632:
569:
502:
391:
297:
1739:
25:
265:. It is believed that Dvořák took up this small orchestral genre because it was less demanding than the symphony, but allowed for the provision of pleasure and entertainment. The piece combines cantabile style (first movement), a slow waltz (second movement), humorous high spirits (third movement), lyrical beauty (fourth movement) and exuberance (fifth movement).
717:) displayed an elegant touch suggestive of gracious living accompanied by 'serenading' in the stately home of some 18th-century aristocrat; in the finale alone did the composer discard periwig and lace cuffs, and even here the junketing, though lively, was well-bred, and in the closing moments there was a delicious return to the courtliness of the opening.
1765:
741:
is really a very therapeutic endeavor for performers. There is so much 'pure goodness' in it. Somehow even the moments which could cast a gloomy shadow – light melancholy of the Waltz, or the fragility of the opening of
Larghetto – retain the wonderfully cloudless atmosphere... The remarkable thing
676:
The fifth movement is a lively, offbeat finale, conveying the spirit of a
Bohemian village dance. The principal theme is a descending figure based on thirds with accents on weak beats. More thematic material enters at bar 32 as the violins and cellos trade calls and responses over running
721:
perhaps, but what excellent pastiche! Since Dvořák was as yet only on the threshold of developing an individual style, it is perhaps not surprising that this slightly uncharacteristic but extremely accomplished and enjoyable
589:
653:
617:
is tranquil and wistful. Its flowing melodies and tender phrases form a buffer between the vigorous third and fifth movements. The third theme of the second movement is quoted repeatedly throughout.
523:
412:
376:
and presents a new, dancelike theme, based on a dotted rhythm. At measure 54, the movement modulates back into E major and the primary theme returns. The movement ends on three E major chords.
578:
930:
641:
318:
862:
42:
511:
400:
905:
590:
1785:
1390:
652:
925:
522:
411:
874:
1610:
277:), Cello (divisi) and Contrabass (double bass). It is typically performed with 4–6 instruments per part, though usually 2 or 3 double basses are sufficient.
1795:
317:
306:
1425:
449:. A string of eighth notes in the violins transitions into the second theme in A major. The first theme returns, and Part A is closed with a cadential
878:
89:
1261:
1207:
61:
154:
By 1875, Dvořák was gaining recognition as a composer. He received a generous stipend from a commission in Vienna, allowing him to write the
68:
898:
1449:
1444:
1435:
1430:
1410:
1488:
1483:
1478:
1405:
1400:
1395:
1385:
1380:
1375:
1370:
1359:
1354:
1200:
163:
1146:
75:
767:
1642:
1587:
1582:
1560:
1555:
1166:
1132:
108:
1276:
57:
1805:
1460:
1118:
193:
and the combined orchestras of the Czech and German theatres. Dvořák's piano duet arrangement was published in Prague in 1877 by
1742:
891:
685:
upbeats appears at bar 87. A wistful recollection of the melody from the preceding
Larghetto appears and then diminuendos away.
1711:
1535:
1530:
1525:
1514:
167:
146: 22 (B. 52), is one of the composer's most popular orchestral works. It was composed in just two weeks in May 1875.
46:
1716:
1632:
1604:
1324:
1271:
1235:
1266:
1256:
1089:
1084:
1079:
1074:
1069:
1064:
1059:
1054:
1044:
159:
746:– this 'cloudless goodness' is fully sufficient for sustaining meaningful communication for nearly half an hour of music.
762:
1637:
1627:
1621:
1314:
688:
The movement's recapitulation starts with the main theme, followed in turn by the second and third themes. A 20-bar
1800:
1755:
1667:
1125:
772:
550:. The theme is stated and subsequently developed in sections of different tempos and moods, including a foray into
82:
713:(Op. 22) was aptly entitled, since at least four of its five movements (the second of which was a delightful
554:. The most monothematic movement yet, the scherzo ends with a coda combining material from the scherzo and trio.
1615:
1308:
955:
365:. The theme is traded back and forth, and the second violins reprise it under a soaring passage in the firsts.
