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he repainted the shirt, which was originally buttoned up to the neck, in favor of a casually open collar. Meanwhile, in the Prado version, he used broad brushstrokes of black paint, partially covering the collar of the shirt. The version from the Prado probably originated as an adaptation of the first, in a more relaxed and experimental style. The figure is positioned more vertically. In the later painting, the painter seems to wear a wig that has slipped slightly back, revealing gray hair. Goya appears tired, sickly, and somewhat nostalgic. His face reflects the long years of work with its joys, sorrows, and troubles. It also betrays his deafness, which has almost isolated him from the outside world. His state of mind is the main difference between this self-portrait and the academy version. In the academy version, Goya does not seem ill, tired, or as old as in the Prado painting. He is calmer and more reflective, yet in this state of intellectual sensitivity, vital energy is manifested. His skin is smoother, more rosy, and appears younger than his 69 years. His lips have lost their former fierceness and severity, showing a compassionate half-smile. The painter seems ready for new adversities, as he has already overcome many. According to
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618:, at the request of the artist's son, prepared an inventory of the deceased's works. This document allowed for the later identification of many paintings, although the date of its preparation is not clear. Among the listed works are two of Goya's self-portraits in bust format. The portrait in the Prado Museum is very likely the one recorded in the inventory under number 25 as "Portrait of Goya, signed 1815, bust". Both self-portraits were inherited by the painter's son, Javier.
460:. His appearance is unkempt, and beneath the robe, a loosely buttoned white shirt is visible. The entire intensity of the portrait is focused on the facial features, with little emphasis on the clothing or background. The head is slightly turned to the left, with an intense and somber gaze. The face is surrounded by tousled and graying hair, revealing a high forehead, almost directly facing the viewer. According to the iconographic guidelines of
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358:), however, he faced no consequences. His personal situation also changed: in 1812, his wife passed away, many friends departed, died, or emigrated for fear of political reprisals. He struggled with a shortage of materials in his work, often painting over finished works to reuse the canvas. The color palette he used became dark and almost
606:, a retired theater actress. The woman appears downcast, her face expressing sadness and melancholy. Both paintings have almost the same size and direct, informal character. They depict aging artists, portraying a human vulnerability associated with age – a theme that Goya often explored in his works.
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The older version is likely the one from the academy. The more pronounced tilting of the head, almost diagonally across the painting, is a posture the painter would have assumed while painting at his easel and simultaneously observing himself in the mirror. A visible change was made during painting –
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was created by Goya for himself, for someone in his family or close circle, or on commission. Both versions are signed and dated 1815. The version in the Prado bears an inscription carved by the painter using a brush handle or stylus on fresh paint. The inscription is visible on the left side at the
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Of all the known self-portraits of Goya, this is one of the most sincere and direct. The painter depicted himself at the age of 69, in a bust placed against a dark background in shades of brown. He wears a kind of robe made of dark reddish-brown velvet, which painters in the 18th and 19th centuries
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on the left side at the level of the shoulder. It was donated to this institution by the painter's son, Javier, after his father's death. It's possible that the version in the Prado was also intended for one of the academies of fine arts, of which Goya was a member, such as in
Valencia or Zaragoza,
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Older sources indicate that
Brugada returned from France to Spain already in the year of Goya's death in 1828 and cataloged his works at that time. In this case, the position in the inventory could correspond to the self-portrait from the academy. However, according to newer research by the Prado,
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to lighten the forehead and short brushstrokes to achieve various skin tones. The light falling on the face creates gentle shadows, resulting in a harmonious finish of the surface. The figure requires only a small amount of external light, creating a light, airy atmosphere typical of Velázquez's
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was restored, he began a period of accusations of collaboration with the French, interrogations, and purges at the royal court. This brought disappointment to constitutionalists and supporters of the
Enlightenment, among whom Goya belonged. The king conducted a process of "purification" in his
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406:, in which the painter portrays himself as suffering from illness, along with his caring physician. Carderera suggested that the self-portrait from the academy was a study for this work, which would explain the backward tilt of the painter's silhouette and the depicted state of mind.
464:, disheveled hair symbolizes the creative genius and imagination of the artist. Goya did not paint typical attributes of his profession for this self-portrait, nor did he emphasize his status with luxurious clothing, making his figure more human and accessible to the viewer.
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style. In the case of the Prado version, the modeling is more delicate, the impasto lighter, perhaps because this painting was done on canvas rather than on a panel. Goya rarely used this support, but precisely during the post-war period, he used panels to paint the
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works. Working on texture and color, Goya employed a technique typical of
Venetian painting, which emphasizes the softness of the skin and the exceptional luminosity of the face. The modeling of the face is a testament to Goya's peak skills, comparable to
638:, which the academy had commissioned in 1808, and he gifted the promised work to the academy on July 11 of the same year. The painting from the academy was selected for the illustrated collection of the most important works of the
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377:(Fr. Goya Painter / Aragonese / By himself / 1815). The date and the full inscription were revealed only in 1993 when the painting underwent conservation and the layer of old varnish was removed (previously only a fragment
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666:. Mariano, who gradually sold off his grandfather's property to cover his debts, sold it to Román Garreta y Huerto, Madrazo's brother-in-law. Later, the painting was acquired by Royal Decree on 5 April 1866, by the
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in Madrid. Both paintings were created in 1815, in the post-war period, and depict a very similar image of the artist. This is one of the most sincere and direct self-portraits of the painter.
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cataloged the work as such in 1867. However, the painter's illness began in
November 1819, several years after the creation of the bust. This incorrect classification was later rejected by
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The palette is dominated by dark colors, typical for this period of the painter's life. Contrasting with the blacks is the white of his shirt and complexion, with only a subtle
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528:. Single, swift brushstrokes, forming swirls of light and shadow, are clearly visible. They coil around the artist's head like fantastical creatures tormenting him in Goya's
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Throughout his long life, Goya created many self-portraits – at least fifteen are recognized as authentic, with a total of over thirty. He used various techniques: painting,
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or another institution, although the painting was never transferred. This would be indicated by the official signature in which the painter identifies himself as
Aragonese.
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accent appearing on the lips. The dark background in shades of brown and ochre is not smooth like in other portraits. Above the ochre tones, there prevail
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that he would donate the self-portrait after the institution settled its outstanding debts to his father. In 1829, he received payment for the painting
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After Javier's death, the version in the Prado Museum passed to Goya's grandson, Mariano. The division of the painter's estate was then handled by
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also regarded this portrait as a sketch, arguing that Goya's head originally rested on a pillow, which the artist later painted over. Similarly,
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believes that, as in many other works of Goya, the true hero is time, which has left its mark on his facial features, gaze, and gesture.
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204:. Two original versions of this work have been preserved. One of the paintings, painted on canvas, is housed in the collections of the
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this return occurred only in 1833, when the painting no longer belonged to Javier Goya, and the inventory was created in 1834.
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The year 1815, in which these self-portraits were created, falls into a difficult post-war period following the end of the
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230:. He also portrayed himself in various ways, for example, classically before easels with attributes of the painter:
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Goya 1900: catálogo ilustrado y estudio de la exposición en el
Ministerio de Instrucción Pública y Bellas Artes
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Glendinning, Nigel; Segovia, Eduardo; Zaragoza, Teresa; Medina, Alicia García; Vega, Jesusa (2002).
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Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón
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The simplicity and severity with which Goya portrayed himself have predecessors dating back to the
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2010:
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Aribau, Ferrán; Ruidera, Francesc; Altafuya, Lluís; Castillo, Roberto; Costaneda, Xavier (2006).
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Stepanek, Stephanie; Ilchman, Frederick; Tomlinson, Janis; Ackley, Clifford; Braun, Jane (2014).
679:
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396:, a painter, art collector, and one of the first biographers of Goya, wrote a brief text for the
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400:, analyzing various self-portraits of Goya. In it, he compares the bust from the academy to the
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Vida y obra de
Francisco Goya: reproducción de su obra completa, pinturas, dibujos y grabados
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from the same year. In some respects, Goya's self-portrait is also akin to the portrait of
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was visible). Previously, this painting was considered a later copy of the version in the
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Piquero López, María Ángeles Blanca; de Amezúa y del Pino, Mercedes Gonzáles (2016).
