Knowledge (XXG)

Sergio Sarra

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3587: 1844: 1806: 1676: 1884: 325: 3679: 622:. Icebergs are wandering and solitary shapes subject to imperceptible transformation, and they incorporate other shapes and remote images. The submerged part of these ice mountains is almost completely invisible and its balance and flotation capacity is strictly connected to the emerging part. When this ration ceases to exist, icebergs can overturn with deafening sounds, showing the part which has been hidden for millennia. 33: 3665: 587:( Also on this occasion, Sarra expounds a path along which the apparent 'repetition' of the work is simultaneously denied. The attempt to paint two equal paintings shifts the public's attention to the pictorial ability, to copying, to indifference. The effort exerted becomes an 'involuntary commitment'. ) 583:
Anche in quest'ultima occasione Sarra elabora un percorso in cui l'apparente 'ripetizione' dell'opera viene simultaneamente smentita. Il tentativo di dipingere due quadri uguali sposta l'attenzione del pubblico sull'abilità pittorica, la copia, l'indifferenza. Lo sforzo esercitato diventa un 'impegno
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In the paintings after 1997, the artist poses with his 'sign-drawing', being continuous and abstract, various elements – faces, zoomorphic groups, buildings with unknown geometries – that insist upon previous pictorial composition processes that are not entirely erased to reveal further combinatorial
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The surface treated with gel to render the surface photosensitive and permitting the reproduction of images on the canvas via a procedure similar to that of traditional photographic printing. Subsequently, the pictorial process thus becomes less detached. Sarra then painted the images reproduced in
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Since the early Nineties, Sergio Sarra has been exploring the iconic nature of painting, (and of sculptural installations and performances) to approach things through an abstract comprehension, while also conjuring up ancestral figures: "it would be important for me to be able to make a really
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For Sarra, the manual aspect of drawing is akin to a sort of imponderable writing, executed "from life" but detached from any interest in spatial composition; "the color must only be meaningful, not descriptive", and "a painting is finished when it resists the company of the other work in the
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D'Avossa, Antonio (1993). "La risposta, amico mio, sta soffiando nel vento – Lettera aperta a Pep Agut, Bigert & Bergström, Marco Brandizzi, Giorgio Cattani, Maria Eichhorn, Marcelo Expósito, Carsten Höller, Kirsten Mosher, Luca Quartana, Sergio Sarra e SubREAL". In
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Each piece is generated by an observing consciousness, that moves within autobiographical spaces and cultural affiliations, interrelating signs in redundant sequences: architectural antinomies, dualities, border zones, specious repetitions; transparent grids and
309:( With Sarra we are faced with an intense conciseness from the perspective of the formal process in favour of a greater concentration on the conceptual factor… The animal, the landscapes and the faces are stylised to the limit of being recognisable ) 305:
In Sarra ci troviamo di fronte ad una intensa sinteticità dal punto di vista del processo formale a vantaggio di una maggiore concentrazione al dato concettuale… L'animale, i paesaggi e i volti vengono stilizzati fino al limite del riconoscibile
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His home studio project is a clear form that interprets one of the artist's favorite landscapes: a protected space, personal and familiar, that fosters suggestions and ideas, where Sergio Sarra has organized his own painting
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Referencing classicism and employing symbolism in creating his enigmatic vision of the world, Sarra calls attention to the iconic power of the handmade image in Western civilization.
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Vos travaux font penser à des palimpsestes, ces manuscrits que leur auteur trace sur un document existant, sans effacer la ou les couches d'écriture précédentes.
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Caruso, Rossella (January 1992). "Sergio Sarra: ateleta (press release)". Rome: Galleria Cecilia Nesbitt. Caruso, Rossella (January 1992). "ateleta". In
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Curi, Umberto (2007). "Testo dedicato all'opera "Ipotesi di Biblioteca di Chimica dell'Università di Padova (LSD)" di Sergio Sarra". Special Project. In
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He played for the national youth teams, making his debut at sixteen in the Italian Series A basketball championship with the Fortitudo Bologna team.
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Sarra created an environment consisting of a long wooden platform in chipboard (1266 x 211 x 30 cm) with three paintings on the walls featuring:
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Scuderi, Massimiliano (2008). "Sergio Sarra: Trinacria Dream". In Pinto, Sílvia; Laranja, Ana Rocha; Bernandes, Marta; et al. (eds.).
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1997 Segno Senso Suono Sacro: installazioni di Mario Airò – Federico Fusi – Sergio Sarra, Zerynthia Associazione per l'Arte Contemporanea,
262: 3099: 2036:, Mike Hubert, Thomas Locher, Kong Chang'an (Lauk'ung Chan), Robert Nickas, Rosma Scuteri, Berta Sichel, Matthew Slovoter, Benjamin Weil. 3824: 3576: 1833: 1792: 1662: 1232: 1138: 372:– on which Sarra drew symbolic and enigmatic figures, went on to become a constant in his work. In this sense, two solo exhibitions – 357: 286: 124: 69: 3154: 2819: 2393: 2080: 1703: 1262: 1185: 418:, where he created an environment consisting of a long wooden platform in chipboard with three paintings on the walls featuring: 1037: 514:
to produce a decisive intermittence between darkness and light. This is the same direction in which Sarra heads when painting '
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Cf. Urban, Carla (June 1991). "Sergio Sarra – Achille Bonito Oliva (L'arte fino al 2000 e Fuori Uso '91)". In Urban, Carla.
1900:, "L'artista Sergio Sarra: «Ho pensato lo studio come un'installazione. Più che in armonia, in contrasto con il paesaggio»" 215: 3471: 3422: 3307: 3274: 3233: 3168: 3121: 3036: 2940: 2833: 2628: 2455: 2383: 2283: 2144: 2094: 1881: 1841: 1803: 1762: 1707: 1673: 1609: 1571: 1538: 1489: 1460: 1430: 1393: 1362: 1316: 1270: 1199: 1152: 1081: 2806:
Cherubini, Laura (1992). "Giovani artisti IV". In Apa, Mariano; Cherubini, Laura; Di Capua, Marco; et al. (eds.).