737:
Just like delivering good news to someone has a positive rub-off effect on the messenger, performing Dvořák's
35:
914:
123:
1769:
1330:
1673:
1647:
1319:
1172:
1160:
1153:
1019:
947:
792:
226:
979:
963:
726:
is the earliest of his compositions in which a detached listener is likely to discover enchantment.
194:
1790:
1722:
1003:
369:
692:
passage leads into a quotation of the first movement's theme, bringing the piece full circle. A
1221:
1139:
1111:
987:
450:
1706:
1680:
1184:
1011:
446:
868:
819:
659:
Performed by the
Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples
529:
Performed by the
Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples
418:
Performed by the
Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples
324:
Performed by the
Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples
1686:
1296:
1214:
1190:
856:
682:
273:
The work is scored for full string orchestra, with staves for Violin I & 2, Viola (
198:
178:
135:
1779:
1228:
971:
478:
477:. This section's theme is developed, and then Part A returns. The movement ends on a
454:
436:
354:
190:
172:
468:
464:
262:
651:
588:
521:
410:
316:
995:
689:
678:
358:
258:
143:
24:
668:
605:
538:
461:
427:
333:
244:
718:
551:
547:
373:
233:
131:
346:
274:
435:
The second movement, a waltz, opens with a lilting dance melody in
714:
362:
350:
237:
219:
883:
445:. The first section repeats, and the second section begins in E
887:
18:
795:. Grove Music Online. Oxford Music Online. 23 November 2009.
630:
567:
500:
389:
295:
546:
The third movement is a lively, hyperactive
Scherzo in
257:
With the exception of the finale, which is in modified
1753:
189:
The piece premiered in Prague on 10 December 1876 by
1699:
1660:
1596:
1575:
1548:
1507:
1471:
1347:
1340:
1288:
1249:
1103:
1037:
1030:
939:
49:. Unsourced material may be challenged and removed.
846:. (Score) Praha: Editio Bärenreiter, 2000. H 971
681:in the violas. A third theme based primarily on
735:
707:
899:
875:Serenade for Strings, Op.22 (Dvořák, Antonín)
8:
1344:
1034:
906:
892:
884:
879:International Music Score Library Project
596:Performed by the Advent Chamber Orchestra
109:Learn how and when to remove this message
1611:Serenade in D minor for Wind Instruments
460:Part B opens with a modulation into the
1760:
784:
926:List of compositions by Antonín Dvořák
666:
603:
536:
425:
331:
182:. Dvořák is said to have written the
7:
808:. Cassell & Company Ltd. London.
47:adding citations to reliable sources
186:in just 12 days, from 3 to 14 May.
1426:String Quartet movement in F major
768:Serenade for Strings (Tchaikovsky)
345:in the key of E major. The second
341:The first movement starts off the
58:"Serenade for Strings" Dvořák
14:
1796:Compositions for string orchestra
16:Orchestral work by Antonín Dvořák
1763:
1738:
1737:
700:ends with three E major chords.
667:Problems playing this file? See
649:
604:Problems playing this file? See
586:
537:Problems playing this file? See
519:
426:Problems playing this file? See
408:
332:Problems playing this file? See
314:
261:, each movement follows a rough
23:
1391:Andante appassionato in F major
1179:Serenade for Strings in E major
201:published the score in Berlin.
