210:, Latin America, and the USA, including awards in the Concours International de Musique Électroacoustique de Bourges (1980); the Cintas/Arts International (New York City, 1999); the International Music Council (IMC) Rostrums of Composers (Paris, 1994, 1980); the IMC Rostrums of Electroacoustic Music (TIME) (Helsinki, 1994), (Oslo, 1990); IMC Rostrum of Latin American Music (TRIMALCA, Santafé de Bogotá, 1979); the Lynch-Staunton Award (2000), and several national awards in
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As a keyboardist, Barroso has mainly performed his own music and has also specialized in baroque music. He has performed at the
National Arts Centre (Ottawa), IRCAM and UNESCO (Paris), South Bank Centre (London, UK), Pollack Hall, Chapelle historique du Bon-Pasteur (Montréal) and Glenn Gould Studio
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Sergio
Barroso's works have been performed at numerous concerts and events in the Americas, Europe and Asia; in venues such as the Lincoln Centre (New York City); the Kennedy Centre (Washington); the Monte Carlo Theatre (Monaco); IRCAM (Paris); Smétana Hall (Prague); Philharmonic Hall (Bratislava);
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La Fiesta; Crónicas de ultrasueño (version with oboe); En febrero mueren las flores; Charangas delirantes; Sonatada; Viejas voces; Tablao (version for fixed media); Yantra X; Canzona. León
Biriotti, oboe; Jesse Read, bassoon; Adele Armin, violin; Laura Wilcox, viola; Sergio Barroso, synthesizers
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Sergio
Barroso's ample catalog include music for ballet (La Casa de Bernarda Alba, Plasmasis); for acoustic instruments or ensembles with tape or live electronics (including six works in his Yantra series, 1973–82); and purely electronic works.
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section of the
International Music Council (IMC) (1976–80); as an associate of the Canadian Music Centre, as a member of the Canadian League of Composers and of SOCAN, and as a founding member of the Canadian Electroacoustic Community.
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Yantra I; Yantra III (original version); Yantra IV; Yantra VI; Yantra IX. Luis Bayard, flute, piccolo, alto flute; Miguel
Villafruela, soprano saxophone, alto saxophone; Flores Chaviano, guitar; Jorge Gomez Labraña, piano (IREME:
131:, Banff, Bourges, Brussels, Calgary, Kingston, Madrid, Mexico City, Miami, Oslo, Prague, Seattle, and Vancouver. Barroso has commissioned and premiered numerous works for keyboard controlled synthesizers by Canadian composers.
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Concierto (piano, percussion, audience, fixed media); Yantra I; Yantra IV. Luis Bayard, flute, piccolo, alto flute; Flores
Chaviano, guitar; Sergio Barroso/percussion of the Orquesta Sinfónica de La Habana (Areíto: LDA-3631)
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Elizabeth Hall (London); Warsaw Autumn
Festivals; Alicante and Manuel de Falla Festivals; Operas (Budapest, Helsinki, Warsaw, and San Francisco); Manila National Theatre, and São Paulo State Symphony Hall.
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Concerto (viola); Jitanjáfora; La Casa de
Bernarda Alba (excerpts). Adele Armin, violin; Laura Wilcox, viola; Alex Pauk/Esprit Orchestra; Sergio Barroso/Orquesta Sinfónica de la Ópera
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La Noche (version for fixed media); En febrero mueren las flores; Sandunga (original version); Las
Barricadas misteriosas. Adele Armin, violin; Laura Wilcox, viola (IREME: 19822002)
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As a composer, Sergio Barroso has received numerous commissions from organizations and individual performers; and has kept a busy international career, appearing frequently at
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at the UNESCO TRIMALCA (1979), the UNESCO International Rostrum of Composers in Paris (1980, 1995) and the UNESCO International Rostrum of Electroacoustic Music (1990, 1994).
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His works have been also broadcast through national networks in Europe, Japan, South Korea, Hong Kong, Australia, New Zealand and throughout South and North Americas.
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and Karel Jánacek at the Superior Academy of Music (AMJ) in Prague, and obtained a Post-Graduate Certificate at this institution in 1968. He took private classes with
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La Noche, bass clarinet, viola, fixed media, 1997 (also versions for bass oboe, bass clarinet, fixed media, 1997; 2 bass clarinets, fixed media, 1997; fixed media)
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La Casa de Bernarda Alba (ballet, choreography by Alicia Alonso, after Federico García Lorca), small orchestra (14 winds, 8 brass), fixed media, 1971–75
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in the same city. Barroso also studied Orchestral Conducting with Manuel Duchesne Cuzán and Gonzalo Romeu at the Superior Institute of Arts (ISA), in
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National Radio and Television Network (ICRT) (1969–80), and the Vancouver Cooperative Radio (1985–90). He also served as secretary-general of the
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Verdehalago (text by Mariano Brull), high soprano, alto flute (+ piccolo), violin, double bass, percussion, live electronics, 2004–06
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Sergio Barroso's music appears on the labels Areíto, SNE, Centredisc, CBC Records, Bonk, Blue Note, and Empreintes Digitales.