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consisting of four painted sheets of glass and crossed by white light from industrial neon tubes. Such works – being
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I am painting icebergs, a series of icebergs. Each of them is a still life drawing, even though it may look like an
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In 1985, at the age of 24, he retired from playing competitively in order to study at the School of Painting at the
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archaic drawing, that can be recognized only by one's consciousness, and has never been seen in real life".
3799: 2588: 2343: 2323: 603: 270: 223: 2331: 250: 388:– 2013) – appear indicative. In occasion of the exhibition in Portugal, art critic Miguel Amado wrote: 2327: 3794: 3213: 3209: 3130: 2432: 2203:
Moro, Michela (8 June 2011). "Speciale Biennale di Venezia – 54° Esposizione Internazionale d'Arte".
2103: 2049: 2017: 1330: 1281: 1250: 1216: 1212: 1169: 1165: 1114: 1097: 1093: 188: 2232: 3771: 1909: 1130: 1105: 559: 176: 3138: 1253:(curated by), "Punti cardinali dell'arte", catalog of the 45th International Exhibition of Art in 127:, concluding in 1987. Sarra took part in the Biennial of Young Artists from Mediterranean Europe ( 1118: 1101: 2981:
Cherubini, Laura (1997). "L'aure d'Abruzzo". In Cherubini, Laura; Manzoni, Gian Ruggero (eds.).
2159:"Ad Aperto novecentonovantatre si scambiarono per se stessi/The name of player playing the part" 2072: 2058: 1979: 3678: 3517: 2246: 798:
1996 poesie di Anna Cascella - opere di Sergio Sarra Ettore Spalletti, Palazzo Coen e Pieroni,
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2011 Michelangelo Pistoletto – Sergio Sarra – Bob & Roberta Smith, Galleria Cesare Manzo,
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1987 Gabriele Lamberti – Alessandro Pessoli – Sergio Sarra, Galleria del Circolo Artistico di
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Flash Art (April 2012). "perché la spiaggia si assottiglia dopo le Naìadi - Sergio Sarra".
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Ha aperto il Festival del Paesaggio 2019 a Capri e Anacapri. Le immagini dell'inaugurazione
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2016 Margherita Morgantin – Sergio Sarra – Italo Zuffi: Ricettivo Nouveau, Garage Carcani,
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From the beginning of his artistic career, Sarra worked almost exclusively with painting,
140: 132: 3295: 3291: 2053: 1897: 1448: 1440: 471:, his works were exhibited at the Fondazione Volume!. In the same year, Sarra curated at 632:
Traces of the theoretical processes underlying his works can be found in the short film
2513:), Centro Civico per l'Arte Contemporanea La Grancia and Musei Senesi, May – June 1997. 2107: 2033: 2021: 1743: 1589: 1334: 1285: 995: 545:, a book in which he collates a series of drawings and writings focused on the city of 515: 282: 2907:
Di Pietrantonio, Giacinto (2012). "Sergio Sarra". In Di Pietrantonio, Giacinto (ed.).
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where he held his first solo exhibition at the Galleria Alice in 1990, presenting an
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Segno Senso Suono Sacro: installazioni di Mario Airò – Federico Fusi – Sergio Sarra
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De Venere, Lia (17 September 2000). "Caravaggio a confronto con i nuovi realismi".
2154: 815: 538:, in which he reiterates the same design, altering the chromatic impact each time. 534:(2006–2007). Between 2006 and 2009, Sarra worked on a series of paintings entitled 511: 2789:
Pratesi, Ludovico (1 February 1992). "La personale di Sarra e i fossili viventi".
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Over the next few years, he produced a series of paintings on emulsified canvas –
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Sarra has held solo exhibitions at public and private institutions including the
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Vecere, Laura (March 1994). "I varani di Sarra e la Mori futurista mai vista".
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L'Arte moderna / Giulio Carlo Argan. L'arte fino al 2000 / Achille Bonito Oliva
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Lorenzo Benedetti, in "The Sacred of Fusi and the Sign of Sarra", May 1997
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2000 Bruna Esposito – Sergio Sarra – Richard Van Buren, Fondazione Volume!,
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that was developed around the painting of the same name, painted in 1600 by
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and sculpture. In 1997, the art critic and curator Lorenzo Benedetti wrote:
231: 160: 128: 1966:"La Biennale di Bonito Oliva annuncia a Venezia le tendenze di fine secolo" 1799: 1758: 1754: 1669: 3373:, December 2006 – February 2007 / WAX Winkler Art Xperience (former MEO), 1312: 32: 3374: 2737: 1984: 1851: 1813: 1772: 1732: 1699: 1695: 1683: 1642: 1581: 1551: 1326: 1126: 1011: 989: 985: 912: 787: 713: 519: 345: 227: 192: 164: 3625: 3560: 3316: 3016: 2920: 2608: 2524: 1718: 1518: 1444: 1404: 1373: 1021: 3746: 3610: 3410: 3370: 3303: 2986: 2928: 2912: 2566: 2371: 1869: 1630: 1481: 1456: 1422: 1381: 1041: 1031: 906: 900: 894: 862: 811: 805: 799: 768: 717: 676: 576: 546: 297: 254: 113: 49: 3378: 3457: 2667: 2649: 2250: 2068: 2013: 1765: 1747: 1710: 1612: 1593: 1574: 1541: 1492: 1433: 1365: 1319: 1254: 1015: 999: 928: 888: 861:
1998 Sergio Sarra, Faculty of Architecture of University of Palermo,
492: 488: 484: 377: 337: 3212:(2008). "Table Sculpture (table projection on 12 points), 2004". In 3193: 430:. Clarity and essentiality become the dominant factors in his work. 748:– National Academy of Design, New York City – U.C.L.A., Los Angeles 458:, in "Une correspondance sur les fantômes avec Sergio Sarra", 3763: 3646: 3546: 3498:
Moro, Michela (8 December 2012). "Sergio Sarra – Garage Carcani".
