Critical Essays and a Bibliography

2662: 2660: 2366:, an American pulp magazine from 1882 through 1978. 2016:

Commonwealth Writers' Prize (Europe and South Asia)

1271:). The others are about sailing small boats in the 900:(1866), which follows gentlemen yachting. Likewise 112:

common throughout the history of western literature

4328:Mobility in the English Novel from Defoe to Austen 3953: 3951: 3538:(Cardiff: University of Wales Press, 2002), p. 47. 2972: 2970: 2968: 2740:1712, quoted by Jonathan Raban, "Introduction" to 2704:James Fenimore Cooper Society Miscellaneous Papers 1639:The Children of the Sea: A Tale of the Forecastle. 1154:(1878–1967), who had himself served at sea, wrote 305:thematic discussions of nautical topics in culture 30:"Sea stories" redirects here. For other uses, see 3815:James Hanley 'The Last Voyage and Other Stories' 3565:"Women & The Sea : The Mariner's Museum" 2626:Ray Taras, "A Conversation with Carsten Jensen", 2419:pulp (two issues: November 1940 and January 1941) 857:is his most important work, sometimes called the 4407:. (Liverpool: Liverpool University Press, 2005). 4405:Portsmouth Point: the Navy in fiction, 1793–1815 3787:Paul Lester, "Life: The Writings of Jim Phelan, 3735:James Hanley, "Sugi–Mugi" review of B. Traven's 3649:James Hanley, "Sugi–Mugi" review of B. Traven's 2788:.(Oxford: Oxford University Press, 1992), p. 16. 2744:. (Oxford: Oxford University Press, 1992), p. 8. 1913:, Unsworth's last book, was published in 2011. 916:(1877), both highlight the social anxieties of 763:The Polish cover to Joseph Conrad's 1904 novel 321: 3669:"The Sailor Who Became "America's Shakespere"" 1406:illustrates one of the most famous battles by 1253:(published 1930–1947) involve sailing at sea ( 5824: 4517: 4322:Ewers, Chris. 'Travelling by Sea and Land in 4022:. University of Missouri Press, 2002, p. 194. 3876:, Melbourne, Australia, F. W. Cheshire, 1964. 3549:James Hanley: Modernism and the Working Class 3536:James Hanley: Modernism and the Working Class 3414:""I Loved Him Like a Brother": Male Bonds in 2868: 2866: 2864: 2862: 2860: 2858: 870:The importance of naval power in maintaining 8: 4468: 4395: 1283:are about sailing on a yacht in the Baltic: 317:Sea in culture § In literature and film 4460:Smith, Myron J. jr., and Robert C. Weller, 4094:for a one-page summary of Plato's original 3407: 3405: 3403: 3141: 3139: 2942: 2940: 2938: 2936: 2934: 2932: 2930: 1817:The Sailor Who Fell from Grace with the Sea 1768:) and Joseph Conrad, depicting what critic 1569:or "who well be at the centre of Marryat's 419:identified "the sea as an archetype of the 5921: 5831: 5817: 5809: 4524: 4510: 4502: 4336:"Recent Maritime Fiction: Women and Words" 2693: 2691: 2689: 2687: 2685: 2683: 2681: 1210:(1959) previously made into a film of the 450:There is a pleasure in the pathless woods, 218:, and also may overlap with the genres of 3326:. University of Missouri Press. pp. 2349:often ran sea stories by writers such as 1181:straddles the divide between popular and 47:, one of the renowned American sea novels 3270:. University of Missouri Press. p. 3204:(15 February 1995 ed.). 20 May 2010 2804: 2802: 2800: 2798: 2796: 2794: 2604:. More specific thematic lists, include 2565:commander, Lord Cochrane (later Admiral 2476:List of underwater science fiction works 1705:writers who describe experiences in the 1527:The Surprising Adventures of Almira Paul 1521:The story was so popular that a sequel, 1393: 1009: 583: 41:An illustration from a 1902 printing of 36: 4142:The Ocean: 100th Anniversary Collection 4068:"Katherine Anne Porter's Crowning Work" 3438:Cochrane: The Real Master and Commander 3053:Peck, "Adventures at Sea", pp. 149–164. 2646: 2644: 2642: 2640: 2638: 2619: 2567:Thomas Cochrane, 10th Earl of Dundonald 2551:'s defeat of the Spanish xebec-frigate 2517: 2318:Konstantin Mikhailovich Staniukovich, 1931:in which 132 slaves were thrown from a 453:There is a rapture on the lonely shore, 5195:Types of fiction with multiple endings 4281: 4270: 4225: 4214: 4051:or The Romantic Iconography of the Sea 3689:. London: Verso editions, 1983, p. 80. 3440:. New York: Bloomsbury. pp. 3–4. 3349: 3347: 3016:Studies in Classic American Literature 2958:John Peck "Captain Marryat's Navy" in 2594:Category:Nautical historical novelists 602:(1824), in response to Walter Scott's 459:By the deep Sea and music in its roar. 102:for the theatre, film and television. 4160:Bayley, John "In Which We Serve", in 4061: 4059: 3817:. London: Harvill Press, 1997, p. xv 3422:James Fenimore Cooper Society Website 2884: 2882: 1204:H.M.S. Marlborough Will Enter Harbour 904:'s novels, especially the first two, 456:There is society where none intrudes, 7: 4496:https://www.historicnavalfiction.com 4397:La mer dans la littérature française 4009:. Atlantic Publishers, 2003. p. 100. 3702:. London: Jonathan Cape, 1963, p. 7. 3252:. Infobase Publishing, 2009, p. 257. 2386:More specialized magazines include: 2309:Konstantin Mikhailovich Staniukovich 2123:Vie et aventures de M. de Beauchesne 4334:Keefer, Janice Kulyk (1986-06-06). 3667:Murfin, Patrick (16 October 2012). 3223:Teachout, Terry (3 November 1998). 3171:McNally, Frank (12 December 2014). 3098:Peck, "Joseph Conrad", pp. 165-185. 2602:John Kohnen's Nautical Fiction list 1053:'s lost ships, as well as works by 345:Storms there beat the stony cliffs, 202:. Works of nautical fiction may be 3752:Spectator, 26 January 1934, p. 131 3354:Thompson, Howard (June 25, 1964). 