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Crónicas de ultrasueño (version with oboe). Lawrence Cherney, oboe; Sergio Barroso, synthesizers (Centrediscs: CMCCD 4793)
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in 1986. He has also taught electronic music and FM synthesis at the Mexico City National “Carlos Chávez” Conservatory.
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Sergio Barroso studied piano, theory and organ with Alfredo Levi, César Pérez Sentenat, Edgardo Martín, and
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Charangas delirantes, synthesizers (3 players), 1993 (also version for synthesizers , fixed media, 1993)
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Oda al soldado muerto. Enrique González Mántici/Orquesta Sinfónica de La Habana (Areíto: LDA-7000) (LP)
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from 1976 to 1980. He was also appointed as Head of the music departments at the National Library of
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214:(chamber music 1973, 74; symphonic music, 1974; choral music, 1974; electronic music, 1979).
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Broadcasting Institute, from 1975 to 1977; and as head of music for the Ministry of Culture,
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Soledad; Canzona. Sergio Barroso, synthesizers (Société nouvelle d’enregistrement: SNE 556)
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Crónicas de ultrasueño, oboe/clarinet/trumpet, synthesizers (1 player)/fixed media, 1992
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from 1968 to 1973 and from 1978 to 1980. He taught at the National School of Music in
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National “Amadeo Roldán” Conservatory, where he received an Honours Diploma in 1966.
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Cuartetas, bass clarinet, viola, piano, synthesizers (1 player)/fixed media, 1999
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Sandunga, viola, fixed media, 1997 (also version for clarinet, fixed media, 1997)
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Viola Desnuda. Laura Wilcox, viola (Société nouvelle d’enregistrement: SNE 654)
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Plásmasis (ballet, choreography by Alicia Alonso), orchestra, fixed media, 1970
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Ireme, mezzo-soprano, percussion, fixed media, 1975 (concert version of ballet)
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Yantra III (original version). Flores Chaviano, guitar (Areíto: LDA-3721) (LP)
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The Tempest (incidental music, play by William Shakespeare), fixed media, 1984
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At a later time he did post-graduate studies in composition and theory with
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Variaciones del Motoriongo. Nancy Casanovas, piano (Areíto: LDA-3589) (LP)
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Concerto, viola, orchestra, 1995–96 (also version as Viola Desnuda, viola)
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Tres Canciones grises (text by Federico García Lorca), alto, piano, 1963
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Yantra III, guitar, fixed media, 1972 (also version for 2 guitars, 1973)
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Barroso has been appointed as Director of the Music departments at the
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Noema II, voice, guitar, violin, double bass, piano, fixed media, 1972
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Tres Canciones azules (text by Rafael Alberti), soprano, piano, 1963
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Sergio Barroso served as professor at the National Conservatory in
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Yantra IX, soprano saxophone (+ alto saxophone), fixed media, 1979
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El Ángel desengañado (text by Rafael Alberti), alto, piano, 1963
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New Music Miami Festival as invited composer in 2004 and 2007.
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Rumbos, fixed media, slide projections (by Sandú Darié), 1975
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Crónicas II, viola, synthesizers (1 player)/fixed media, 1995
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music from A to Z. Tumi Music Ltd. Bath, U.K., 2004, p. 81.