1467:. Vol. Los retratos. Madrid: Hispano-Inglesa de Reaseguros, S.A. pp. 97–98.
740:
345:
336:
1619:. Wielka kolekcja sławnych malarzy. Vol. 11. Poznań: Oxford Educational. 2006.
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Lopera, José Alvarez; Glendinning, Nigel (2004). "Francisco de Goya. Autorretrato".
3895:
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2601:
2159:
1406:
1295:. Vol. IV. Zaragoza: Caja de Ahorros de Zaragoza, Aragón y Rioja. p. 34.
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edition by
Fundación Goya en Aragón y Gobierno de Aragón, 2011). pp. 254–255.
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302:. There are also several portraits of Goya executed by other artists, such as by
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1074:. Madrid: Obra Social „la Caixa” y Museo Nacional del Prado. pp. 306–307.
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fought against the French. In the years 1811–1812, Madrid suffered a tragic
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created a drawing and an engraving based on the painting for this purpose.
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Goya, 1746 – 1828. Biografía, estudio analítico y catálogo de sus pinturas
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1150:
Cuadros selectos de la
Academia de las Tres Nobles Artes de San Fernando
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517:
227:
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3464:
The Victorious Hannibal Seeing Italy from the Alps for the First Time
1957:
The Victorious Hannibal Seeing Italy from the Alps for the First Time
1857:. Vol. II. Madrid: Ministerio de Cultura. pp. 32, cat. 10.
1380:. Zaragoza: Fundación Goya en Aragón, Museo de Zaragoza. p. 88.
1104:
Academia. Boletín de la Real Academia de Bellas Artes de San Fernando
521:
332:
171:
99:
645:
Cuadros selectos de la Real Academia de Bellas Artes de San Fernando
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1533:
Sotheby's Important Old Master Paintings and European Works of Art
580:
Similar color palette and psychological study can be found in the
1871:
1417:. Berlin: Kunsthistorisches Museum. pp. 294–295, cat. 127.
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3247:
Execution of Torrijos and his Companions on the Beach at Málaga
3208:
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1875:
3717:
The Christ Child and the Infant John the Baptist with a Shell
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The second bust from inventory number 6 is identified in the
261:
José Moñino, 1st Count of Floridablanca and Francisco de Goya
4812:
Madonna and Child with Saint Mary Magdalene and Saint Ursula
4702:
Archduke Leopold Wilhelm in his Painting Gallery in Brussels
4259:
Excursion in the Countryside of Infanta Isabel Clara Eugenia
1564:. Vol. II. Paris: F. de Nobele. pp. 211, cat. 500.
1601:. Madrid: Museo Nacional del Prado. pp. 364, cat. 65.
479:, this is not a study of old age but of the state of mind.
3060:
The Ministry of Time – Episode 25: Time of the Enlightened
1582:. Barcelona: Juventud. pp. 297–298, cat. 1551, 1552.
5155:
Virgin and Child Between Saints Anthony of Padua and Roch
3980:
Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis
1927:
Consecration of Aloysius Gonzaga as Patron Saint of Youth
5242:
The Virgin and Child with Saint George and Saint Dorothy
4689:
Feast of Herod with the Beheading of St John the Baptist
4119:
Saint Peter Nolasco's Vision of Saint Peter the Apostle
1686:. Vol. 25. Warsaw: De Agostini Polska. p. 3.
4516:
The Infanta Isabel Clara Eugenia in the Mariemont Park
4271:
The Infanta Isabel Clara Eugenia in the Mariemont Park
870:
Luna, Juan J.; de las Heras, Margarita Moreno (1996).
447:. A similar outfit is also worn by his student in the
208:. The other, created on wood panel, is located in the
4940:
Portrait of Marsilio Cassotti and His Bride Faustina
5496:
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Museo Goya - Colección Ibercaja - Museo Camón Aznar
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1661:Gambrelle, Fabienne (1998–2005). "Francisco Goya".
1378:
Goya y el mundo moderno (Goya and the Modern World)
1106:(50). Madrid: Real Academia de San Fernando: 47–52.
903:. Warsaw: Wydawnictwo "Arkady". pp. 581, 583.
899:; Haskell, Francis; Sánchez, Alfonso Pérez (2011).
874:. Madrid: Museo del Prado. pp. 416, cat. 147.
842:. Madrid: Museo del Prado. pp. 442, cat. 160.
499:from around 1588, as well as in the 17th century –
163:
155:
144:
136:
126:
112:
91:
83:
72:
64:
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32:
5581:Paintings by Francisco Goya in the Museo del Prado
5339:Landscape with St Paula of Rome Embarking at Ostia
4882:Madonna and Child with the Infant John the Baptist
693:, where the painting has been located since 1872.
3932:Equestrian Portrait of the Count-Duke of Olivares
1352:. Wrocław: Wydawnictwo dolnośląskie. p. 43.
4234:Triptych with Scenes from the Life of the Virgin
2307:The Duke and Duchess of Osuna and their Children
1252:. Vol. I. Polígrafa. p. 363, cat. 638.
3914:Equestrian Portrait of Prince Balthasar Charles
1996:Paintings for the alameda of the Dukes of Osuna
1762:. Madrid: Susaeta Ediciones. pp. 302–304.
1578:Gassier, Pierre; Bareau, Juliet Wilson (1974).
4972:Portrait of Camilla Gonzaga and Her Three Sons
4215:The Seven Deadly Sins and the Four Last Things
1663:Wielcy malarze, ich życie, inspiracje i dzieło
3880:
3866:
3141:
1887:
1638:. Warsaw: Wydawnictwo "Arkady". p. 107.
1507:Real Academia de Bellas Artes de San Fernando
1442:. Madrid: Museo del Prado. pp. 210–211.
1170:. Madrid: Topografía de Manuel G. Hernández (
643:
640:Real Academia de Bellas Artes de San Fernando
623:Real Academia de Bellas Artes de San Fernando
438:would often wear for self-portraits, such as
398:Real Academia de Bellas Artes de San Fernando
383:Real Academia de Bellas Artes de San Fernando
211:Real Academia de Bellas Artes de San Fernando
96:Real Academia de Bellas Artes de San Fernando
8:
4825:The Story of Nastagio Degli Onesti, part one
1942:The Holy Family with Saints Joachim and Anne
1819:. Warsaw: Wydawnictwo "Arkady". p. 77.
947:. Londres: Turner Libros. pp. 183–206.
5369:Landscape with the Temptation of St Anthony
4978:Portrait of Pier Maria Rossi di San Secondo
3926:Equestrian Portrait of Margarita of Austria
3756:The Immaculate Conception of Los Venerables
2003:Saint Bernard of Clairvaux Curing a Cripple
1634:Peccatori, Stefano; Zuffi, Stefano (2006).
1560:Fitz-Gérald, Xavier Desparmet (1928–1950).
271:. He also appears in religious scenes like
5539:On display at the Spanish Embassy in Paris
5493:
5482:
4780:Portrait of Infanta Isabella Clara Eugenia
4095:Hercules Separates Mounts Calpe and Abylla
3908:Equestrian Portrait of Elisabeth of France
3216:
3205:
3164:
3148:
3134:
3126:
2784:
2260:
1894:
1880:
1872:
1838:. Madrid: Susaeta Ediciones. p. 200.
1743:. Madrid: Susaeta Ediciones. p. 200.
895:Bettagno, Alessandro; Brown, Christopher;
372:Fr. Goya Pintor / Aragones / Por el mismo
348:. Ferdinand VII also reinstated the hated
118:
109:
46:
29:
3689:The Recovery of Bahía de Todos los Santos
3380:Portrait of the Marchioness of Santa Cruz
1573:. Milan: Rizzoli. pp. 129, cat. 585.
799:Hagen, Rose Marie; Hagen, Rainer (2003).
672:for four hundred escudos, along with the
5536:On display at Museo de América in Madrid
4600:Equestrian Portrait of the Duke of Lerma
4083:The Defence of Cádiz Against the English
4016:Infanta Margarita Teresa in a Pink Dress
3750:The Immaculate Conception of El Escorial
3416:Pilgrimage to the Fountain of San Isidro
2739:Pilgrimage to the Fountain of San Isidro
1152:. Madrid: Real Academia de San Fernando.