2753:Jonathan Raban, "Introduction" to 645:The Narrative of Arthur Gordon Pym 25: 5598:Third-person omniscient narrative 3791:, vol. 36, nos. 7 & 8, p. 45. 2872:Peck, "American Sea Fiction", in 2409:pulp (February 1922 to June 1930) 1444:. For example, William Golding's 648:) and mass-market novelists like 506:The Adventures of Roderick Random 399:(c.1220–1280), or early European 6031: 6030: 4483: 4066:Republic, The New (1962-04-02). 3926:British Council Writers Profiles 3673:Heretic, Rebel, a Thing to Flout 2133:Voyages du Capitaine Robert Lade 1874:(1992) is a historical novel by 1586:Harcourt published L.A. Meyer's 1552:Early in the nineteenth century 486:A General History of the Pyrates 343:instead of the drinking of mead. 3483:"The Real Master and Commander" 3146:Groot, Jerome de (2009-09-23). 2776:. Conway Maritime Press (2002). 2772:Introduction and commentary by 2525: 2395:, one of the first specialized 1660:Industrial Workers of the World 1480:Dick Sand, A Captain at Fifteen 1318:was later adapted into a film. 872:Britains' vast worldwide empire 723:, in part under the command of 689:(1838) as a sequel to Cooper's 588:The original cover of Cooper's 339:instead of the laughter of men, 278:The Rime of the Ancient Mariner 4986:Conflict between good and evil 4473:. (Paris: Harmattan, c. 2007). 4340:Studies in Canadian Literature 4196:Clohessy, Ronald John (2003). 4129:Best Sea Stories from Bluebook 3863:. New York: Random House, 2013 2727:. (New York: Routledge, 2002). 2675:Peck, "Introduction", pp. 1-9. 1993:deals with the sinking of the 1596:and classic nautical fiction. 90:, sometimes under the name of 74:with a setting on or near the 1: 4403:Parkinson, C. Northcote, ed. 4376:Klein, Bernhard, ed. (2002). 4053:. London: Faber, 1951, p. 61. 4007:The Novels of William Golding 3861:Liverpool: The Hurricane Port 3837:, ed. Michael Murphy, p. 240. 3511:". In Rowland, Antony (ed.). 2486:Royal Navy in Popular Culture 1681:(1933), a work influenced by 1634:The Nigger of the 'Narcissus' 1080:The Nigger of the 'Narcissus' 673:(1831), the "widely admired" 333:I took to myself as pleasure, 4308:10.1080/00144940.2012.727903 4032:"Every Man for Himself" page 3835:The Collected George Garrett 3828:The Nigger of the 'Narcissus 3802:The Collected George Garrett 2999:Peck, "Herman Mellville" in 2399:(March 1907 to January 1908) 2084:Nautical detail and language 1523:The Adventures of Lucy Brown 1404:Clarkson Frederick Stanfield 1300:became widely known for his 1249:’s children's novels in the 703:Le Négrier, aventures de mer 179:popular and literary fiction 98:. These works are sometimes 32:Sea Stories (disambiguation) 6082:Historical novels subgenres 2252:The Wreck of the Mary Deare 2010:, and was a nominee of the 1345:. The novel focuses on the 1260:We Didn't Mean To Go To Sea 1251:Swallows and Amazons series 1240:historiographic metafiction 1208:The Ship That Died of Shame 1014:The first edition cover of 1006:The 20th and 21st centuries 907:John Holdsworth, Chief Mate 433:Rime of the Ancient Mariner 337:and the voice of the curlew 6103: 3906:Booker Club: Sacred Hunger 3874:The Novels of James Hanley 3850:. London: Routledge, 2002. 3826:George Garrett, "Conrad's 2786:The Oxford Book of the Sea 2755:The Oxford Book of the Sea 2742:The Oxford Book of the Sea 2481:Pirates in popular culture 2461:Glossary of nautical terms 2276:Notable novellas include: 2102: 1126:(1904), was influenced by 913:The Wreck of the Grosvenor 509:, published in 1748, is a 443:Childe Harold's Pilgrimage 314: 29: 6026: 5924: 5846: 5625:Stream of unconsciousness 5156:Falling action/Catastasis 4180:: 331–350. Archived from 3089:. Camden House, pp. 41–42 3019:. London: Penguin Books. 2433:large-size reprint pulps) 2143:The Story of Jack Halyard 2105:Category:Nautical fiction 1653:(1922). The latter is an 1577:The Saturday Evening Post 1507:anti-romantic attack" on 1483:by Jules Verne, drawn by 1074:An Outcast of the Islands 655:Two Years Before the Mast 538:Captain Frederick Marryat 524:suggests that it was the 4993:Self-fulfilling prophecy 4365:Krummes, Daniel (2004). 3657:26 January 1934, p. 131. 3436:David Cordingly (2007). 3225:"Don't Give Up the Ship" 3109:New York Review of Books 2809:Cohen, Margaret (2003). 2736:Essay on the sea in the 2725:The Sea Voyage Narrative 2598:Historical Naval Fiction 2506:Women pirates in fiction 2039:that traces the rise of 1972:To the Ends of the Earth 1600:The working class at sea 1446:To the Ends of the Earth 1279:. Two short stories in 1235:To the Ends of the Earth 1222:(1911–1993). His novel 993:The Master of Ballantrae 938:. Other authors include 650:Lieutenant Murray Ballou 331:At times the swan's song 5620:Stream of consciousness 5083:Suspension of disbelief 4400:. Paris: Plon, c. 2003. 4100:(subscription required) 3318:Crawford, Paul (2002). 3262:Crawford, Paul (2002). 3013:Lawrence, D.H. (1923). 2698:Iglesias, Luis (2006). 2545:The British brig-sloop 2471:List of fictional ships 2286:The Old Man and the Sea 2172:The Riddle of the Sands 2014:. It also won the 1997 1775:Nigger of the Narcissus 1380:Peter Edward Stroehling 1366:Masculinity and heroism 1136:(1897). Welsh novelist 699:Les Pilotes de l'Iroise 425:Samuel Taylor Coleridge 259:The Battle of Trafalgar 64:naval adventure fiction 6018:Historical reenactment 5989:Historical grand opera 5161:Denouement/Catastrophe 5142:Rising action/Epitasis 4469: 4413:Studies in Romanticism 4396: 4380:. Aldershot: Ashgate. 