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359:(or on the middle line, in vocal music). When they are on the middle line (in instrumental music) or above it, they are drawn with stems on the left of the note head, facing down. Flags are always on the right side of the stem, and curve to the right. On stems facing up, the flags start at the top and curve down; for downward facing stems, the flags start at the bottom of the stem and curve up. When multiple sixteenth notes or eighth notes (or thirty-second notes, etc.) are next to each other, the flags may be connected with a
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355:), which denotes a silence for the same duration. As with all notes with stems, sixteenth notes are drawn with stems to the right of the notehead, facing up, when they are below the middle line of the
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347:(see Figure 1). A single sixteenth note is always stemmed with flags, while two or more are usually beamed in groups. A corresponding symbol is the
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363:, like the notes in Figure 2. Note the similarities in notating sixteenth notes and
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A 16th note with stem facing up, a 16th note with stem facing down, and a 16th rest.
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also designates the modern sixty-fourth note in
Spanish, Catalan and Portuguese.
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328:(quaver), hence the names. It is the equivalent of the semifusa in
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30:"♬" redirects here. For the general meaning of the symbol, see
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Two hundred fifty-sixth note (demisemihemidemisemiquaver)
426:
Morehen, John; Rastall, Richard (2001). "Semiquaver". In
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Sixteenth notes are notated with an oval, filled-in
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Hundred twenty-eighth note (semihemidemisemiquaver)
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367:. Similar rules apply to smaller divisions such as
437:The New Grove Dictionary of Music and Musicians
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382:, U+266C (♬) is a pair of beamed semiquavers.
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332:, first found in 15th-century notation.
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582:Sixty-fourth note (hemidemisemiquaver)
463:Essential Dictionary of Music Notation
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577:Thirty-second note (demisemiquaver)
440:(2nd ed.). London: Macmillan.
324:played for half the duration of an
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73:Comparison of duple note values:
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57:Four 16th notes beamed together.
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542:Quadruple whole note (longa)
572:Sixteenth note (semiquaver)
537:Octuple whole note (maxima)
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385:The note derives from the
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547:Double whole note (breve)
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562:Quarter note (crotchet)
465:. Alfred. p. 211.
407:List of musical symbols
375:(hemidemisemiquavers).
552:Whole note (semibreve)
371:(demisemiquavers) and
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27:Musical note duration
567:Eighth note (quaver)
306:1/16, sixteenth note
157:s on bass and snare,
461:Gerou, Tom (1996).
369:thirty-second notes
165:duple lengths from
373:sixty-fourth notes
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557:Half note (minim)
391:mensural notation
330:mensural notation
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173:to 128th (all at
16:(Redirected from
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339:and a straight
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365:eighth notes
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147:Drum pattern
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32:Musical note
663:Note values
622:Dotted note
515:note values
393:. However,
326:eighth note
632:Swung note
627:Grace note
615:Variations
413:References
314:semiquaver
163:of various
18:Semiquaver
343:with two
341:note stem
337:note head
55:Figure 2.
44:Figure 1.
657:Category
513:Musical
434:(eds.).
401:See also
395:semifusa
387:semifusa
310:American
637:Tremolo
530:lengths
380:Unicode
320:) is a
318:British
89:, etc.
642:Tuplet
469:
444:
345:flags
312:) or
302:music
181:=60)
527:rest
525:and
523:Note
467:ISBN
442:ISBN
361:beam
351:(or
322:note
304:, a
81:= 2×
597:...
389:in
378:In
300:In
289:128
659::
430:;
276:64
263:32
250:16
149:,
506:e
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475:.
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316:(
308:(
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209:2
196:1
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34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