1148:(1870). "Retrato de Goya por el mismo".
344:circle, which also included Goya as the
5533:On display at El Greco Museum in Toledo
5357:Landscape with the Burial of St Serapia
4857:Mural Paintings from the Herrera Chapel
4541:Landscape with Charon Crossing the Styx
3489:The Nobleman with his Hand on his Chest
1599:El retrato español: del Greco a Picasso
1413:(2005). "Autorretrato. Selbstrpotrat".
791:
713:
614:After Goya's death in 1828, his friend
339:returned to the throne in 1814 and the
274:The Sermon of Saint Bernardino of Siena
5448:Time Defeated by Love, Beauty and Hope
5128:Alfonso d'Avalos Addressing his Troops
4390:Diana and a Nymph Surprised by a Satyr
4372:Self-portrait with Sir Endymion Porter
3962:View of the Garden of the Villa Medici
2136:Still Life of a Lamb's Head and Flanks
1781:. Warsaw: Świat Książki. p. 136.
1705:. Warsaw: Oficyna Imbir. p. 147.
1496:
1494:
1492:
1401:
1399:
1397:
1327:. Zaragoza: Ibercaja. pp. 74–78.
1318:
1316:
1314:
1312:
5435:Marriage Contract and Country Dancing
4786:Portrait of Giovanni Battista Caselli
3020:Goya or the Hard Way to Enlightenment
2808:The Sleep of Reason Produces Monsters
1530:"Portrait of the Actress Rita Luna".
1261:
1259:
1215:
1213:
1211:
1209:
1115:
1113:
685:and the painting attributed to Goya,
534:The Sleep of Reason Produces Monsters
286:La novillada (The Young Bulls' Fight)
7:
5003:Christ Falling on the Way to Calvary
3968:Prince Balthasar Charles as a Hunter
3476:Witches' Sabbath (The Great He-Goat)
2690:Witches' Sabbath (The Great He-Goat)
1070:(2012). Matilla, José Manuel (ed.).
1062:
1060:
1058:
1056:
1054:
1028:
1026:
1000:
998:
996:
966:
964:
938:
936:
934:
932:
930:
928:
926:
924:
922:
920:
865:
863:
861:
859:
830:
828:
826:
824:
822:
820:
648:), published between 1881 and 1885.
5363:Landscape with the Finding of Moses
5351:Landscape with St María de Cervelló
4895:The Birth of Saint John the Baptist
4554:Judith at the Banquet of Holofernes
4113:Saint Luke Painting the Crucifixion
3585:Portrait of Rodrigo Vázquez de Arce
1168:Goya. Su tiempo, su vida, sus obras
5063:Christ Washing the Disciples' Feet
4028:Portrait of Juan Martínez Montañés
3974:Portrait of the Infante Don Carlos
3744:The Holy Family with a Little Bird
3290:Charles IV of Spain and His Family
2438:Charles IV of Spain and His Family
2299:The Family of the Infante Don Luis
1815:Sánchez, Alfonso E. Pérez (1994).
1701:Sánchez, Alfonso E. Pérez (2009).
1571:L'opera pittorica completa di Goya
1438:Ferrari, Enrique Lafuente (1983).
1270:. Madrid: Orgaz. pp. 266–26.
901:Muzeum Prado. Arcydzieła malarstwa
769:(1783) from the collection of the
689:. This museum was merged with the
556:Portrait of the Duke of San Carlos
550:Portrait of the Duke of Wellington
288:, in a drawing with his muse, the
255:The Family of the Infante Don Luis
249:Charles IV of Spain and His Family
246:, and with his important clients:
25:
5422:Portrait of Ferdinand VI as a Boy
5375:Landscape with Tobias and Raphael
4479:Portrait of José Nicolás de Azara
4131:The Vision of Saint Peter Nolasco
4101:Hercules Fighting the Nemean Lion
3920:Equestrian Portrait of Philip III
2414:Charles IV in his Hunting Clothes
1798:Goya: su tiempo, su vida, su obra
1724:. Madrid: Orgaz. pp. 95–96.
1669:. Warsaw: Eaglemoss Polska: 6–7.
1440:Goya en las colecciones madrileña
1268:Goya y la pintura del siglo XVIII
1202:. Paris: Henri Plon. p. 133.
1097:"Notas a varios retratos de Goya"
566:, and a portrait of his grandson
379:Fr. Goya / Aragonese / By himself
5545:
5544:
5185:Portrait of Isabella of Portugal
5173:Portrait of Charles V with a Dog
5116:Equestrian Portrait of Charles V
4504:Flemish Market and Washing Place
4492:Landscape with Sea and Mountains
3902:Equestrian Portrait of Philip IV
3579:Portrait of Jerónimo de Cevallos
3573:Portrait of an Unknown Gentleman
3344:The Duchess of Alba and la Beata
2315:Manuel Osorio Manrique de Zúñiga
2035:The Duchess of Alba and la Beata
5179:Portrait of Federico II Gonzaga
5134:Danaë Receiving the Golden Rain
4774:Portrait of Elisabeth of Valois
4676:The Incredulity of Saint Thomas
4046:Portrait of Philip IV in Armour
4040:Portrait of Pablo de Valladolid
3501:Doña María de Aragón Altarpiece
1834:Díaz, María Jesús, ed. (2010).
1739:Díaz, María Jesús, ed. (2010).
1503:Goya en el Museo de la Academia
803:. Warsaw: Taschen. p. 65.
703:List of works by Francisco Goya
4422:Francken the Younger
4253:The Wine of Saint Martin's Day
4185:The Garden of Earthly Delights
4058:Portrait of Sebastián de Morra
4052:Portrait of Mariana of Austria
4004:The Jester Don John of Austria
3711:Aranjuez Immaculate Conception
3591:Saint Andrew and Saint Francis
3543:Julián Romero and Saint Julian
1800:. Madrid: LIBSA. p. 366.
621:Javier Goya arranged with the
583:Portrait of José Luis Munárriz
553:, a study of the head for the
217:
1:
5218:Saint Margaret and the Dragon
5110:The Bacchanal of the Andrians
5037:Holy Family under an Oak Tree
4340:Rest on the Flight into Egypt
4034:The Nun Jerónima de la Fuente
4010:Portrait of Francisco Lezcano
3998:The Jester Don Diego de Acedo
3944:Apollo in the Forge of Vulcan
3836:The Martyrdom of Saint Philip
3762:The Martyrdom of Saint Andrew
2909:
2853:
2662:
2567:
2510:Self-Portrait with Dr Arrieta
2462:The Marchioness of Santa Cruz
2379:
2324:
2242:
2227:
2212:
2109:
2094:
2071:
1946:
1931:
1682:Swanston, Peter, ed. (2005).
403:Self-portrait with Dr Arrieta
295:Self-portrait with Dr Arrieta
5394:Landscape with Three Figures
4221:The Temptation of St Anthony
3732:The Conversion of Saint Paul
3561:Portrait of a Young Nobleman
2272:Adoration of the Name of God
2192:The Junta of the Philippines
416:Xavier Desparmet Fitz-Gérald
365:It is not known whether the
309:Portrait of Goya at 80 years
5571:Paintings by Francisco Goya
4636:Saint George and the Dragon
4107:Saint Elizabeth of Portugal
2518:Portrait of Don Ramón Satué
2223:A Procession of Flagellants
1779:Muzea świata. Prado. Madryt
1463:Fuster, Antonio F. (1965).
977:Museum of Fine Arts, Boston
771:Museum of Fine Arts in Agen
5607:
5505:The Apotheosis of Claudius
5069:Joseph and Potiphar's Wife
5044:Andrea del Sarto
4731:The Descent from the Cross
4618:The Birth of the Milky Way
4588:The Dance of the Villagers
3855:The Mulattos of Esmeraldas
3702:Adoration of the Shepherds
3567:Portrait of an Elderly Man
3495:Adoration of the Shepherds
3410:A Pilgrimage to San Isidro
2801:And So Was His Grandfather
2697:A Pilgrimage to San Isidro
1415:Goya – Prophet der Moderne
1291:Aznar, José Camón (1980).
