33:
685:. In a May 2011 interview, Tom Ellard explained: "Some people thought it was a bit rude of me to just shut it down without a proper farewell tour and so we decided we would drag it out just one more time and say our toodly-doodly’s." On 22 October 2011, Severed Heads played what was intended to be their final performance in Australia Joan Sutherland Centre, Promotional material at the Joan Sutherland Performing Arts Centre. At BimFEST 2011 in
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Ellard has worked on a side project, Coklacoma, that released a few albums in the late 1990s and early 2000s. By 2004, he was heavily involved with developing video but increasingly felt that the
Severed Heads label was a thing of the past, and in 2008 opted to jettison the name. Ellard also worked
670:
In early 2008, Ellard announced that
Severed Heads were now defunct and that no further creative output would be released under the name. However, the band was reformed by Ellard and new member and longtime friend Stewart Lawler for a 30th-anniversary show on 14 January 2010 as part of the annual
445:
Severed Heads began incorporating various popular music tropes, such as a consistent 4/4 rhythm, strong melodic lines, resolving chord arrangements and Ellard's thin but gently eerie vocals and elliptical, poetic lyrics. This move was underscored by the incorporation of mimetic devices, such as
414:
In
December 2006, Ellard explained the name change: "e were called Mr. & Mrs. No Smoking Sign, because that was really ugly. Then, we wanted to fool people that we were Industrial and it worked. Severed Heads was a really dumb name, so that’s what stuck. Forever. I hate it by the way."
517:, again on Ink Records for the European market. For this album, Bradbury returned as guest musician and contributed to vocals and songwriting. Clashes with Ellard caused Deering to leave the band in order to continue working with Bradbury. In October that year, Jon Casimir of
724:
Renewed interest in the band resulted in a seven-date
American tour in September 2015, their first performances in the United States in over 20 years. Following these tour dates, the project remained active with new recordings, further reissues and live performances.
637:
With his music back in his hands, Ellard began developing an independent music system, entirely
Internet-based, at sevcom.com. During the early 2000s, Ellard developed several innovative products, such as the Sevcom Music Server, a subscription-based
500:'s John Bush described the album as not "quite a crossover effort" with the lead single, "Dead Eyes Opened", being "surprisingly melodic synth-pop." The band's recording deals led to a world tour, which became a multimedia event with the addition of
607:, Jones left the band, leaving Ellard as the group's sole official member. Nettwerk did not renew its contract with the band, leaving Severed Heads adrift in the marketplace. Ellard sought out another label for his next release,
339:. Fielding and Wright had both left the band by mid-1981 with Ellard remaining the sole consistent member for the rest of the band's existence. Throughout the next decade, several musicians joined Severed Heads' ranks, including
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live compilation, they stated: "The 2019 shows were the last bye bye for
Severed Heads in Australia, Europe and the USA, and we thank all the people who came out to see us off. We look forward to 2020 and new nilamox* STUFF."
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and a joint 1986 North
American tour. Tom Ellard was known to have participated in some of the band's "brap" sessions, leading to production and performance credits on the Skinny Puppy songs "Assimilate" and "Chainsaw" (on
598:, for the first time on CD. The releases were cut from the original masters resulting in superior quality compared to the original Ink Records releases which Ellard later remarked were "cut from a tape of a tape."
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Kathryn
Whitfield felt the group had "gone way beyond experimental" to provide "a commercially viable product" while Ellard reflected "we have just worked carefully and solidly in an area that we think is good."
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10" acetate dub plate, which contained the first newly recorded
Severed Heads tracks since their announced hiatus in 2008. The single was released through Bughlt Records in a limited edition of 45 copies.
625:. Both Volition and Decibel soon folded, and once again, Severed Heads were unaligned with the traditional music industry, and they did not fully own the rights to their music. This changed in 1998 when
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in 1983 (leaving most of the recording to Ellard) and
Knuckey departed soon before the 1984 world tour, so the lineup that went on tour consisted of Ellard, Jones and the newly recruited Paul Deering.