4280:Cite journal requires 4224:Cite journal requires 4146:Off-Trail Publications 4098:, accessed March 2014. 3776:Dockers and Detectives 3763:Dockers and Detectives 3687:Dockers and Detectives 3569:www.marinersmuseum.org 3295:NADAL, Marita (1994). 2706:. Cooperstown, NY: 1–7 2628:World Literature Today 2439:, digest (Spring 1953) 2145:and other works (1824) 1748:(1934), as "the first 1488: 1420: 1387: 1341:in 1848 to the end of 1289:Two Shorts and a Long. 1143:A High Wind in Jamaica 1130:'s recently published 1025: 960:Robert Louis Stevenson 769: 593: 353: 262: 48: 5994:by historical figures 5507:Utopian and dystopian 4454:. New York: Palgrave. 4244:Philip Neil Cooksey. 4239:The novel and the sea 3972:10.1353/cal.2002.0068 3587:John Peck, pp. 53-59. 3248:Christine L. Krueger 3173:"The Life of O'Brian" 3087:Joseph Conrad: A Life 2922:The Novel and the Sea 2909:The Novel and the Sea 2827:10.1353/nlh.2003.0040 2534:The Novel and the Sea 2456:Children's literature 2023:Katherine Anne Porter 2006:, which won the 1996 2003:Every Man for Himself 1792:The Crab Cannery Ship 1477:An illustration from 1476: 1397: 1373: 1179:Aubrey-Maturin series 1055:James Fenimore Cooper 1013: 902:William Clark Russell 762: 587: 534:James Fenimore Cooper 347:where the tern spoke, 325:There I heard nothing 315:Further information: 253: 240:psychological fiction 224:children's literature 187:Aubrey-Maturin series 116:James Fenimore Cooper 40: 5061:Narrative techniques 4841:Story within a story 4653:Supporting character 4492:at Wikimedia Commons 4168:Blaszak, M. (2006). 4155:Scholarly literature 4034:, Fantastic Fiction. 3148:The Historical Novel 2815:New Literary History 2770:. By Charles Johnson 2313:Maximka; Sea Stories 2160:An Iceland Fisherman 2074:'s famous painting, 1911:The Quality of Mercy 1531:Halifax, Nova Scotia 1416:Master and Commander 1412:Aubrey-Maturin novel 1177:. Patrick O'Brian's 859:Great American Novel 792:and Joseph Conrad's 397:Saga of Eric the Red 327:but the roaring sea, 236:social problem novel 5937:Middle Ages in film 5766:Political narrative 5608:Unreliable narrator 5465:Speculative fiction 5173:Nonlinear narrative 5121:Three-act structure 4981:Deal with the Devil 4467:Zainoun, Ibtisam. 4450:Peck, John (2001). 2948:Fictions of the Sea 2652:Fictions of the Sea 2559:single-ship actions 2427:Sea Story Anthology 2099:Other notable works 2066:, originating from 2021:Sometimes, as with 1906:The English Patient 1857:The Furys Chronicle 1758:Ten-A-Pennry People 1353:, on the island of 1339:Danish-Prussian War 1285:The Unofficial Side 1156:The Bird of Dawning 1133:Captains Courageous 975:Captains Courageous 626:and the subsequent 616:genre developed by 415:. As early as 1712 72:genre of literature 5907:Historical fantasy 5882:Historical romance 5877:Historical mystery 5840:Historical fiction 5744:Narrative paradigm 5739:Narrative identity 5669:Dominant narrative 5615:Multiple narrators 4899:Fictional location 4742:Dramatic structure 4049:The Enchafed Flood 3936:on 23 January 2013 3903:The New York Times 3800:"Introduction" to 3481:Cordingly, David. 3412:Harthorn, Steven. 3378:>Hillary Kelly 3361:The New York Times 3085:Najder, Z. (2007) 3076:Peck, pp. 149-164. 2990:Peck, pp. 107-126. 2811:"Traveling Genres" 2666:Peck, pp. 165-185. 2526:definition section 2431:Street & Smith 2413:Sea Novel Magazine 2407:Street & Smith 2328:, "The Conger Eel" 2119:Alain-René Le Sage 1922:Feeding the Ghosts 1884:Liverpool Merchant 1571:Mr Midshipman Easy 1489: 1421: 1388: 1298:Frans G. Bengtsson 1281:Coots in the North 1194:Nicholas Monsarrat 1047:Leopold McClintock 1042:Toilers of the Sea 1026: 955:Under Drake's Flag 789:Toilers of the Sea 770: 712:Mr Midshipman Easy 614:historical fiction 594: 592:, printed in 1823. 407:'s (c. 1552–1616) 335:the gannet's noise 329:the ice-cold wave. 263: 208:historical romance 137:Mr Midshipman Easy 54:, frequently also 49: 6087:Adventure fiction 6077:Maritime folklore 6044: 6043: 6004: 6003: 5997: 5979:Historical comics 5975: 5948: 5945:Peplum film genre 5902:Alternate history 5806: 5805: 5749:Narrative therapy 5183:television series 5128:Freytag's Pyramid 4971:Moral development 4874:Alternate history 4584:False protagonist 4488:Media related to 4462:Sea fiction guide 4252:Davis ll, James. 4237:Cohen, Margaret. 3596:John Peck, p. 57. 3447:978-1-58234-534-5 3062:Peck, pp.149-164. 2466:Imaginary voyages 2451:Adventure fiction 2072:Hieronymous Bosch 1688:The Ship Sails On 1609:'s fourth novel 1068:Heart of Darkness 1059:Frederick Marryat 918:Victorian Britain 864:Heart of Darkness 795:Heart of Darkness 755:Late 19th century 687:Le Capitaine Paul 667:Kernock le pirate 635:Afloat and Ashore 575:Frederick Chamier 528:, and especially 526:Romantic movement 480:Captain Singleton 413:Romantic movement 401:travel narratives 276:and Coleridge's " 228:travel narratives 216:adventure fiction 200:nautical language 175:Hornblower series 126:Frederick Marryat 16:(Redirected from 6094: 6057:Nautical fiction 6034: 6033: 5991: 5954: 5934: 5929:Historical drama 5922: 5892:Nautical fiction 5833: 5826: 5819: 5810: 5729:Literary science 5272:Narrative poetry 5168:Linear narrative 5078:Stylistic device 5073:Show, don't tell 5036:Figure of speech 4826:Shaggy dog story 4569:Characterization 4526: 4519: 4512: 4503: 4490:Nautical fiction 4487: 4472: 4455: 4444: 4425:10.2307/25600051 4399: 4391: 4370: 4361: 4359: 4358: 4324:Robinson Crusoe' 4319: 4289: 4283: 4278: 4276: 4268: 4266: 4265: 4256:. 