973:Goya: Order & Disorder
897:Serraller, Francisco Calvo
628:Ferdinand VII on Horseback
107:Painting by Francisco Goya
27:Painting by Francisco Goya
5529:
5492:
5481:
5097:The Immaculate Conception
4664:(with Brueghel the Elder)
4648:The Triumph of the Church
4529:(with Brueghel the Elder)
4520:(with Brueghel the Elder)
4441:Apollo as Victor over Pan
4428:The Sciences and the Arts
3615:Saint John the Evangelist
3603:Saint Bernardino of Siena
3513:Christ Carrying the Cross
3434:Self-portrait at 69 years
3215:
3204:
3174:
3163:
3012:Goya, a Story of Solitude
2962:Museo del Grabado de Goya
2502:Self-Portrait at 69 years
2359:The Marquise de la Solana
2335:Self-Portrait at an Easel
2208:The Burial of the Sardine
1909:
1777:Tarabra, Daniela (2005).
1720:de Salas, Xavier (1978).
1569:de Angelis, Rita (1974).
1348:Wright, Patricia (1993).
1266:de Salas, Xavier (1980).
1121:"Autorretrato (Academia)"
1095:de Salas, Xavier (1980).
840:Goya en tiempos de guerra
450:Portrait of Asensio Julià
367:Self-portrait at 69 years
323:Circumstances of creation
233:Self-portrait at an Easel
181:Self-Portrait at 69 Years
117:
113:Self-portrait at 69 years
45:
37:
33:Self-Portrait at 69 years
18:Self-portrait at 69 years
5267:Christ Among the Doctors
4851:Assumption of the Virgin
4402:The Crowning with Thorns
3956:Coronation of the Virgin
3633:Saint Thomas the Apostle
3458:Two Old Ones Eating Soup
3422:Saturn Devouring His Son
3392:The Milkmaid of Bordeaux
3320:The Countess of Chinchon
3192:Cloister of Saint Jerome
2760:Two Old Ones Eating Soup
2676:Saturn Devouring His Son
2526:The Milkmaid of Bordeaux
2430:The Countess of Chinchon
2168:The Inquisition Tribunal
1376:; Lomba, Concha (2008).
1323:Gállego, Julián (1978).
1225:Fundación Goya en Aragón
1125:Fundación Goya en Aragón
1038:Museo Nacional del Prado
675:Portrait of Josefa Bayeu
5203:Religion saved by Spain
5084:The Washing of the Feet
4966:Holy Family with Angels
4863:Venus, Adonis and Cupid
4265:Life in the Countryside
3992:The Jester Calabacillas
3683:Portrait of a Gentleman
3555:Portrait of a Gentleman
3368:Man Mocked by Two Women
2725:Man Mocked by Two Women
2152:Truth, Time and History
1539:. Sotheby’s. 2007-01-25
1485:. ABC S.L. p. 330.
1350:Świadectwa sztuki: Goya
745:catalog, as well as by
5413:The Family of Philip V
5323:The Family of Philip V
5310:The Pearl and the Wave
4997:Portrait of a Cardinal
4567:The Judgement of Paris
4510:Landscape with Skaters
4378:The Betrayal of Christ
4305:Marriage of the Virgin
4089:Hercules and the Hydra
4022:Portrait of Maria Anna
3890:The Surrender of Breda
3881:
3876:The Triumph of Bacchus
3867:
3768:Our Lady of the Rosary
3664:The Death of Cleopatra
3597:Saint Anthony of Padua
3428:The Second of May 1808
3094:Rosario Weiss Zorrilla
2486:The Duke of Wellington
2406:Ferdinand Guillemardet
2176:The Second of May 1808
1562:L'oeuvre peint de Goya
1221:"Autorretrato (Prado)"
1006:"Autorretrato (Prado)"
644:
189:
5075:Judith and Holofernes
4582:Adoration of the Magi
4466:Adoration of the Magi
4447:Meleager and Atalanta
4191:Adoration of the Magi
4077:The Death of Hercules
3986:The Jester Barbarroja
3938:Adoration of the Magi
3774:The Patrician's Dream
3677:Adoration of the Magi
3609:Saint James the Great
3525:The Flight into Egypt
3446:The Third of May 1808
3356:Judith and Holofernes
3284:Boys playing soldiers
3182:Casón del Buen Retiro
2925:The Bulls of Bordeaux
2683:Judith and Holofernes
2586:Children in a Chariot
2578:Boys Playing Soldiers
2454:Doña Isabel de Porcel
2184:The Third of May 1808
1758:Sureda, Joan (2008).
1325:Autorretratos de Goya
1072:Goya. Luces y sombras
943:Bray, Xavier (2015).
872:Goya. 250 aniversario
218:Goya's self-portraits
5273:The Finding of Moses
5248:The Worship of Venus
4908:The Finding of Moses
4654:Deucalion and Pyrrha
4630:The Rape of Ganymede
4453:The Painter's Family
4247:The Triumph of Death
4209:Head of a Halberdier
4203:The Haywain Triptych
4159:The Fountain of Life
4125:Still Life with Pots
3549:Portrait of a Doctor
3260:Allegory of Industry
3028:Goya: A Life in Song
2838:The Disasters of War
2422:Maria Luisa of Parma
2090:Allegory of Industry
1636:Klasycy sztuki: Goya
669:Museo de la Trinidad
427:Aureliano de Beruete
284:, genre scenes like
5297:Agony in the Garden
5167:Philip II in Armour
5009:Madonna of the Rose
4953:Death of the Virgin
4902:O. Gentileschi
4889:A. Gentileschi
4696:Teniers the Younger
3793:Doña Joanna the Mad
3780:Rebecca and Eleazar
3723:Christ on the Cross
3178:Villanueva building
2616:The Threshing Floor
2478:Doña Antonia Zárate
2470:Doña Antonia Zárate
2398:Bernardo de Iriarte
2200:A Village Bullfight
1146:Carderera, Valentín
512:Color and technique
444:Painter and his Pug
5233:Venus and Musician
5050:Sacrifice of Isaac
4624:The Rape of Europa
4612:The Garden of Love
4594:Diana and Callisto
4384:The Brazen Serpent
4172:The Ages and Death
3842:The Blind Sculptor
3531:Holy Face of Jesus
3350:Fight with Cudgels
3234:José de Espronceda
2952:Casa natal de Goya
2732:Fight with Cudgels
2280:Life of the Virgin
2105:Majas on a Balcony
2027:Assault of Thieves
2011:Yard with Lunatics
1965:The Rape of Europa
1760:Los mundos de Goya
1509:. pp. 38–39.
979:. pp. 93–94.
