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of half a century ago. The art critic
Nadezhda Neshataeva spoke about the life of the artist Osipov Sergey Ivanovich in connection with a personal exhibition of his paintings. The coincidence of the name of the artist, his wound near Leningrad, the amputation of the leg in the Leningrad hospital gave me reason to believe that this is our wounded Osipov, who was operated on in blockaded Leningrad by me and another surgeon. The coincidence of the data left almost no doubt that this is the hero of our department and of my memoirs. But still I tried to test myself. Having received information through many inquiries, I phoned the widow of Sergei Ivanovich, Antonina Ivanovna. She confirmed that Sergei Ivanovich was operated on in 1941 in our hospital. She said that he met her at the hospital in Sverdlovsk. Osipov completed his art education in Samarkand, where the Academy of Arts was evacuated from Leningrad. For me and my friends, employees of our surgical department of the hospital, such a belated message about the fate of one of our seriously injured was not only a great joy, but also a reward for our selfless work in the besieged city.
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50 years later, he was on the five course at the
Academy of Arts. Osipov was shot in the thigh. The wound is small, but a large blood vessel was damaged and gangrene of the foot began. To save the life of the wounded one had to sacrifice a foot. The operation was carried out in purely front-line conditions: in the small cold tent, in the evening, with obligatory darkening of the window, on the bed instead of the operating table, under the light of two flashlights “bat”, and only at the most crucial moment the emergency lamp was turned on. Surgeons, including myself, in quilted jackets under dressing gowns, emaciated, sawed bones with difficulty.
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455:(1951). The artist himself considered it to be very characteristic of his early work, include this painting among only few works of the early 1950s in the exposition of the Moscow exhibition in 1983. It is distinguished by a certain conventionality of form, timid attempts to go away from the illusory naturalism to a more generalized manner of painting. In the future, Osipov will practically abandon the presence of figures of people in the landscapes and the detailed reproduction of panoramic architectural views.
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realize that the ravines, hills, river beds, trees, houses must be depicted as structural elements of the environment as small elements of an overall coherent picture of the world, expressing its essential features. Only after this appeared in landscapes of Sergei Osipov soft
Russian fruitiness, a clear rhythm, and unique proportionality, in which we accurately recognize the national character of the landscape.
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beyond which painting breaks with the real world. The style of the work of this period resembles a light “semi-cubism”, the form is formed by planes and faces. The most common color is lilac, in lilac tones Osipov writes the sky, water, a neutral background, the wall of the house, surprisingly subtly conveying the mood of the landscape.
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Osipov started his education in primary school of the village of
Porechie. In 1927 he coming to his father in Leningrad. Here he graduated seven classes of secondary school No. 57 and enters a pupil at the plant. Then he works with his father in construction. At the same time Osipov attending evening
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small landscapes of Sergei Osipov are endowed with extraordinary power of influence on the audience. And the point here is not only that the painter, using the image of nature in its many manifestations, creates landscapes that are consonant with the mental state of man. In all his works, the theme
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The works of Sergei Osipov added to the
Leningrad painting of 1970s their special contribution, original and significant. In his paintings much comes from the art of ancient Russian masters: laconicism of the artistic language, conventionality of form and accuracy of composition, resourcefulness in
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The wounded man slowly recovered, his life was saved. After improving his condition, Osipov was evacuated by a plane to the rear for aftercare. Unfortunately, his further fate was unknown to me. And suddenly, accidentally turned on the radio on
September 19, 1991 brought me the answer to a question
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In the most difficult time of our hospital’s life at the end of 1941, in the cold and darkness, we had to make the first amputation of the lower leg. The wounded Osipov was admitted to the seventh surgical department. Young, exhausted, with a reddish head of hair and a beard. Artist. As I found out
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Alexander
Alexandrovich Osmerkin was, in my opinion, a born teacher who knew how, like no one else, to explain the difficulties encountered in the work, while finding surprisingly accurate, sometimes not direct, but giving food for thought words. We painte a model. I work over the canvas, trying to
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Other notable features of Osipov's painting become more conventional of the form and the whole composition of the picture at whole, a marked desire for generalizations, allegory, a desire to get away from contemplative naturalism to philosophical depth and some symbolism, but not crossing the line
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By simplifying and light deformation of objects, Sergei Osipov emphasizes their three-dimensional structure, and internal force, the stress with which they have been created nature or man. "We must remind the viewer about the latent energy which filled every thing, - said the artist. - For me just
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A real turn in the artist's work was indicated in the works of the very end of the 1950s – beginning of the 1960s. Trusting to his own imagination, striving to achieve harmony and enhance expressiveness, Osipov is now less follow the path of nature, but to construct composition himself, inhabiting
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Personal artistic experience allowed
Alexander Osmerkin to discover difficult and subtle connections in the painting of Russian and Western European masters. So, revealing to us the method of Cezanne, he compared it with the picturesque experience of Alexander Ivanov, and then Cezanne's “Mount St.
