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and begins with ascending scales by all instruments before transferring into an energetic beginning section with complex rhythms, jazz undertones, and an underlying line from the piano. The middle of the movement features a slower section initiated by a bassoon melody which is then repeated by the
216:'s outings to weekend shows), and has been interpreted as a satirical depiction of the neoclassical movement. The finale creates a sense of cohesion by repeating themes from the previous two movements, and it ends with a lyrical and solemn coda with influences from one of the composer's idols,
192:, with the "A" sections marked at a much slower tempo than the "B" section. It is often interpreted as being influenced by the divertimentos of the Classical period while at the same time serving as a parody of Mozart's slower movements. This is corroborated by Orrin Howard of the
130:. Estimates about the time of its composition range from between 1931 and 1932 and 1932 alone. It received its debut in 1933 but was later revised in 1939. Performed in its entirety, the three-movement piece lasts approximately 18 minutes.
252:, who wrote that "with Poulenc, all of France comes out of the windows he opens." In the composer's later life, he performed the piece with the Philadelphia Woodwind Quintet, composed of members of the
196:, who has written that he views the faster "B" section as a form of musical, comedic relief. The piece employs a variety of textures in the winds with the piano serving in more of a secondary role.
146:. In his Sextet there are obvious influences of the incidental music heard during the group's weekend visits to the circus as well as their general adherence to the melodic precedents set forth by
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236:, Gustave Dhérin, and R. Blot on flute, oboe, clarinet, bassoon, and horn, respectively. The piece was not well-received by traditionalists in the music community, with composer and critic
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for the tendency of his compositional style to be overly progressive, was the most prolific member of the group of 20th-century French composers known as
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Poulenc extensively revised the composition in August 1939 because he was dissatisfied with the original work. He told composer and conductor
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Francis
Poulenc, The Fairfield Chamber Group - Sextet For Piano And Winds / Trio For Piano, Oboe And Basson / Sonata For Clarinet And Basson
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other instruments. The original tempo returns at the end of the movement as new themes barrel toward the finish.
721:"Poulenc: Sextet for Piano and Wind Quintet, Op. 100 - Riegger: Concerto for Piano and Woodwind Quintet, Op. 53"
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Taffanel, P.: Wind
Quintet / Poulenc, F.: Sextet / Jolivet, A.: Serenade / Tomasi, H.: 5 Danses
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585:"Notes on the Program: Sextet for Wind Quintet and Piano / Trio for Oboe, Bassoon, and Piano"
551:"Notes on the Program: Sextet for Wind Quintet and Piano / Trio for Oboe, Bassoon, and Piano"
305:"Notes on the Program: Sextet for Wind Quintet and Piano / Trio for Oboe, Bassoon, and Piano"
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criticizing it as wandering and vulgar. A more positive review came from André George of
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The premier of the sextet occurred in 1933 with
Poulenc on the piano part and
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479:"About This Recording: Francis Poulenc Complete Chamber Music, Volume 1"
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form. It has jazz and ragtime influences (again a product of
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Francis
Poulenc, though rejected by the director of the
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The Music of
Francis Poulenc (1899–1963): A Catalogue
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1295:Variations sur le nom de Marguerite Long
1205:Quatre motets pour un temps de pénitence
379:"Debussy, Françaix, Poulenc, and Ibert"
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1111:L'Histoire de Babar, le petit éléphant
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999:Sonata for horn, trumpet and trombone
950:Concerto for Two Pianos and Orchestra
680:. New York: Grove Press. p. 59.
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443:The harmonic style of Francis Poulenc
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1387:"L'adieu du cavalier" (Tailleferre)
614:Krummeck, Judith (March 28, 2012).
347:"Sextet for Piano and Wind Quintet"
642:Keller, James M. (November 2013).
583:Keller, James M. (November 2013).
549:Keller, James M. (November 2013).
303:Keller, James M. (November 2013).
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276:The Fairfield Chamber Group, 1951
224:Premiere, reception, and revision
1444:Chamber music by Francis Poulenc
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1005:Trio for oboe, bassoon and piano
405:Mellers, Wilfrid Howard (1995).
993:Sonata for clarinet and bassoon
1:
1439:Compositions for piano sextet
1434:Compositions for wind quintet
102:piece written for a standard
1279:Les mariés de la tour Eiffel
352:Saint Paul Chamber Orchestra
864:Dialogues of the Carmelites
775:. Oxford: Clarendon Press.
411:. Oxford University Press.
204:The finale begins with "an
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1232:Litanies Ă la Vierge Noire
514:"Sextet (Francis Poulenc)"
188:The second movement is in
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769:Schmidt, Carl B. (1995).
