197:, then he began to paint. Thus creating a new method of writing music where the score becomes a visual composition. The relation between the sound and color creates a living feeling that art is not dead. It does not stop at the artist's last attempt at the canvas, but goes beyond to the viewer. It is the relationship between artist and viewer, one is no different from the other. Now the viewer can take the step that the artist may dare not to across. It is the point of translation a fear to most artist that want to create and let their work go. This kind of art allows the viewer to create with the artist and create so much more. Sergio Maltagliati has always been deeply interested in a multimedia concept of art. His education, in both music and the visual arts, has placed him in the position to incorporate sign, colour, and sound into a unitary concept of multiple perception, through analogies, contrasts, stratifications, and associations.
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537:(1986/2008) consists of eight pieces and is based on Pietro Grossi's HomeArt programs, which automatically generated sound. Maltagliati has expanded Grossi's principle with software programs and added visual graphic variations. The visual data generated by the computer approximates the graphic score for a sound composition.
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1&2 )who appreciates this aspect of
Maltagliati's work, because he is able to involve young people as performers. These works, besides building approach to music and, specifically, developing a different way of listening, aim at expanding the concept of artistic creation to the executor, till
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The path of more than fifty years of musical culture in
Florence, since the end of the Second World War, is documented in these two audio CDs. This audio recording contains the meeting of composers and pianists who are the protagonists of the Music of Art in Florence, a significant phenomenon in the
654:
for chorus, orchestra, magnetic tape, and objects (first performance
Manzoni Theatre Pistoia Italy 1990). Mozart's works are transformed into words, sounds, noises and colors. It is the Requiem, unfinished and cataloged at number 626, which becomes a graphic visual elaboration, then fragmented and
623:
Florence 1985). In the structure of the work, the traditional role between audience and stage has been reversed on purpose. The interpreters have occupied, geometrically, the vast space of the room putting the public first on the stage and causing them, then, to move around the sound and visual
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Since the end of the 1970s, his catalog includes instrumental compositions, performances, together with paintings, digital and interactive graphic and musical works which are often the result (given his double formation of musical and visual studies) of conversion into images and vice versa of a
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His work has been exhibited, presented in festivals, galleries and even international institutions, including: HyperArt Web
Gallery (New York); Istanbul Contemporary Art Museum; Rhizome.org; Mac,n-Museo di arte Contemporanea e del '900 (Monsummano Terme); Digital Pocket Gallery (Helsinki); PEAM
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The visual part of the work is composed of a big painting, of about three hundred square metres, on which two hundred high school students have worked. The painting, divided into sixteen big strips, came together slowly, in synchronization with the music during the performance. The musical part
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a new, and the first
Italian interactive work for the Web starting in the spring of 1997. The interactive work will be presented simultaneously in real and cyberspace. The Opera is realized with the collaboration of Pietro Grossi, the legendary father of Italian music informatics. The essential
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for flute chorus and sounds of nature, is a performance involving two hundred young performers. During the happening, the music that orbits around a traditional tonal system, comes out of its designated place: the concert hall, thus becoming only a component of a larger universe (landscape) of
481:, an unusual presence in its new digital guise).This project which generates continually diverse audiovisual compositions utilizing images and sound frequencies borrowed from the universe of cell phones, chat rooms and e-mail. And also logos, ringtones, banners and small designs in
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in La Spezia. The catalog published by the City of La Spezia-Department of
Culture contains an introductory text by the musicologist Renzo Cresti and theoretical writings by the author. In 2005 the MIDI_Visu@lMusiC project was re-proposed for the
745:– National Museum of the 21st Century Arts]] (Rome) 2007 and 2018; Galerie De Meerse Hoofddorp (Amsterdam); Italian Cultural Institute (Cairo); PAN (palace arts Naples Italy); Museo della Civiltà Romana – Rome (Italy); Art Laboratory Berlin;
314:, is a 15th century palace with a spiral staircase of steps that winds around the outside of the palace. The spiral of the chicciola brings to mind the golden spiral, many 20th century composers chose it as a model for their music. The work
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A310, a project that creates abstract designs and sound by using programming to make the piece interactive and adds movement. This artwork not only has visually pieces, but also is interactive. In 2001, he has participated in the project
224:. These musicians have experimented the interaction among sound, sign and vision, a synaesthetics of art derived from historical avant-gardes, from Kandinskij to futurism, to Scrjabin and Schoenberg, all the way to
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period of the 60s-70s, but conceived with the sole purpose of being able to be read as a musical score. Maltagliati uses 11 sound frequencies, from 395 to 405 (the same sound events recorded by Grossi at the
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for cell.phones, interactive/collaborative work through
Internet and GSM networks (cellular phones) with an educational project involving the children of Middle State School "Giusti-Gramsci" Monsummano Terme
267:
aspect to Sergio
Maltagliati's approach is the idea that art is not just the fruit of the composer, the creation is always the fruit of collaboration. Two of his works are strongly based on this concept:
310:. By means of a specially created App, it is possible to move virtually among the palaces and squares of Venice, where one can see or hear an inspired work, linked to the location.