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In according to opinion of Georgy F. Golenky, a
Leningrad art critic and first researcher of creativity S. Osipov, new traveling enriched Osipov invaluable lessons of the ancient builders of temples and forts, whose hands, intuition, and artistic tastes had created a rare beauty. Only then did he
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His own recognizable individual style Sergei Osipov acquired gradually. Every year trips from the late 1940s to
Staraya Ladoga, Izborsk, Pskov, and Staritsa helped the artist to restore his creative skills and establish himself in a circle of preferred topics. In the middle of 1950s in technical
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Indeed, in his canvases nothing "happens." But they come alive traditions, tastes, manners folk, they can feel our connection with life past generations. Another notable feature of his art becomes more abstract forms and the entire composition of the painting, a marked tendency to generalize,
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Through all creativity of Osipov, the thought of continuity, of spiritual and cultural inheritance passes. In his works, the national past is not inseparable from the present. With his works, the author, as it were, confirms the idea that the beauty created by the ancestors does not lose its
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workshop. He volunteered to go to the Red Army and participated in battles at Leningrad. In December 1941, under the demining of passes for the upcoming battalion sailors from Kronshtadt to the Old Peterhoff he was seriously injured, lost a leg. More than a year he spent in the hospital for
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The just following to nature no longer satisfied the artist. He felt the need to move on. But how, in what way? A new 1958 creative trip to Pskov and its environs gave Osipov, by his own words, some push. Landscapes painted as a result of this trip were positively received by critics.
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The art works of the 1960–1970s nominated Osipov as one of the leading Leningrad painters with deep and original manner. In 1983, with the support of E. E. Moiseenko, a large solo exhibition of Sergey Osipov's works was shown at the Central House of Artists in Moscow.
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his paintings previously observed in life and nature. He boldly uses artistic generalization, sacrificing secondary details in order for more integrity of the image. One of the first works in which Osipov manages to most fully embody new ideas was the painting
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The top of the Osipov's creation falls on the end of 1960s – early 1980s. At this time, he created a number of the best works, mainly in the genre of landscape, as well as a still life, which now occupies no less place in the artist's work. Among them
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The work of Osipov was inextricably linked with the theme of the Motherland – the Tver land, its nature, ancient Russian cities, and the peasant way of life. Since the end of the 1940s, he will annually, and often several times a year, travel to
1324:Махлина С. Т. Осипов Сергей Иванович //Страницы памяти. Справочно-биографический сборник. 1941–1945. Художники Санкт-Петербургского (Ленинградского) Союза художников — ветераны Великой Отечественной войны. Кн.2. СПб, Петрополис, 2014. С.157.
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701:(1985) and in some others works. Having escaped from some overload of details in composition, which was encountered in his earlier works, Osipov achieves in still life a great depth of image and associativity of hidden subtext.
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of the Motherland is revealed, sung by the artist with great filial love. And this is quite difficult, because raising a big topic and making it close and understandable in the landscape genre is very and very difficult
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Charity Fund donated ten paintings by Sergei I. Osipov with characteristic views of ancient Russian cities and architectural monuments to the Yamalo-Nenets Museum and Exhibition Complex named after I. S. Shemanovsky
1917:Махлина С. Т. Осипов Сергей Иванович //Страницы памяти. Справочно-биографический сборник. 1941–1945. Художники Санкт-Петербургского (Ленинградского) Союза художников — ветераны Великой Отечественной войны. Кн.2.
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put together the whole production, and applied thousands of fractional strokes with small brushes. Osmerkin said: “Osipov, it would be nice for you to addd a some Fechin ...” And somehow everything became clear.
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His style of this time similar of a light semi-Cubism. These paintings are nominated Osipov of the leading artists of the Leningrad school, who made his own contribution to its identity and significance.
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Victoria ”with its transitions of clearly defined color plans – from warm pink and orange to blue and blue – becomes somewhere very close to the Italian canvases of our great Alexander Ivanov.