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performed by Jones. After the tour, Severed Heads returned to Australia in August 1984. However, this period saw more personnel change for the band. Bradbury had departed during the recording of
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chart. Ellard disbanded the group in 2007 and continued with other projects. Subsequent Severed Heads reunions have occurred: in 2010 for a 30th-anniversary concert, in 2011 in support of
689:, they performed what was billed as their "absolutely final" performance as Severed Heads. However, Ellard and Lawler performed what was again intended to be a final gig at the
613:, in 1994, which was released on Volition in Australia and Decibel Records in the US. Around this time, the band had a major Australian hit with a remixed version of "
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described the group as "Australia's most innovative electronic band", which had an "obsession with the ugly and horrific" with music "reminiscent of
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426:. Wright departed late in 1979, leaving the duo of Ellard and Fielding to put together the band's early studio offerings, including the A-side of a
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and in September 2015 with a tour of the United States for the first time in more than 20 years. In November 2016, Severed Heads played at the
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was influenced by early Severed Heads material. A relationship was formed between the bands which led to Severed Heads being signed to
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579:, who produced tracks for the band through the late 1980s and early 1990s and contributed to their sound. Another single to make the
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industrial and pop. The group moved their live shows from "experimental venues and art spaces to rock clubs", and they issued the
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and guitarist Simon Knuckey. Following the release of these albums, Severed Heads were also joined by video expert and musician
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and Andrew Wright formed an experimental electronic duo, Mr. & Mrs. No Smoking Sign, in Sydney. By the end of that year,
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Severed Heads touring in September, including 1st NYC show in 25 years + Chicago's Cold Waves fest w/ Godflesh & more
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Since 2014, several older Severed Heads albums have been released on vinyl via Medical Records and Dark Entries, such as
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358:. Two of their singles, "Greater Reward" (1988) and "All Saints Day" (1989), reached the top 30 on the
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Severed Heads again split up after a string of headlining shows in the US in September 2019. On the band's
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1812:"The Good Times: The Best of the Underground with an Esoteric Following – Mixing White Noise with a Beat"
389:. Severed Heads announced that they would again disband following headlining shows in September 2019.
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as part of Melbourne Music Week and in November 2017 they headlined a one-off double act along with
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extensively during the 1990s with other Sydney-based electronic musicians and groups such as
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354:" as a single, which was remixed in 1994 and re-released, reaching No. 16 on the
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1907:(30). Cleveland, OH: Alternative Press International Publications: 62–63.
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in November 1985. In August the following year, the band followed with
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1779:"Under Current: Ex Concerts Young Docteurs / Machinations / Icehouse"
68:
658:, former alumni of the now-defunct Volition label, as well as with
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Severed Heads peaked at No. 19 in the United States on the
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829:- vocals, bass, keyboards, synthesisers, electronic percussion
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chart was "All Saints Day" in 1989, which reached No. 25.
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1261:- vocals, bass, keyboards, synthesisers, electronic percussion
1231:- vocals, bass, keyboards, synthesisers, electronic percussion
1208:- vocals, bass, keyboards, synthesisers, electronic percussion
1175:- vocals, bass, keyboards, synthesisers, electronic percussion
1159:- vocals, bass, keyboards, synthesisers, electronic percussion
1137:- vocals, bass, keyboards, synthesisers, electronic percussion
1099:- vocals, bass, keyboards, synthesisers, electronic percussion
1069:- vocals, bass, keyboards, synthesisers, electronic percussion
1047:- vocals, bass, keyboards, synthesisers, electronic percussion
1029:- vocals, bass, keyboards, synthesisers, electronic percussion
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993:- vocals, bass, keyboards, synthesisers, electronic percussion
977:- vocals, bass, keyboards, synthesisers, electronic percussion
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joined the group. The group issued cassette albums, including
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albums in 1982 after expanding to include synthesiser player
442:, leaving much of the work to be completed solely by Ellard.