281:New York Woodwind Quintet
249:Les Nouvelles littéraires
171:The first movement is in
25:
1252:Sept répons des ténèbres
1045:Élégie pour cor et piano
987:Sonata for two clarinets
856:Les mamelles de Tirésias
519:Los Angeles Philharmonic
200:III. Finale: Prestissimo
194:Los Angeles Philharmonic
1338:L'Invitation au château
837:List of works for piano
156:Concerto for Two Pianos
1162:Les Chemins de l'amour
254:Philadelphia Orchestra
162:Structure and analysis
1314:Le Gendarme incompris
1154:Fiançailles pour rire
1081:Mouvements perpétuels
652:New York Philharmonic
593:New York Philharmonic
559:New York Philharmonic
440:Werner, Warren Kent.
313:New York Philharmonic
232:, Roland Lamorlette,
1287:L'Ă©ventail de Jeanne
832:List of compositions
345:Grad, Aaron (2009).
1224:Choir and orchestra
1189:Messe en sol majeur
1146:Chansons gaillardes
1103:Soirées de Nazelles
907:Les Animaux modèles
190:rounded binary form
140:Paris Conservatoire
1181:Choir (a cappella)
271:Notable recordings
208:gallop" and is in
84:Francis Poulenc's
1429:1939 compositions
1424:1932 compositions
1411:
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1377:Brigitte Manceaux
943:Concert champĂŞtre
782:978-0-19-816336-7
167:I. Allegro Vivace
82:
81:
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1402:
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1354:Renaud et Armide
1306:Incidental music
1119:La Courte Paille
1095:Trois novelettes
918:Orchestral music
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1026:Suite française
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484:Naxos Records
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418:0-19-816338-X
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384:Utah Symphony
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234:Louis Cahuzac
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218:Maurice Ravel
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152:Le Bal Masqué
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100:chamber music
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27:Chamber music
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1239:Stabat Mater
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1051:Flute sonata
1039:Cello Sonata
1024:
1016:
1010:
978:
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771:
763:Bibliography
751:, retrieved
749:, 2009-06-30
745:
739:
728:. Retrieved
725:Presto Music
724:
715:
705:, retrieved
700:
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356:. Retrieved
350:
317:. Retrieved
311:
298:
262:
256:, including
247:
241:
230:Marcel Moyse
227:
206:Offenbachian
203:
187:
173:ternary form
170:
151:
137:
104:wind quintet
91:
86:
85:
83:
74:wind quintet
1197:SĂ©cheresses
1088:Piano Suite
1073:Piano music
1063:Oboe Sonata
925:Sinfonietta
658:February 8,
627:February 8,
599:February 8,
565:February 8,
525:February 8,
490:February 8,
390:February 8,
358:February 8,
319:February 8,
184:: Andantino
124:French horn
1418:Categories
1346:Amphitryon
1322:Intermezzo
1018:Villanelle
891:Les biches
753:2022-04-30
730:2022-04-30
707:2022-04-30
291:References
134:Background
98:100, is a
1170:Banalités
935:Concertos
452:702714909
427:839028475
37:Catalogue
1404:Category
1330:LĂ©ocadia
243:Le Temps
116:clarinet
48:Composed
1372:Les Six
1365:Related
883:Ballets
686:1268174
214:Les Six
144:Les Six
120:bassoon
87:Sextuor
64:Scoring
53: (
19:Sextuor
1357:(1962)
1349:(1947)
1341:(1947)
1333:(1940)
1325:(1933)
1317:(1920)
1298:(1956)
1290:(1927)
1282:(1921)
1274:(1919)
1255:(1963)
1247:(1959)
1245:Gloria
1241:(1950)
1235:(1936)
1216:(1943)
1208:(1939)
1200:(1937)
1192:(1937)
1173:(1940)
1165:(1940)
1157:(1939)
1149:(1926)
1141:(1922)
1122:(1960)
1114:(1940)
1106:(1936)
1098:(1927)
1090:(1920)
1084:(1919)
1065:(1962)
1059:(1962)
1053:(1957)
1047:(1957)
1041:(1948)
1035:(1942)
1029:(1935)
1021:(1934)
1013:(1932)
1011:Sextet
1007:(1926)
1001:(1922)
995:(1922)
989:(1918)
983:(1917)
964:(1949)
958:(1938)
952:(1932)
946:(1927)
927:(1947)
910:(1941)
902:(1929)
899:Aubade
894:(1922)
875:(1959)
867:(1957)
859:(1947)
848:Operas
779:
684:
450:
425:
415:
283:, 1961
126:) and
122:, and
92:Sextet
21:Sextet
1130:Songs
647:(PDF)
588:(PDF)
554:(PDF)
308:(PDF)
210:rondo
148:Satie
128:piano
108:flute
70:piano
777:ISBN
682:OCLC
660:2016
629:2016
621:WBJC
601:2016
567:2016
527:2016
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