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1998 Sergio Sarra, former Chiesa di San Nicola, Carpineto Romano,
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2021 Things Seen : Marco Eusepi, Sergio Sarra, Spaziomensa,
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2018 Bruna Esposito – Sergio Sarra, Idill'Io arte contemporanea,
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2004 Sergio Sarra, Micromuseum for Contemporary Art and Culture,
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Di Las Plassas, Lorenzo (October 2000). "Conversione di Saulo".
2311: 1825: 1796: 1784: 1751: 1666: 1654: 1526: 1309: 1224: 1177: 1104:(ed.). L'Arte Moderna di Giulio Carlo Argan, volume attached to 1069: 1047: 1025: 1005: 979: 955: 946: 940: 878: 868: 856: 840: 824: 793: 777: 758: 752: 741: 701: 695: 568: 491:. In 2001, their son Gerolamo Papik Merlino was born. It was in 468: 385: 361: 290: 266: 243: 239: 203: 180: 152: 1168:(1991). "Così: lo stato dell'arte (e anche della critica)". In 397:
Miguel Amado, in "Sergio Sarra – MCO Arte Contemporânea",
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2011 Padiglione Italia, Tese delle Vergini, 54 Venice Biennale
3694: 3331:"Micromuseum si trasferisce e ospita la performance di Sarra" 96: 3242:
Piccoli, Cloe (23 February 2008). "Cose mai viste: a Roma".
2772:, video-catalogue, Rome: Galleria Cecilia Nesbitt Federici. 2464:
Piccoli, Cloe (23 February 2008). "Cose mai viste: a Roma".
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window onto venus – ventana hacia venus – finestra su venere
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Maragall, Pasqual; Truñó, Enric; Dijan, Jean-Michel; et al.
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1987 3 Biennial of Young Artists from Mediterranean Europe,
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Sergio Sarra, in "Icebergs" (press release), 24 May 2016
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2000 Teatro Nacional de Cuba, Galeria René Portocarrero, 7
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1993 Aperto '93, Corderie dell'Arsenale, 45 Venice Biennale
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Martino, Adriana (December–January 2000). "Sergio Sarra".
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In 1986, Sarra has collaborated in the realization of the
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Biennal of Young Artists from Mediterranean Europe (BJCEM)
1117:(1991). "L'arte fino al 2000 di Achille Bonito Oliva". In 1100:(1990). "L'arte fino al 2000 di Achille Bonito Oliva". In 1004:
2019 Sergio Sarra, Mattatoio Museo di Arte Contemporanea,
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Simone Ciglia, in "The indifferents" (press release),
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Sergio Sarra : escluse le cose che ho scelto di fare
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Library collocation of the Monograph – Centre G. Pompidou
3095:: Associazione culturale Francesco Nucci. pp. 54–55. 2529:
Critique of the exhibition. In Literature, sergiosarra.it
2241:, Teatro Nacional de Cuba, Galleria René Portocarrero, 7 2158: 1409:
Critique of the exhibition. In Literature, sergiosarra.it
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Rossella Caruso, in "Sergio Sarra Critical Review",
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Academic staff of the Accademia di Belle Arti di Bologna
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Zerynthia Associazione per l'Arte Contemporanea (1998).
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Zerynthia Associazione per l'Arte Contemporanea (1997).
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Zerynthia Associazione per l'Arte Contemporanea (2001).
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Aperto '93: Emergency/Emergenza: Flash Art International
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Aperto '93: Emergency/Emergenza: Flash Art International
3342:"Buglisi, design e pittura Sarra espone al Micromuseum" 2116:
Aperto'93: Emergency/Emergenza: Flash Art International
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INFINITY. Bruna Esposito & Sergio Sarra in Recanati
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Sergio Sarra : excluding the things I chose to do
2814:: Edizioni Carte Segrete. pp. 27–28, 37–39, 103. 2774:
Pratesi, Ludovico (19 February 1992). "Sergio Sarra".
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Moro, Michela (October 2000). "Conversione di Saulo".
