28:
666:
346:
282:
218:
154:
876:
794:
719:
520:
553:
676:
315:
251:
187:
123:
867:
544:
2309:
979:
832:
462:
631:
391:
953:
824:
689:
658:
475:
929:
748:
614:
577:
494:
420:
333:
269:
205:
141:
398:
305:
241:
177:
113:
501:
1033:(both of which work differently in 19-ET than standard tuning). For example, four steps of 19-ET (an interval of roughly 253 cents) is all of the following: subminor third, supermajor second, augmented second, and diminished third.
900:
482:
963:
767:
435:
408:
801:
729:
696:
527:
589:
888:
783:
565:
75:
of a supermajor interval is a subminor interval, and there are four major and four minor intervals, allowing for eight supermajor and subminor intervals, each with variants.
2030:
1192:
363:
Traditionally, "supermajor and superminor, the names given to certain thirds found in the justly intoned scale with a natural or subminor seventh."
1136:
1087:
816:
and an augmented third, enharmonically equivalent to the minor fourth. An example of such an interval is the ratio 9:7, or 435.08 cents, the
1373:
1258:
1237:
1175:
1210:
71:. It is found in between a major and augmented interval, thus making it above, or supermajor to, the major interval. The
1822:
1802:
1042:
27:
665:
345:
281:
217:
153:
1928:
59:. It is found in between a minor and diminished interval, thus making it below, or subminor to, the minor interval. A
1029:
has several intervals which are simultaneously subminor, supermajor, augmented, and diminished, due to tempering and
2331:
1934:
1717:
1313:
Miller & Lieberman (2006), p. 74. "The subminor third and supermajor second combine to create a pure fourth (
1291:
1127:
945:
and an augmented second. An example of such an interval is the ratio 8:7, or 231.17 cents, also known as the
675:
314:
250:
186:
122:
2312:
1989:
1366:
1286:
32:
2110:
1030:
740:
A subminor sixth or septimal sixth is noticeably narrower than a minor sixth but noticeably wider than a
2105:
1916:
1122:
2292:
2045:
1952:
1946:
1532:
1026:
817:
744:, enharmonically equivalent to the major fifth. The sub-minor sixth is an interval of a 14:9 ratio (A
624:
455:
72:
2075:
1940:
1922:
1000:
was fascinated with the 7:6 subminor third and 8:7 supermajor second, using them in pieces such as
978:
946:
854:
831:
461:
2188:
1625:
1359:
1228:
952:
918:
823:
688:
657:
474:
68:
875:
2130:
2070:
1631:
1607:
1595:
1576:
1390:
1254:
1233:
1171:
1132:
1108:
1083:
705:
451:
376:
627:, the inverse of the supermajor sixth. Another example is the ratio 13:11, or 289.21 cents (E
2200:
2025:
1970:
1964:
1958:
1862:
1762:
1735:
1642:
1619:
1601:
1546:
1540:
1382:
1047:
1003:
972:
922:
850:
741:
682:
607:
48:
793:
718:
519:
397:
304:
240:
176:
112:
2168:
1892:
1680:
1570:
1564:
1552:
1495:
1458:
651:
458:
of a subminor second. Examples of such an interval is the ratio 25:13, or 1132.10 cents (B
332:
268:
204:
140:
630:
390:
552:
2148:
2142:
2136:
1908:
1435:
1020:
64:
56:
928:
866:
747:
613:
576:
493:
419:
2325:
2272:
2121:
2040:
2035:
1981:
1842:
1782:
1668:
1656:
1521:
1484:
1441:
1282:
914:
447:
17:
2287:
2244:
2239:
2100:
1746:
1503:
1466:
1223:
1077:
1052:
997:
942:
543:
372:
2249:
2080:
1515:
1509:
1478:
1472:
813:
776:
647:
603:
2282:
2176:
1674:
1587:
1012:
380:
52:
2182:
1686:
2214:
1662:
1410:
2220:
2208:
2194:
1613:
1558:
722:
387:). An example of such an interval is the ratio 26:25, or 67.90 cents (D
2277:
2254:
2162:
2156:
1447:
1429:
1208:
Society of Arts (Great
Britain) (1877, digitized November 19, 2009).