34:needs additional citations for
1786:Compositions by Antonín Dvořák
859:on a comprehensive Dvorak site
1:
865:, Portland Chamber Orchestra
806:Dvořák: His Life & Music
763:Serenade for Strings (Elgar)
368:At measure 31, the movement
213:consists of five movements:
871:, Kremlin Chamber Orchestra
844:Serenata, Op. 22. Partitura
353:introduce the lyrical main
1822:
1272:Violin Concerto in A minor
773:Serenade for Strings (Suk)
1733:
1267:Piano Concerto in G minor
1262:Cello Concerto in A major
1257:Cello Concerto in B minor
1208:The Golden Spinning Wheel
921:
824:Kremlin Chamber Orchestra
704:Quotes and interpretation
613:The slow movement of the
164:String Quintet No. 2
1638:String Sextet in A major
1628:Violin Sonata in F major
1280:for violin and orchestra
956:King and Charcoal Burner
804:Hughes, Gervase. (1967)
281:Description of movements
150:Composition and premiere
1806:Compositions in E major
140:Smyčcová serenáda E dur
1712:Antonín Dvořák Theatre
754:
751:Misha Rachlevsky, 2000
734:
696:coda follows, and the
644:Finale: Allegro vivace
635:
623:Finale: Allegro vivace
572:
505:
394:
300:
251:Finale: Allegro vivace
139:
1717:Antonín Dvořák Museum
634:
571:
504:
393:
299:
168:Piano Trio No. 1
1201:Symphonic Variations
1049:The Bells of Zlonice
857:Serenade for Strings
211:Serenade for Strings
128:Serenade for Strings
43:improve this article
1643:Terzetto in C major
1633:Sonatina in G major
1436:No. 12 in F major (
1331:The Spectre's Bride
1167:Nocturne in B major
1133:Scherzo capriccioso
980:The Cunning Peasant
964:The Stubborn Lovers
818:Rachlevsky, Misha.
731:Gervase Hughes 1967
197:. Two years later,
160:Symphony No. 5
1687:Suite in A major (
1536:No. 4 in E minor (
1278:Romance in F minor
1191:Suite in A major (
1094:From the New World
1004:The Devil and Kate
636:
573:
506:
395:
301:
1801:1875 compositions
1751:
1750:
1723:Dvorak - In Love?
1656:
1655:
1445:No. 13 in G major
1431:No. 11 in C major
1245:
1244:
1147:In Nature's Realm
1119:Carnival Overture
1060:No. 3 in E♭ major
1055:No. 2 in B♭ major
842:Dvořák, Antonín:
793:"Dvorak, Antonin"
654:
591:
524:
413:
319:
158:, in addition to
119:
118:
111:
93:
1813:
1768:
1767:
1766:
1759:
1741:
1740:
1588:No. 2 in A major
1583:No. 1 in A major
1566:
1565:
1556:No. 1 in D major
1531:No. 3 in F minor
1526:No. 2 in G minor
1520:
1519:
1494:
1493:
1484:No. 2 in G major
1479:No. 1 in A minor
1455:
1454:
1416:
1415:
1406:No. 9 in D minor
1401:No. 8 in E major
1396:No. 7 in A minor
1386:No. 6 in A minor
1381:No. 5 in F minor
1376:No. 4 in E minor
1371:No. 3 in D major
1365:
1364:
1355:No. 1 in A major
1345:
1222:The Water Goblin
1173:Othello Overture
1140:Hussite Overture
1090:No. 9 in E minor
1085:No. 8 in G major
1080:No. 7 in D minor