1954:
Watch Tom Ellard and Severed Heads Live at Adelaide Festival
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in a tour celebrating the 30th anniversary of Numan's album
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and bass synthesisers. The result was a striking hybrid of
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The group's early music was characterised by the use of
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2004:"History Best Original Soundtrack, Cast or Show Album"
1820:. National Library of Australia. p. 6 Supplement
412:
Mr. and Mrs. No Smoking Sign Go Cruising fer Burgers!
1899:
Slave, D.S.; Bonner, Staci (1990). "Severed Heads".
569:"Greater Reward", which later appeared on the album
478:
Major label years and mainstream success (1983–1998)
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2006:. Australian Recording Industry Association (ARIA)
369:'s tour of Australia, again in 2011 at BimFEST in
398:Early years and independent releases (1979–1982)
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1892:
1564:"Billboard Hot Dance Club Songs: Severed Heads"
633:Later years and subsequent releases (1999–2007)
868:- synthesisers, electronic percussion, vocals
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1546:"ARIA Singles Chart: Dead Eyes Opened (song)"
1075:- synthesisers, electronic percussion, vocals
1053:- synthesisers, electronic percussion, vocals
1037:- synthesisers, electronic percussion, vocals
8:
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1849:. National Library of Australia. p. 39
1846:The Canberra Times (ACT : 1926 - 1995)
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586:In 1989, Nettwerk and Volition re-released
335:and Andrew Wright, who were soon joined by
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1918:Tom Ellard (Severed Heads) interview: 2011
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20:
1817:The Canberra Times (ACT : 1926–1995)
1784:Woroni (Canberra, ACT : 1950 - 2007)
1477:Australian Recording Industry Association
1475:is an annual awards ceremony held by the
482:1983 saw British label Ink Records issue
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1685:
1683:
1615:"Encyclopedia entry for 'Severed Heads'"
697:in 2013, a concert that was recorded by
547:was issued by Volition in October 1987.
2038:A brief history of Severed Heads at LTM
1620:Encyclopedia of Australian Rock and Pop
1537:
870:(1982–1983; guest musician - 1984–1985)
831:(1979–2008, 2010–2011, 2013, 2015–2019)
601:In 1992, one year after the release of
1839:Whitfield, Kathryn (5 November 1987).
1666:"Severed Heads (Tom Ellard) Interview"
675:, and in May 2011 the group supported
629:released claims to Volition material.
2339:Musical groups disestablished in 2007
666:Dissolutions and reunions (2008–2019)
182:Terse Tapes/Dogfood Production System
7:
1570:. Billboard Magazine. Archived from
883:- synthesisers, video synthesisers
699:Australian Broadcasting Corporation
2334:Musical groups established in 1979
2329:Australian industrial music groups
1165:- synthesisers, video synthesisers
1143:- synthesisers, video synthesisers
1111:- synthesisers, video synthesisers
1089:- synthesisers, video synthesisers
14:
2236:Ear Bitten / No Vowels, No Bowels
1978:"Living Museum, by Severed Heads"
1499:
1397:Airconditioning Your Productivity
16:Australian electronic music group
1777:Kelson, Marcus (3 August 1984).
1694:"Severed Heads | Biography"
1519:Best Original Cast or Show Album
780:Vancouver-based industrial band
748:
31:
2324:Australian electronic musicians
1967:, 21 April 2015, Brooklyn Vegan
1810:Casimir, Jon (3 October 1985).
1668:. Endorphin Bath, Todd E. Jones
1664:Jones, Todd E (December 2006).
1294:Ear Bitten/No Vowels, No Bowels
433:Ear Bitten/No Vowels, No Bowels
2344:New South Wales musical groups
1920:, 9 May 2011, Guestlisted blog
925:(Mr. and Mrs. No Smoking Sign)
835:Stewart Lawler - synthesisers
716:. 2016 saw the release of the
511:In 1985, Severed Heads issued
488:, which was later released by
1:
2291:The Illustrated Family Doctor
2001:ARIA Award previous winners.