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In the artistic fate of S. Osipov, which began from the work at diploma picture, which developed progressively, without visible zigzags and jumps, researchers distinguish several periods.
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After almost half a century, the circumstances of the wound and treatment of S. Osipov were described in the memoirs of the head of the surgical department of a military hospital:
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1887:Юбилейный Справочник выпускников Санкт-Петербургского академического института живописи, скульптуры и архитектуры имени И. Е. Репина Российской Академии художеств. 1915–2005.
922:Юбилейный Справочник выпускников Санкт-Петербургского академического института живописи, скульптуры и архитектуры имени И. Е. Репина Российской Академии художеств. 1915–2005.
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Traditional for Sergei Osipov theme of the spiritual sources, which has been sounded earlier in his still lifes, now was embodied with great power and artistic taste in
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Saint Petersburg, NP-Print Edition, 2007. P.9, 15, 18, 20, 21, 23, 24, 27–31, 36–37, 63, 76, 77, 86, 87, 95, 107, 108, 125, 159, 217, 367, 387–406, 414–423, 443–445.
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Saint Petersburg, NP-Print Edition, 2007. P.9, 15, 18, 20, 21, 23, 24, 27-31, 36-37, 63, 76, 77, 86, 87, 95, 107, 108, 125, 159, 217, 367, 387-406, 414-423, 443-445.
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912:Осипов С. И. Прекрасные годы // Осмеркин. Размышления об искусстве. Письма. Критика. Воспоминания современников. М.: Советский художник, 1981. С.246-249.
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The landscape has always interested and excited me as an artist. Working on him, I sought to express my feelings and love to nature of my native land.
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significance over time. She retains the ability to beneficially influence people and should be included in the spiritual life of contemporaries.
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60 Лет кафедре общей живописи Санкт-Петербургской государственной художественно-промышленной академии имени А. Л. Штиглица. Каталог выставки
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At the same time since 1944, Sergei Osipov begins to work on contracts with LENIZO. In April 1945 he was taken as a member of the
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In the same year Osipov comes to Samarkhand to completed his studies in the Institute of Painting, Sculpture and Architecture in
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Sergei V. Ivanov. The Leningrad School of Painting. Essays on the History. St Petersburg, ARKA Gallery Publishing, 2019. P.352.
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1893:Иванов С. В. Двадцать лет спустя. Размышления о выставке Сергея Осипова.//Петербургские искусствоведческие тетради. Вып. 21
1673:Каталог произведений художников Российской Федерации, переданных в дар организациям и учреждениям культуры (1963–1971 гг.).
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School. Saint Petersburg, NP-Print Edition, 2007. P.159.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School. Saint Petersburg, NP-Print Edition, 2007. P.63.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School. Saint Petersburg, NP-Print Edition, 2007. P.87.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School. Saint Petersburg, NP-Print Edition, 2007. P.86.
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invited the young artist to continue studies in his personal workshop. About years of study Osipov left memories:
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812:(2019), published in Russian and English and dedicated to leading masters of the Leningrad School of Painting.
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1221:Семенов А. Н., Осипов С. И., Гущин К. А. Каталог выставки произведений. Автор вступ. статьи Г. Ф. Голенький.
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terms he was a well established as a master. This is evidenced his works partly shown at major exhibitions:
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472:(1959). To assess the turn in the artist's work, it is enough to compare this picture with the painting
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by Sergei Osipov is shown in the interior of the house of the protagonist Dr. Eldon Chance, played by
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here is a real hidden source of poetry, rather than in stories about the activities or events."
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allegory, the desire to get away from naturalism to the contemplative and philosophical depth.
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details, integrity, and expressiveness of the image built on unpretentious peasant material.
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Sergei Ivanovich Osipov died on 12 October 1985 in Leningrad at the seventieth year of life.
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1372:С. И. Осипов. Этюд. Лодки. Волгоградский музей изобразительных искусств имени И. И. Машкова
1106:Шумова М. Не уступать завоёванных рубежей. Осенняя выставка работ ленинградских художников.
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In 1990, a posthumous exhibition of works by Sergei Osipov was shown in the halls of the
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1728:Выставка произведений ленинградских художников, посвящённая 60-летию Великого Октября.