559:, generative music software. This program can be configured to create music in many different styles and it will generate a new and original composition each time play is clicked.
628:. The choreographic and scenic part of the work, made by painter Edoardo Salvi was an uninterrupted dynamism of forms and spatial situations, connecting image to signs and sound.
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Festival (Pescara); DigitalSoul San
Francisco (USA); Melbourne Fringe Festival; Festival Carnivale Town Hall (Sydney); Electronic Language Festival (San Paolo del Brasile);
200:
He's a composer who joined, at the end of the eighties, the
Florentine artistic current, that has been active since the end of World War II up to the present, including
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made him official in the Florentine Music Archive of the 20th century, recognizing him as one of the most significant composers of the 20th century, active in Florence.
1994:
544:, is a software which generates always different graphical variations. It is based on HomeArt's Q.Basic source code. These graphics are going to be sampled into the
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of the software, on a large virtual musical keyboard. Research began in the early nineties, and all the work is anthologically documented in an exhibition entitled
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He currently uses a personal computer to set up interactive sound and graphics works, open compositions where the listener has a predominant and decisive role.
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free download Music/Ringtones). An example of artistic-creative use of Cubase midi software on the Atari Mega STE platform. The image is drawn directly in the
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427:, generative visual music software, creates images and sounds in relation to precise correspondences sound-symbol-color, producing multiple variations.
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an Italian opera with an international cast of performers on the Net, authors and performers of the work more than thirty (net)artists, among others
619:(Music around the Cage- homage to John Cage) for music, art of mime and zoo-anthropomorphous pictures with 170 performers-actors (first performance
238:
His work in the eighties is also based in involving, with didactic-educational projects, students as executors of performances in the example of the
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Since 1997, Sergio Maltagliati has dealt principally in music on the Internet and one of his first compositions intended for the network,
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University (Italy); Salons de Musique Strasbourg (France); Sound Art Museum (Rome); Museum of Contemporary Art Mérida Yucatán (Mexico);
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450:(icons, and casual sounds from the Web, arranged and reorganized with reference to precise correspondences among sound/colour/image).
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groups. The musical part is based on the interdisciplinary value of music, inspired by John Cage's research on the principle of
1966:
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74:
2008:
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Corporate Patron of The Metropolitan Museum of Art - edizione illustrata Giunti Editore - ISBN 978-88-09-91517-6 (2024)
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free improvisations with stones and branches of river (first performance – Villa Martini Monsummano Terme Italy 1993).
1494:
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1857:
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311:
1727:
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1452:
620:
462:
1591:
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190:, as a leading exponent of the Florentine artistic current known as Musica d'Arte (Visual Music and Fluxus).