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Archived from 3918: 3912: 3896: 3890: 3887:Maritime Fiction 3883: 3877: 3870: 3864: 3857: 3851: 3844: 3838: 3831: 3824: 3818: 3813:Alan Ross, ed., 3811: 3805: 3798: 3792: 3785: 3779: 3772: 3766: 3759: 3753: 3746: 3740: 3733: 3727: 3722: 3716: 3709: 3703: 3696: 3690: 3683: 3677: 3676: 3664: 3658: 3647: 3641: 3634: 3628: 3618: 3612: 3609:Maritime Fiction 3606: 3597: 3594: 3588: 3585: 3579: 3578: 3576: 3575: 3561: 3552: 3545: 3539: 3533: 3527: 3526: 3504: 3498: 3497: 3495: 3493: 3478: 3472: 3471: 3469: 3468: 3458: 3452: 3451: 3433: 3427: 3425: 3416:The Two Admirals 3409: 3398: 3393: 3384: 3372: 3366: 3365: 3351: 3342: 3341: 3325: 3315: 3309: 3308: 3292: 3286: 3285: 3269: 3259: 3253: 3246: 3240: 3239: 3237: 3235: 3220: 3214: 3213: 3211: 3209: 3194: 3188: 3187: 3185: 3183: 3168: 3162: 3161: 3143: 3134: 3129: 3123: 3118: 3112: 3105: 3099: 3096: 3090: 3083: 3077: 3074: 3063: 3060: 3054: 3051: 3045: 3042: 3031: 3030: 3010: 3004: 3001:Maritime Fiction 2997: 2991: 2988: 2977: 2976:Peck, pp. 50-69. 2974: 2963: 2960:Maritime Fiction 2956: 2950: 2944: 2925: 2920:Margaret Cohen, 2918: 2912: 2907:Margaret Cohen, 2905: 2899: 2898: 2897:. Praxis Series. 2886: 2877: 2874:Maritime Fiction 2870: 2853: 2852: 2850: 2849: 2806: 2789: 2783: 2777: 2764: 2758: 2751: 2745: 2734: 2728: 2721: 2715: 2714: 2712: 2711: 2695: 2676: 2673: 2667: 2664: 2655: 2648: 2633: 2624: 2609: 2590: 2584: 2576: 2570: 2543: 2537: 2522: 2437:Tales of the Sea 2423:Sea Story Annual 2355:H. Bedford-Jones 2281:Ernest Hemingway 2235:Alistair MacLean 2228:The Caine Mutiny 2167:Erskine Childers 1991:Beryl Bainbridge 1962:Rites of Passage 1946:Anthony Trollope 1920:'s third novel, 1901:Michael Ondaatje 1783:Takiji Kobayashi 1723:John Sommerfield 1562:Maritime Fiction 1539:Mary Anne Talbot 1455:The Two Admirals 1183:literary fiction 1165:(1899–1966) and 1146:. He also wrote 945:The Coral Island 940:R. M. Ballantyne 930:Charles Kingsley 882:Anthony Trollope 814:Charles Kingsley 745:William J. Neale 737:Captain Glascock 695:Edouard Corbière 579:William Glasgock 571:Edouard Corbière 511:picaresque novel 464:Early sea novels 395:, the Icelandic 367: 341:the singing gull 68:maritime fiction 52:Nautical fiction 21: 6102: 6101: 6097: 6096: 6095: 6093: 6092: 6091: 6067:Water transport 6062:Literary genres 6047: 6046: 6045: 6040: 6022: 6000: 5972:wuxia tv series 5941:Arthurian films 5917:Performing arts 5911: 5865: 5842: 5837: 5807: 5802: 5734:Literary theory 5674:Fiction writing 5657: 5629: 5564: 5316: 5308: 5199: 5097: 5002: 4937: 4860: 4731:Deus ex machina 4672: 4658:Title character 4643:Stock character 4589:Focal character 4535: 4530: 4480: 4449: 4410: 4388: 4375: 4364: 4356: 4354: 4333: 4293: 4279: 4269: 4263: 4261: 4251: 4223: 4213: 4207: 4205: 4195: 4187: 4185: 4167: 4157: 4152: 4139: 4135: 4127:Horace Vondys, 4126: 4122: 4109: 4105: 4099: 4089: 4085: 4076: 4074: 4065: 4064: 4057: 4042: 4038: 4030: 4026: 4017: 4013: 4005:Indu Kulkarni, 4004: 4000: 3991: 3987: 3966:(2): 418–425 . 3957: 3956: 3949: 3939: 3937: 3930:British Council 3922:"Fred D'Aguiar" 3920: 3919: 3915: 3897: 3893: 3884: 3880: 3872:Edward Stokes, 3871: 3867: 3858: 3854: 3845: 3841: 3829: 3825: 3821: 3812: 3808: 3799: 3795: 3789:London Magazine 3786: 3782: 3773: 3769: 3760: 3756: 3747: 3743: 3734: 3730: 3723: 3719: 3710: 3706: 3697: 3693: 3684: 3680: 3666: 3665: 3661: 3648: 3644: 3635: 3631: 3619: 3615: 3607: 3600: 3595: 3591: 3586: 3582: 3573: 3571: 3563: 3562: 3555: 3547:John Fordham, 3546: 3542: 3534: 3530: 3523: 3509:Rite of Passage 3506: 3505: 3501: 3491: 3489: 3480: 3479: 3475: 3466: 3464: 3460: 3459: 3455: 3448: 3435: 3434: 3430: 3411: 3410: 3401: 3394: 3387: 3373: 3369: 3353: 3352: 3345: 3338: 3317: 3316: 3312: 3294: 3293: 3289: 3282: 3261: 3260: 3256: 3247: 3243: 3233: 3231: 3222: 3221: 3217: 3207: 3205: 3198:"The Commodore" 3196: 3195: 3191: 3181: 3179: 3177:The Irish Times 3170: 3169: 3165: 3158: 3145: 3144: 3137: 3130: 3126: 3119: 3115: 3106: 3102: 3097: 3093: 3084: 3080: 3075: 3066: 3061: 3057: 3052: 3048: 3043: 3034: 3027: 3012: 3011: 3007: 2998: 2994: 2989: 2980: 2975: 2966: 2957: 2953: 2945: 2928: 2919: 2915: 2906: 2902: 2888: 2887: 2880: 2871: 2856: 2847: 2845: 2808: 2807: 2792: 2784: 2780: 2774:David Cordingly 2765: 2761: 2752: 2748: 2735: 2731: 2723:Robert Foulke, 2722: 2718: 2709: 2707: 2697: 2696: 2679: 2674: 2670: 2665: 2658: 2649: 2636: 2625: 2621: 2617: 2612: 2591: 2587: 2577: 2573: 2544: 2540: 2523: 2519: 2515: 2510: 2496:Submarine films 2446: 2417:Frank A. Munsey 2335: 2326:Liam O'Flaherty 2295: 2274: 2191:H. M. Tomlinson 2179:Rafael Sabatini 2154:My Brother Yves 2139:William Cardell 2112: 2107: 2101: 2086: 2060:Sebastian Brant 2008:Whitbread Prize 1984:Fire Down Below 1957:William Golding 1942: 1940:Passenger ships 1899:that year with 1882:and aboard the 1865: 1853:We, the drowned 1849:Vi, de druknede 1826: 1810:, in his novel 1733:Liam O'Flaherty 1607:Herman Melville 1602: 1554:Captain Marryat 1504:Captain Bottell 1471: 1463:John Paul Jones 1429:Thomas Cochrane 1425:Thomas Cochrane 1368: 1363: 1335:We, the drowned 1268:Great Northern? 