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1814:Лирика в произведениях художников военного поколения. Выставка произведений. Каталог
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Matthew C. Bown. Dictionary of 20th Century Russian and Soviet Painters 1900-1980s
1687:Наш современник. Выставка произведений ленинградских художников 1972 года. Каталог
1785:Выставка произведений художников — ветеранов Великой Отечественной войны. Каталог
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Among the works opening a new period in the artist's creativity were paintings
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Sergei Osipov was born in a peasant family in the village of Stepankovo in the
1749:Выставки советского изобразительного искусства. Справочник. Т.5. 1954–1958 гг.
1699:Выставки советского изобразительного искусства. Справочник. Т.3. 1941–1947 гг.
1859:Мы помним... Художники, искусствоведы — участники Великой Отечественной войны
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A significant place was given to the paintings of Sergei Osipov in the books
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1907:// Петербургские искусствоведческие тетради. Выпуск 23. СПб., 2012. С.90-97.
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1830:Натюрморт в живописи 1940–1990 годов. Ленинградская школа. Каталог выставки
1742:Зональная выставка произведений ленинградских художников 1980 года. Каталог
1566:Весенняя выставка произведений ленинградских художников 1955 года. Каталог.
1303:Натюрморт в живописи 1940–1990 годов. Ленинградская школа. Каталог выставки
1031:Весенняя выставка произведений ленинградских художников 1955 года. Каталог.
934:Мы помним… Художники, искусствоведы — участники Великой Отечественной войны
1800:Этюд в творчестве ленинградских художников. Выставка произведений. Каталог
1779:Сергей Иванович Осипов. Живопись. Рисунок. Выставка произведений. Каталог.
1666:Осенняя выставка произведений ленинградских художников 1968 года. Каталог.
1638:Каталог весенней выставки произведений ленинградских художников 1965 года.
1590:Осенняя выставка произведений ленинградских художников 1958 года. Каталог.
1574:Осенняя выставка произведений ленинградских художников 1956 года. Каталог.
1558:Весенняя выставка произведений ленинградских художников 1954 года. Каталог
1420:Сергей Иванович Осипов. Живопись. Рисунок. Выставка произведений. Каталог.
1346:Сергей Иванович Осипов. Живопись. Рисунок. Выставка произведений. Каталог.
1334:Сергей Иванович Осипов. Живопись. Рисунок. Выставка произведений. Каталог.
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Sergei V. Ivanov. The Leningrad School of Painting. Essays on the History.
1194:Каталог весенней выставки произведений ленинградских художников 1965 года.
1045:Осенняя выставка произведений ленинградских художников 1956 года. Каталог.
1017:Весенняя выставка произведений ленинградских художников 1954 года. Каталог
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Sergei V. Ivanov. The Leningrad School of Painting. Essays on the History.
889:Сергей Иванович Осипов. Живопись. Рисунок. Выставка произведений. Каталог.
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In 1944 Sergei Osipov returned to Leningrad. For the courage shown in the
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Sergei V. Ivanov. The Leningrad School of Painting. Essays on the History
1913:// Петербургские искусствоведческие тетради. Вып. 31. СПб, 2014. С.17-26.
1646:Третья республиканская художественная выставка Советская Россия. Каталог.
1622:Осенняя выставка произведений ленинградских художников 1962 года. Каталог
1386:С. И. Осипов. Овраг. 1980. Чувашский государственный художественный музей
1180:Осенняя выставка произведений ленинградских художников 1962 года. Каталог
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1761:Выставка произведений художников — ветеранов Великой Отечественной войны
946:Сергей Осипов в воспоминаниях современников. Из записок военного хирурга
1807:Русская зима. Живопись. Выставка произведений петербургских художников.
1721:Семенов А. Н., Осипов С. И., Гущин К. А. Каталог выставки произведений.
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About his painting style of this period can be judged by the painting
1359:С. И. Осипов. Улица в Торжке. Томский областной художественный музей.
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In 1945 begins a multi-year teaching job Sergei Osipov, first at the
1911:Логвинова Е. Круглый стол по ленинградскому искусству в галерее АРКА
1822:Живопись 1940–1990 годов. Ленинградская школа. Выставка произведений
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Leningrad Higher School of Art and Industry named after Vera Mukhina
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1693:Натюрморт. Выставка произведений ленинградских художников. Каталог.
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1917–1957. Выставка произведений ленинградских художников. Каталог.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
1773:Справочник членов Ленинградской организации Союза художников РСФСР
1550:Выставка произведений ленинградских художников 1951 года. Каталог.