548:(also available as e-books), a unique kind of book, which Pietro Grossi planned in 1991. This first release
1793:
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T_D Art Gallery Crema, Cremona (Italy); SREINER Gallery, Vienna (Austria). CAPTALOONA Art Gallery (Madrid);
2259:
2238:
751:
297:
734:
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194:
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created by Maltagliati for this place makes us reflect on the deep connection between science and art.
1642:"Pietro Grossi & Sergio Maltagliati in Synaesthesia/3: History of the Senses ArtLaboratory Berlin"
2314:
2254:
1788:
1547:
1513:
991:, Enrico Saggese, Roberto Vittori, Neil Leonard, Gualtiero Marchesi, (2010) ed.Municipality of Rome
166:
Internet-based artist, composer, and visual-digital artist. His first musical experience with the
2063:
1024:, by Daniele Lombardi, Firenze 2009, Regione Toscana, Consiglio Regionale, Edizioni dell'Assemblea.
490:
1073:
Assessorato alla Cultura Comune Montecatini terme (1991) CID/Arti Visive Centro Luigi Pecci Prato
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by Daniele Lombardi: La musica in Toscana dal 1945 ad oggi 2002 (Firenze, Maschetto&Musolino)
2192:
1810:
101:
755:"Circus Mix" generated live exhibition-Centro per l'arte contemporanea Luigi Pecci- Prato (2017)
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Fortunati, Leopoldina; Sarrica, Mauro; Ferrin, Giovanni; Brondi, Sonia; Honsell, Furio (2018).
1940:
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217:
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105:
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988:
146:
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by Elena Giulia Rossi, (2009) Roma, ed. MAXXI Museo Nazionale delle Arti del XXI secolo.
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revista ibero-americana de pesquisa em educacao, cultura e artes – ISSN 1647-0508 (2014)
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assembled four different sound situations: instrumental music, words, sounds and noises.
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In 2023 he was selected for the first international Virtual Exhibition on the island of
30:
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reassembled into 626 pictorial visual works, like the total of works written by Mozart.
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109:
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1903:
1760:"Self-Thinking and Self-Learning:Designing a Personal Tool for Making Visual Music"
412:
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lyric for mezzo-soprano-flute and piano (first performance – Belveglio Asti 1980).
1980:
1919:"Pietro Grossi's Experience in Electronic and Computer Music by Giuditta Parolini"
1806:
1467:"Correspondence between John Cage and Sergio Maltagliati, Northwestern University"
1345:
1227:
461:
3.01 (computer music transcription by Pietro Grossi-Soft TAUMUS synthesizer TAU2,
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it reaches just the user, often unprovided with a traditional artistic formation.
1330:
1111:
803:
Tendenze e compositori di oggi by Renzo Cresti ed. Libreria Musicale Italiana –
579:
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has produced 45 graphical single samples, which have been sampled and published.
209:
1918:
1773:
1684:
1408:
598:(version 2.5) which generates a fully automatic music that is always different.
275:(2005) music and images on I-Mode mobile phone. In 1999, he writes the program
2012:
1827:
1759:
1374:
1039:, by N. Cisternino, I. Gómez, F. Mariani e M. Ratti, (2003) SilvanaEditoriale
955:
45 unicum graphics, by Pietro Grossi, Sergio Maltagliati, ed. Lulu.com, 2012.
371:
for voice and piano (first performance -Villa Martini Monsummano Terme 1989).
246:. And it is the American musician (met in 1991 in Zurich for the execution of
1871:
777:
XIV Florence Biennale" ed. Giorgio Mondadori - ISBN 978-88-374-2404-6 (2023)
1028:
Arte delle reti / Net Art – Elementi per un atlante: liste e linee temporali
1000:, by Celestino Soddu, Enrica Colabella, (2009) ed. Domus Argenia Publisher.
436:
284:
247:
243:
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1498:
163:
380:
1889:
1789:"Social robots as cultural objects: The sixth dimension of dynamicity?"
1407:
News from Public Administrations of the Metropolitan City of Florence.