1220:William Golding 1167:Patrick O'Brian 1063:merchant marine 1008: 970:Rudyard Kipling 965:Treasure Island 877:Sylvia's Lovers 806:adventure novel 757: 733:Captain Chamier 725:Thomas Cochrane 721:Napoleonic wars 683:Alexandre Dumas 640:Edgar Allan Poe 562:Roderick Random 550:Robinson Crusoe 519: 501:Tobias Smollett 466: 405:Richard Hakluyt 369: 355: 352: 350: 348: 346: 344: 342: 340: 338: 336: 334: 332: 330: 328: 326: 324: 319: 313: 255:J. M. W. Turner 248: 183:Patrick O'Brian 167:popular fiction 147:Herman Melville 35: 28: 23: 22: 15: 12: 11: 5: 6100: 6098: 6090: 6089: 6084: 6079: 6074: 6072:Maritime books 6069: 6064: 6059: 6049: 6048: 6042: 6041: 6039: 6038: 6027: 6024: 6023: 6021: 6020: 6014: 6012: 6006: 6005: 6002: 6001: 5999: 5998: 5986: 5981: 5976: 5957:Samurai cinema 5949: 5925: 5919: 5913: 5912: 5910: 5909: 5904: 5899: 5889: 5884: 5879: 5873: 5871: 5867: 5866: 5864: 5863: 5858: 5853: 5847: 5844: 5843: 5838: 5836: 5835: 5828: 5821: 5813: 5804: 5803: 5801: 5800: 5798:Verisimilitude 5795: 5790: 5785: 5780: 5779: 5778: 5768: 5763: 5762: 5761: 5751: 5746: 5741: 5736: 5731: 5726: 5725: 5724: 5714: 5713: 5712: 5703: 5701:Parallel novel 5698: 5697: 5696: 5691: 5686: 5671: 5665: 5663: 5659: 5658: 5656: 5655: 5650: 5645: 5639: 5637: 5631: 5630: 5628: 5627: 5622: 5617: 5612: 5611: 5610: 5605: 5600: 5590: 5585: 5580: 5574: 5572: 5566: 5565: 5563: 5562: 5561: 5560: 5555: 5545: 5544: 5543: 5538: 5533: 5528: 5523: 5522: 5521: 5516: 5515: 5514: 5509: 5504: 5494: 5489: 5484: 5483: 5482: 5472: 5462: 5457: 5452: 5451: 5450: 5445: 5435: 5430: 5425: 5420: 5415: 5410: 5405: 5400: 5395: 5390: 5385: 5380: 5375: 5370: 5365: 5360: 5355: 5350: 5345: 5343:Action fiction 5335: 5330: 5324: 5322: 5310: 5309: 5307: 5306: 5301: 5296: 5291: 5286: 5281: 5280: 5279: 5269: 5264: 5259: 5258: 5257: 5252: 5247: 5242: 5237: 5227: 5222: 5215: 5209: 5207: 5201: 5200: 5198: 5197: 5192: 5187: 5186: 5185: 5180: 5170: 5165: 5164: 5163: 5158: 5153: 5144: 5139: 5125: 5124: 5123: 5118: 5107: 5105: 5099: 5098: 5096: 5095: 5090: 5085: 5080: 5075: 5070: 5069: 5068: 5058: 5053: 5048: 5043: 5038: 5033: 5028: 5023: 5018: 5012: 5010: 5004: 5003: 5001: 5000: 4995: 4990: 4989: 4988: 4983: 4973: 4968: 4963: 4958: 4953: 4947: 4945: 4939: 4938: 4936: 4935: 4930: 4925: 4924: 4923: 4922: 4921: 4911: 4906: 4896: 4891: 4886: 4881: 4876: 4870: 4868: 4862: 4861: 4859: 4858: 4853: 4848: 4843: 4838: 4833: 4828: 4823: 4821:Self-insertion 4818: 4813: 4808: 4806:Poetic justice 4803: 4798: 4793: 4788: 4783: 4776: 4769: 4764: 4759: 4754: 4749: 4744: 4739: 4734: 4727: 4722: 4717: 4712: 4707: 4706: 4705: 4695: 4690: 4682: 4680: 4674: 4673: 4671: 4670: 4665: 4660: 4655: 4650: 4645: 4640: 4635: 4630: 4629: 4628: 4623: 4618: 4608: 4601: 4596: 4591: 4586: 4581: 4576: 4571: 4566: 4564:Character flaw 4561: 4556: 4551: 4545: 4543: 4537: 4536: 4531: 4529: 4528: 4521: 4514: 4506: 4500: 4499: 4493: 4479: 4478:External links 4476: 4475: 4474: 4465: 4457: 4456: 4446: 4445: 4419:(4): 589–605. 4408: 4401: 4392: 4387:978-0754606208 4386: 4372: 4371: 4362: 4331: 4320: 4302:(4): 322–325. 4296:The Explicator 4291: 4282:|journal= 4249: 4242: 4235: 4226:|journal= 4193: 4165: 4156: 4153: 4151: 4150: 4133: 4120: 4103: 4092:Philosophy Now 4083: 4055: 4036: 4024: 4011: 3998: 3985: 3947: 3913: 3891: 3878: 3865: 3852: 3839: 3819: 3806: 3793: 3780: 3767: 3754: 3741: 3728: 3717: 3704: 3691: 3678: 3659: 3642: 3629: 3613: 3598: 3589: 3580: 3553: 3540: 3528: 3522:978-9042005938 3521: 3499: 3473: 3453: 3446: 3428: 3399: 3385: 3367: 3343: 3336: 3310: 3287: 3280: 3254: 3241: 3229:New York Times 3215: 3202:Kirkus Reviews 3189: 3163: 3156: 3135: 3124: 3113: 3100: 3091: 3078: 3064: 3055: 3046: 3032: 3025: 3005: 2992: 2978: 2964: 2951: 2926: 2913: 2900: 2889:Crane, James. 2878: 2854: 2821:(3): 481–499. 2790: 2778: 2759: 2746: 2729: 2716: 2677: 2668: 2656: 2634: 2618: 2616: 2613: 2611: 2610: 2585: 2571: 2538: 2516: 2514: 2511: 2509: 2508: 2503: 2498: 2493: 2491:Sea in culture 2488: 2483: 2478: 2473: 2468: 2463: 2458: 2453: 2447: 2445: 2442: 2441: 2440: 2434: 2420: 2410: 2400: 2397:pulp magazines 2384: 2383: 2375: 2371:Boys Own Paper 2367: 2334: 2331: 2330: 2329: 2323: 2316: 2306: 2301:(1871–1900): " 2294: 2291: 2290: 2289: 2273: 2270: 2269: 2268: 2256: 2244: 2232: 2220: 2208: 2198: 2195:Gallions Reach 2188: 2176: 2164: 2146: 2136: 2126: 2111: 2108: 2100: 2097: 2085: 2082: 2062:, which is an 1978:Close Quarters 1967:Class division 1950:John Caldigate 1941: 1938: 1876:Barry Unsworth 1864: 1861: 1845:Carsten Jensen 1825: 1822: 1728:They Die Young 1719:George Garrett 1645:Eugene O'Neill 1601: 1598: 1547:Barbados Bound 1470: 1467: 1433:Horatio Nelson 1374:A portrait of 1367: 1364: 1362: 1359: 1327:Carsten Jensen 1316:The Long Ships 1311:The Long Ships 1277:Norfolk Broads 1247:Arthur Ransome 1225:Pincher Martin 1171:Alexander Kent 1152:John Masefield 1138:Richard Hughes 1007: 1004: 892:Wilkie Collins 887:John Caldigate 816:and Frenchman 756: 753: 679:La Coucaratcha 522:Jonathan Raban 518: 515: 465: 462: 461: 460: 457: 454: 451: 429:narrative poem 417:Joseph Addison 349:icy-feathered; 322: 320: 312: 309: 297:Daniel Deronda 287:Mansfield Park 247: 244: 143:literary works 27:Literary genre 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6099: 6088: 6085: 6083: 6080: 6078: 6075: 6073: 6070: 6068: 6065: 6063: 6060: 6058: 6055: 6054: 6052: 6037: 6029: 6028: 6025: 6019: 6016: 6015: 6013: 6011: 6007: 5995: 5990: 5987: 5985: 5982: 5980: 5977: 5973: 5969: 5965: 5962: 5958: 5953: 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5499: 5498: 5495: 5493: 5492:Magic realism 5490: 5488: 5485: 5481: 5478: 5477: 5476: 5473: 5471: 5468: 5467: 5466: 5463: 5461: 5458: 5456: 5453: 5449: 5446: 5444: 5441: 5440: 5439: 5436: 5434: 5431: 5429: 5426: 5424: 5423:Psychological 5421: 5419: 5416: 5414: 5411: 5409: 5406: 5404: 5403:Philosophical 5401: 5399: 5396: 5394: 5391: 5389: 5386: 5384: 5381: 5379: 5376: 5374: 5371: 5369: 5366: 5364: 5361: 5359: 5356: 