1075:No. 6 in D major
1070:No. 5 in F major
1065:No. 4 in D minor
1045:No. 1 in C minor
1035:
1031:Orchestral music
908:
901:
894:
885:
877:: Scores at the
835:
834:
832:
830:
815:
809:
802:
796:
789:
752:
732:
656:
655:
633:
593:
592:
570:
526:
525:
503:
484:
483:
474:
473:
442:
441:
415:
414:
392:
321:
320:
298:
114:
107:
103:
100:
94:
92:
51:
27:
19:
1821:
1820:
1816:
1815:
1814:
1812:
1811:
1810:
1776:
1775:
1774:
1770:Classical Music
1764:
1762:
1754:
1752:
1747:
1729:
1707:Dvorak (crater)
1695:
1681:Slavonic Dances
1652:
1605:Romantic Pieces
1592:
1571:
1563:
1562:
1544:
1517:
1516:
1503:
1491:
1490:
1472:String quintets
1467:
1452:
1451:
1413:
1412:
1362:
1361:
1348:String quartets
1336:
1325:Mass in D major
1284:
1241:
1236:Tragic Overture
1185:Slavonic Dances
1099:
1026:
935:
917:
912:
853:
839:
838:
828:
826:
820:"Program notes"
817:
816:
812:
803:
799:
790:
786:
781:
759:
753:
750:
742:about Dvořák's
733:
730:
706:
674:
673:
665:
663:
662:
661:
660:
657:
650:
647:
637:
631:
626:
611:
610:
602:
600:
599:
598:
597:
594:
587:
584:
574:
568:
563:
544:
543:
535:
533:
532:
531:
530:
527:
520:
517:
514:Scherzo: Vivace
507:
501:
496:
493:Scherzo: Vivace
481:
480:
471:
470:
439:
438:
433:
432:
424:
422:
421:
420:
419:
416:
409:
406:
396:
390:
385:
339:
338:
330:
328:
327:
326:
325:
322:
315:
312:
302:
296:
291:
283:
271:
255:
207:
199:Bote & Bock
152:
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
1819:
1817:
1809:
1808:
1803:
1798:
1793:
1788:
1778:
1777:
1773:
1772:
1749:
1748:
1746:
1745:
1734:
1731:
1730:
1728:
1727:
1719:
1714:
1709:
1703:
1701:
1697:
1696:
1694:
1693:
1684:
1677:
1670:
1664:
1662:
1658:
1657:
1654:
1653:
1651:
1650:
1645:
1640:
1635:
1630:
1625:
1618:
1613:
1608:
1600:
1598:
1594:
1593:
1591:
1590:
1585:
1579:
1577:
1576:Piano quintets
1573:
1572:
1570:
1569:
1558:
1552:
1550:
1549:Piano quartets
1546:
1545:
1543:
1542:
1533:
1528:
1523:
1511:
1509:
1505:
1504:
1502:
1501:
1486:
1481:
1475:
1473:
1469:
1468:
1466:
1465:
1458:
1447:
1442:
1433:
1428:
1423:
1408:
1403:
1398:
1393:
1388:
1383:
1378:
1373:
1368:
1357:
1351:
1349:
1342:
1338:
1337:
1335:
1334:
1327:
1322:
1317:
1312:
1309:Saint Ludmilla
1305:
1300:
1297:Moravian Duets
1292:
1290:
1286:
1285:
1283:
1282:
1274:
1269:
1264:
1259:
1253:
1251:
1247:
1246:
1243:
1242:
1240:
1239:
1232:
1225:
1218:
1215:The Noon Witch
1211:
1204:
1197:
1188:
1181:
1176:
1169:
1164:
1157:
1150:
1143:
1136:
1129:
1122:
1115:
1107:
1105:
1101:
1100:
1098:
1097:
1087:
1082:
1077:
1072:
1067:
1062:
1057:
1052:
1041:
1039:
1032:
1028:
1027:
1025:
1024:
1016:
1008:
1000:
992:
984:
976:
968:
960:
952:
943:
941:
937:
936:
934:
933:
928:
922:
919:
918:
915:Antonín Dvořák
913:
911:
910:
903:
896:
888:
882:
881:
872:
866:
860:
852:
851:External links
