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keeps suggesting confrontations between the rich and the poor, the old and the young, families with daughters to protect and men with warped desires. For all the potency of a camera movement, it can never have exactly the power of a conceptual image, and therefore "See No Evil" is better with its mindless terror than with its witless meaning. And although everything becomes far too much long before it is over, the movie is generally at it most ridiculous precisely where it hopes to make sense.
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Sarah discovers the bracelet contains an engraved name on it, which she correctly assumes belongs to the killer. The killer returns to search for the lost bracelet. His face is only shown to the audience in the film's last scene, otherwise he is only shown from the knees down, wearing jeans and distinctive leather boots. He discovers Sarah, who manages to flee on horseback into the woods, where she meets and is saved by a family of
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Steve, upon learning the killer's real name, hurries away with his men. Back at his house it is revealed that Jacko is one of Steve's workers, left behind to guard Sarah. The killer, still searching for his lost bracelet, is stealthily going through the pockets of Sarah's clothes, left beside the tub
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See No Evil has its share of thrills. Cheap thrills, to be sure, but thrills none the less - and everything in the rest of
Richard Fleischer's new movie... encourages us to value small favors. Attempting on the one hand to mean something and on the other hand trying to crank up the terror, Fleischer
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The original music score was by Andre Previn, married to Farrow at the time. Producer Leslie Linder disliked it and hired David
Whitaker to write a new score. This was also thrown out and Elmer Bernstein was hired to write the music. Fleischer says what happened was after the film was completed they
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Sarah eventually discovers the bodies. She is surprised to find Barker, who survived being shot and informs Sarah of what has happened. He also tells Sarah the killer is returning to retrieve a bracelet he left behind and directs her to where to locate it before succumbing to his injuries and dying.
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Sarah escapes from the shed and is found by Steve, out searching for her. She tells him all she knows. Steve and his men leave Sarah at his house to recuperate and begin a search for the killer, who they assume is a gypsy. They come across the two gypsy brothers and are about to assault them when a
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When Sarah shows them the bracelet, they see the name "Jack" inscribed on it. This leads Tom, the head of the family, to conclude his brother, Jack, must be the murderer, as he was dating one of the murdered women from the estate. In an effort to save Jack, Tom pretends to take Sarah to the police
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changed the "opening titles of the picture to give it more social significance". They wanted Previn to alter the music score but he was away in Russia. As Previn's contract said his music could not be altered, Flesicher claims they had to throw it out. Previn had a different version of the story.
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told him: "'Well, if Mia Farrow plays the lead, we'll buy it,' and she read it and liked it, and so they bought it and we shot it." Fleischer said
Clemens "gave us a good story, a very workable one for a director, if tough on the star." It was Farrow's first movie since the birth of her twins in
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while she is taking a bath. When she reaches for a towel she touches his hand. Both are momentarily startled, then Jacko attempts to drown Sarah in the bath. At the last possible moment, when it seems he has succeeded, Steve races in, just in time to save her.
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frantic Jack explains that his brother suspected him of being the killer because of the name on the bracelet. However Jack insists he had nothing to do with it. They look at the bracelet again and see the name on it is actually "Jacko".
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After being blinded in a horse riding accident, Sarah visits her uncle's stately home. Out on a date with her boyfriend, Steve, she escapes the fate of her relatives, who are murdered at their home, along with the gardener, by a
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called it "a perfect modern speciment of the old-style A-plus suspense programmer which often broke through to the big time... Superbly written... brilliantly photographed."
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woman who is stalked by a psychopath while staying at her family's rural estate. Fleischer called the film "sheer entertainment" made "to scare the hell out of audiences".
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killer. Sarah returns from her date and spends the night in the house, unaware that three of her family members' corpses are strewn in various rooms.
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but instead locks her in a secluded shed. His plan is to then round up the family and flee the area.
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Immediately after the film
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Contemporary North
American Film Directors: A Wallflower Critical Guide
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The Second
Century of Cinema: The Past and Future of the Moving Image
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The
Suspense Thriller: Films in the Shadow of Alfred Hitchcock
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is presented 'from the first moment' as 'the obvious victim'.
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Dorothy Alison was married to producer Leslie Linder.
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812:"See No Evil: Sheer Suspense"
676:. 3 October 1970. p. 28.
1481:1970s English-language films
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799:. Bowker. 1983. p. 118.
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456:"For sheer suspense", wrote
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628:"Mia and the mass murderer"
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903:. 31 July 1971. p. 4.
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930:See No Evil
919:See No Evil
778:Reprint of
715:"The Score"
498:See No Evil
364:Development
236:See No Evil
61:Produced by
41:Directed by
24:See No Evil
1386:1971 films
1380:Categories
1147:Compulsion
821:4 November
772:4 November
748:Daily News
698:4 November
632:Daily News
531:References
492:Mia Farrow
464:Mia Farrow
359:Production
309:Mia Farrow
259:Mia Farrow
195:89 minutes
178:1971-09-16
167:1971-09-02
130:Production
80:Mia Farrow
51:Written by
1355:Red Sonja
1027:Bodyguard
404:Berkshire
335:as Barker
276:psychotic
200:Countries
109:Edited by
1291:Mandingo
1179:Barabbas
946:AllMovie
604:6 August
560:Archived
519:See also
347:as Jacko
311:as Sarah
217:Language
138:Filmways
119:Music by
73:Starring
1315:Ashanti
1123:Bandido
1059:Trapped
451:Variety
441:wrote:
431:was 'a
408:England
398:Filming
370:on spec
284:gypsies
263:blinded
220:English
176: (
165: (
132:company
1366:(1987)
1358:(1985)
1350:(1984)
1342:(1983)
1334:(1983)
1326:(1980)
1318:(1979)
1310:(1977)
1302:(1976)
1294:(1975)
1286:(1974)
1278:(1974)
1270:(1973)
1262:(1973)
1254:(1972)
1246:(1971)
1238:(1971)
1230:(1971)
1222:(1970)
1214:(1969)
1206:(1968)
1198:(1967)
1190:(1966)
1182:(1961)
1174:(1961)
1166:(1960)
1158:(1959)
1150:(1959)
1142:(1958)
1134:(1956)
1126:(1956)
1118:(1955)
1110:(1955)
1102:(1954)
1094:(1953)
1086:(1952)
1078:(1952)
1070:(1950)
1062:(1949)
1054:(1949)
1046:(1949)
1038:(1949)
1030:(1948)
1022:(1948)
1014:(1947)
1006:(1947)
998:(1946)
879:
852:
782:review
655:
372:' and
353:as Tom
225:Budget
1091:Arena
1003:Banjo
414:Music
1211:Che!
924:IMDb
877:ISBN
850:ISBN
823:2013
774:2013
733:link
700:2013
653:ISBN
606:2024
386:Buff
302:Cast
269:Plot
944:at
933:at
922:at
846:173
1382::
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729:}}
725:{{
717:.
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388:.
286:.
974:e
967:t
960:v
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249:-
180:)
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