1242:
738:
225:
193:
Sergio Maltagliati an artist from Florence Italy; studied music at the
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precise musical thought, transposed in an innovative musical writing.
1953:
1926:
1298:
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in Florence in 1965) combined as suggested by the calligraphy of the
527:
304:
159:
54:
2026:
1595:
574:. In this project Rizzato realizes a graphic work, inspired by his
566:, autom@tedMusiC 2.5. Beat(acoustics)-musical score of the painter
2118:"Luigi Dallapiccola-Models to promote creation in Florence, Italy"
1613:
1378:
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programs designed by Grossi in the '80s, written in the language
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of Rizzato. The sound material is then modified by the software
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in Florence. Historical Academy founded in Florence in 1563 by
2187:
1422:
MAXXI National Museum of 21st Century Arts (10 August 2018).
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graphic work music of 100 children on musical stroke of 16/4.
1147:
DVD (digital edition) Quantum Bit Netlabel (2012) QuBIT 013
133:
668:
for 10 magnetic tapes, 7/10 audio tape with 10 performers.
1858:"Il Gabbiano Gallery exhibition catalog, by Renzo Cresti"
722:
Installazione e live performance, XIV Florence Biennale.
178:
On 04/10/2023 he was elected Honorary Academician of the
1712:
1563:"Music, technology, utopia: The legacy of Pietro Grossi"
1209:
Recorder from original tape Quantum Bit Limited Edition
850:
An International Journal Volume 34, 2018-Issue 3 (2018)
626:
capturing and controlling the noises as musical elements
1129:
DVD video Quantum Bit Limited Edition (2009) QuBIT 005
786:(Routledge Literature Companions) ed. Routledge (2023)
1022:
Attraversamenti, la musica in Toscana dal 1945 ad oggi
605:
by the graphic programmes of HomeArt by Pietro Grossi.
2210:
1156:
audio Cd – numbered copy of limited edition (2019) CD
1016:
Netspace: viaggio nell'arte della rete – Net Archives
1121:
history of the second half of the twentieth century.
833:
Sound Experiments in Italy 1950-2000 ed. Manfredi –
465:, Institutes of CNR CNUCE and IEI Pisa, Italy 1980)
242:
carried out in 1984 in a High School in Piemonte by
139:
129:
115:
97:
89:
85:
Composer, programmer, artist and computer scientist
81:
70:
62:
40:
21:
1774:"Generative Art Politecnico of Milano University"
1728:"Electronic Language International Festival File"
1616:– National Museum of the 21st Century Arts. 2007.
820:Scientific Conference ed. Belgrade Polytechnic –
1578:"NetOpere: Pietro Grossi and Sergio Maltagliati"
1375:"Sylvano Bussotti (biography, works, resources)"
859:by Marylynn Lyman ed. Learning Press New York –
637:Innocenti Hospital -scenography-(Florence 1985).
1118:, Sergio Maltagliati (Atopos music 1999-2008).
1009:, by Luigi Agostini, (2009) Edizioni Lulu.com
793:EI VIERIU - ARTES. JOURNAL OF MUSICOLOGY, 2023
971:Valentina Tanni, LINK Editions, Brescia 2011-
8:
2041:"Electronic Language International Festival"
933:Barcelona, Athens. Triton Barcelona. Triton
570:, with frequencies of the original waves by
308:Viral Human' / 'Public Art and the Metaverse
1904:"originale Beat acoustics by Pietro Grossi"
1436:: CS1 maint: numeric names: authors list (
1424:"Sound-experimentations-in-italy 1950-2000"
1089:(Sound, sign, gesture, vision in Florence)
747:Centro per l'arte contemporanea Luigi Pecci
2060:"Collective JukeBox 3.1 Strasbourg France"
1872:"Synaesthesia / 3 – Art Laboratory Berlin"
893:by Carlo Mazzucchelli ed. Delos Digital –
279:, software from experiences of the visual
184:Cosimo I de' Medici, Grand Duke of Tuscany
29:
18:
2146:"Suono, segno, gesto visione a Firenze 2"
1656:""Yeditepe University, Istanbul, Turkey""
1548:"Italian Digital Art Overview 2004(.doc)"
784:The Routledge Companion to Literary Media
1741:Centro Studi Luigi Dallapiccola (2021).