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Sergio Sarra : excluding the things I chose to do
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Sergio Sarra : excluding the things I chose to do
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Sergio Sarra : excluding the things I chose to do
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D'Avossa Antonio (1993). "Vedute sul Mondo Reale". In
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1992 Sergio Sarra, Galleria Cecilia Nesbitt Federici,
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Academic staff of the Accademia di Belle Arti di Roma
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Une correspondance sur les fantômes avec Sergio Sarra
2796:Cherubini, Laura (June–July 1992). "Sergio Sarra". 2762:Pratesi, Ludovico (21 July 1991). "Senza confini". 2125:: Giancarlo Politi Editore. pp. 217, 396–397. 1872:: Fondazione del Monte di Bologna e Ravenna, 2020, 442:in May 2007, the French critic and theorist wrote: 91: 83: 75: 65: 57: 42: 23: 3102:. In Borriello, Marilena; Marsano, Silvia (eds.). 2931:: Edizione Galleria Cesare Manzo. pp. 13–15. 2531:. Zerynthia Associazione per l'Arte Contemporanea. 2057: 1411:. Zerynthia Associazione per l'Arte Contemporanea. 954:2013 Sergio Sarra, Conservatory of Santa Cecilia, 602:In June 2016, Sarra was invited to exhibit at the 506:Over the same period, he produced the performance 2983:Sotto pioggia e sotto vento, exhibition catalogue 2963:Moro, Michela (4 November 1999). "Sergio Sarra". 2267:, conference publication and exhibition catalogue 1867:Sergio Sarra twenty six figures painted on board. 1552:Noisy Writings. Sergio Sarra's Aesthetics of Void 1257:, Vol. I, Venice, Marsilio Editori S.P.A., 1993, 3454:perché la spiaggia si assottiglia dopo le Nàiadi 2949:Visci, Giulia (June–July 1997). "Sergio Sarra". 1586:perché la spiaggia si assottiglia dopo le Nàiadi 933:2008 Sergio Sarra, Circolo Filologico Milanese, 740:– former Convento di Santa Maria sopra Minerva, 567:which was exhibited at Galleria Cesare Manzo in 543:perché la spiaggia si assottiglia dopo le Nàiadi 251:Faculty of Architecture of University of Palermo 3705:Solstizio d'estate # 2, Serre di Rapolano, 1997 3440:why the beach becomes narrower after the Naìadi 3265:: Galleria Cesare Manzo. 2007. pp. 42–43. 2503:Zerynthia Associazione per l'Arte Contemporanea 2239:Zerynthia Associazione per l'Arte Contemporanea 786:1994 Sergio Sarra, Gentili arte contemporanea, 643: 616: 581: 497:Table Sculpture (table projection on 12 points) 444: 390: 302: 3149:): Silvana Editoriale. pp. 120, 122–123. 3017:"A correspondence on ghosts with Sergio Sarra" 1519:"A correspondence on ghosts with Sergio Sarra" 1417:Sarra, Sergio (2000). "Conversione di Saulo", 3098:Borriello, Marilena; Marsano, Silvia (2008). 3077:Bruna Esposito Sergio Sarra Richard Van Buren 3001:A correspondence on ghosts with Sergio Sarra. 2223:, 2011, acrylic paint on board, 220 x 170 cm. 1988:. Vol. 32, no. 2. pp. 104–105. 8: 3224:: The Road To Contemporary Art. p. 86. 2902: 2900: 2740:, Gentili arte contemporanea, January 1994. 2579:Nardone, Domenico (May 1990). "Sergio Sarra 2446:: The Road To Contemporary Art. p. 86. 1030:2021 VIVERE DI PAESAGGIO, apalazzo gallery, 139:, at the Italian Pavilion (2011) and in the 3379:Muzeul Naţional de Artă Contemporană (MNAC) 2852:, 1993, wood chipboard, 1266 x 211 x 30 cm. 1908:, Vol. 10, pp. 200-209, volume attached to 1010:2019 4 Festival del Paesaggio, Casa Rossa, 972:2016 Sergio Sarra, EWHA Womans University, 927:2007 Sergio Sarra, MCO arte contemporânea, 919:Muzeul Naţional de Artă Contemporană (MNAC) 163:– 2007) and the WAX Winkler Art Xperience ( 143:(2000). Sarra curated the group exhibition 3511: 3509: 3141:; Benedetti, Lorenzo; et al. (2015). 2525:"The Sacred of Fusi and the Sign of Sarra" 1405:"The Sacred of Fusi and the Sign of Sarra" 1036:2021 141. Un secolo di disegno in Italia, 810:1997 Sergio Sarra, Galleria Cesare Manzo, 722:1991 Volpaia in vista, Cantina Caparsino, 31: 20: 2708: 2706: 2358: 2356: 2044: 2042: 1997: 1995: 1975:. Vol. 97, no. 296. p. 18. 1964:Giannattasio, Sandra (17 December 1992). 1959: 1957: 1629:Cippitelli, Lucrezia (13 December 2012). 1038:Fondazione del Monte di Bologna e Ravenna 839:1997 Opera Paese Associazione Artistica, 487:, with whom he lived for a short time in 3189: 3187: 3185: 3183: 3181: 2808:Giovani Artisti IV, exhibition catalogue 2153:Di Matteo, Gabriele; Silvestro, Franco; 994:2018 Sergio Sarra, Abbey of Propezzano, 135:at the Corderie dell'Arsenale (1993) in 2909:Fuoriuso in Opera, exhibition catalogue 2715:"Sergio Sarra – MCO Arte Contemporânea" 2056:; Perniola, Mario; et al. (1993). 