1872:"Severed Heads | Awards"
1789:National Library of Australia
1513:The Illustrated Family Doctor
1433:Op2.5 - Millennium Cheesecake
859:Andrew Wright - synthesisers
492:records in North America and
57:Mr. and Mrs. No Smoking Sign
1479:. They commenced in 1987.
889:Paul Deering - synthesisers
837:(2010–2011, 2013, 2015–2019)
373:, in 2013 with a gig at the
331:. The original members were
37:Severed Heads performing at
350:In 1984 the band released "
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2193:Cuisine (With Piscatorial)
1364:Cuisine (With Piscatorial)
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329:Mr and Mrs No Smoking Sign
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1282:Severed Heads discography
695:Adelaide Festival of Arts
379:State Library of Victoria
375:Adelaide Festival of Arts
30:
2169:Come Visit the Big Bigot
1340:Come Visit the Big Bigot
874:Simon Knuckey - guitars
718:Beautiful Arabic Surface
594:, each with tracks from
538:Come Visit the Big Bigot
1944:regarding his final gig
799:single, respectively.)
565:chart in 1988 with the
385:at the Corner Hotel in
1462:Awards and nominations
682:The Pleasure Principle
47:Background information
1550:australian-charts.com
642:distribution system.
623:Death on the Crumbles
1841:"Off with His Head!"
1391:Contoured Simulation
652:Itch-E and Scratch-E
563:Hot Dance Club Songs
363:Hot Dance Club Songs
2217:Under Gail Succubus
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1440:Under Gail Succubus
319:were an Australian
2319:ARIA Award winners
2185:Rotund for Success
2153:Since the Accident
1751:Since the Accident
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1415:Cubical Broadcasts
1356:Rotund for Success
1324:Since the Accident
760:. You can help by
707:Since the Accident
588:Since the Accident
572:Rotund for Success
549:The Canberra Times
520:the Canberra Times
506:Since the Accident
502:video synthesisers
485:Since the Accident
387:Richmond, Victoria
356:ARIA Singles Chart
347:and Paul Deering.
214:Les Temps Modernes
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323:group founded in
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2161:City Slab Horror
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1150:
1149:- synthesisers
1144:
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1129:
1128:
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1119:
1115:
1114:
1113:
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1106:
1100:
1092:
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1073:Garry Bradbury
1070:
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1051:Garry Bradbury
1048:
1040:
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1038:
1034:Garry Bradbury
1030:
1021:
1020:
1017:
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1007:
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987:- synthesisers
980:
979:
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969:- synthesisers
964:
963:- synthesisers
956:
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953:- synthesisers
948:
947:- synthesisers
937:
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927:
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903:
899:
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866:Garry Bradbury
863:
857:
847:
846:
845:Former members
841:
840:
839:
833:
823:
822:
814:
812:
809:
807:
804:
776:
775:
769:September 2021
755:
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742:
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667:
664:
634:
631:
567:12-inch single
496:in Australia.