5354: 5351: 5349: 5346: 5344: 5341: 5340: 5339: 5336: 5334: 5331: 5329: 5328:Autobiography 5326: 5325: 5323: 5320: 5315: 5311: 5305: 5302: 5300: 5297: 5295: 5292: 5290: 5287: 5285: 5282: 5278: 5275: 5274: 5273: 5270: 5268: 5267:Narrative art 5265: 5263: 5260: 5256: 5253: 5251: 5248: 5246: 5243: 5241: 5238: 5236: 5233: 5232: 5231: 5228: 5226: 5225:Flash fiction 5223: 5221: 5220: 5216: 5214: 5211: 5210: 5208: 5206: 5202: 5196: 5193: 5191: 5188: 5184: 5181: 5179: 5176: 5175: 5174: 5171: 5169: 5166: 5162: 5159: 5157: 5154: 5152: 5148: 5145: 5143: 5140: 5138: 5134: 5131: 5130: 5129: 5126: 5122: 5119: 5117: 5116:Act structure 5114: 5113: 5112: 5109: 5108: 5106: 5104: 5100: 5094: 5091: 5089: 5086: 5084: 5081: 5079: 5076: 5074: 5071: 5067: 5064: 5063: 5062: 5059: 5057: 5054: 5052: 5049: 5047: 5044: 5042: 5039: 5037: 5034: 5032: 5029: 5027: 5024: 5022: 5019: 5017: 5014: 5013: 5011: 5009: 5005: 4999: 4996: 4994: 4991: 4987: 4984: 4982: 4979: 4978: 4977: 4974: 4972: 4969: 4967: 4964: 4962: 4959: 4957: 4954: 4952: 4949: 4948: 4946: 4944: 4940: 4934: 4933:Worldbuilding 4931: 4929: 4926: 4920: 4917: 4916: 4915: 4912: 4910: 4907: 4905: 4902: 4901: 4900: 4897: 4895: 4892: 4890: 4887: 4885: 4882: 4880: 4877: 4875: 4872: 4871: 4869: 4867: 4863: 4857: 4854: 4852: 4849: 4847: 4844: 4842: 4839: 4837: 4834: 4832: 4829: 4827: 4824: 4822: 4819: 4817: 4814: 4812: 4809: 4807: 4804: 4802: 4799: 4797: 4794: 4792: 4789: 4787: 4784: 4782: 4781: 4780:Kishōtenketsu 4777: 4775: 4774: 4773:In medias res 4770: 4768: 4765: 4763: 4760: 4758: 4755: 4753: 4752:Foreshadowing 4750: 4748: 4747:Eucatastrophe 4745: 4743: 4740: 4738: 4735: 4733: 4732: 4728: 4726: 4723: 4721: 4718: 4716: 4713: 4711: 4710:Chekhov's gun 4708: 4704: 4701: 4700: 4699: 4696: 4694: 4691: 4689: 4688: 4684: 4683: 4681: 4679: 4675: 4669: 4666: 4664: 4661: 4659: 4656: 4654: 4651: 4649: 4646: 4644: 4641: 4639: 4636: 4634: 4631: 4627: 4624: 4622: 4619: 4617: 4614: 4613: 4612: 4609: 4607: 4606: 4602: 4600: 4599:Gothic double 4597: 4595: 4592: 4590: 4587: 4585: 4582: 4580: 4579:Deuteragonist 4577: 4575: 4572: 4570: 4567: 4565: 4562: 4560: 4559:Character arc 4557: 4555: 4552: 4550: 4547: 4546: 4544: 4542: 4538: 4534: 4527: 4522: 4520: 4515: 4513: 4508: 4507: 4504: 4497: 4494: 4491: 4486: 4482: 4481: 4477: 4471: 4466: 4463: 4459: 4458: 4453: 4448: 4447: 4442: 4438: 4434: 4430: 4426: 4422: 4418: 4414: 4409: 4406: 4402: 4398: 4394:Leys, Simon. 4393: 4389: 4383: 4379: 4374: 4373: 4368: 4363: 4353: 4349: 4345: 4341: 4337: 4332: 4329: 4325: 4321: 4317: 4313: 4309: 4305: 4301: 4297: 4292: 4287: 4274: 4260:on 2016-03-03 4259: 4255: 4250: 4247: 4243: 4240: 4236: 4231: 4218: 4204:on 2016-03-04 4203: 4199: 4194: 4184:on 2015-04-02 4183: 4179: 4175: 4171: 4166: 4163: 4159: 4158: 4154: 4147: 4143: 4137: 4134: 4130: 4124: 4121: 4117: 4116:1-55742-143-9 4113: 4107: 4104: 4097: 4093: 4087: 4084: 4073: 4069: 4062: 4060: 4056: 4052: 4050: 4045: 4040: 4037: 4033: 4028: 4025: 4021: 4015: 4012: 4008: 4002: 3999: 3995: 3989: 3986: 3981: 3977: 3973: 3969: 3965: 3961: 3954: 3952: 3948: 3935: 3931: 3927: 3923: 3917: 3914: 3911: 3907: 3904: 3900: 3895: 3892: 3888: 3882: 3879: 3875: 3869: 3866: 3862: 3859:Andrew Lees, 3856: 3853: 3849: 3843: 3840: 3836: 3832: 3823: 3820: 3816: 3810: 3807: 3803: 3797: 3794: 3790: 3784: 3781: 3777: 3774:Ken Worpole, 3771: 3768: 3764: 3761:Ken Worpole, 3758: 3755: 3751: 3750:Death Ship". 3745: 3742: 3738: 3732: 3729: 3726: 3721: 3718: 3714: 3708: 3705: 3701: 3695: 3692: 3688: 3685:Ken Worpole, 3682: 3679: 3674: 3670: 3663: 3660: 3656: 3652: 3646: 3643: 3639: 3633: 3630: 3627: 3626:0-940450-09-7 3623: 3617: 3614: 3610: 3605: 3603: 3599: 3593: 3590: 3584: 3581: 3570: 3566: 3560: 3558: 3554: 3550: 3544: 3541: 3537: 3532: 3529: 3524: 3518: 3514: 3510: 3503: 3500: 3488: 3487:The Telegraph 3484: 3477: 3474: 3463: 3457: 3454: 3449: 3443: 3439: 3432: 3429: 3423: 3419: 3417: 3408: 3406: 3404: 3400: 3397: 3392: 3390: 3386: 3383: 3381: 3377: 3371: 3368: 3363: 3362: 3357: 3350: 3348: 3344: 3339: 3337:9780826263049 3333: 3329: 3324: 3323: 3314: 3311: 3306: 3302: 3298: 3291: 3288: 3283: 3281:9780826263049 3277: 3273: 3268: 3267: 3258: 3255: 3251: 3245: 3242: 3230: 3226: 3219: 3216: 3203: 3199: 3193: 3190: 3178: 3174: 3167: 3164: 3159: 3157:9780203868966 3153: 3150:. Routledge. 3149: 3142: 3140: 3136: 3133: 3128: 3125: 3122: 3117: 3114: 3111: 3110: 3104: 3101: 3095: 3092: 3088: 3082: 3079: 3073: 3071: 3069: 3065: 3059: 3056: 3050: 3047: 3041: 3039: 3037: 3033: 3028: 3026:9780140183771 3022: 3018: 3015: 3009: 3006: 3002: 2996: 2993: 2987: 2985: 2983: 2979: 2973: 2971: 2969: 2965: 2961: 2955: 2952: 2949: 2943: 2941: 2939: 2937: 2935: 2933: 2931: 2927: 2923: 2917: 2914: 2910: 2904: 2901: 2896: 2892: 2885: 2883: 2879: 2875: 2869: 2867: 2865: 2863: 2861: 2859: 2855: 2844: 2840: 2836: 2832: 2828: 2824: 2820: 2816: 2812: 2805: 2803: 2801: 2799: 2797: 2795: 2791: 2787: 2782: 2779: 2775: 2771: 2769: 2763: 2760: 2756: 2750: 2747: 2743: 2739: 2733: 2730: 2726: 2720: 2717: 2705: 2701: 2694: 2692: 2690: 2688: 2686: 2684: 2682: 2678: 2672: 2669: 2663: 2661: 2657: 2653: 2647: 2645: 2643: 2641: 2639: 2635: 2632: 2629: 2623: 2620: 2614: 2607: 2603: 2599: 2595: 2589: 2586: 2583: 2580: 2575: 2572: 2568: 2564: 2560: 2556: 2555: 2550: 2549: 2542: 2539: 2535: 2531: 2527: 2521: 2518: 2512: 2507: 2504: 2502: 2499: 2497: 2494: 2492: 2489: 2487: 2484: 2482: 2479: 2477: 2474: 2472: 2469: 2467: 2464: 2462: 2459: 2457: 2454: 2452: 2449: 2448: 2443: 2438: 2435: 2432: 2428: 2424: 2421: 2418: 2414: 2411: 2408: 2404: 