1512:The New Museum of Networked Art (2002).
1451:Centro Studi Luigi Dallapiccola (2021).
1359:Centro Studi Luigi Dallapiccola (2021).
916:by Andrea Valle & Stefano Bassanese
750:
379:
253:
2217:
2160:"Suono, segno, gesto visione a Firenze"
1218:
1453:"Archivio del 900 musicale fiorentino"
1429:
1138:Quantum Bit Netlabel (2011) QuBIT 007
1110:, Giuseppe Chiari, Giancarlo Cardini,
2173:Suono Segno Gesto Visione a Firenze 2
1514:"Current Positions of Italian Netart"
1087:Suono, segno, gesto visione a Firenze
271:(2001) a work for mobile phones, and
7:
1967:"Middle State School Giusti-Gramsci"
2325:20th-century Italian male musicians
1048:, Stephen Wilson, (2003) MIT Press
170:Musical Band was in the early 70s.
2027:"Istanbul Contemporary Art Museum"
712:Alla ricerca dei Silenzi perduti 2
693:for instruments and Magnetic tape.
439:graphics software, music software
14:
1392:Centro Studi Luigi Dallapiccola.
876:by Joe Street ed. Orange Apple –
2280:Italian male classical composers
2265:20th-century classical composers
2232:
2220:
2009:"Hyperart gallery New York City"
1610:"Improvisations of the Software"
1181:Alla ricerca dei silenzi perduti
666:Alla ricerca dei Silenzi perduti
387:for clarinet and trombone (1991)
180:Accademia delle arti del disegno
145:
1303:The New Museum of Networked Art
1030:(2007) Edizioni UCAN – BOOK001
914:Enore Zaffiri-Saggi e materiali
233:Luigi Dallapiccola Study Center
2320:20th-century Italian composers
2310:Italian experimental musicians
2132:"Bibliotoscana-Tuscany Region"
1995:"Performances at the Biennale"
1331:"Digital Souls Online Gallery"
1317:"Ad libitum. Musica da vedere"
985:Sguardi Sonori/Infinite Spaces
769:Atlante del'Arte Contemporanea
1:
2195:, Italian composers database
1840:"Steinberg-Service-User Page"
1807:10.1080/01972243.2018.1444253
1481:"letter written by John Cage"
1409:"Segni firenzeannoduemilatre"
874:Encyclopedia of New Media Art
75:Conservatorio Luigi Cherubini
2290:Italian contemporary artists
2270:Florence Conservatory alumni
1394:"il '900 musicale a Firenze"
1299:"Sergio Maltagliati (Italy)"
1136:The Wave Structure of Matter
1037:AD LIBITUM. Musica da vedere
857:Encyclopedia of Computer Art
691:Variazione Cromatica cinque2
2295:Italian performance artists
2275:Italian classical composers
1917:Parolini, Giuditta (2016).
741:Gallery Atlanta, GA (USA);
697:Invenzioni Cromatiche 16/44
258:Letter written by John Cage
16:Italian composer and artist
2341:
2305:Italian multimedia artists
2204:, images by Pietro Grossi
2058:Salons de Musique (2001).
1941:"Free download full score"
1257:"Wikiartpedia/EduEDA (IT)"
1187:Serie di colore per flauti
617:Musica intorno alla Gabbia
396:for clarinet and trombone.
350:for trombone and clarinet.
312:Scala Contarini del Bovolo
1726:Digital Magazine (2003).
1377:(in French and English).
1226:Special Projects (2015).
1204:Partiture per floppy disk
403:for canto and orchestra.
378:(first performance 1991).