384:
1190:
Royal
Society (Great Britain) (1880, digitized February 26, 2008).
1650:
1019:(for voices and orchestra). Together the two produce the 4:3 just
792:
717:
518:
40:
26:
1289:'s Extended Just Intonation- A Guide for Interpreters", p. 122,
31:
Origin of large and small seconds and thirds (including 7:6) in
1355:
1351:
1186:
1184:
446:
A supermajor seventh is an interval intermediate between a
1162:
1160:
941:
A supermajor second (or supersecond) is intermediate to a
828:). Another example is the ratio 50:39, or 430.14 cents (E
975:. Another example is the ratio 15:13, or 247.74 cents (D
416:). Another example is the ratio 28:27, or 62.96 cents (C
921:. An example of such an interval is the 7:4 ratio, the
63:
is a musical interval that is noticeably wider than a
610:. An example of such an interval is the ratio 7:6 (E
2263:
2230:
2119:
2089:
2059:
2016:
2007:
1980:
1907:
1890:
1732:
1715:
1704:
1641:
1586:
1531:
1494:
1457:
1422:
1404:
1389:
1204:
1202:
371:Thus, a subminor second is intermediate between a
1080:: Selected keyboard and chamber music, 1937-1994
1168:Cooking with Csound: Woodwind and Brass Recipes
646:A supermajor sixth is noticeably wider than a
1367:
8:
1295:, vol. 29, no. 2 (Summer 1991), pp. 106–137.
913:A subminor seventh is an interval between a
2308:
2013:
1904:
1729:
1712:
1419:
1401:
1374:
1360:
1352:
1193:Proceedings of the Royal Society of London
1102:
1100:
1070:
1068:
573:and its inverse, the supermajor sixth on B
1270:
896:and its inverse, the septimal whole tone
77:
1251:The Mathematical Theory of Tone Systems
1064:
654:, and may be a just interval of 12:7 (A
471:); the ratio 27:14, or 1137.04 cents (B
1196:, vol. 30, p. 531. Harvard University.
1151:
845:Subminor seventh and supermajor second
367:Subminor second and supermajor seventh
7:
1304:Miller and Lieberman (2006), p. 72.
1166:Andrew Horner, Lydia Ayres (2002).
812:A supermajor third is in between a
712:Subminor sixth and supermajor third
513:Subminor third and supermajor sixth
25:
704:), or about 933 cents. It is the
681:. The septimal major sixth is an
602:A subminor third is in between a
490:); and 35:18, or 1151.23 cents (C
2307:
977:
951:
927:
874:
865:
830:
822:
746:
687:
674:
664:
656:
650:but noticeably narrower than an
629:
612:
575:
551:
542:
492:
473:
460:
418:
396:
389:
344:
331:
313:
303:
280:
267:
249:
239:
216:
203:
185:
175:
152:
139:
121:
111:
67:but noticeably narrower than an
51:that is noticeably wider than a
55:but noticeably narrower than a
1211:Journal of the Society of Arts
1:
1075:Miller, Leta E., ed. (1988).
1123:Helmholtz, Hermann L. F. von
1106:Brabner, John H. F. (1884).
1043:Major fourth and minor fifth
775:) The 21st subharmonic (see
662:). In 24 equal temperament A
1929:septimal chromatic semitone
1112:, vol. 13, p. 182. London.
708:of the 7:6 subminor third.
2348:
1935:septimal diatonic semitone
1723:(Numbers in brackets refer
1109:The National Encyclopaedia
848:
797:Septimal major third on C
523:Septimal minor third on C
2305:
1725:to fractional semitones.)