2401: 2398: 2394: 2393: 2389: 2388: 2387: 2381: 2380: 2376: 2373: 2372: 2368: 2365: 2364: 2360: 2359: 2358: 2356: 2352: 2351:J. Allan Dunn 2348: 2347: 2342: 2341: 2332: 2327: 2324: 2321: 2317: 2314: 2311:(1843–1903): 2310: 2307: 2304: 2300: 2299:Stephen Crane 2297: 2296: 2293:Short stories 2292: 2288: 2287: 2283:(1899–1961): 2282: 2279: 2278: 2277: 2271: 2266: 2265: 2261:(1912–2001): 2260: 2257: 2254: 2253: 2249:(1913–1998): 2248: 2247:Hammond Innes 2245: 2242: 2241: 2237:(1922–1987): 2236: 2233: 2230: 2229: 2225:(1915–2019): 2224: 2221: 2218: 2217: 2213:(1925–2012): 2212: 2209: 2206: 2205:The Fishermen 2203:(1898–1962): 2202: 2199: 2196: 2193:(1873–1958): 2192: 2189: 2186: 2185: 2181:(1875–1950): 2180: 2177: 2174: 2173: 2169:(1870–1922): 2168: 2165: 2162: 2161: 2156: 2155: 2150: 2147: 2144: 2141:(1780–1828): 2140: 2137: 2134: 2131:(1697–1763): 2130: 2127: 2124: 2121:(1668–1747): 2120: 2117: 2116: 2115: 2109: 2106: 2098: 2096: 2093: 2092: 2083: 2081: 2079: 2078: 2077:Ship of Fools 2073: 2069: 2065: 2061: 2057: 2056: 2055:Ship of Fools 2050: 2046: 2042: 2038: 2034: 2033:Ship of Fools 2030: 2029: 2028:Ship of Fools 2024: 2019: 2017: 2013: 2009: 2005: 2004: 1999: 1998: 1992: 1988: 1986: 1985: 1980: 1979: 1974: 1973: 1968: 1964: 1963: 1958: 1953: 1951: 1947: 1939: 1937: 1934: 1930: 1928: 1923: 1919: 1918:Fred D'Aguiar 1914: 1912: 1908: 1907: 1902: 1898: 1893: 1889: 1885: 1881: 1877: 1873: 1872: 1871:Sacred Hunger 1862: 1860: 1858: 1854: 1850: 1846: 1842: 1840: 1837: 1836: 1831: 1823: 1821: 1819: 1818: 1813: 1809: 1808:Yukio Mishima 1805: 1801: 1797: 1793: 1789: 1788: 1784: 1778: 1776: 1771: 1767: 1763: 1759: 1755: 1751: 1747: 1746: 1740: 1738: 1734: 1730: 1729: 1724: 1720: 1716: 1712: 1708: 1707:merchant navy 1704: 1703:Working class 1700: 1699: 1694: 1690: 1689: 1684: 1683:Nordahl Grieg 1680: 1679: 1673: 1672:Malcolm Lowry 1667: 1665: 1664:working class 1661: 1656: 1655:expressionist 1652: 1651: 1650:The Hairy Ape 1646: 1641: 1640: 1636: 1635: 1630: 1629:Joseph Conrad 1626: 1622: 1618: 1614: 1613: 1608: 1599: 1597: 1595: 1591: 1590: 1584: 1582: 1578: 1574: 1572: 1568: 1563: 1559: 1558:Frank Mildhay 1555: 1550: 1548: 1544: 1540: 1536: 1532: 1528: 1524: 1519: 1518: 1512: 1510: 1505: 1501: 1497: 1496: 1486: 1482: 1481: 1475: 1468: 1466: 1464: 1460: 1456: 1450: 1447: 1443: 1438: 1434: 1430: 1426: 1418: 1417: 1413: 1409: 1408:Lord Cochrane 1405: 1401: 1398:The painting 1396: 1392: 1385: 1381: 1377: 1376:Lord Cochrane 1372: 1365: 1361:Common themes 1360: 1358: 1356: 1352: 1348: 1344: 1340: 1336: 1332: 1328: 1324: 1319: 1317: 1313: 1312: 1307: 1303: 1299: 1295: 1291: 1290: 1286: 1282: 1278: 1274: 1273:Lake District 1270: 1269: 1265: 1261: 1257: 1252: 1248: 1243: 1241: 1237: 1236: 1231: 1230:postmodernist 1227: 1226: 1221: 1217: 1216:The Cruel Sea 1213: 1209: 1205: 1201: 1200: 1199:The Cruel Sea 1195: 1190: 1188: 1184: 1180: 1176: 1172: 1168: 1164: 1163:C.S. Forester 1159: 1157: 1153: 1149: 1145: 1144: 1139: 1135: 1134: 1129: 1125: 1124: 1119: 1114: 1112: 1111: 1106: 1105: 1100: 1099: 1094: 1093: 1088: 1087: 1082: 1081: 1076: 1075: 1070: 1069: 1064: 1060: 1056: 1052: 1051:John Franklin 1048: 1044: 1043: 1038: 1034: 1033:Joseph Conrad 1031: 1023: 1022: 1017: 1012: 1005: 1003: 1001: 1000: 995: 994: 989: 988: 983: 982: 977: 976: 971: 967: 966: 961: 957: 956: 951: 947: 946: 941: 937: 936: 931: 927: 921: 919: 915: 914: 909: 908: 903: 899: 898: 893: 889: 888: 883: 879: 878: 873: 868: 866: 865: 860: 856: 852: 851: 846: 845: 840: 839: 834: 833: 828: 827: 821: 819: 815: 811: 807: 803: 802: 797: 796: 791: 790: 785: 781: 780: 775: 768: 767: 761: 754: 752: 750: 746: 742: 741:Edward Howard 738: 734: 730: 726: 722: 718: 714: 713: 706: 704: 700: 696: 692: 688: 684: 680: 676: 675:La Salamandre 672: 668: 664: 659: 657: 656: 651: 647: 646: 641: 637: 636: 631: 630: 629:The Red Rover 625: 624: 619: 615: 611: 607: 606: 601: 600: 591: 586: 582: 580: 576: 572: 568: 564: 563: 558: 557: 556:Moll Flanders 552: 551: 545: 544: 539: 535: 531: 527: 523: 516: 514: 512: 508: 507: 502: 498: 496: 492: 488: 487: 482: 481: 476: 472: 463: 458: 455: 452: 449: 448: 447: 445: 444: 439: 435: 434: 430: 426: 422: 418: 414: 410: 406: 402: 398: 394: 393: 388: 384: 383: 378: 374: 368: 365: 364: 359: 351: 318: 310: 308: 306: 301: 299: 298: 293: 289: 288: 283: 279: 275: 274: 273:Paradise Lost 267: 260: 256: 252: 245: 243: 241: 237: 233: 230:(such as the 229: 225: 221: 217: 213: 209: 205: 201: 196: 190: 189:(1970–2004). 188: 184: 180: 176: 172: 171:C.S. Forester 168: 165:(1899–1900), 164: 163: 158: 157:Joseph Conrad 154: 153: 148: 144: 139: 138: 133: 132: 131:Frank Mildmay 127: 123: 122: 117: 113: 109: 103: 101: 97: 93: 89: 88:short stories 85: 81: 77: 73: 69: 65: 61: 57: 56:naval fiction 53: 46: 45: 39: 33: 19: 5984:History play 5896:Pirate novel 5891: 5788:Storytelling 5603:Subjectivity 5593:Third-person 5583:First-person 5392: 5217: 5026:Comic relief 4778: 4771: 4762:Flashforward 4729: 4703:Origin story 4685: 4648:Straight man 4603: 4461: 4451: 4416: 4412: 4404: 4377: 4366: 4355:. Retrieved 4343: 4339: 4327: 4323: 4299: 4295: 4273:cite journal 4262:. Retrieved 4258:the original 4245: 4238: 4217:cite journal 4206:. Retrieved 4202:the original 4186:. Retrieved 4182:the original 4177: 4173: 4161: 4141: 4136: 4128: 4123: 4106: 4086: 4075:. Retrieved 4072:New Republic 4071: 4047: 4039: 4027: 4019: 4014: 4006: 4001: 3993: 3988: 3963: 3959: 3938:. Retrieved 3934:the original 3925: 3916: 3910:The Guardian 3909: 3902: 3894: 3886: 3881: 3873: 3868: 3860: 3855: 3847: 3842: 3834: 3827: 3822: 3814: 3809: 3801: 3796: 3788: 3783: 3775: 3770: 3762: 3757: 3749: 3744: 3736: 3731: 3725:London Books 3720: 3712: 3707: 3699: 3694: 3686: 3681: 3672: 3662: 3654: 3650: 3645: 3637: 3632: 3616: 3608: 3592: 3583: 3572:. Retrieved 3568: 3548: 3543: 3535: 3531: 3512: 3508: 3502: 3490:. Retrieved 3486: 3476: 3465:. Retrieved 3456: 3437: 3431: 3421: 3415: 3380:New Republic 3379: 3370: 3359: 3321: 3313: 3304: 3300: 3290: 3265: 3257: 3249: 3244: 3232:. Retrieved 3228: 3218: 3206:. Retrieved 3201: 3192: 3180:. Retrieved 3176: 3166: 3147: 3127: 3116: 3108: 3103: 3094: 3086: 3081: 3058: 3049: 3017: 3014: 3008: 3000: 2995: 2962:, pp. 50-69. 