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Serenade for Strings (Dvořák)

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632: 569: 502: 391: 297: 1739: 25: 265:. It is believed that Dvořák took up this small orchestral genre because it was less demanding than the symphony, but allowed for the provision of pleasure and entertainment. The piece combines cantabile style (first movement), a slow waltz (second movement), humorous high spirits (third movement), lyrical beauty (fourth movement) and exuberance (fifth movement). 717:) displayed an elegant touch suggestive of gracious living accompanied by 'serenading' in the stately home of some 18th-century aristocrat; in the finale alone did the composer discard periwig and lace cuffs, and even here the junketing, though lively, was well-bred, and in the closing moments there was a delicious return to the courtliness of the opening. 1765: 741:
is really a very therapeutic endeavor for performers. There is so much 'pure goodness' in it. Somehow even the moments which could cast a gloomy shadow – light melancholy of the Waltz, or the fragility of the opening of Larghetto – retain the wonderfully cloudless atmosphere... The remarkable thing
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The fifth movement is a lively, offbeat finale, conveying the spirit of a Bohemian village dance. The principal theme is a descending figure based on thirds with accents on weak beats. More thematic material enters at bar 32 as the violins and cellos trade calls and responses over running
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perhaps, but what excellent pastiche! Since Dvořák was as yet only on the threshold of developing an individual style, it is perhaps not surprising that this slightly uncharacteristic but extremely accomplished and enjoyable
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is tranquil and wistful. Its flowing melodies and tender phrases form a buffer between the vigorous third and fifth movements. The third theme of the second movement is quoted repeatedly throughout.
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and presents a new, dancelike theme, based on a dotted rhythm. At measure 54, the movement modulates back into E major and the primary theme returns. The movement ends on three E major chords.
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By 1875, Dvořák was gaining recognition as a composer. He received a generous stipend from a commission in Vienna, allowing him to write the
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and the combined orchestras of the Czech and German theatres. Dvořák's piano duet arrangement was published in Prague in 1877 by
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upbeats appears at bar 87. A wistful recollection of the melody from the preceding Larghetto appears and then diminuendos away.
1711: 1535: 1530: 1525: 1514: 167: 146: 22 (B. 52), is one of the composer's most popular orchestral works. It was composed in just two weeks in May 1875. 46: 1716: 1632: 1604: 1324: 1271: 1235: 1266: 1256: 1089: 1084: 1079: 1074: 1069: 1064: 1059: 1054: 1044: 159: 746:– this 'cloudless goodness' is fully sufficient for sustaining meaningful communication for nearly half an hour of music. 762: 1637: 1627: 1621: 1314: 688:
The movement's recapitulation starts with the main theme, followed in turn by the second and third themes. A 20-bar
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Just like delivering good news to someone has a positive rub-off effect on the messenger, performing Dvořák's
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is the earliest of his compositions in which a detached listener is likely to discover enchantment.
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passage leads into a quotation of the first movement's theme, bringing the piece full circle. A
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Performed by the Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples
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Performed by the Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples
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Performed by the Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples
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Performed by the Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples
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The work is scored for full string orchestra, with staves for Violin I & 2, Viola (
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The second movement, a waltz, opens with a lilting dance melody in
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The third movement is a lively, hyperactive Scherzo in
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With the exception of the finale, which is in modified