1718:24-tone equal temperament
1292:Perspectives of New Music
1128:On the Sensations of Tone
971:) and the inverse of the
757:) or alternately 11:7. (G
725:minor sixth (14/9) on C.
1002:Concerto for Piano with
623:), or 266.87 cents, the
2313:List of pitch intervals
2051:Subminor and supermajor
1990:minor diatonic semitone
1900:refer to pitch ratios.)
2111:Undecimal quarter tone
1031:enharmonic equivalence
809:
737:
535:
36:
2106:Septimal quarter tone
1917:septimal quarter tone
1249:Haluska, Jan (2003).
1131:. pp. 195, 212.
796:
721:
522:
30:
2293:Incomposite interval
2046:Pythagorean interval
1898:(Numbers in brackets
1406:(Numbers in brackets
1027:19 equal temperament
818:septimal major third
625:septimal minor third
561:Subminor third on G
18:Septimal major sixth
2076:Pythagorean apotome
1923:septimal third tone
947:septimal whole tone
855:Septimal whole tone
779:) is 729.22 cents.
61:supermajor interval
53:diminished interval
2189:Septimal semicomma
1229:Genesis of a Music
1214:, vol. 25, p. 670.
919:diminished seventh
810:
738:
536:
69:augmented interval
37:
2332:Intervals (music)
2319:
2318:
2301:
2300:
2131:Pythagorean comma
2071:Pythagorean limma
2003:
2002:
1999:
1998:
1965:supermajor fourth
1941:supermajor second
1886:
1885:
1700:
1699:
1696:
1695:
1408:are the number of
1138:978-1-60206-639-7
1089:978-0-89579-414-7
1082:. p. XLIII.
884:Harmonic seventh
452:augmented seventh
377:diminished second
361:
360:
45:subminor interval
16:(Redirected from
2339:
2311:
2310:
2201:Septimal kleisma
2014:
1971:subminor seventh
1953:supermajor third
1905:
1893:Just intonations
1878:
1877:
1873:
1870:
1858:
1857:
1853:
1850:
1838:
1837:
1833:
1830:
1818:
1817:
1813:
1810:
1798:
1797:
1793:
1790:
1778:
1777:
1773:
1770:
1758:
1757:
1753:
1730:
1713:
1420:
1402:
1376:
1369:
1362:
1353:
1346:
1344:
1343:
1342:
1338:
1333:
1332:
1328:
1323:
1322:
1318:
1311:
1305:
1302:
1296:
1280:
1274:
1268:
1262:
1247:
1241:
1221:
1215:
1206:
1197:
1188:
1179:
1164:
1155:
1149:
1143:
1142:
1119:
1113:
1104:
1095:
1093:
1072:
1048:Neutral interval
1004:Javanese Gamelan
987:
986:
982:
981:
973:subminor seventh
970:
969:
968:
966:
959:
956:
955:
937:
936:
932:
931:
923:harmonic seventh
907:
906:
905:
903:
895:
894:
893:
891:
878:
869:
851:Harmonic seventh
840:
839:
835:
834:
827:
826:
808:
807:
806:
804:
790:
789:
788:
786:
774:
773:
772:
770:
763:
760:
756:
755:
751:
750:
742:diminished sixth
736:
735:
734:
732:
703:
702:
701:
699:
692:
691:
685:of 12:7 ratio (A
680:
679:
678:
669:
668:
661:
660:
642:
641:
637:
634:
633:
622:
621:
617:
616:
608:diminished third
596:
595:
594:
592:
585:
584:
580:
579:
572:
571:
570:
568:
555:
546:
534:
533:
532:
530:
508:
507:
506:
504:
497:
496:
489:
488:
487:
485:
478:
477:
470:
469:
465:
464:
442:
441:
440:
438:
431:
428:
427:
423:
422:
415:
414:
413:
411:
404:
401:
400:
394:
393:
357:
356:
349:
348:
336:
335:
326:
325:
318:
317:
308:
307:
293:
292:
285:
284:
272:
271:
262:
261:
254:
253:
244:
243:
229:
228:
221:
220:
208:
207:
198:
197:
190:
189:
180:
179:
165:
164:
157:
156:
144:
143:
134:
133:
126:
125:
116:
115:
78:
21:
2347:
2346:
2342:
2341:
2340:
2338:
2337:
2336:
2322:
2321:
2320:
2315:
2297:
2259:
2226:
2169:Septimal diesis
2115:
2085:
2055:
2009:
1995:
1976:
1899:
1896:
1882:
1875:
1871:
1868:
1866:
1855:
1851:
1848:
1846:
1835:
1831:
1828:
1826:
1815:
1811:
1808:
1806:
1795:
1791:
1788:
1786:
1775:
1771:
1768:
1766:
1755:
1751:
1750:
1740:
1739:
1738:
1734:
1724:
1721:
1708:
1706:
1692:
1637:
1582:
1527:
1490:
1453:
1414:
1409:
1407:
1397:
1395:
1392:
1385:
1380:
1350:
1349:
1340:
1336:
1335:
1330:
1326:
1325:
1320:
1316:
1315:
1314:
1312:
1308:
1303:
1299:
1281:
1277:
1269:
1265:
1248:
1244:
1222:
1218:
1207:
1200:
1189:
1182:
1165:
1158:
1154:, p. XLII.
1150:
1146:
1139:
1121:
1120:
1116:
1105:
1098:
1090:
1074:
1073:
1066:
1061:
1039:
994:
984:
983:
976:
964:
962:
961:
960:
957:
950:
934:
933:
926:
911:
910:
909:
908:
901:
899:
898:
897:
889:
887:
886:
885:
881:
880:
879:
871:
870:
857:
849:Main articles:
847:
837:
836:
829:
821:
802:
800:
799:
798:
784:
782:
781:
780:
768:
766:
765:
764:
761:
758:
753:
752:
745:
730:
728:
727:
726:
714:
697:
695:
694:
693:
686:
673:
671:
663:
655:
652:augmented sixth
639:
638:
635:
628:
619:
618:
611:
600:
599:
598:
597:
590:
588:
587:
586:
582:
581:
574:
566:
564:
563:
562:
558:
557:
556:
548:
547:
528:
526:
525:
524:
515:
502:
500:
499:
498:
491:
483:
481:
480:
479:
472:
467:
466:
459:
436:
434:
433:
432:
429:
425:
424:
417:
409:
407:
406:
405:
402:
395:
388:
369:
354:
353:
343:
330:
323:
322:
312:
302:
290:
289:
279:
266:
259:
258:
248:
238:
226:
225:
215:
202:
195:
194:
184:
174:
162:
161:
151:
138:
131:
130:
120:
110:
33:harmonic series
23:
22:
15:
12:
11:
5:
2345:
2343:
2335:
2334:
2324:
2323:
2317:
2316:
2306:
2303:
2302:
2299:
2298:
2296:
2295:
2290:
2285:
2280:
2275:
2269:
2267:
2261:
2260:
2258:
2257:
2252:
2247:
2242:
2236:
2234:
2228:
2227:
2225:
2224:
2218:
2212:
2205:
2204:
2198:
2192:
2186:
2180:
2173:
2172:
2166:
2163:Greater diesis
2160:
2153:
2152:
2149:Septimal comma
2146:
2143:Holdrian comma
2140:
2137:Syntonic comma
2134:
2127:
2125:
2117:
2116:
2114:
2113:
2108:
2103:
2097:
2095:
2087:
2086:
2084:
2083:
2078:
2073:
2067:
2065:
2057:
2056:
2054:
2053:
2048:
2043:
2038:
2033:
2028:
2022:
2020:
2011:
2005:
2004:
2001:
2000:
1997:
1996:
1994:
1993:
1986:
1984:
1978:
1977:
1975:
1974:
1968:
1962:
1959:subminor fifth
1956:
1950:
1947:subminor third
1944:
1938:
1932:
1926:
1920:
1913:
1911:
1902:
1888:
1887:
1884:
1883:
1881:
1880:
1860:
1840:
1820:
1800:
1780:
1760:
1743:
1741:
1733:
1727:
1710:
1702:
1701:
1698:
1697:
1694:
1693:
1691:
1690:
1684:
1678:
1672:
1666:
1660:
1654:
1647:
1645:
1639:
1638:
1636:
1635:
1629:
1623:
1617:
1611:
1605:
1599:
1592:
1590:
1584:
1583:
1581:
1580:
1574:
1568:
1562:
1556:
1550:
1544:
1537:
1535:
1529:
1528:
1526:
1525:
1519:
1513:
1507:
1500:
1498:
1492:
1491:
1489:
1488:
1482:
1476:
1470:
1463:
1461:
1455:
1454:
1452:
1451:
1445:
1439:
1433:
1426:
1424:
1417:
1399:
1387:
1386:
1381:
1379:
1378:
1371:
1364:
1356:
1348:
1347:
1306:
1297:
1275:
1273:, p. 456.