334:Instrumental compositions
144:
28:
1956:Accessed August 24, 2015
1713:"Free download App (IT)"
1561:Thomas Patteson (2010).
1344:Valentina Tanni (2001).
1041:(in English and Italian)
993:(in Italian and English)
964:(in English and Italian)
926:(in Italian and English)
843:(in Italian and English)
621:Ospedale degli Innocenti
463:IBM System/370 Model 168
369:Sintassi in Rosso e Nero
2285:Italian digital artists
1921:. University of Leeds.
1794:The Information Society
1576:Luca Cartolari (2008).
1546:Manuela Misani (2004).
848:The Information Society
831:When Sound Becomes Form
519:Scores for floppy disck
477:(the traditional Lyric
364:for white voices choir.
2104:"T-D Art Talents 2023"
2087:. 2007. Archived from
2043:. 2004. Archived from
2011:. 1999. Archived from
1842:. 2005. Archived from
1679:Amy Alexander (2001).
1661:. 2003. Archived from
1594:. 2007. Archived from
1497:. 1997. Archived from
1285:"Honorary Academician"
756:
638:
421:
388:
325:More significant works
259:
1628:"Computer Music (IT)"
1592:"Art in mobile phone"
1096:, Giancarlo Cardini,
891:80 identikit digitali
754:
735:Politecnico di Milano
635:Music around the Cage
633:
505:(from music software
496:Johann Sebastian Bach
416:autom@tedVisualMusiC
415:
383:
257:
208:, Giancarlo Cardini,
195:Florence Conservatory
186:at the suggestion of
1681:"Interview yourself"
1533:Zn new media library
1527:Ted Warnell (1999).
1495:"Pictures to Listen"
1114:, Daniele Lombardi,
454:autom@ted MusiC 1.02
425:autom@tedVisualMusic
408:Computer Visu@lMusiC
277:autom@tedVisualMusiC
2102:Crema News (2023).
1361:"Biografia e opere"
1241:Battimenti (2019).
1007:Il Senso Trascurato
585:Studio di Fonologia
550:autom@tedVisuaL 1.0
491:Goldberg Variations
441:autom@tedMusic 1.01
418:Goldberg Variations
35:Maltagliati in 2016
1699:"Viral Human (IT)"
941:(Triton Barcelona)
757:
639:
557:autom@tedMusiC 2.0
521:in 1997 at the Il
422:
389:
357:for trombone solo.
294:Interview yourself
260:
156:Sergio Maltagliati
51:September 26, 1960
23:Sergio Maltagliati
2300:New media artists
2085:"radioartemobile"
1271:"RHIZOME artbase"
1193:Per una sola nota
977:978-1-4477-1182-7
961:978-1-4716-1419-4
939:978-84-938482-5-5
882:978-1-283-48829-7
865:978-1-280-25168-9
839:978-88-99519-86-5
826:978-86-7498-081-1
362:La Luce dell'Asia
168:Gialdino Gialdini
153:
152:
90:Years active
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2216:
2207:
2198:
2188:Official website
2175:
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2062:. Archived from
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1890:"Battimenti 2.5"
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1094:Sylvano Bussotti
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749:– Prato (Italy);
720:Color Variations
685:Caterina Davinio
603:Color Variations
596:Generative music
523:Gabbiano Gallery
507:Steinberg Cubase
503:MIDI_Visu@lMusiC
289:Acorn Archimedes
273:midi_Visu@lMusiC
218:Daniele Lombardi
214:Marcello Aitiani
202:Sylvano Bussotti
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989:Ennio Morricone
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542:autom@tedVisuaL
448:Net Surfing 3.0
435:(from original
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341:Fogli di Diario
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206:Giuseppe Chiari
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1801:(3): 141–152.