1922: 1501:"Sergio Sarra – MCO Arte Contemporânea" 3218:Cose mai viste 1, exhibition catalogue 2670:: MCO Arte Contemporânea. p. 43. 2597: 2586: 2220:Pettino, planimetria di Contrada Selva 893:2003 Fuori Uso 2003, former Ferrotel, 706:1991 Sergio Sarra, Galleria Lattuada, 257:– 2004), Circolo Filologico Milanese ( 116:1961) is an Italian artist and former 3404:Altered States – Are you experienced? 3385:, June – August 2007 / Galeria Nouă, 3359:Altered States – Are you experienced? 2619:: Galleria Alice arte contemporanea. 1478:Altered States – Are you experienced? 1072:: Galleria Alice arte contemporanea. 712:1991 34 Spoleto Festival of 2Worlds, 532:Altered States – Are you Experienced? 344:, AST Under-18 Basketball World Cup, 169:Altered States – Are you experienced? 7: 3027:: Galleria Cesare Manzo. p. 8. 2495:Il sacro di Fusi e il segno di Sarra 2392:Pratesi, Ludovico (29 August 2000). 804:1996 Fuori Uso 1996, former F.E.A., 524:Muzeul Naţional de Artă Contemporană 499:, a table/sculpture with a huge red 287:Mattatoio Museo d'Arte Contemporanea 157:Muzeul Naţional de Artă Contemporană 2071:: Marsilio Editori s.p.a. pp.  2004:, 45 International Art Exhibition: 1856:OPENWORK : a focus on painting 1556:Sergio Sarra : pearl fishermen 1349:. Milan: Giancarlo Politi Editore. 700:1990 Sergio Sarra, Galleria Alice, 687:1988 Musée des Augustins, Toulouse 356:Upon completing his studies at the 242:– 1992, 1995), Fondazione Volume! ( 3739:Sergio Sarra My Painting Technique 3603:Sergio Sarra My Painting Technique 3306:: Edizioni Arte Nova. p. 18. 3244:la Repubblica delle Donne, no. 586 2989:: Umberto Sala Editore. p. 7. 2925:Sergio Sarra, exhibition catalogue 2919:Di Pietrantonio, Giacinto (1997). 2613:Sergio Sarra, exhibition catalogue 2400:. No. 199. pp. XII–XIII. 1980:"Aperto '93 – The Better Biennale" 1978:Verzotti, Giorgio (October 1993). 1951:: Ajuntament de Barcelona, p. 211. 1814:Sergio Sarra. At the drawing board 1771:Pietroiusti, Cesare Maria (2019). 1384:: Edizione Galleria Cesare Manzo. 1378:Sergio Sarra, exhibition catalogue 1372:Di Pietrantonio, Giacinto (1997). 1325:Caruso, Rossella; et al. (1993). " 1066:Sergio Sarra, exhibition catalogue 905:2006 Fuori Uso 2006, former COFA, 358:Accademia di Belle Arti di Bologna 14: 2915:: Edizioni Arte Nova. p. 25. 1112:: RCS Editoriale Quotidiani SpA. 3677: 3663: 3518:"Sergio Sarra: The indifferents 3089:Claudio Abate: VOLUME! Portfolio 2664:MCO Arte Contemporânea – Livro 2 2016:, June – October 1993. Project: 1854:". In Camerlengo, Simone (ed.). 1702:): Idill'Io arte contemporanea. 1215:(1992). "Immagini allo zoo". In 911:2007 WAX Winkler Art Xperience, 792:1995 Palazzo delle Esposizioni, 757:1992 Palazzo delle Esposizioni, 3542:Sergio Sarra: iceberg rosaspina 2253:, November 2000 – January 2001. 1890:Bruni, Lorenzo. "Things Seen", 1566:: Circolo Filologico Milanese. 960:2014 Sergio Sarra, inner room, 776:1993 – 1994 Galleria Il Segno, 518:' inside the WAX Kultúrgyár in 230:– 1991), Fondazione Orestiadi ( 125:Academy of Fine Arts in Bologna 70:Academy of Fine Arts in Bologna 3759:Sergio Sarra iceberg rosaspina 3626:"Sergio Sarra Critical Review" 3624:Caruso, Rossella (July 2018). 3571:, Edizioni di Comunità, 2019, 3329:Nicita, Paola (24 June 2004). 3300:Anomalie, exhibition catalogue 2713:Amado, Miguel (2 April 2007). 2611:. In Pratesi, Ludovico (ed.). 2165:. No. 4. pp. 56, 81. 2002:Aperto '93 Emergency/Emergenza 1719:"Sergio Sarra Critical Review" 1717:Caruso, Rossella (July 2018). 1499:Amado, Miguel (2 April 2007). 1453:Anomalie, exhibition catalogue 1180:: Leonardo – De Luca Editori. 1108:of 28 November 1990, Vol. 11. 1064:. In Pratesi, Ludovico (ed.). 692:Palazzo Rondanini alla Rotonda 412:Aperto '93 Emergency/Emergenza 200:Palazzo Rondanini alla Rotonda 171:, group exhibition curated by 1: 3722:Sergio Sarra TRAVE – exercise 3630:In Literature, sergiosarra.it 3559:Sarra, Sergio (24 May 2016). 3516:Ciglia, Simone (March 2010). 3369:, Paolo Falcone, former COFA 3340:Nicita, Paola (8 July 2004). 2698:Conservatory of Santa Cecilia 2497:, critique of the exhibition 2234:Los últimos dibujos del siglo 263:Conservatory of Santa Cecilia 155:– 2000) and exhibited at the 3810:Italian contemporary artists 3294:(2003). "Anomalo Hotel". In 3257:"Life Drawing no. 2, 2004". 