1271:Helmholtz 2007
1263:
1242:
1216:
1198:
1180:
1156:
1144:
1137:
1114:
1096:
1088:
1063:
1062:
1060:
1057:
1056:
1055:
1050:
1045:
1038:
1035:
1021:perfect fourth
993:
990:
883:
882:
873:
872:
864:
863:
862:
861:
860:
846:
843:
713:
710:
560:
559:
550:
549:
541:
540:
539:
538:
537:
514:
511:
368:
365:
359:
358:
350:
340:
337:
327:
319:
309:
299:
295:
294:
286:
276:
273:
263:
255:
245:
235:
231:
230:
222:
212:
209:
199:
191:
181:
171:
167:
166:
158:
148:
145:
135:
127:
117:
107:
103:
102:
99:
96:
93:
90:
87:
84:
81:
65:major interval
57:minor interval
24:
14:
13:
10:
9:
6:
4:
3:
2:
2344:
2333:
2330:
2329:
2327:
2314:
2304:
2294:
2291:
2289:
2286:
2284:
2281:
2279:
2276:
2274:
2271:
2270:
2268:
2266:
2262:
2256:
2253:
2251:
2248:
2246:
2243:
2241:
2238:
2237:
2235:
2233:
2229:
2222:
2219:
2216:
2213:
2210:
2207:
2206:
2202:
2199:
2196:
2193:
2190:
2187:
2184:
2181:
2178:
2175:
2174:
2170:
2167:
2164:
2161:
2158:
2157:Lesser diesis
2155:
2154:
2150:
2147:
2144:
2141:
2138:
2135:
2132:
2129:
2128:
2126:
2124:
2123:
2118:
2112:
2109:
2107:
2104:
2102:
2099:
2098:
2096:
2094:
2093:
2092:Quarter tones
2088:
2082:
2079:
2077:
2074:
2072:
2069:
2068:
2066:
2064:
2063:
2058:
2052:
2049:
2047:
2044:
2042:
2041:Pseudo-octave
2039:
2037:
2034:
2032:
2029:
2027:
2024:
2023:
2021:
2019:
2015:
2012:
2006:
1991:
1988:
1987:
1985:
1983:
1979:
1972:
1969:
1966:
1963:
1960:
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1954:
1951:
1948:
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1927:
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1895:
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1784:
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1288:
1284:
1283:John Fonville
1279:
1276:
1272:
1267:
1264:
1260:
1259:0-8247-4714-3
1256:
1252:
1246:
1243:
1239:
1238:0-306-80106-X
1235:
1231:
1230:
1225:
1224:Partch, Harry
1220:
1217:
1213:
1212:
1205:
1203:
1199:
1195:
1194:
1187:
1185:
1181:
1177:
1176:0-89579-507-8
1173:
1169:
1163:
1161:
1157:
1153:
1148:
1145:
1140:
1134:
1130:
1129:
1124:
1118:
1115:
1111:
1110:
1103:
1101:
1097:
1091:
1085:
1081:
1079:
1071:
1069:
1065:
1058:
1054:
1051:
1049:
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1036:
1034:
1032:
1028:
1024:
1022:
1018:
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1010:
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1005:
999:
991:
989:
980:
974:
967:
954:
948:
944:
939:
930:
924:
920:
916:
915:minor seventh
904:
892:
877:
868:
859:
856:
852:
844:
842:
833:
825:
819:
815:
805:
795:
791:
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778:
771:
749:
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733:
724:
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709:
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684:
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659:
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632:
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609:
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593:
578:
569:
554:
545:
531:
521:
517:
512:
510:
505:
495:
486:
476:
463:
457:
453:
449:
448:major seventh
444:
439:
421:
412:
399:
392:
386:
382:
378:
374:
366:
364:
351:
347:
341:
338:
334:
328:
320:
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306:
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297:
296:
287:
283:
277:
274:
270:
264:
256:
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236:
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223:
219:
213:
210:
206:
200:
192:
188:
182:
178:
172:
169:
168:
159:
155:
149:
146:
142:
136:
128:
124:
118:
114:
108:
105:
104:
100:
97:
94:
91:
88:
85:
82:
80:
79:
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74:
70:
66:
62:
58:
54:
50:
46:
42:
34:
29:
19:
2264:
2231:
2217:(0.72 cents)
2211:(1.95 cents)
2191:(13.8 cents)
2185:(10.1 cents)
2179:(19.5 cents)
2171:(35.7 cents)
2165:(62.6 cents)
2159:(41.1 cents)
2151:(27.3 cents)
2145:(22.6 cents)
2139:(21.5 cents)
2133:(23.5 cents)
2120:
2101:Quarter tone
2091:
2090:
2061:
2060:
2050:
2017:
1982:Higher-limit
1897:
1891:
1803:major fourth
1747:quarter tone
1722:
1716:
1405:
1309:
1300:
1290:
1287:Ben Johnston
1278:
1266:
1253:, p. xxiii.
1250:
1245:
1227:
1219:
1209:
1191:
1167:
1147:
1126:
1117:
1107:
1078:Lou Harrison
1076:
1053:Quarter tone
1025:
1017:Strict Songs
1016:
1008:
1001:
998:Lou Harrison
995:
943:major second
940:
912:
858:
811:
739:
715:
645:
601:
516:
454:. It is the
445:
373:minor second
370:
362:
60:
44:
38:
2250:Millioctave
2232:Measurement
2223:(0.4 cents)
2203:(7.7 cents)
2197:(8.1 cents)
2081:Major limma
1823:minor fifth
1152:Miller 1988
814:major third
777:subharmonic
648:major sixth
604:minor third
98:supermajor
83:diminished
2283:Semiditone
2177:Diaschisma
1992:(17-limit)
1683:(22 or 23)
1681:fourteenth
1677:(20 or 21)
1675:thirteenth
1671:(18 or 19)
1665:(17 or 18)
1659:(15 or 16)
1653:(13 or 14)
1588:Diminished
1415:interval.)
1396:(post-Bach
1170:, p. 131.
1059:References
1013:tack-piano
381:enharmonic
101:augmented
2245:Centitone
2183:Semicomma
2062:Semitones
2026:Microtone
2010:intervals
1687:fifteenth
1533:Augmented
1411:semitones
1383:Intervals
1232:, p. 68.
996:Composer
706:inversion
298:sevenths
86:subminor
73:inversion
2326:Category
2215:Breedsma
1663:eleventh
1643:Compound
1398:Western)
1393:semitone
1226:(1979).
1125:(2007).