1542:Выставка произведений ленинградских художников 1950 года. Каталог.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
1003:Выставка произведений ленинградских художников 1951 года. Каталог.
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Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.
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1614:Выставка произведений ленинградских художников 1961 года. Каталог
1606:Выставка произведений ленинградских художников 1960 года. Каталог
1598:Выставка произведений ленинградских художников 1960 года. Каталог
1535:Выставка произведений ленинградских художников 1947 года. Каталог
1166:Выставка произведений ленинградских художников 1961 года. Каталог
1140:Выставка произведений ленинградских художников 1961 года. Каталог
774:
223:, and in 1936 he became a student of painting department of the
95:
1948:
1723:Автор вступ. статьи Г. Ф. Голенький. Л., Художник РСФСР, 1977.
1460:
781:
in the title role. In the final two episodes of the thriller (
219:
In 1932, Sergei Osipov entered the preparatory classes at the
2047:
Circle of Artists of the House of creativity «Staraya Ladoga»
1529:Центральный Государственный Архив литературы и искусства. СПб
1082:Центральный Государственный Архив литературы и искусства. СПб
1058:Центральный Государственный Архив литературы и искусства. СПб
1751:М., Советский художник, 1981. С.25, 142, 259, 261, 386, 549.
226:
Leningrad Institute of Painting, Sculpture and Architecture
1792:Ленинградские художники. Живопись 1950–1980 годов. Каталог
443:
My creative life begins from the work under the landscape,
163:
Leningrad branch of Union of Artists of Russian Federation
769:
based on the novel of the same name by American novelist
169:, most known for his landscape and still life paintings.
2027:
Painters of the Leningrad Union of Artists of 1932-1991
1447:
The Leningrad School of Painting. Essays on the History
1714:Изобразительное искусство Ленинграда. Каталог выставки
1938:
Exhibition of Sergei Osipov in ARKA Fine Art Gallery
1235:
St Petersburg, ARKA Gallery Publishing, 2019. P.229.
903:
St Petersburg, ARKA Gallery Publishing, 2019. P.352.
2287:
2251:
2055:
2017:
1982:
1292:
Saint Petersburg, NP-Print Edition, 2007. P.36, 95.
773:, commissioned by American video streaming service
165:. He regarded as one of the representatives of the
136:
122:
110:
102:
76:
48:
32:
1449:. Saint Petersburg, ARKA Gallery Publishing, 2019.
1433:Е. Логвинова. Загадки «Осенней ветки» Элдона Шанса
759:(1974) by Sergei Osipov appeared in the TV series
282:treatment. In 1943 he discharged as a disabled of
810:"Leningrad School of Painting. Essays on History"
295:workshop. His graduation work was painting named
1630:Ленинград. Зональная выставка 1964 года. Каталог
1410:Saint Petersburg, NP-Print Edition, 2007. P.6-7.
1208:Ленинград. Зональная выставка 1964 года. Каталог
1155:Saint Petersburg, NP-Print Edition, 2007. P.108.
1925:. St Petersburg, ARKA Gallery Publishing, 2019.
1259:Saint Petersburg, NP-Print Edition, 2007. P.37.
1489:WP:WORKS#Books in languages other than English
1960:
1905:Иванов С. Тихая жизнь за ленинградским столом
1735:Справочник членов Союза художников СССР. Т.2.
1118:Ленинградская школа живописи. Очерки истории.
865:Справочник членов Союза художников СССР. Т.2.
806:"Unknown Socialist Realism. Leningrad School"
8:
1649:М., Министерство культуры РСФСР, 1967. С.42.
1094:Ковтун Е. Заметки о художественной выставке.
439:(1955), "A Little Brook" (1956) and others.
306:against fascist Germany, he was awarded the
277:caught Sergei Osipov on graduate course of
1967:
1953:
1945:
1861:. М., Союз художников России, 2000. С.208.
1767:Сергей Осипов. Живопись. Рисунок. Каталог.
1661:// Ленинградская правда, 1967, 12 декабря.
1269:Сергей Осипов. Живопись. Рисунок. Каталог.
1245:Сергей Осипов. Живопись. Рисунок. Каталог.
1070:Сергей Осипов. Живопись. Рисунок. Каталог.
958:Сергей Осипов. Живопись. Рисунок. Каталог.
936:. М., Союз художников России, 2000. С.208.
40:
29:
2495:Soviet military personnel of World War II
2485:Members of the Leningrad Union of Artists
1514:Learn how and when to remove this message
1108:// Ленинградская правда, 1958, 2 декабря.