3074:Dafni&Papadatos (2000). 2979:: Giancarlo Politi Editore. 2778:. No. 42. p. VIII. 2766:. No. 1318. p. 28. 2468:. No. 586. p. 124. 2205:Cool Tour Arte, RAI5, rai.tv 2062:exhibition catalogue, Vol. I 1912:of 6 October 2021, Vol. 237. 1300:: Giancarlo Politi Editore. 823:1997 Stadio della Vittoria, 360:(1987), Sarra then moved to 198:Other group exhibitions at: 79:painting, sculpture, drawing 2746:. No. 120. p. 76. 2523:Benedetti, Lorenzo (1997). 2407:. No. 253. p. 34. 1850:Benassi, Giuliana (2019). " 1735:". In Sarra, Sergio (ed.). 1731:D'Orazio, Giorgio (2018). " 1688:Bruna Esposito Sergio Sarra 1403:Benedetti, Lorenzo (1997). 763:1992 Fondazione Orestiadi, 224:Spoleto Festival of 2Worlds 46:1961 (age 62–63) 3841: 3825:Italian basketball players 3460:): Edizioni Sarra Varano. 3259:In Sergio Sarra, catalogue 3100:"Esposito/Sarra/Van Buren" 3062:Fondazione Volume! website 3021:In Sergio Sarra, catalogue 2958:: Giancarlo Politi Editore 2793:. No. 27. p. IX. 2648:, MCO Arte Contemporânea, 2607:Pratesi, Ludovico (1990). 2012:, Corderie dell'Arsenale, 1892:Critique of the exhibition 1812:Cherubini, Laura (2019). " 1682:Cherubini, Laura (2018). " 1623:La Pescara di Sergio Sarra 1596:): Edizione Sarra Varano. 1523:In Sergio Sarra, catalogue 1060:Pratesi, Ludovico (1990). 939:2008 Baths of Diocletian, 175:and Paolo Falcone, and at 3402:; Falcone, Paolo (2007). 2732:transparent red ink. Cf. 2466:La Repubblica delle Donne 2060:Punti cardinali dell'arte 2006:Punti cardinali dell'arte 1529:: Galleria Cesare Manzo. 1227:: Carte Segrete Editore. 1174:Così – Lo stato dell'arte 966:2015 Sergio Sarra, ESAD, 551:Handrail for Cubist Films 541:In 2011, Sarra published 277:– 2016), the Benedictine 236:Palazzo delle Esposizioni 30: 3766:: Art and Real Movement. 3736:Carella, Andrea (2015). 3600:Carella, Andrea (2015). 3549:: Art and Real Movement. 2308:Palazzo Chigi Odescalchi 1947:, exhibition catalogue. 1828:: Edizioni di Comunità. 1787:: Edizioni di Comunità. 1750:): Abbey of Propezzano. 1657:: Edizioni di Comunità. 1550:Marsala, Helga (2008). " 1480:, exhibition catalogue. 1296:, exhibition catalogue. 875:Palazzo Chigi Odescalchi 819:Emilio Prini performavit 744:– Espace Pierre Cardin, 734:Palazzo della Permanente 473:Palazzo Chigi Odescalchi 208:Palazzo della Permanente 149:Palazzo Chigi Odescalchi 2596:Cite magazine requires 1641:Sarra, Sergio (2016). " 1580:Piccoli, Cloe (2011). " 780:– Galleria Eva Menzio, 565:Involuntary Commitment, 549:. In 2012, he designed 37:Sergio Sarra, Rome 2010 3452:Sarra, Sergio (2011). 3413:: Edizioni Arte Nova. 3406:, exhibition catalogue 3194:Sergio Sarra – Works, 2690:un ambiente, sei vetri 2439:, exhibition catalogue 2394:"Guardando Caravaggio" 2374:: Edizioni Arte Nova. 2367:, exhibition catalogue 2363:Sarra, Sergio (2000). 2344:Jane and Louise Wilson 2324:Jake and Dinos Chapman 2118:, exhibition catalogue 2114:; et al. (1993). 2010:La Biennale di Venezia 1865:Sarra, Sergio (2020). 1484:: Edizioni Arte Nova. 1459:: Edizioni Arte Nova. 1425:: Edizioni Arte Nova. 667: 630: 604:Ewha Womans University 600: 465: 404: 382:un ambiente, sei vetri 349: 330:Earvin 'Magic' Johnson 317: 271:Ewha Womans University 3389:, June – August 2007. 3214:Bonito Oliva, Achille 3210:Bonito Oliva, Achille 3145:. Cinisello Balsamo ( 3131:Bonito Oliva, Achille 3087:Magni, Paola (2001). 3084:: Fondazione VOLUME!. 2770:Sergio Sarra: ateleta 2744:Il Giornale dell'Arte 2652:, March – April 2007. 2433:Bonito Oliva, Achille 2247:Universes in Universe 2104:Bonito Oliva, Achille 2050:Bonito Oliva, Achille 1331:Bonito Oliva, Achille 1282:Bonito Oliva, Achille 1217:Bonito Oliva, Achille 1213:Bonito Oliva, Achille 1170:Bonito Oliva, Achille 1166:Bonito Oliva, Achille 1115:Bonito Oliva, Achille 634:My Painting Technique 475:the group exhibition 462:, catalogue, May 2007 327: 3500:Cool Tour Arte, RAI5 3377:, May – June 2007 / 3110:: Edizioni VOLUME!. 3104:VOLUME! 1998>2008 2921:"Oblique Archetypes" 2493:Benedetti, Lorenzo. 2484:, 22 settembre 2019. 2365:Conversione di Saulo 2300:Conversione di Saulo 2032:, Antonio D'Avossa, 2018:Achille Bonito Oliva 1860:exhibition catalogue 1822:exhibition catalogue 1781:exhibition catalogue 1740:exhibition catalogue 1692:exhibition catalogue 1651:exhibition catalogue 1584:". In Sergio Sarra, 1560:exhibition catalogue 1419:exhibition catalogue 1396:IT\ICCU\TO0\1048791. 