849:
848:
847:
837:
836:
810:
797:
783:
782:
780:
777:
776:
775:
770:
765:
758:
755:
748:
728:
705:
702:
683:sixteenth-note
664:
658:
648:
640:
639:
638:
629:
628:
627:
625:
619:
601:
595:
585:
577:
576:
575:
566:
565:
564:
562:
556:
534:
528:
518:
510:
509:
508:
499:
498:
497:
495:
489:
465:parallel major
453:C-sharp minor
423:
417:
407:
403:Tempo di Valse
399:
398:
397:
388:
387:
386:
384:
382:Tempo di Valse
378:
329:
323:
313:
305:
304:
303:
294:
293:
292:
290:
284:
282:
279:
270:
267:
254:
253:
248:
241:
230:
227:Tempo di Valse
223:
215:
206:
203:
179:Moravian Duets
151:
148:
124:Antonín Dvořák
117:
116:
99:September 2014
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1818:
1807:
1804:
1802:
1799:
1797:
1794:
1792:
1789:
1787:
1784:
1783:
1781:
1771:
1761:
1757:
1744:
1736:
1735:
1732:
1725:
1724:
1720:
1718:
1715:
1713:
1710:
1708:
1705:
1704:
1702:
1698:
1692:
1690:
1685:
1683:
1682:
1678:
1676:
1675:
1671:
1669:
1666:
1665:
1663:
1659:
1649:
1646:
1644:
1641:
1639:
1636:
1634:
1631:
1629:
1626:
1624:
1623:
1619:
1617:
1614:
1612:
1609:
1607:
1606:
1602:
1601:
1599:
1595:
1589:
1586:
1584:
1581:
1580:
1578:
1574:
1568:
1559:
1557:
1554:
1553:
1551:
1547:
1541:
1539:
1534:
1532:
1529:
1527:
1524:
1522:
1513:
1512:
1510:
1506:
1500:
1498:
1487:
1485:
1482:
1480:
1477:
1476:
1474:
1470:
1464:
1463:
1459:
1457:
1448:
1446:
1443:
1441:
1439:
1434:
1432:
1429:
1427:
1424:
1422:
1420:
1409:
1407:
1404:
1402:
1399:
1397:
1394:
1392:
1389:
1387:
1384:
1382:
1379:
1377:
1374:
1372:
1369:
1367:
1358:
1356:
1353:
1352:
1350:
1346:
1343:
1341:Chamber music
1339:
1333:
1332:
1328:
1326:
1323:
1321:
1318:
1316:
1313:
1311:
1310:
1306:
1304:
1301:
1299:
1298:
1294:
1293:
1291:
1287:
1281:
1279:
1275:
1273:
1270:
1268:
1265:
1263:
1260:
1258:
1255:
1254:
1252:
1248:
1238:
1237:
1233:
1231:
1230:
1229:The Wild Dove
1226:
1224:
1223:
1219:
1217:
1216:
1212:
1210:
1209:
1205:
1203:
1202:
1198:
1196:
1194:
1189:
1187:
1186:
1182:
1180:
1177:
1175:
1174:
1170:
1168:
1165:
1163:
1162:
1158:
1156:
1155:
1151:
1149:
1148:
1144:
1142:
1141:
1137:
1135:
1134:
1130:
1128:
1127:
1123:
1121:
1120:
1116:
1114:
1113:
1112:A Hero's Song
1109:
1108:
1106:
1102:
1095:
1091:
1088:
1086:
1083:
1081:
1078:
1076:
1073:
1071:
1068:
1066:
1063:
1061:
1058:
1056:
1053:
1050:
1046:
1043:
1042:
1040:
1036:
1033:
1029:
1022:
1021:
1017:
1014:
1013:
1009:
1006:
1005:
1001:
998:
997:
993:
990:
989:
985:
982:
981:
977:
974:
973:
969:
966:
965:
961:
958:
957:
953:
950:
949:
945:
944:
942:
938:
932:
929:
927:
924:
923:
920:
916:
909:
904:
902:
897:
895:
890:
889:
886:
880:
876:
873:
870:
869:Program Notes
867:
864:
863:Piece details
861:
858:
855:
854:
850:
845:
841:
840:
825:
821:
814:
811:
807:
801:
798:
794:
791:Doge, Klaus.