578:
331:
206:, where he studied with famous teachers
1755:Леняшин В. Поиски художественной правды
1585:Л., Ленинградский художник, 1958. С.23.
1577:Л., Ленинградский художник, 1958. С.18.
1096:// Вечерний Ленинград, 1958, 29 ноября.
1048:Л., Ленинградский художник, 1958. С.18.
857:
842:List of the Russian Landscape painters
1653:Дмитренко А. О времени, о человеке...
7:
2279:House of creativity «Staraya Ladoga»
1737:М., Советский художник, 1979. С.163.
1701:М., Советский художник, 1973. С.342.
867:М., Советский художник, 1979. С.163.
312:Medal "For the Defence of Leningrad"
2113:Exhibition in Russian Museum (1960)
1271:М., Советский художник, 1983. C.19.
1247:М., Советский художник, 1983. C.15.
1072:М.: Советский художник, 1983. C.31.
476:(1951), which was mentioned above.
2228:Lyrical Themes in Postwar Painting
960:М., Советский художник, 1983. C.3.
25:
1919:СПб, Петрополис, 2014. С.156-158.
1787:. Л., Художник РСФСР, 1990. С.12.
1775:. Л., Художник РСФСР, 1987. С.89.
1757:// Художник. 1981, No. 1. С.8-17.
1745:. Л., Художник РСФСР, 1983. C.19.
1717:. Л., Художник РСФСР, 1976. C.25.
1709:. Л., Художник РСФСР, 1980. C.21.
1625:. Л., Художник РСФСР, 1962. С.20.
1617:. Л., Художник РСФСР, 1964. С.30.
1609:. Л., Художник РСФСР, 1961. С.30.
1601:. Л., Художник РСФСР, 1963. С.14.
1183:. Л., Художник РСФСР, 1962. С.20.
1169:. Л., Художник РСФСР, 1964. С.30.
1143:. Л., Художник РСФСР, 1964. С.30.
847:Saint Petersburg Union of Artists
708:By opinion of Svetlana Makhlina,
384:Leningrad Union of Soviet Artists
339:Leningrad Union of Soviet Artists
2500:Recipients of the Order of Glory
2233:Painting of the Leningrad School
2218:Leningrad painting of 1950-1980s
2063:Exhibitions of Leningrad Artists
2008:
1633:. Л, Художник РСФСР, 1965. C.38.
1465:
1211:. Л, Художник РСФСР, 1965. C.38.
481:Little Houses at the Volga River
470:Little Houses at the Volga River
2223:Etude in Painting of 1940-1980s
2193:Portrait of Contemporary (1976)
2098:All-Union Art Exhibition (1957)
1731:Л., Художник РСФСР, 1982. С.18.
1695:Л., Художник РСФСР, 1973. С.11.
1683:Л., Художник РСФСР, 1974. С.19.
1669:Л., Художник РСФСР, 1971. С.12.
1641:Л., Художник РСФСР, 1970. С.23.
1593:Л., Художник РСФСР, 1959. С.20.
1197:Л., Художник РСФСР, 1970. С.23.
1120:СПб, Галерея АРКА, 2019. С.183.
767:20 Century Fox Film Corporation
691:Still Life with a White Pitcher
2490:Repin Institute of Arts alumni
2328:Portrait of Catherine Balebina
1689:Л., Художник РСФСР, 1973. С.9.
1659:Арбузов Г. История на полотнах
1336:Л., Художник РСФСР, 1990. C.5.
1223:Л., Художник РСФСР, 1977. C.6.
891:Л.: Художник РСФСР, 1990. C.3.
598:Izborsk. Tower of XVII Century
1:
2408:Still life with Pussy-Willows
2376:Portrait of Yevgeny Mravinsky
2198:Fine Arts of Leningrad (1976)
2133:"Leningrad" Exhibition (1964)
2093:Anniversary Exhibition (1957)
1769:М., Советский художник, 1983.
1545:М.-Л., Искусство, 1951. С.19.
983:М.-Л., Искусство, 1951. С.19.
614:"Still Life with a Balalaika"
1995:Leningrad School of Painting
1889:СПб., Первоцвет, 2007. С.56.
1763:. Л., ЛОСХ РСФСР, 1981. С.3.
1675:М., СХ РСФСР, 1972. С.76-77.