479:
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468:Garry Bradbury
399:
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341:Garry Bradbury
312:
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2142:
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2134:
2133:
2131:
2129:Studio albums
2127:
2124:
2120:
2114:Andrew Wright
2113:
2111:
2108:
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2103:
2100:
2098:
2097:Stephen Jones
2095:
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2074:Severed Heads
2068:
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2027:
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1982:Severed Heads
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1163:Stephen Jones
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1141:Stephen Jones
1139:
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1110:
1109:Stephen Jones
1107:
1104:
1103:Simon Knuckey
1101:
1098:
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1094:
1088:
1087:
1086:Stephen Jones
1083:
1080:
1079:Simon Knuckey
1077:
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1057:Simon Knuckey
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951:Andrew Wright
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756:This section
754:
751:
747:
746:
740:
738:
735:
734:Living Museum
731:
726:
722:
719:
715:
714:
709:
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692:
688:
684:
683:
678:
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665:
663:
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657:
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649:
643:
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640:ambient music
632:
630:
628:
624:
621:reading from
620:
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491:
487:
486:
477:
475:
473:
472:Stephen Jones
469:
465:
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459:
458:
453:
449:
448:drum machines
443:
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345:Stephen Jones
342:
338:
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318:
317:Severed Heads
309:
303:
299:
295:
289:
287:
286:Stephen Jones
284:
282:Simon Knuckey
281:
279:
276:
274:Andrew Wright
273:
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268:
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260:
256:
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190:Ink/Red Flame
189:
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108:
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78:
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70:
67:
63:
56:
53:Also known as
50:
45:
40:
34:
29:
25:Severed Heads
22:
19:
2295:
2234:
2228:Split albums
2215:
2207:
2199:
2191:
2183:
2177:Bad Mood Guy
2175:
2167:
2159:
2151:
2145:Blubberknife
2143:
2135:
2101:Paul Deering
2084:
2073:
2008:. Retrieved
1997:
1985:. Retrieved
1981:
1972:
1960:
1949:
1937:
1930:BimFEST 2011
1925:
1913:
1904:
1900:
1879:. Retrieved
1851:. Retrieved
1844:
1834:
1822:. Retrieved
1815:
1805:
1793:. Retrieved
1782:
1772:
1760:. Retrieved
1750:
1747:Bush, John.
1742:
1730:. Retrieved
1721:Blubberknife
1720:
1713:
1701:. Retrieved
1670:. Retrieved
1659:
1647:. Retrieved
1643:the original
1619:
1572:the original
1567:
1558:
1549:
1540:
1511:
1470:
1452:
1446:
1438:
1432:
1426:
1420:
1414:
1408:
1402:
1396:
1390:
1382:
1370:
1362:
1354:
1348:Bad Mood Guy
1346:
1338:
1330:
1322:
1316:Blubberknife
1314:
1306:
1300:
1292:
1264:
1258:
1243:
1242:
1234:
1228:
1220:
1219:
1211:
1205:
1181:
1180:
1172:
1162:
1156:
1147:Paul Deering
1146:
1140:
1134:
1108:
1102:
1096:
1084:
1078:
1072:
1066:
1056:
1050:
1044:
1032:
1026:
1000:
990:
984:
972:
966:
960:
950:
942:
895:
821:Final lineup
801:
790:
782:Skinny Puppy
779:
766:
762:adding to it
757:
733:
727:
723:
717:
711:
705:
703:
680:
669:
644:
636:
622:
608:
602:
600:
596:Blubberknife
595:
591:
587:
585:
580:
577:Robert Racic
570:
559:
557:
548:
544:Bad Mood Guy
542:
536:
532:
518:
512:
510:
505:
483:
481:
461:
457:Blubberknife
455:
444:
437:
431:
417:
411:
401:
359:
349:
328:
316:
315:
290:Paul Deering
263:Past members
218:Dark Entries
153:, 2013, 2015
117:Years active
18:
2276:Discography
1942:Ellard blog
1791:. p. 5
1276:Discography
891:(1984–1985)
885:(1982–1992)
876:(1982–1984)
855:(1979–1981)
693:during the
452:avant-garde
428:split album
179:Terse/Wrong
102:electronica
75:, Australia
2313:Categories
2086:Tom Ellard
1532:References
1259:Tom Ellard
1251:2015–2019
1229:Tom Ellard
1206:Tom Ellard
1198:2013-2015
1192:2011-2013
1189:2010-2011
1173:Tom Ellard
1157:Tom Ellard
1135:Tom Ellard
1127:2008-2010
1124:1992-2008
1121:1985-1992
1118:1984-1985
1097:Tom Ellard
1067:Tom Ellard
1045:Tom Ellard
1027:Tom Ellard
1019:1983-1984
1016:1982-1983
1001:Tom Ellard
991:Tom Ellard
974:Tom Ellard
935:1981-1982
932:1979-1981
827:Tom Ellard
677:Gary Numan
627:Sony Music
420:tape loops
408:Tom Ellard
367:Gary Numan
337:Tom Ellard
247:Tom Ellard
87:Industrial
1881:1 January
1853:2 January
1824:2 January
1795:2 January
1762:1 January
1732:1 January
1703:1 January
1672:1 January
1649:1 January
1244:Disbanded
1221:Disbanded
1182:Disbanded
1105:- guitars
1081:- guitars
1059:- guitars
806:Personnel
741:Influence
581:Billboard
560:Billboard
533:Stretcher
402:In 1979,
360:Billboard
306:tomellard
232:Coklacoma
97:post-punk
92:synth-pop
2281:Nettwerk
2209:Haul Ass
1987:17 March
1876:AllMusic
1757:AllMusic
1727:AllMusic
1698:AllMusic
1613:(1999).