2959: 2954: 2947: 2921: 2916: 2908: 2903: 2894: 2873: 2846:. Retrieved 2818: 2814: 2785: 2781: 2767: 2762: 2754: 2749: 2741: 2737: 2732: 2724: 2719: 2708:. 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A sequel, 1904: 1897:Booker Prize 1883: 1869: 1866: 1852: 1848: 1843: 1833: 1827: 1815: 1812:Gogo no Eikō 1811: 1791: 1781: 1779: 1774: 1765: 1761: 1760:, resembles 1757: 1753: 1749: 1743: 1741: 1726: 1711:James Hanley 1696: 1693:Conrad Aiken 1686: 1676: 1668: 1648: 1642: 1638: 1632: 1621:St. Lawrence 1620: 1610: 1603: 1587: 1585: 1576: 1575: 1570: 1561: 1557: 1551: 1543:Star-Crossed 1535:Hannah Snell 1526: 1522: 1515: 1513: 1508: 1503: 1500:James Hanley 1493: 1490: 1478: 1469:Women at sea 1458: 1451: 1445: 1437:World War II 1422: 1414: 1399: 1389: 1343:World War II 1334: 1320: 1315: 1309: 1305: 1292: 1288: 1284: 1254: 1244: 1233: 1223: 1215: 1207: 1206:(1949), and 1203: 1197: 1191: 1160: 1155: 1147: 1141: 1131: 1123:The Sea Wolf 1121: 1115: 1108: 1102: 1096: 1090: 1084: 1078: 1072: 1066: 1045:(1866), and 1040: 1027: 1021:The Sea Wolf 1019: 999:The Ebb-Tide 997: 991: 985: 979: 973: 968:(1883), and 963: 953: 943: 935:Westward Ho! 933: 922: 911: 905: 895: 885: 875: 869: 862: 854: 850:White-Jacket 848: 842: 836: 830: 824: 822: 810:Ned Buntline 799: 793: 787: 777: 771: 764: 748: 710: 707: 702: 701:(1832), and 698: 690: 686: 678: 674: 670: 666: 660: 653: 643: 633: 627: 621: 618:Walter Scott 609: 603: 597: 595: 589: 560: 559:(1722), and 554: 548: 541: 520: 517:19th century 504: 499: 484: 483:(1720), and 478: 475:Daniel Defoe 467: 441: 431: 408: 392:The Seafarer 390: 380: 370: 363:The Seafarer 361: 354: 323: 302: 295: 292:George Eliot 285: 271: 268: 264: 258: 191: 160: 150: 135: 129: 124:, 1824) and 119: 104: 95: 91: 67: 63: 59: 55: 51: 50: 42: 6010:Visual arts 5968:Wuxia films 5952:Asian films 5887:Family saga 5793:Tellability 5759:Metafiction 5754:Narratology 5526:Theological 5418:Pop culture 5299:Short story 5277:Epic poetry 4998:Time travel 4811:Red herring 4796:Plot device 4767:Frame story 4720:Cliffhanger 4663:Tritagonist 4638:Protagonist 4044:W. H. Auden 3992:John Peck, 3713:Ultramarine 3700:Ultramarine 3551:, pp. 47-8. 3182:20 February 2654:, pp. 1-10. 2403:Sea Stories 2379:The Hotspur 2259:Jorge Amado 2240:HMS Ulysses 2223:Herman Wouk 2149:Pierre Loti 2103:Main page: 1981:(1987) and 1863:Slave ships 1824:Life ashore 1787:K'sanikōsen 1731:(1930),), 1698:Blue Voyage 1678:Ultramarine 1631:'s novella 1589:Bloody Jack 1581:Puget Sound 1567:Jane Austen 1485:Henri Meyer 1384:Age of Sail 1378:in 1807 by 1349:seaport of 1329:'s (1952–) 1304:saga novel 1187:Jane Austen 1175:Dudley Pope 1118:Jack London 1037:Victor Hugo 1016:Jack London 926:boys' books 910:(1875) and 847:(1849) and 818:Jules Verne 784:Victor Hugo 729:Jack Aubrey 719:during the 495:Calico Jack 446:(1812–16): 387:Old English 358:Old English 290:(1814) and 282:Jane Austen 232:Robinsonade 220:war fiction 195:masculinity 134:, 1829 and 108:Scandinavia 96:sea stories 60:sea fiction 6051:Categories 5679:Continuity 5548:Nonfiction 5512:Underwater 5408:Picaresque 5383:Historical 5368:Epistolary 5240:Fairy tale 5151:Peripeteia 5133:Exposition 4889:Dreamworld 4831:Stereotype 4801:Plot twist 4549:Antagonist 4357:2015-03-27 4264:2015-01-27 4208:2015-01-27 4188:2015-01-27 4174:Stylistyka 4077:2016-01-29 3901:Review by 3889:, pp. 6-7. 3885:John Peck, 3737:Death Ship 3715:, pp. 7-8. 3651:Death Ship 3574:2016-01-29 3515:. Rodopi. 3467:2015-05-11 3234:9 February 3208:20 January 3132:Good Reads 3003:, 107-126. 2848:2015-02-09 2710:2015-01-27 2615:References 2211:Gore Vidal 2058:(1494) by 1933:slave ship 1888:slave ship 1830:sailortown 1804:Right-wing 1745:Death Ship 1715:Jim Phelan 1594:tall tales 1275:or on the 1264:Missee Lee 1256:Peter Duck 1104:The Rescue 950:G.A. Henty 853:(1850) ). 812:, British 717:Royal Navy 705:, (1834). 663:Eugène Sue 610:The Pirate 605:The Pirate 567:Eugène Sue 491:Blackbeard 473:, such as 246:Definition 206:, such as 92:sea novels 5961:Jidaigeki 5870:Subgenres 5570:Narration 5519:Superhero 5443:Chivalric 5428:Religious 5413:Political 5348:Adventure 5333:Biography 5255:Tall tale 5103:Structure 5088:Symbolism 5056:Narration 4956:Leitmotif 4884:Crossover 4879:Backstory 4836:Story arc 4786:MacGuffin 4757:Flashback 4698:Backstory 4574:Confidant 4554:Archenemy 4541:Character 4533:Narrative 4433:0039-3762 4352:1718-7850 4316:162202285 3996:, p. 140. 3980:162386842 3655:Spectator 3611:, p. 172. 3492:April 23, 2924:, p. 177. 2876:, 98-106. 2843:201753029 2835:1080-661X 2738:Spectator 2501:War novel 2392:The Ocean 2346:Blue Book 2340:Adventure 2333:Magazines 2303:Open Boat 2201:Hans Kirk 2091:The Pilot 1959:'s novel 1948:'s novel 1880:Liverpool 1839:Liverpool 1806:novelist 1802:. While 1796:left-wing 1770:Alan Ross 1737:B. 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