924:СПб., Первоцвет, 2007. С.56.
837:Leningrad School of Painting
787:"Especially If You Run Away"
167:Leningrad school of painting
2465:People from Bezhetsky Uyezd
2178:Exhibition of Eleven (1972)
1485:. The specific problem is:
777:with popular English actor
638:"Still Life with White Jug"
2516:
2370:(by Alexander Samokhvalov)
2306:(by Alexander Samokhvalov)
2213:Regional Exhibition (1980)
2032:Leningrad Union of Artists
1901:. СПб, 2011. С.20, 21, 82.
1839:. - London: Izomar, 1998.
1655:// Смена, 1967, 11 ноября.
1481:to meet Knowledge (XXG)'s
1084:. Ф.78. Оп.8. Д.123. Л.18.
1060:. Ф.78. Оп.8. Д.123. Л.17.
827:House with Arch (painting)
731:Leningrad Union of Artists
445:– Osipov wrote in 1968. -
2475:Socialist realist artists
2384:Russian Winter. Hoarfrost
2346:(by Vladimir Ovchinnikov)
2203:Art belongs People (1977)
2006:
1781:Л., Художник РСФСР, 1990.
1561:. Л., Изогиз, 1954. С.15.
1553:Л., Лениздат, 1951. С.15.
1422:Л.: Художник РСФСР, 1990.
1348:Л.: Художник РСФСР, 1990.
1020:. Л., Изогиз, 1954. С.15.
1006:Л., Лениздат, 1951. С.15.
672:"Small rick in rainy day"
646:"Staritsa town in winter"
525:"Fortress in Old Izborsk"
159:Серге́й Ива́нович О́сипов
158:
39:
27:Soviet artist (1915–1985)
2480:Leningrad School artists
2264:Tavricheskaya Art School
2238:Still life of 1950-1990s
2208:Autumn Exhibition (1978)
2183:By native country (1972)
2158:Spring Exhibition (1969)
2153:Autumn Exhibition (1968)
2138:Spring Exhibition (1965)
2128:Autumn Exhibition (1962)
2103:Autumn Exhibition (1958)
2088:Autumn Exhibition (1956)
2083:Spring Exhibition (1955)
2078:Spring Exhibition (1954)
736:His paintings reside in
513:A Little Pskov courtyard
493:"Still Life with Violin"
369:Tavricheskaya Art School
316:For Victory over Germany
203:Tavricheskaya Art School
183:Tavricheskaya Art School
2394:(by Alexander Semionov)
2259:Repin Institute of Arts
2188:Our Contemporary (1975)
2173:Our Contemporary (1972)
2168:Our Contemporary (1971)
743:In 2016, the Elena and
650:Landscape with Fortress
250:After the second year,
221:Russian Academy of Arts
151:Sergei Ivanovich Osipov
116:Repin Institute of Arts
34:Sergei Ivanovich Osipov
18:Sergei Ivanovich Osipov
2434:(by Yevsey Moiseyenko)
2392:Malaya Sadovaya street
2362:(by Yevsey Moiseyenko)
2269:Vera Mukhina Institute
1895:. СПб, 2011. С. 25–31.
822:Cornflowers (painting)
592:
485:"Outskirts of Village"
437:"On the Volkhov River"
363:
360:Vera Mukhina Institute
351:
342:
330:
271:
263:
185:
2426:(by Evgenia Antipova)
2354:(by Nikolai Pozdneev)
2298:(by Nikolai Baskakov)
1990:Fine Art of Leningrad
1569:Л., ЛССХ, 1956. С.14.
1034:Л., ЛССХ, 1956. С.14.
832:Fine Art of Leningrad
582:
356:
344:
335:
323:
264:
256:
180:
2344:Spring is on the way
2274:Secondary Art School
2243:In Memory of Teacher
2148:Soviet Russia (1967)
2143:Soviet Russia (1965)
2118:Soviet Russia (1960)
1531:. Ф.78. Оп.8. Д.123.
1496:improve this article
738:State Russian Museum
682:(1985), and others.
610:Izborsk Ancient Town
531:(1964), and others.
489:On the Volkhov River
425:"On the Volga River"
310:III degree, medals "
2410:(by Taisia Afonina)
2386:(by Nikolai Timkov)
2314:(by Victor Teterin)
602:Crossing over river
497:"In the Old Ladoga"
421:Pskov little street
304:Great Patriotic War
284:Great Patriotic War
275:Great Patriotic War
2402:(by Sergei Osipov)
2338:(by Rudolf Frentz)
2322:(by Sergei Osipov)
2163:Exhibition of 1970
2123:Exhibition of 1961
2108:Exhibition of 1960
2073:Exhibition of 1951
2068:Exhibition of 1950
1833:. СПб., 1997. С.4.