1384:Haul Ass
905:Timeline
797:Chainsaw
795:and the
730:Bandcamp
648:Paul Mac
498:AllMusic
490:Nettwerk
229:Spinoffs
199:Nettwerk
194:Volition
2251:Singles
2201:Gigapus
2010:12 July
1932:program
1496:Result
1372:Gigapus
915:Lineups
811:Members
687:Antwerp
660:the Lab
610:Gigapus
393:History
371:Antwerp
301:Website
241:Members
221:Medical
163: (
155: (
147: (
139: (
131: (
123: (
2239:(1980)
2220:(2006)
2212:(1998)
2204:(1994)
2196:(1991)
2188:(1989)
2180:(1987)
2172:(1986)
2164:(1985)
2156:(1984)
2148:(1982)
2140:(1981)
2122:Albums
1635:
1493:Award
1453:
1449:(2007)
1443:(2006)
1435:(2005)
1429:(2004)
1423:(2003)
1417:(2002)
1411:(2002)
1405:(2001)
1399:(1999)
1393:(1998)
1387:(1998)
1375:(1994)
1367:(1991)
1359:(1989)
1351:(1987)
1343:(1986)
1335:(1985)
1327:(1983)
1319:(1982)
1311:(1981)
1303:(1980)
1301:Side 2
1297:(1980)
896:
861:(1979)
656:Boxcar
654:) and
186:Virgin
173:Labels
137:, 2010
80:Genres
69:Sydney
65:Origin
59:(1979)
41:, 2019
2137:Clean
1487:Year
1447:Op3.0
1427:Op2.0
1409:Op1.0
1308:Clean
1195:2013
1013:1982
1010:1982
929:1979
792:Bites
552:'
439:Clean
161:–2019
145:–2011
129:–2008
107:dance
2012:2022
1989:2020
1883:2014
1855:2014
1826:2014
1797:2014
1764:2014
1734:2014
1705:2014
1674:2014
1651:2014
1633:ISBN
1523:Won
1507:2005
1500:Ref.
1471:The
922:1979
710:and
650:(of
590:and
527:and
460:and
383:Snog
325:1979
308:.com
209:Sony
165:2019
157:2015
149:2011
141:2010
133:2008
125:1979
121:1979
764:.
327:as
204:CBS
2315::
1980:.
1903:.
1891:^
1874:.
1863:^
1843:.
1814:.
1787:.
1781:.
1755:.
1725:.
1696:.
1682:^
1631:.
1627::
1623:.
1617:.
1580:^
1566:.
1548:.
701:.
662:.
474:.
430:,
71:,
2261:"
2257:"
2066:e
2059:t
2052:v
2014:.
1991:.
1905:5
1885:.
1857:.
1828:.
1799:.
1766:.
1749:"
1736:.
1719:"
1707:.
1676:.
1653:.
1552:.
771:)
767:(
167:)
159:)
151:)
143:)
135:)
127:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