945:Goya: Los Retratos
537:. Goya used heavy
394:Valentín Carderera
5558:
5557:
5525:
5524:
5521:
5520:
5512:Castor and Pollux
5477:
5476:
5473:
5472:
5465:British paintings
4838:David and Goliath
4241:Bruegel the Elder
4197:Cutting the Stone
3738:The Good Shepherd
3278:Blind Man's Bluff
3200:
3199:
3123:
3122:
3089:Leocadia Zorrilla
2940:
2939:
2776:
2775:
2640:Blind Man's Bluff
2609:The Grape Harvest
2390:The Black Duchess
2367:The White Duchess
2051:The Bewitched Man
1845:978-84-9928-021-9
1769:978-84-9785-512-9
1750:978-84-9928-021-9
1608:978-84-1635-484-9
1516:978-84-96406-41-4
1479:Baticle, Jeannine
1424:978-3-8321-7563-4
1387:978-84-9785-549-5
1181:978-84-8380-253-3
1081:978-84-9900-057-2
986:978-0-87846-808-9
954:978-84-1635-484-9
910:978-83-213-4421-8
849:978-84-95241-55-9
756:, as the earlier
440:William Hogarth's
341:absolute monarchy
177:
176:
105:
104:
16:(Redirected from
5598:
5586:Portraits of men
5548:
5547:
5494:
5483:
5444:
5431:
5418:
5409:
5384:
5335:
5328:
5319:
5306:
5293:
5261:Venus and Adonis
5257:
5238:
5229:
5224:Venus and Adonis
5214:
5139:
5106:
5093:
5080:
5059:
5046:
5033:
5026:
4993:
4962:
4949:
4936:
4929:
4920:
4913:
4904:
4891:
4872:
4847:
4834:
4821:
4808:
4795:
4770:
4757:
4727:
4718:Alpine Landscape
4714:
4707:
4698:
4685:
4672:
4665:
4576:The Three Graces
4572:
4563:
4550:
4537:
4530:
4521:
4488:
4475:
4462:
4437:
4424:
4411:
4368:
4349:
4336:
4329:
4320:
4301:
4294:
4285:
4284:(with de Momper)
4276:
4275:(with de Momper)
4243:
4230:
4181:
4168:
4155:
4067:
3950:Christ Crucified
3886:
3872:
3864:
3851:
3802:
3789:
3728:
3707:
3698:
3673:
3660:
3485:
3308:The Clothed Maja
3302:Christ Crucified
3256:
3243:
3230:
3217:
3206:
3165:
3150:
3143:
3136:
3127:
3084:Quinta del Sordo
3036:Goya in Bordeaux
2914:
2911:
2883:
2858:
2855:
2785:
2667:
2666: 1819–1823
2664:
2572:
2569:
2384:
2381:
2329:
2326:
2261:
2247:
2244:
2232:
2229:
2217:
2214:
2128:The Knifegrinder
2120:The Water Bearer
2114:
2113: 1808–1812
2111:
2099:
2096:
2076:
2075: 1797–1800
2073:
2059:Witches' Sabbath
1973:Christ Crucified
1951:
1948:
1936:
1933:
1896:
1889:
1882:
1873:
1868:
1849:
1830:
1811:
1792:
1773:
1754:
1735:
1716:
1697:
1678:
1657:
1630:
1612:
1593:
1574:
1565:
1548:
1547:
1545:
1544:
1538:
1527:
1521:
1520:
1498:
1487:
1486:
1475:
1469:
1468:
1460:
1454:
1453:
1435:
1429:
1428:
1403:
1392:
1391:
1374:Bozal, Valeriano
1370:
1364:
1363:
1345:
1339:
1338:
1320:
1307:
1306:
1288:
1282:
1281:
1263:
1254:
1253:
1242:
1236:
1235:
1233:
1232:
1217:
1204:
1203:
1196:Yriarte, Charles
1192:
1186:
1185:
1160:
1154:
1153:
1142:
1136:
1135:
1133:
1132:
1117:
1108:
1107:
1101:
1092:
1086:
1085:
1064:
1049:
1048:
1046:
1045:
1030:
1021:
1020:
1018:
1017:
1002:
991:
990:
968:
959:
958:
940:
915:
914:
892:
886:
885:
867:
854:
853:
832:
815:
814:
796:
781:
779:
767:
755:
744:
728:
722:
718:
683:
664:Federico Madrazo
658:
647:
636:
604:
591:
576:
564:
478:
458:
424:
317:
282:
269:
122:
110:
50:
30:
21:
5606:
5605:
5601:
5600:
5599:
5597:
5596:
5595:
5561:
5560:
5559:
5554:
5517:
5488:
5469:
5453:
5440:
5427:
5416:
5405:
5380:
5331:
5326:
5315:
5302:
5289:
5278:
5253:
5236:
5227:
5212:
5137:
5122:The Fall of Man
5102:
5089:
5079:(by his studio)
5078:
5055:
5042:
5029:
5024:
4989:
4958:
4945:
4932:
4928:(by his studio)
4927:
4916:
4911:
4900:
4887:
4876:Noli me tangere
4868:
4843:
4830:
4817:
4804:
4791:
4766:
4753:
4742:
4723:
4710:
4705:
4694:
4681:
4668:
4663:
4660:The Five Senses
4606:The Fall of Man
4570:
4559:
4546:
4533:
4528:
4519:
4484:
4471:
4458:
4433:
4420:
4407:
4364:
4345:
4332:
4327:
4316:
4297:
4292:
4289:The Five Senses
4283:
4274:
4239:
4226:
4177:
4164:
4151:
4144:
4142:
4136:
4063:
3860:
3849:Sánchez Gallque
3847:
3818:Isaac and Jacob
3798:
3785:
3726:
3705:
3694:
3669:
3656:
3627:Saint Sebastian
3481:
3470:Witches' Flight
3338:The Drunk Mason
3252:
3239:
3226:
3211:
3196:
3170:
3159:
3157:Museo del Prado
3154:
3124:
3119:
3066:
2991:
2936:
2918:
2912:
2905:A way of flying
2887:
2879:
2862:
2856:
2831:
2813:
2772:
2665:
2660:
2658:Black Paintings
2652:
2632:The Drunk Mason
2570:
2542:
2539:
2532:
2382:
2327:
2286:
2259:
2245:
2230:
2215:
2112:
2097:
2082:La maja vestida
2074:
2067:La maja desnuda
2043:Witches' Flight
2019:Prison Interior
1989:The Drunk Mason
1981:The Greasy Pole
1949:
1934:
1914:
1905:
1900:
1865:
1852:
1846:
1833:
1827:
1814:
1808:
1795:
1789:
1776:
1770:
1757:
1751:
1738:
1732:
1719:
1713:
1700:
1694:
1681:
1660:
1646:
1633:
1627:
1615:
1609:
1596:
1590:
1577:
1568:
1559:
1556:
1551:
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1529:
1528:
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1517:
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1490:
1477:
1476:
1472:
1462:
1461:
1457:
1450:
1437:
1436:
1432:
1425:
1411:Hofmann, Werner
1405:
1404:
1395:
1388:
1372:
1371:
1367:
1360:
1347:
1346:
1342:
1335:
1322:
1321:
1310:
1303:
1290:
1289:
1285:
1278:
1265:
1264:
1257:
1244:
1243:
1239:
1230:
1228:
1219:
1218:
1207:
1194:
1193:
1189:
1182:
1164:Muñoz, Cipriano
1162:
1161:
1157:
1144:
1143:
1139:
1130:
1128:
1119:
1118:
1111:
1099:
1094:
1093:
1089:
1082:
1066:
1065:
1052:
1043:
1041:
1032:
1031:
1024:
1015:
1013:
1004:
1003:
994:
987:
970:
969:
962:
955:
942:
941:
918:
911:
894:
893:
889:
882:
869:
868:
857:
850:
834:
833:
818:
811:
798:
797:
793:
789:
784:
773:
761:
749:
747:Xavier de Salas
738:
729:
725:
719:
715:
711:
699:
677:
652:
630:
616:Antonio Brugada
612:
598:
585:
570:
558:
514:
490:, for example,
481:Valeriano Bozal
472:
452:
435:
418:
412:Charles Yriarte
408:Count de Viñaza
325:
311:
300:votive offering
290:Duchess of Alba
276:
263:
220:
168:Museo del Prado
108:
28:
23:
22:
15:
12:
11:
5:
5604:
5602:
5594:
5593:
5588:
5583:
5578:
5576:Self-portraits
5573:
5563:
5562:
5556:
5555:
5553:
5552:
5541:
5540:
5537:
5534:
5530:
5527:
5526:
5523:
5522:
5519:
5518:
5516:
5515:
5508:
5500:
5498:
5490:
5489:
5486:
5479:
5478:
5475:
5474:
5471:
5470:
5468:
5467:
5461:
5459:
5455:
5454:
5452:
5451:
5438:
5425:
5403:
5378:
5329:
5313:
5300:
5286:
5284:
5280:
5279:
5277:
5276:
5251:
5161:Mater Dolorosa
5143:The Entombment
5100:
5087:
5053:
5040:
5027:
4987:
4956:
4943:
4930:
4914:
4898:
4885:
4866:
4841:
4828:
4815:
4802:
4789:
4764:
4750:
4748:
4744:
4743:
4741:
4740:
4725:van der Weyden
4721:
4708:
4692:
4679:
4666:
4557:
4544:
4531:
4482:
4469:
4456:
4431:
4418:
4405:
4362:
4343:
4330:
4324:Caritas Romana
4314:
4295:
4237:
4224:
4175:
4162:
4148:
4146:
4138:
4137:
4135:
4134:
4061:
3883:Las Hilanderas
3858:
3845:
3796:
3783:
3692:
3667:
3654:
3479:
3398:The Naked Maja
3326:Los disparates
3250:
3237:
3223:
3221:
3213:
3212:
3209:
3202:
3201:
3198:
3197:
3195:
3194:
3189:
3187:Hall of Realms
3184:
3179:
3175:
3172:
3171:
3168:
3161:
3160:
3155:
3153:
3152:
3145:
3138:
3130:
3121:
3120:
3118:
3117:
3109:
3101:
3096:
3091:
3086:
3081:
3074:
3072:
3068:
3067:
3065:
3064:
3056:
3048:
3040:
3032:
3024:
3016:
3008:
3004:The Naked Maja
2999:
2997:
2993:
2992:
2990:
2989:
2979:
2969:
2959:
2948:
2946:
2942:
2941:
2938:
2937:
2935:
2934:
2931:
2929:
2920:
2919:
2917:
2916:
2913: 1815–16
2900:
2898:
2894:Los Disparates
2889:
2888:
2886:
2885:
2875:
2873:
2869:La Tauromaquia
2864:
2863:
2861:
2860:
2857: 1812–13
2844:
2842:
2833:
2832:
2830:
2829:
2826:
2824:
2815:
2814:
2812:
2811:
2804:
2796:
2794:
2782:
2778:
2777:
2774:
2773:
2771:
2770:
2763:
2756:
2749:
2742:
2735:
2728:
2721:
2714:
2707:
2700:
2693:
2686:
2679:
2671:
2669:
2654:
2653:
2651:
2650:
2644:
2636:
2628:
2620:
2612:
2606:
2598:
2590:
2582:
2574:
2559:
2550:
2548:
2534:
2533:
2531:
2530:
2522:
2514:
2506:
2498:
2490:
2482:
2474:
2466:
2458:
2450:
2442:
2434:
2426:
2418:
2410:
2402:
2394:
2386:
2371:
2363:
2355:
2347:
2339:
2338:(c. 1790–1795)
2331:
2311:
2303:
2294:
2292:
2288:
2287:
2285:
2284:
2276:
2267:
2265:
2258:
2257:
2249:
2234:
2219:
2204:
2196:
2188:
2180:
2172:
2164:
2156:
2148:
2140:
2132:
2124:
2116:
2101:
2086:
2078:
2063:
2055:
2047:
2039:
2031:
2023:
2015:
2007:
1999:
1993:
1985:
1977:
1969:
1961:
1953:
1938:
1922:
1920:
1916:
1915:
1910:
1907:
1906:
1903:Francisco Goya
1901:
1899:
1898:
1891:
1884:
1876:
1870:
1869:
1863:
1850:
1844:
1831:
1825:
1812:
1806:
1793:
1787:
1774:
1768:
1755:
1749:
1736:
1730:
1722:Goya en Madrid
1717:
1711:
1698:
1692:
1684:Francisco Goya
1679:
1658:
1644:
1631:
1625:
1617:Francisco Goya
1613:
1607:
1594:
1588:
1575:
1566:
1555:
1552:
1550:
1549:
1522:
1515:
1488:
1470:
1455:
1448:
1430:
1423:
1393:
1386:
1365:
1358:
1340:
1333:
1308:
1301:
1283:
1276:
1255:
1237:
1205:
1187:
1180:
1155:
1137:
1109:
1087:
1080:
1050:
1034:"Autorretrato"
1022:
992:
985:
960:
953:
916:
909:
887:
880:
855:
848:
838:, ed. (2008).
816:
809:
801:Francisco Goya
790:
788:
785:
783:
782:
723:
712:
710:
707:
706:
705:
698:
695:
611:
608:
513:
510:
434:
431:
355:The Naked Maja
329:Peninsular War
324:
321:
236:modeled after
219:
216:
202:Francisco Goya
175:
174:
165:
161:
160:
159:45.8 × 35.6 cm
157:
153:
152:
146:
142:
141:
138:
134:
133:
131:Francisco Goya
128:
124:
123:
115:
114:
106:
103:
102:
93:
89:
88:
85:
81:
80:
74:
70:
69:
66:
62:
61:
59:Francisco Goya
56:
52:
51:
43:
42:
35:
34:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5603:
5592:
5591:Oil paintings
5589:
5587:
5584:
5582:
5579:
5577:
5574:
5572:
5569:
5568:
5566:
5551:
5543:
5542:
5538:
5535:
5532:
5531:
5528:
5514:
5513:
5509:
5507:
5506:
5502:
5501:
5499:
5495:
5491:
5484:
5480:
5466:
5463:
5462:
5460:
5456:
5450:
5449:
5443:
5439:
5437:
5436:
5430:
5426:
5424:
5423:
5415:
5414:
5408:
5404:
5402:
5401:
5400:Saint Cecilia
5396:
5395:
5390:
5389:
5383:
5379:
5377:
5376:
5371:
5370:
5365:
5364:
5359:
5358:
5353:
5352:
5347:
5346:
5341:
5340:
5334:
5330:
5325:
5324:
5318:
5314:
5312:
5311:
5305:
5301:
5299:
5298:
5292:
5288:
5287:
5285:
5281:
5275:
5274:
5269:
5268:
5263:
5262:
5256:
5252:
5250:
5249:
5244:
5243:
5235:
5234:
5226:
5225:
5220:
5219:
5211:
5210:
5209:Self-Portrait
5205:
5204:
5199:
5198:
5193:
5192:
5187:
5186:
5181:
5180:
5175:
5174:
5169:
5168:
5163:
5162:
5157:
5156:
5151:
5150:
5145:
5144:
5136:
5135:
5130:
5129:
5124:
5123:
5118:
5117:
5112:
5111:
5105:
5101:
5099:
5098:
5092:
5088:
5086:
5085:
5077:
5076:
5071:
5070:
5065:
5064:
5058:
5054:
5052:
5051:
5045:
5041:
5039:
5038:
5032:
5028:
5025:(with Romano)
5023:
5022:
5017:
5016:
5011:
5010:
5005:
5004:
4999:
4998:
4992:
4988:
4986:
4985:
4984:Saint Barbara
4980:
4979:
4974:
4973:
4968:
4967:
4961:
4957:
4955:
4954:
4948:
4944:
4942:
4941:
4935:
4931:
4926:
4925:
4919:
4915:
4910:
4909:
4903:
4899:
4897:
4896:
4890:
4886:
4884:
4883:
4878:
4877:
4871:
4867:
4865:
4864:
4859:
4858:
4853:
4852:
4846:
4842:
4840:
4839:
4833:
4829:
4827:
4826:
4820:
4816:
4814:
4813:
4807:
4803:
4801:
4800:
4794:
4790:
4788:
4787:
4782:
4781:
4776:
4775:
4769:
4765:
4763:
4762:
4756:
4752:
4751:
4749:
4745:
4739:
4738:
4737:Durán Madonna
4733:
4732:
4726:
4722:
4720:
4719:
4713:
4709:
4704:
4703:
4697:
4693:
4691:
4690:
4684:
4680:
4678:
4677:
4671:
4667:
4662:
4661:
4656:
4655:
4650:
4649:
4644:
4643:
4638:
4637:
4632:
4631:
4626:
4625:
4620:
4619:
4614:
4613:
4608:
4607:
4602:
4601:
4596:
4595:
4590:
4589:
4584:
4583:
4578:
4577:
4569:
4568:
4562:
4558:
4556:
4555:
4549:
4545:
4543:
4542:
4536:
4532:
4527:
4526:
4518:
4517:
4512:
4511:
4506:
4505:
4500:
4499:
4494:
4493:
4487:
4483:
4481:
4480:
4474:
4470:
4468:
4467:
4461:
4457:
4455:
4454:
4449:
4448:
4443:
4442:
4436:
4432:
4430:
4429:
4423:
4419:
4417:
4416:
4410:
4406:
4404:
4403:
4398:
4397:
4396:Saint Rosalia
4392:
4391:
4386:
4385:
4380:
4379:
4374:
4373:
4367:
4363:
4361:
4360:
4359:Self-Portrait
4355:
4354:
4348:
4344:
4342:
4341:
4335:
4331:
4326:
4325:
4319:
4315:
4313:
4312:
4311:Werl Triptych
4307:
4306:
4300:
4296:
4293:(with Rubens)
4291:
4290:
4282:
4281:
4273:
4272:
4267:
4266:
4261:
4260:
4255:
4254:
4249:
4248:
4242:
4238:
4236:
4235:
4229:
4225:
4223:
4222:
4217:
4216:
4211:
4210:
4205:
4204:
4199:
4198:
4193:
4192:
4187:
4186:
4180:
4176:
4174:
4173:
4167:
4163:
4161:
4160:
4154:
4150:
4149:
4147:
4139:
4133:
4132:
4127:
4126:
4121:
4120:
4115:
4114:
4109:
4108:
4103:
4102:
4097:
4096:
4091:
4090:
4085:
4084:
4079:
4078:
4073:
4072:
4066:
4062:
4060:
4059:
4054:
4053:
4048:
4047:
4042:
4041:
4036:
4035:
4030:
4029:
4024:
4023:
4018:
4017:
4012:
4011:
4006:
4005:
4000:
3999:
3994:
3993:
3988:
3987:
3982:
3981:
3976:
3975:
3970:
3969:
3964:
3963:
3958:
3957:
3952:
3951:
3946:
3945:
3940:
3939:
3934:
3933:
3928:
3927:
3922:
3921:
3916:
3915:
3910:
3909:
3904:
3903:
3898:
3897:
3892:
3891:
3885:
3884:
3878:
3877:
3871:
3870:
3863:
3859:
3857:
3856:
3850:
3846:
3844:
3843:
3838:
3837:
3832:
3831:
3826:
3825:
3820:
3819:
3814:
3813:
3808:
3807:
3806:Jacob's Dream
3801:
3797:
3795:
3794:
3788:
3784:
3782:
3781:
3776:
3775:
3770:
3769:
3764:
3763:
3758:
3757:
3752:
3751:
3746:
3745:
3740:
3739:
3734:
3733:
3725:
3724:
3719:
3718:
3713:
3712:
3704:
3703:
3697:
3693:
3691:
3690:
3685:
3684:
3679:
3678:
3672:
3668:
3666:
3665:
3659:
3655:
3653:
3652:
3647:
3646:
3641:
3640:
3635:
3634:
3629:
3628:
3623:
3622:
3617:
3616:
3611:
3610:
3605:
3604:
3599:
3598:
3593:
3592:
3587:
3586:
3581:
3580:
3575:
3574:
3569:
3568:
3563:
3562:
3557:
3556:
3551:
3550:
3545:
3544:
3539:
3538:
3533:
3532:
3527:
3526:
3521:
3520:
3515:
3514:
3509:
3508:
3503:
3502:
3497:
3496:
3491:
3490:
3484:
3483:El Greco
3480:
3478:
3477:
3472:
3471:
3466:
3465:
3460:
3459:
3454:
3453:
3448:
3447:
3442:
3441:
3436:
3435:
3430:
3429:
3424:
3423:
3418:
3417:
3412:
3411:
3406:
3405:
3400:
3399:
3394:
3393:
3388:
3387:
3382:
3381:
3376:
3375:
3370:
3369:
3364:
3363:
3358:
3357:
3352:
3351:
3346:
3345:
3340:
3339:
3334:
3333:
3328:
3327:
3322:
3321:
3316:
3315:
3310:
3309:
3304:
3303:
3298:
3297:
3296:Los caprichos
3292:
3291:
3286:
3285:
3280:
3279:
3274:
3273:
3268:
3267:
3262:
3261:
3255:
3251:
3249:
3248:
3242:
3238:
3236:
3235:
3229:
3225:
3224:
3222:
3218:
3214:
3207:
3203:
3193:
3190:
3188:
3185:
3183:
3180:
3177:
3176:
3173:
3166:
3162:
3158:
3151:
3146:
3144:
3139:
3137:
3132:
3131:
3128:
3115:
3114:
3110:
3107:
3106:
3102:
3100:
3097:
3095:
3092:
3090:
3087:
3085:
3082:
3079:
3076:
3075:
3073:
3069:
3062:
3061:
3057:
3054:
3053:
3052:Goya's Ghosts
3049:
3046:
3045:
3041:
3038:
3037:
3033:
3030:
3029:
3025:
3022:
3021:
3017:
3014:
3013:
3009:
3006:
3005:
3001:
3000:
2998:
2994:
2987:
2983:
2980:
2977:
2973:
2970:
2967:
2963:
2960:
2957:
2953:
2950:
2949:
2947:
2943:
2933:
2932:
2930:
2927:
2926:
2921:
2907:
2906:
2902:
2901:
2899:
2896:
2895:
2890:
2884:
2882:
2877:
2876:
2874:
2871:
2870:
2865:
2851:
2850:
2849:This is worse
2846:
2845:
2843:
2840:
2839:
2834:
2828:
2827:
2825:
2822:
2821:
2820:The Prisoners
2816:
2810:
2809:
2805:
2803:
2802:
2798:
2797:
2795:
2792:
2791:
2790:Los Caprichos
2786:
2783:
2779:
2769:
2768:
2764:
2762:
2761:
2757:
2755:
2754:
2750:
2748:
2747:
2743:
2741:
2740:
2736:
2734:
2733:
2729:
2727:
2726:
2722:
2720:
2719:
2715:
2713:
2712:
2708:
2706:
2705:
2701:
2699:
2698:
2694:
2692:
2691:
2687:
2685:
2684:
2680:
2678:
2677:
2673:
2672:
2670:
2659:
2655:
2648:
2645:
2642:
2641:
2637:
2634:
2633:
2629:
2626:
2625:
2621:
2618:
2617:
2613:
2610:
2607:
2604:
2603:
2599:
2596:
2595:
2591:
2588:
2587:
2583:
2580:
2579:
2575:
2565:
2564:
2560:
2557:
2556:
2555:The Boar Hunt
2552:
2551:
2549:
2546:
2541:
2535:
2528:
2527:
2523:
2520:
2519:
2515:
2512:
2511:
2507:
2504:
2503:
2499:
2496:
2495:
2491:
2488:
2487:
2483:
2480:
2479:
2475:
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1912:List of works
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1807:84-662-1405-4
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1693:83-7398-185-3
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1645:83-60529-14-0
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1626:83-7425-497-1
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1449:84-300-9033-9
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1407:Mena, Manuela
1402:
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1359:83-7023-300-7
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1334:84-500-2952-X
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1302:84-500-4165-1
1298:
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1293:Fran. de Goya
1287:
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1277:84-85407-01-6
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845:
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837:
836:Mena, Manuela
831:
829:
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823:
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817:
812:
810:83-89192-40-3
806:
802:
795:
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768:
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760:
759:Self-Portrait
753:
748:
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360:monochromatic
357:
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347:
346:court painter
342:
338:
337:Ferdinand VII
334:
330:
322:
320:
318:
315:
310:
305:
304:Vicente López
301:
298:painted as a
297:
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5237:(1550, 1555)
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4960:Parmigianino
4959:
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4778:
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4761:Annunciation
4759:
4755:Fra Angelico
4754:
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4409:van Hemessen
4408:
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4370:
4365:
4357:
4353:Adam and Eve
4351:
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3896:Mars Resting
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3730:
3727:(1675, 1677)
3721:
3715:
3709:
3700:
3695:
3687:
3681:
3675:
3670:
3662:
3657:
3649:
3643:
3639:Holy Trinity
3637:
3631:
3625:
3619:
3613:
3607:
3601:
3595:
3589:
3583:
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3571:
3565:
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3537:Holy Trinity
3535:
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3523:
3517:
3511:
3507:Annunciation
3505:
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3444:
3438:
3432:
3426:
3420:
3414:
3408:
3402:
3396:
3390:
3384:
3378:
3374:La novillada
3372:
3366:
3360:
3354:
3348:
3342:
3336:
3330:
3324:
3318:
3314:The Colossus
3312:
3306:
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3294:
3288:
3282:
3276:
3270:
3264:
3258:
3253:
3245:
3240:
3232:
3227:
3111:
3108:(1915 opera)
3103:
3078:Josefa Bayeu