1374:"Oblique Archetypes" 1347:exhibition catalogue 1251:Achille Bonito Oliva 1040:, Palazzo Paltroni, 845:1997 Cava Oliviera, 670:Selected exhibitions 477:Conversione di Saulo 216:Espace Pierre Cardin 189:Achille Bonito Oliva 145:Conversione di Saulo 3588:IT\ICCU\BVE\0813805 3475:IT\ICCU\TER\0036016 3438:English translate: 3426:IT\ICCU\URB\0638550 3315:– English version: 3311:IT\ICCU\TO0\1282378 3278:IT\ICCU\UBO\3622112 3237:IT\ICCU\RMS\2007233 3172:IT\ICCU\MIL\0901065 3125:IT\ICCU\TO0\1725777 3040:IT\ICCU\UBO\3622112 2999:English translate: 2975:, no. 219, p. 123. 2944:IT\ICCU\TO0\1048791 2837:IT\ICCU\RMR\0007183 2803:. pp. 120–121. 2632:IT\ICCU\IEI\0285597 2609:"The Power of Fate" 2542:Alco Bologna – Team 2459:IT\ICCU\RMS\2007233 2387:IT\ICCU\TO0\0918995 2304:Vittoria Odescalchi 2287:IT\ICCU\TO0\1065885 2148:IT\ICCU\LO1\0323441 2098:IT\ICCU\RAV\0225285 1910:Corriere della Sera 1885:IT\ICCU\RMS\2968431 1845:IT\ICCU\BVE\0813805 1807:IT\ICCU\BVE\0813805 1766:IT\ICCU\BVE\0803753 1711:IT\ICCU\BVE\0803903 1677:IT\ICCU\BVE\0813805 1625:, 13 December 2011. 1613:IT\ICCU\TER\0036016 1575:IT\ICCU\RMS\2754024 1542:IT\ICCU\UBO\3622112 1493:IT\ICCU\URB\0638550 1464:IT\ICCU\TO0\1282378 1434:IT\ICCU\TO0\0918995 1366:IT\ICCU\LO1\0323441 1320:IT\ICCU\LO1\0323441 1274:IT\ICCU\RAV\0225285 1203:IT\ICCU\LO1\0052213 1156:IT\ICCU\CFI\0168979 1119:Argan, Giulio Carlo 1106:Corriere della Sera 1102:Argan, Giulio Carlo 1085:IT\ICCU\IEI\0285597 1062:"The Power of Fate" 530:for the exhibition 503:hooked underneath. 279:Abbey of Propezzano 177:Baths of Diocletian 87:Elisabetta Ruscitti 3780:: Mattatoio. 2019. 3729:: radioartemobile. 3712:: radioartemobile. 3400:Bourriaud, Nicolas 3143:VOLUME! 1997…TODAY 3013:Bourriaud, Nicolas 2850:platform-container 2700:, May – June 2013. 2563:Galleria Studio G7 2332:Avish Khebrehzadeh 2163:E IL TOPO magazine 1852:The art-life study 1515:Bourriaud, Nicolas 1476:; Falcone, Paolo. 1474:Bourriaud, Nicolas 714:Fonti del Clitunno 563:, and the diptych 536:Psichedelyc garden 508:Life drawing no. 2 350: 228:Fonti del Clitunno 3756:Lim, Ito (2016). 3539:Lim, Ito (2016). 3367:Nicolas Bourriaud 3317:"Anomalous Hotel" 3117:978-88-95986-00-5 2965:Start, RaiSat Art 2736:(press release), 2507:Serre di Rapolano 2412:Start, RaiSat Art 2348:Francesca Woodman 2336:Wolfgang Tillmans 2030:Nicolas Bourriaud 1898:Legrenzi, Susanna 1878:979-12-200-7311-0 1602:978-88-906766-0-4 1445:"Anomalous Hotel" 1292:; et al. (eds.). 847:Serre di Rapolano 831:Serre di Rapolano 612:iceberg rosaspina 495:that he produced 456:Nicolas Bourriaud 440:Nicolas Bourriaud 334:Darnell Valentine 332:, Sergio Sarra e 173:Nicolas Bourriaud 107: 106: 3832: 3781: 3767: 3750: 3749:: Vario Edition. 3744: 3730: 3713: 3698: 3697: 3695:Official website 3687: 3682: 3681: 3673: 3671:biography portal 3668: 3667: 3666: 3650: 3640: 3634: 3633: 3621: 3615: 3614: 3613:: Vario Edition. 3608: 3597: 3591: 3557: 3551: 3550: 3536: 3530: 3529: 3513: 3504: 3503: 3495: 3489: 3488: 3478: 3467:978-88-906766-04 3449: 3443: 3436: 3430: 3429: 3396: 3390: 3356: 3350: 3349: 3338: 3314: 3288: 3282: 3281: 3254: 3248: 3247: 3240: 3206: 3200: 3191: 3176: 3175: 3128: 3096: 3085: 3071: 3065: 3059: 3053: 3043: 3009: 3003: 2997: 2991: 2990: 2968: 2961: 2947: 2916: 2904: 2895: 2887: 2881: 2873: 2867: 2859: 2853: 2847: 2841: 2840: 2804: 2794: 2786: 2780: 2779: 2767: 2754: 2748: 2747: 2729: 2723: 2722: 2710: 2701: 2686: 2680: 2679: 2659: 2653: 2642: 2636: 2635: 2605: 2599: 2594: 2592: 2584: 2576: 2570: 2555:Wall Drawing 462 2551: 2545: 2539: 2533: 2532: 2520: 2514: 2491: 2485: 2476: 2470: 2469: 2462: 2437:Cose mai viste 1 2429: 2423: 2422: 2415: 2408: 2401: 2390: 2360: 2351: 2328:Shay Frisch Peri 2320:Vanessa Beecroft 2297: 2291: 2290: 2260: 2254: 2230: 2224: 2215: 2209: 2208: 2200: 2194: 2173: 2167: 2166: 2151: 2101: 2066: 2046: 2037: 2026:Francesco Bonami 1999: 1990: 1989: 1976: 1970: 1961: 1952: 1939: 1933: 1927: 1726: 1638: 1545: 1508: 1467: 1412: 1397: 1246: 1206: 1159: 1088: 921:, Galeria Nouă, 724:Radda in Chianti 665: 628: 598: 560:Ballet Mécanique 463: 438:between Sarra e 402: 315: 103: 100: 98: 35: 21: 3840: 3839: 3835: 3834: 3833: 3831: 3830: 3829: 3805:Italian artists 3785: 3784: 3770: 3755: 3742: 3735: 3718: 3701: 3693: 3692: 3683: 3676: 3669: 3664: 3662: 3659: 3654: 3653: 3641: 3637: 3623: 3622: 3618: 3606: 3599: 3598: 3594: 3558: 3554: 3538: 3537: 3533: 3520:(press release) 3515: 3514: 3507: 3497: 3496: 3492: 3479: 3468: 3451: 3450: 3446: 3437: 3433: 3398: 3397: 3393: 3357: 3353: 3339: 3328: 3290: 3289: 3285: 3256: 3255: 3251: 3241: 3208: 