1037:See also
985:♯
935:♭
838:♯
754:♭
723:Septimal
683:interval
640:♭
620:♭
583:♭
468:♯
426:♯
355:♯
324:♭
291:♯
260:♭
227:♯
196:♭
163:♯
132:♭
106:seconds
92:neutral
49:interval
2221:Ragisma
2209:Schisma
2195:Kleisma
2031:5-limit
1937:(15:14)
1931:(21:20)
1925:(28:27)
1919:(36:35)
1909:7-limit
1874:⁄
1863:seventh
1854:⁄
1834:⁄
1814:⁄
1794:⁄
1774:⁄
1754:⁄
1736:Neutral
1709:systems
1669:twelfth
1626:seventh
1577:seventh
1522:seventh
1485:seventh
1423:Perfect
1391:Twelve-
1339:⁄
1329:⁄
1319:⁄
456:inverse
450:and an
234:sixths
170:thirds
2278:Ditone
2265:Others
2255:Savart
2122:Commas
2018:Groups
1967:(10:7)
1763:second
1707:tuning
1632:octave
1608:fourth
1596:second
1559:fourth
1547:second
1541:unison
1504:second
1467:second
1448:octave
1436:fourth
1430:unison
1413:in the
1257:
1236:
1174:
1135:
1086:
1015:, and
917:and a
606:and a
385:unison
375:and a
95:major
89:minor
47:is an
2288:Secor
2036:Comma
2008:Other
1973:(7:4)
1961:(7:5)
1955:(9:7)
1949:(7:6)
1943:(8:7)
1843:sixth
1783:third
1705:Other
1657:tenth
1651:ninth
1620:sixth
1614:fifth
1602:third
1571:sixth
1565:fifth
1553:third
1516:sixth
1510:third
1496:Minor
1479:sixth
1473:third
1459:Major
1442:fifth
1009:Cinna
41:music
2273:Wolf
2240:Cent
1689:(24)
1634:(11)
1579:(12)
1573:(10)
1524:(10)
1487:(11)
1450:(12)
1255:ISBN
1234:ISBN
1172:ISBN
1133:ISBN
1084:ISBN
1011:for
965:Play
902:Play
890:Play
853:and
803:Play
785:Play
769:Play
731:Play
698:Play
591:Play
567:Play
529:Play
503:Play
484:Play
437:Play
410:Play
43:, a
1628:(9)
1622:(7)
1616:(6)
1610:(4)
1604:(2)
1598:(0)
1567:(8)
1561:(6)
1555:(5)
1549:(3)
1543:(1)
1518:(8)
1512:(3)
1506:(1)
1481:(9)
1475:(4)
1469:(2)
1444:(7)
1438:(5)
1432:(0)
1345:)."
1285:. "
992:Use
988:).
938:).
841:).
643:).
509:).
443:).
383:to
342:≊ B
311:≊ B
278:≊ A
247:≊ A
214:≊ E
183:≊ E
150:≊ D
119:≊ D
39:In
2328::
1867:10
1334:=
1324:x
1201:^
1183:^
1159:^
1099:^
1067:^
1023:.
1007:,
949:(D
925:(B
820:(E
670:=
339:B
275:A
211:E
147:D
1879:)
1876:2
1872:1
1869:+
1865:(
1859:)
1856:2
1852:1
1849:+
1847:8
1845:(
1839:)
1836:2
1832:1
1829:+
1827:6
1825:(
1819:)
1816:2
1812:1
1809:+
1807:5
1805:(
1799:)
1796:2
1792:1
1789:+
1787:3
1785:(
1779:)
1776:2
1772:1
1769:+
1767:1
1765:(
1759:)
1756:2
1752:1
1749:(
1375:e
1368:t
1361:v
1341:3
1337:4
1331:6
1327:7
1321:7
1317:8
1261:.
1240:.
1178:.
1141:.
1094:.
1092:.
958:-
762:-
759:↑
672:B
636:↓
430:-
403:-
379:(
352:B
329:B
321:B
301:B
288:A
265:A
257:A
237:A
224:E
201:E
193:E
173:E
160:D
137:D
129:D
109:D
35:.
20:)
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