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Yantra IV, flute (+ piccolo, alto flute), fixed media, 1975
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National “José Martí” Library (1970–72), the University of
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La Fiesta grande, synthesizers (1 player), orchestra, 1990
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Concierto, piano, percussion, audience, fixed media, 1968
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In 1980, Barroso established his permanent residence in
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Yantra VIII. Ileana Peña, piano (Areíto: LDA-3800) (LP)
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En febrero mueren las flores, violin, fixed media, 1987
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Ministry of Culture (1976–80); as music writer for the
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La Noche, fixed media, 1997 (version of chamber work)
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Grietas (text by Xiomara Funes), soprano, piano, 1965
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La Fiesta, synthesizers (1 player), fixed media, 1989
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Sergio Barroso has received numerous recognitions in
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Viola Desnuda, viola, 1995–97 (version of Concerto)
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Canzona, synthesizers (1 player), fixed media, 1988
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Concerto for String(s) and Four Sound Sources, 1972
163:University; as Head of contemporary music for the
381:Rocambole, violin/viola, cello, fixed media, 2001
675:http://www.composers21.com/compdocs/barrosos.htm
653:http://www.composers21.com/compdocs/barrosos.htm
547:La Fiesta. Sergio Barroso, synthesizers (Radio
481:Ireme (ballet, texts from Abakuá folklore from
384:Hélice, soprano saxophone, fixed media, 2003–05
336:, French horn, 2 trumpets, trombone, tuba, 1984
673:The living composers Project: Sergio Barroso:
651:The living composers Project: Sergio Barroso:
452:Las Barricadas misteriosas, fixed media, 1982
329:Quince Miradas a Don Quijote, 2 guitars, 1984
182:, he moved to the West Coast to teach at the
8:
458:Tablao, guitar ad libitum, fixed media, 1991
273:Oda al soldado muerto, large orchestra, 1968
151:from 1968 to 1976, and at the University of
669:http://www.electrocd.com/en/bio/barroso_se/
604:http://www.electrocd.com/en/bio/barroso_se/
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488:Neverland (dance music), fixed media, 1976
375:Callejos, bass clarinet, fixed media, 1999
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357:Viejas voces, viola, fixed media, 1993–94
302:Cuarteto de cuerdas, string quartet, 1967
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351:Sonatada, synthesizers (1 player), 1992
326:Yantra X, bassoon, fixed media, 1981–82
178:, and after a brief period teaching at
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438:Yantra VI, piano, fixed media, 1976–79
282:Tropical Sweet, string orchestra, 1986
242:(1975–80), and as broadcaster for the
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530:(empreintes DIGITALes: IMED 9628/29)
288:Jitanjáfora, violin, orchestra, 1993
475:Dinamia (ballet), fixed media, 1972
308:Yantra I, guitar, fixed media, 1972
270:Concierto, oboe, orchestra, 1967–68
38:composer, performer and professor.
776:National Art Schools (Cuba) alumni
682:at Encyclopedia of Music in Canada
378:Pregones, cello, fixed media, 2000
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771:Instituto Superior de Arte alumni
441:Liborio, piano, fixed media, 2008
279:Yantra VII, large orchestra, 1977
721:21st-century classical composers
711:20th-century classical composers
432:Música para pequeños oídos, 1966
429:Variaciones del Motoriongo, 1966
731:Electroacoustic music composers
628:Encyclopedia of Music in Canada
110:His music has represented both
93:events. He participated at the
746:Cuban male classical composers
186:from 1981 to 1984, and at the
1:
218:Other professional activities
314:Yantra II, 14 winds, 1973–74
766:21st-century male musicians
761:20th-century male musicians
667:ElectroCD: Sergio Barroso:
602:ElectroCD: Sergio Barroso:
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455:Soledad, fixed media, 1987
736:Cuban classical composers
127:(Toronto); as well as in
69:and computer music with
20:Sergio Fernández Barroso
194:Awards and recognitions
188:Simon Fraser University
551:International: ACM-37)
320:Yantra V, guitar, 1975
184:University of Victoria
751:Musicians from Havana
726:21st-century pianists
716:20th-century pianists
230:(1972–76), and the
171:from 1977 to 1980.
79:Stanford University
42:Academic Background
332:Danzas coloniales
75:Jean-Claude Risset
48:Alfredo Diez Nieto
544:(IREME: 19962001)
435:Yantra VIII, 1978
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180:Trent University
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505:Discography
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496:Multimedia
77:at CCRMA,
63:Alois Hába
534:19732001)
264:Orchestra
135:Professor
122:Performer
687:See also
159:and the
85:Composer
334:Cubanas
296:Chamber
81:(USA).
50:at the
549:Canada
542:Cubana
236:Havana
228:Havana
224:Havana
208:Europe
204:Canada
176:Canada
161:Havana
157:Havana
153:Havana
149:Havana
141:Havana
112:Canada
67:Havana
52:Havana
28:Havana
26:) (b.
576:Cuban
466:Stage
420:Piano
389:Vocal
255:Works
248:Cuban
244:Cuban
232:Cuban
165:Cuban
36:Cuban
636:2019
514:(LP)
483:Cuba
212:Cuba
200:Cuba
169:Cuba
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129:Cuba
116:Cuba
114:and
95:ISCM
91:ISCM
73:and
32:Cuba
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