3207: 3203: 3192: 3179: 3157: 3129: 3118: 3097: 3086: 3073: 3072: 3068: 3060: 3056: 3011: 3010: 3006: 2998: 2994: 2980: 2962: 2948: 2918: 2906: 2905: 2898: 2888: 2884: 2874: 2870: 2860: 2856: 2848: 2844: 2822: 2805: 2795: 2788: 2787: 2783: 2773: 2761: 2755: 2751: 2741: 2730: 2726: 2712: 2711: 2704: 2687: 2683: 2661: 2660: 2656: 2646:Trinacria dream 2643: 2639: 2606: 2598:|magazine= 2595: 2585: 2581:(press release) 2578: 2577: 2573: 2552: 2548: 2540: 2536: 2522: 2521: 2517: 2492: 2488: 2478:Giulia Ronchi, 2477: 2473: 2463: 2431: 2430: 2426: 2416: 2409: 2402: 2391: 2362: 2361: 2354: 2316:Stefano Arienti 2298: 2294: 2262: 2261: 2257: 2243:Havana Biennial 2231: 2227: 2216: 2212: 2202: 2201: 2197: 2174: 2170: 2152: 2133: 2108:Kontova, Helena 2102: 2083: 2048: 2047: 2040: 2024:(Coordinator), 2000: 1993: 1977: 1968: 1963: 1962: 1955: 1940: 1936: 1928: 1924: 1919: 1716: 1635:neromagazine.it 1628: 1513: 1498: 1439: 1402: 1371: 1335:Kontova, Helena 1286:Kontova, Helena 1235: 1221:Propaganda Arte 1211: 1188: 1164: 1141: 1113: 1059: 1056: 1022:Monitor Gallery 885:Havana Biennial 672: 666: 659: 653: 650: 647: 642: 640:Critical review 629: 626: 599: 592: 585: 584:controvoglia'. 464: 454: 447: 416:Venice Biennale 403: 396: 374:Trinacria dream 355: 322: 316: 313: 308: 141:Havana Biennial 133:Venice Biennale 95: 53: 47: 38: 26: 17: 12: 11: 5: 3838: 3836: 3828: 3827: 3822: 3817: 3812: 3807: 3802: 3797: 3787: 3786: 3783: 3782: 3768: 3752: 3751: 3732: 3731: 3715: 3714: 3699: 3689: 3688: 3674: 3658: 3657:External links 3655: 3652: 3651: 3635: 3616: 3592: 3577:978-8832005219 3552: 3531: 3505: 3490: 3466: 3444: 3431: 3391: 3363:Fuori Uso 2006 3351: 3325:sergiosarra.it 3283: 3249: 3246:. p. 124. 3201: 3196:sergiosarra.it 3177: 3155: 3135:Eccher, Danilo 3116: 3066: 3054: 3050:sergiosarra.it 3004: 2992: 2960:. p. 109. 2896: 2882: 2868: 2854: 2842: 2820: 2781: 2749: 2724: 2702: 2688:Sergio Sarra: 2681: 2654: 2644:Sergio Sarra: 2637: 2571: 2546: 2534: 2515: 2486: 2471: 2424: 2405:Il Sole 24 Ore 2352: 2292: 2255: 2225: 2217:Sarra exposed 2210: 2195: 2168: 2131: 2081: 2038: 2034:Jeffrey Deitch 2022:Helena Kontova 1991: 1953: 1934: 1921: 1920: 1918: 1915: 1914: 1913: 1895: 1888: 1863: 1848: 1834:978-8832005219 1810: 1793:978-8832005219 1769: 1728: 1727: 1723:sergiosarra.it 1714: 1680: 1663:978-8832005219 1639: 1631:"Sergio Sarra" 1626: 1616: 1578: 1547: 1546: 1510: 1509: 1496: 1469: 1468: 1437: 1414: 1413: 1399: 1398: 1369: 1323: 1277: 1247: 1234:978-8885203853 1233: 1208: 1207: 1186: 1161: 1160: 1140:88-3831-34-4-X 1139: 1090: 1089: 1055: 1052: 1051: 1050: 1044: 1034: 1028: 1018: 1008: 1002: 992: 982: 976: 970: 964: 958: 952: 949: 943: 937: 931: 925: 915: 909: 903: 897: 891: 881: 871: 865: 859: 853: 843: 837: 827: 821: 808: 802: 796: 790: 784: 774: 771: 761: 755: 749: 730: 720: 710: 704: 698: 688: 685: 679: 671: 668: 662:sergiosarra.it 657: 655:possibilities. 641: 638: 636:(2009, 2015). 624: 590: 573:Fuori Uso 2012 553:, inspired by 516:from real life 452: 394: 321: 318: 311: 185:Cose mai viste 105: 104: 93: 89: 88: 85: 81: 80: 77: 76:Known for 73: 72: 67: 63: 62: 59: 55: 54: 48: 44: 40: 39: 36: 28: 27: 24: 16:Italian artist 15: 13: 10: 9: 6: 4: 3: 2: 3837: 3826: 3823: 3821: 3818: 3816: 3813: 3811: 3808: 3806: 3803: 3801: 3800:Living people 3798: 3796: 3793: 3792: 3790: 3779: 3775: 3774: 3769: 3765: 3761: 3760: 3754: 3753: 3748: 3743:(2nd Edition) 3741: 3740: 3734: 3733: 3728: 3724: 3723: 3717: 3716: 3711: 3707: 3706: 3700: 3696: 3691: 3690: 3686: 3680: 3675: 3672: 3661: 3656: 3648: 3644: 3639: 3636: 3631: 3627: 3620: 3617: 3612: 3607:(2nd Edition) 3605: 3604: 3596: 3593: 3589: 3586: 3582: 3578: 3574: 3570: 3566: 3562: 3556: 3553: 3548: 3544: 3543: 3535: 3532: 3527: 3523: 3521: 3512: 3510: 3506: 3501: 3494: 3491: 3487:. p. 22. 3486: 3484: 3476: 3473: 3469: 3463: 3459: 3455: 3448: 3445: 3441: 3435: 3432: 3427: 3424: 3420: 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Index

Sergio Sarra
Pescara
Academy of Fine Arts in Bologna
www.sergiosarra.it
Pescara
basketball
Academy of Fine Arts in Bologna
Barcelona
Venice Biennale
Havana Biennial
Palazzo Chigi Odescalchi
Rome
Muzeul Naţional de Artă Contemporană
Bucharest
Budapest
Nicolas Bourriaud
Baths of Diocletian
Rome
Achille Bonito Oliva
Anacapri
Palazzo Rondanini alla Rotonda
Rome
Palazzo della Permanente
Milan
Espace Pierre Cardin
Paris
Spoleto Festival of 2Worlds
Fonti del Clitunno
Gibellina
Palazzo delle Esposizioni

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