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The piece premiered in Prague on 10 December 1876 by
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The second 341:The first movement starts off the 58:"Serenade for Strings" Dvořák 14: 1796:Compositions for string orchestra 16:Orchestral work by Antonín Dvořák 1763: 1738: 1737: 700:ends with three E major chords. 667:Problems playing this file? See 649: 604:Problems playing this file? See 586: 537:Problems playing this file? See 519: 426:Problems playing this file? See 408: 332:Problems playing this file? See 314: 261:, each movement follows a rough 23: 1391:Andante appassionato in F major 1179:Serenade for Strings in E major 201:published the score in Berlin. 34:needs additional citations for 1786:Compositions by Antonín Dvořák 859:on a comprehensive Dvorak site 1: 865:, Portland Chamber Orchestra 806:Dvořák: His Life & Music 763:Serenade for Strings (Elgar) 368:At measure 31, the movement 213:consists of five movements: 871:, Kremlin Chamber Orchestra 844:Serenata, Op. 22. Partitura 353:introduce the lyrical main 1822: 1272:Violin Concerto in A minor 773:Serenade for Strings (Suk) 1733: 1267:Piano Concerto in G minor 1262:Cello Concerto in A major 1257:Cello Concerto in B minor 1208:The Golden Spinning Wheel 921: 824:Kremlin Chamber Orchestra 704:Quotes and interpretation 613:The slow movement of the 164:String Quintet No. 2 1638:String Sextet in A major 1628:Violin Sonata in F major 1280:for violin and orchestra 956:King and Charcoal Burner 804:Hughes, Gervase. (1967) 281:Description of movements 150:Composition and premiere 1806:Compositions in E major 140:Smyčcová serenáda E dur 1712:Antonín Dvořák Theatre 754: 751:Misha Rachlevsky, 2000 734: 696:coda follows, and the 644:Finale: Allegro vivace 635: 623:Finale: Allegro vivace 572: 505: 394: 300: 251:Finale: Allegro vivace 139: 1717:Antonín Dvořák Museum 634: 571: 504: 393: 299: 168:Piano Trio No. 1 1201:Symphonic Variations 1049:The Bells of Zlonice 857:Serenade for Strings 211:Serenade for Strings 128:Serenade for Strings 43:improve this article 1643:Terzetto in C major 1633:Sonatina in G major 1436:No. 12 in F major ( 1331:The Spectre's Bride 1167:Nocturne in B major 1133:Scherzo capriccioso 980:The Cunning Peasant 964:The Stubborn Lovers 818:Rachlevsky, Misha. 731:Gervase Hughes 1967 197:. 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Goblin 1173:Othello Overture 1140:Hussite Overture 1090:No. 9 in E minor 1085:No. 8 in G major 1080:No. 7 in D minor 1075:No. 6 in D major 1070:No. 5 in F major 1065:No. 4 in D minor 1045:No. 1 in C minor 1035: 1031:Orchestral music 908: 901: 894: 885: 877:: Scores at the 835: 834: 832: 830: 815: 809: 802: 796: 789: 752: 732: 656: 655: 633: 593: 592: 570: 526: 525: 503: 484: 483: 474: 473: 442: 441: 415: 414: 392: 321: 320: 298: 114: 107: 103: 100: 94: 92: 51: 27: 19: 1821: 1820: 1816: 1815: 1814: 1812: 1811: 1810: 1776: 1775: 1774: 1770:Classical Music 1764: 1762: 1754: 1752: 1747: 1729: 1707:Dvorak (crater) 1695: 1681:Slavonic Dances 1652: 1605:Romantic Pieces 1592: 1571: 1563: 1562: 1544: 1517: 1516: 1503: 1491: 1490: 1472:String quintets 1467: 1452: 1451: 1413: 1412: 1362: 1361: 1348:String quartets 1336: 1325:Mass in D major 1284: 1241: 1236:Tragic Overture 1185:Slavonic Dances 1099: 1026: 935: 917: 912: 853: 839: 838: 828: 826: 820:"Program notes" 817: 816: 812: 803: 799: 790: 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1112:A Hero's Song 1109: 1108: 1106: 1102: 1095: 1091: 1088: 1086: 1083: 1081: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1050: 1046: 1043: 1042: 1040: 1036: 1033: 1029: 1022: 1021: 1017: 1014: 1013: 1009: 1006: 1005: 1001: 998: 997: 993: 990: 989: 985: 982: 981: 977: 974: 973: 969: 966: 965: 961: 958: 957: 953: 950: 949: 945: 944: 942: 938: 932: 929: 927: 924: 923: 920: 916: 909: 904: 902: 897: 895: 890: 889: 886: 880: 876: 873: 870: 869:Program Notes 867: 864: 863:Piece details 861: 858: 855: 854: 850: 845: 841: 840: 825: 821: 814: 811: 807: 801: 798: 794: 791:Doge, Klaus. 788: 785: 778: 774: 771: 769: 766: 764: 761: 760: 756: 747: 745: 740: 727: 725: 720: 716: 712: 703: 701: 699: 695: 691: 686: 684: 680: 672: 670: 646: 645: 624: 620: 618: 616: 609: 607: 583: 582: 561: 557: 555: 553: 549: 542: 540: 516: 515: 494: 490: 488: 486: 476: 466: 463: 458: 456: 452: 448: 444: 431: 429: 405: 404: 383: 379: 377: 375: 371: 366: 364: 361:pulse in the 360: 356: 352: 348: 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Index


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"Serenade for Strings" Dvořák
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scholar
JSTOR
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Antonín Dvořák
E major
Czech
Op.
Symphony No. 5
String Quintet No. 2
Piano Trio No. 1
Vanda
Moravian Duets
Adolf Čech
Emanuel Starý
Bote & Bock
Moderato
Tempo di Valse
Scherzo
Vivace
Larghetto
sonata form
ABA form

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