1825:. СПб., 1996. С.5.
1817:. СПб., 1995. С.5.
1803:. СПб., 1994. С.5.
1306:. СПб., 1997. С.4.
783:"A Madness of Two"
755:In 2017, painting
668:"Izborsk's slopes"
654:Winter in Staritsa
593:
364:
343:
292:Alexander Osmerkin
279:Alexander Osmerkin
252:Alexander Osmerkin
238:Mikhail Bernshtein
186:
2442:
2441:
2418:(by Gleb Savinov)
2312:Quince and Teapot
1881:978-5-901724-21-7
1853:978-0-9532061-0-0
1537:. Л., ЛССХ, 1948.
1524:
1523:
1516:
1483:quality standards
1474:This article may
745:Gennady Timchenko
588:Cornflowers. 1976
244:Genrikh Pavlovsky
148:
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52:22 September 1915
16:(Redirected from
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2360:Mothers, Sisters
2296:Lenin in Kremlin
2012:
1983:Related articles
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505:"Pskov Street"
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795:Autumn Branch
793:the painting
792:
789:) written by
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757:Autumn Branch
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695:Autumn Branch
692:
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677:
676:"Early green"
673:
669:
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659:"Cornflowers"
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474:Street. Pskov
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453:Street. Pskov
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2288:Works of art
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1494:Please help
1486:
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1457:Bibliography
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728:
725:Art Heritage
719:
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709:
707:
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698:
694:
690:
686:
684:
680:"Dandelions"
679:
675:
671:
667:
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656:(all 1974),
653:
649:
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628:(all 1970),
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612:(all 1968),
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187:
181:Building of
150:
149:
141:
131:Art teaching
114:
55:
2460:1985 deaths
2455:1915 births
2400:Cornflowers
2304:Cafe Gurzuf
2056:Exhibitions
1498:if you can.
808:(2007) and
799:Hugh Laurie
779:Hugh Laurie
687:Cornflowers
622:Wildflowers
529:"Haymaking"
429:"Last Snow"
200:classes of
103:Nationality
2449:Categories
2368:In the Sun
2352:Spring Day
2336:Horsewoman
2019:Art groups
2000:Chronology
853:References
699:Dandelions
84:1985-10-13
56:Stepankovo
2042:Nevsky-25
750:Salekhard
606:In Suzdal
575:1970–1985
463:1959–1969
435:( 1954),
406:1945–1958
297:Partisans
173:Biography
111:Education
92:Leningrad
2424:A Midday
1476:require
816:See also
791:Kem Nunn
771:Kem Nunn
765:shot by
697:(1974),
693:(1972),
689:(1976),
678:(1982),
674:(1981),
670:(1978),
666:(1976),
662:(1976),
600:(1967),
545:Staritsa
507:(1962),
499:(1961),
495:(1960),
491:(1960),
487:(1960),
483:(1959),
431:(1954),
427:(1951),
423:(1951),
419:(1950),
415:(1950),
398:Creation
137:Movement
127:Painting
1478:cleanup
549:Torzhok
541:Izborsk
501:"Pskov"
314:" and "
192:of the
155:Russian
142:Realism
106:Russian
82: (
2432:Cherry
1879:
1871:
1851:
1843:
785:, and
762:CHANCE
591:. 1976
2037:Mitki
553:Pskov
413:A Boy
1877:ISBN
1869:ISBN
1849:ISBN
1841:ISBN
1487:see
775:Hulu
273:The
210:and
96:USSR
77:Died
49:Born
752:).
318:".
2451::
1875:,
1847:,
713:.
652:,
648:,
644:,
636:,
624:,
620:,
616:,
608:,
604:,
551:,
547:,
543:,
539:,
523:,
519:,
511:,
503:,
378:.
286:.
247:.
241:,
235:,
216:.
157::
129:,
94:,
66:,
62:,
58:,
1968:e
1961:t
1954:v
1941:'
1883:.
1855:.
1517:)
1511:(
1506:)
1502:(
1491:.
1435:.
1388:.
1374:.
948:.
748:(
634:"
630:"
153:(
86:)
20:)
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