788:
785:
778:
774:
771:
769:
766:
764:
761:
760:
756:
747:
745:
740:
727:
725:
720:
716:
712:
703:
701:
699:
695:
691:
686:
684:
680:
672:
670:
646:
645:
624:
620:
618:
616:
609:
607:
583:
582:
561:
557:
555:
553:
549:
542:
540:
516:
515:
494:
490:
488:
486:
476:
466:
463:
458:
456:
452:
448:
444:
431:
429:
405:
404:
383:
379:
377:
375:
371:
366:
364:
361:pulse in the
360:
356:
352:
348:
344:
337:
335:
311:
310:
289:
285:
280:
278:
276:
268:
266:
264:
260:
252:
249:
247:
246:
242:
240:
239:
235:
231:
229:
228:
224:
222:
221:
217:
216:
214:
212:
204:
202:
200:
196:
195:Emanuel Starý
192:
187:
185:
181:
180:
175:
174:
169:
165:
161:
157:
149:
147:
145:
141:
137:
133:
129:
125:
121:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
1721:
1688:
1679:
1672:
1622:Silent Woods
1620:
1603:
1537:
1496:
1461:
1437:
1418:
1329:
1315:Stabat Mater
1307:
1302:
1295:
1277:
1234:
1227:
1220:
1213:
1206:
1199:
1192:
1183:
1178:
1171:
1159:
1152:
1145:
1138:
1131:
1124:
1117:
1110:
1093:
1048:
1018:
1010:
1002:
994:
986:
978:
970:
962:
954:
946:
843:
827:. Retrieved
823:
813:
805:
800:
787:
743:
738:
736:
723:
710:
708:
697:
693:
687:
675:
643:
622:
614:
612:
580:
559:
545:
513:
492:
459:
434:
402:
381:
367:
342:
340:
308:
287:
272:
256:
250:
243:
232:
225:
218:
210:
208:
188:
183:
177:
171:
170:, the opera
155:
153:
127:
122:
120:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
1726:(1988 film)
1668:Humoresques
1661:Piano music
1508:Piano trios
1450:No. 14 in A
1411:No. 10 in E
1289:Vocal music
1126:Czech Suite
996:The Jacobin
690:eighth-note
359:eighth note
259:sonata form
1780:Categories
1616:Bagatelles
1561:No. 2 in E
1515:No. 1 in B
1489:No. 3 in E
1360:No. 2 in B
1038:Symphonies
931:(by genre)
779:References
669:media help
606:media help
539:media help
462:enharmonic
451:fortissimo
447:Mixolydian
428:media help
334:media help
191:Adolf Čech
176:, and the
69:newspapers
1791:Serenades
1462:Cypresses
1303:Psalm 149
1250:Concertos
581:Larghetto
560:Larghetto
370:modulates
245:Larghetto
209:Dvořák's
1743:Category
1689:American
1564:♭
1518:♭
1497:American
1492:♭
1453:♭
1438:American
1419:Slavonic
1414:♭
1363:♭
1193:American
988:Dimitrij
829:28 March
757:See also
749:—
744:Serenade
739:Serenade
729:—
724:Serenade
719:Pastiche
711:Serenade
698:Serenade
615:Serenade
482:♯
472:♭
440:♯
357:over an
343:Serenade
309:Moderato
288:Moderato
263:ABA form
220:Moderato
184:Serenade
156:Serenade
1700:Related
1674:Legends
1648:Ballade
1495:major (
1417:major (
1320:Requiem
1161:My Home
1154:Legends
1012:Rusalka
679:eighths
552:A major
548:F major
487:chord.
374:G major
347:violins
269:Scoring
234:Scherzo
132:E major
83:scholar
1756:Portal
1023:(1904)
1020:Armida
1015:(1901)
1007:(1898)
999:(1887)
991:(1882)
983:(1877)
975:(1875)
967:(1874)
959:(1874)
951:(1870)
948:Alfred
940:Operas
694:Presto
363:violas
351:cellos
275:divisi
238:Vivace
85:
78:
71:
64:
56:
1597:Other
1567:major
1538:Dumky
1521:major
1456:major
1366:major
1104:Other
972:Vanda
715:waltz
512:III.
491:III.
485:major
475:major
455:chord
443:minor
372:into
355:theme
173:Vanda
136:Czech
90:JSTOR
76:books
831:2023
709:The
579:IV.
558:IV.
401:II.
380:II.
349:and
205:Form
62:news
642:V.
621:V.
467:of
307:I.
286:I.
144:Op.
142:),
130:in
126:'s
45:by
1782::
822:.
457:.
236::
166:,
162:,
138::
1758::
1691:)
1540:)
1499:)
1440:)
1421:)
1195:)
1096:)
1092:(
1051:)
1047:(
907:e
900:t
893:v
833:.
671:.
608:.
541:.
479:C
469:D
437:C
430:.
336:.
134:(
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.