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1743:"CORPUS works"
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269:neXtOper@_1.03
188:Giorgio Vasari
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158:(born 1960 in
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134:visualmusic.it
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1108:Pietro Grossi
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2206:(in English)
2197:(in Italian)
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2097:
2089:the original
2079:
2068:. Retrieved
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2013:the original
2003:
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1499:the original
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1346:"oper@PiXeL"
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1149:(in English)
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1135:
1131:(in English)
1126:
1086:
1075:(in Italian)
1070:
1066:(in Italian)
1061:
1057:(in English)
1045:
1036:
1032:(in Italian)
1027:
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1011:(in Italian)
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763:Bibliography
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240:Music Circus
239:
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231:In 2021 the
230:
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177:
155:
154:
102:Experimental
93:1980–present
2315:Net.artists
2255:1960 births
1175:Trasparenze
1112:Albert Mayr
727:Exhibitions
610:Performance
580:Kinetic art
576:Optical art
433:Circus 5.05
210:Albert Mayr
63:Nationality
2249:Categories
2070:2022-06-22
1213:References
1161:Audio tape
1145:CIRCUS_5.1
644:Revolution
564:Battimenti
515:Key window
494:(music by
475:Oper@pixel
459:Sound Life
316:Battimenti
116:Partner(s)
106:Electronic
47:1960-09-26
2227:Biography
1071:Partiture
931:Topología
704:neXtOper@
677:John Dunn
652:K.1-626M.
546:HomeBooks
437:BBC Basic
285:BBC BASIC
248:Europeras
244:John Cage
174:Biography
140:Signature
71:Education
1954:netOper@
1876:undo.net
1815:21726869
1432:cite web
1127:CIRCUS_8
1106:(CD 2):
1092:(CD 1):
1081:CD / DVD
953:HomeBook
775:I AM YOU
673:netOper@
650:1990/91
535:Circus 8
394:Iridem 2
385:Iridem 2
376:Sinfonia
367:1980/89
264:netOper@
77:Florence
2213:Portals
2202:HomeArt
2162:. 2008.
2148:. 2014.
2134:. 2003.
2120:. 2003.
2029:. 2002.
1997:. 2023.
1983:. 2019.
1969:. 2001.
1943:. 2023.
1906:. 2019.
1892:. 2019.
1878:. 2013.
1860:. 1997.
1776:. 2001.
1762:. 2016.
1715:. 2023.
1701:. 2023.
1644:. 2013.
1630:. 2004.
1483:. 1991.
1469:. 1991.
1333:. 2001.
1319:. 2003.
1305:. 2007.
1287:. 2023.
1273:. 2000.
1259:. 2005.
924:(2014)
901:(2015)
884:(2016)
867:(2016)
841:(2019)
811:(2019)
739:Eyedrum
355:Inciclo
281:HomeArt
226:Bauhaus
164:Italian
130:Website
66:Italian
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1052:
975:
969:Random
959:
949:(2014)
945:
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920:
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863:
837:
824:
807:
715:sound.
707:Italy.
702:2001
658:1993
642:1989
615:1985
528:i-mode
470:PIxeLs
401:Aria48
348:Iridem
305:Venice
160:Pescia
55:Pescia
2193:CIDIM
1828:Video
1811:S2CID
1746:(PDF)
1666:(PDF)
1659:(PDF)
1614:MAXXI
1379:IRCAM
1202:1997
1191:1996
1185:1995
1179:1993
1173:1992
987:, by
743:MAXXI
718:2023
710:2019
671:1997
601:2023
589:score
562:2019
555:2014
540:2012
533:2008
501:2005
488:2003
485:code.
483:ASCII
479:Opera
468:2002
446:2001
431:1999
399:1993
392:1991
374:1991
360:1987
353:1984
346:1983
339:1980
98:Style
1438:link
1050:ISBN
973:ISBN
957:ISBN
943:ISBN
935:ISBN
918:ISBN
895:ISBN
878:ISBN
861:ISBN
835:ISBN
822:ISBN
805:ISBN
683:and
41:Born
1923:doi
1803:doi
509:on
296:by
204:,
2251::
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