3058:
3050:
3042:
3034:
3031:(1989 album)
3026:
3018:
3010:
3002:
2923:
2903:
2892:
2878:
2867:
2847:
2836:
2818:
2806:
2799:
2788:
2781:Print series
2765:
2758:
2751:
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2730:
2723:
2716:
2709:
2702:
2695:
2688:
2681:
2674:
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2630:
2622:
2614:
2608:
2602:La novillada
2600:
2592:
2584:
2576:
2561:
2553:
2524:
2516:
2508:
2501:
2500:
2494:Josefa Bayeu
2492:
2484:
2476:
2468:
2460:
2452:
2446:Manuel Godoy
2444:
2436:
2428:
2420:
2412:
2404:
2396:
2388:
2373:
2365:
2357:
2349:
2341:
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2297:
2278:
2270:
2251:
2236:
2221:
2206:
2198:
2190:
2182:
2174:
2166:
2160:The Madhouse
2158:
2150:
2147:(after 1808)
2144:The Colossus
2142:
2134:
2126:
2118:
2103:
2088:
2080:
2065:
2057:
2049:
2041:
2033:
2025:
2017:
2009:
2001:
1987:
1979:
1971:
1963:
1955:
1940:
1925:
1854:
1835:
1817:Muzeum Prado
1816:
1797:
1778:
1759:
1740:
1721:
1702:
1683:
1666:
1662:
1635:
1616:
1598:
1579:
1570:
1561:
1554:Bibliography
1541:. Retrieved
1532:
1525:
1502:
1482:
1473:
1464:
1458:
1439:
1433:
1414:
1377:
1368:
1349:
1343:
1324:
1292:
1286:
1267:
1249:
1246:Gudiol, José
1240:
1229:. Retrieved
1227:(in Spanish)
1224:
1199:
1190:
1167:
1158:
1149:
1140:
1129:. Retrieved
1127:(in Spanish)
1124:
1103:
1090:
1071:
1042:. Retrieved
1040:(in Spanish)
1037:
1014:. Retrieved
1012:(in Spanish)
1010:ArteHistoria
1009:
972:
944:
900:
890:
871:
839:
800:
794:
757:
726:
716:
691:Prado Museum
687:The Exorcism
686:
673:
667:
661:
639:
626:
622:
620:
613:
594:
581:
579:
554:
548:
532:
515:
503:
494:
492:Tintoretto's
485:
466:
448:
442:
436:
401:
397:
392:
386:
382:
378:
374:
371:
370:neck level:
366:
364:
353:
326:
307:
293:
285:
272:
259:
253:
247:
241:
231:
221:
209:
206:Prado Museum
194:oil painting
190:Autorretrato
180:
179:
178:
40:Autorretrato
39:
4415:The Surgeon
3869:Las Meninas
3651:Virgin Mary
3645:The Saviour
3452:Two Old Men
3404:The Parasol
3386:Men Reading
3362:La Leocadia
3116:(1942 film)
3099:Goya Awards
3055:(2006 film)
3047:(1999 film)
3039:(1999 film)
3023:(1971 film)
3015:(1971 film)
3007:(1958 film)
2982:Goya Museum
2966:Fuendetodos
2956:Fuendetodos
2897:(1815–1823)
2841:(1810–1820)
2823:(1810–1815)
2718:Men Reading
2711:Two Old Men
2704:La Leocadia
2647:The Wedding
2635:(1786–1787)
2571: 1777
2563:The Parasol
2529:(1825–1827)
2497:(1814–1816)
2481:(1810–1811)
2457:(1804–1805)
2425:(1799–1800)
2409:(1798–1799)
2383: 1795
2328: 1788
2319:The Red Boy
2246: 1817
2231: 1816
2216: 1816
2203:(1815–1819)
2171:(1812–1819)
2163:(1812–1819)
2155:(1812–1814)
2139:(1808–1812)
2131:(1808–1812)
2123:(1808–1812)
2098: 1805
2085:(1800–1805)
2054:(1797–1798)
2046:(1797–1798)
2030:(1793–1794)
2022:(1793–1794)
2014:(1793–1794)
1998:(1786–1787)
1992:(1786–1787)
1960:(1770–1771)
1950: 1769
1935: 1763
774: [
762: [
750: [
739: [
678: [
653: [
650:José Galván
631: [
599: [
586: [
571: [
559: [
544:Rembrandt's
526:terre verte
508:from 1655.
501:Rembrandt's
488:Renaissance
473: [
470:Xavier Bray
462:Cesare Ripa
453: [
433:Description
419: [
350:Inquisition
312: [
277: [
264: [
243:Las Meninas
5565:Categories
5487:Sculptures
5057:Tintoretto
5015:Visitation
4832:Caravaggio
4819:Botticelli
4768:Anguissola
3812:Democritus
3621:Saint Paul
3044:Volavérunt
2996:Depictions
2375:Charles IV
1864:8436935527
1826:8321337201
1788:8373915621
1731:8485407121
1589:8426156827
1543:2021-05-16
1505:. Madrid:
1231:2021-05-16
1131:2021-05-16
1044:2021-05-16
1016:2021-05-16
975:. Boston:
787:References
610:Provenance
156:Dimensions
87:46 × 51 cm
84:Dimensions
5388:Parnassus
5291:Anonymous
5149:La Gloria
4924:Mona Lisa
4870:Correggio
4712:Verhaecht
4548:Rembrandt
4525:Landscape
4486:de Momper
4318:de Crayer
4280:Landscape
4153:Anonymous
4071:Agnus Dei
3862:Velázquez
3519:The Fable
3210:Paintings
3169:Buildings
2928:(1824–25)
2872:(1815–16)
2793:(1797–98)
2649:(1791–92)
2627:(1786–87)
2594:The Swing
2581:(1778–79)
2441:(1800–18)
2351:La Tirana
2343:La Tirana
2310:(1787–88)
2302:(1783–84)
2291:Portraits
2253:Bullfight
2238:The Forge
1984:(1786–87)
1919:Paintings
1675:1505-9464
1654:749548628
1172:facsimile
596:Rita Luna
387:Goya 1815
238:Velázquez
224:engraving
151:on canvas
38:Spanish:
5550:Category
5345:The Ford
5255:Veronese
5191:Sisyphus
5021:La Perla
4947:Mantegna
4918:Leonardo
4845:Carracci
4799:Nativity
4435:Jordaens
4366:van Dyck
4143:Flemish,
4065:Zurbarán
3787:Pradilla
3228:Esquivel
3113:Goyescas
3105:Goyescas
2976:Zaragoza
2540:cartoons
2538:Tapestry
1481:(2004).
1248:(1970).
1198:(1867).
1166:(1887).
697:See also
530:aquatint
335:. After
292:, or in
240:and his
200:painter
192:) is an
164:Location
92:Location
79:on panel
5445::
5432::
5429:Watteau
5410::
5385::
5382:Poussin
5336::
5333:Lorrain
5320::
5317:van Loo
5307::
5294::
5258::
5107::
5094::
5091:Tiepolo
5060::
5047::
5034::
4994::
4991:Raphael
4963::
4950::
4937::
4921::
4905::
4892::
4873::
4848::
4835::
4822::
4809::
4806:Bellini
4796::
4793:Barocci
4771::
4758::
4747:Italian
4728::
4715::
4699::
4686::
4683:Strobel
4673::
4564::
4551::
4538::
4535:Patinir
4489::
4476::
4463::
4460:Memling
4438::
4425::
4412::
4369::
4350::
4337::
4321::
4302::
4244::
4231::
4182::
4169::
4166:Baldung
4156::
4068::
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3071:Related
2986:Castres
2945:Museums
2767:The Dog
2753:Asmodea
2746:Atropos
736:Gassier
568:Mariano
539:impasto
518:crimson
228:drawing
198:Spanish
196:by the
186:Spanish
5417:(1723)
5327:(1743)
5304:Baudry
5283:French
5228:(1554)
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4571:(1638)
4561:Rubens
4498:A Farm
4328:(1625)
4299:Campin
4145:German
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3830:Tityos
3800:Ribera
3706:(1650)
3440:Summer
3080:(wife)
3063:(2017)
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145:Medium
127:Artist
100:Madrid
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4934:Lotto
4473:Mengs
4347:Dürer
4334:David
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4179:Bosch
3824:Ixion
3671:Maíno
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