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Shadow play

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522:(1644–1911 A.D.). Older puppeteers estimate that there were at least seventy shadow puppet troupes in the Kaohsiung area alone in the closing years of the Qing. Traditionally, the eight to twelve-inch puppet figures, and the stage scenery and props such as furniture, natural scenery, pagodas, halls, and plants, are all cut from leather. As shadow puppetry is based on light penetrating through a translucent sheet of cloth, the "shadows" are actually silhouettes seen by the audience in profile or face on. Taiwan's shadow plays are accompanied by Chaochow melodies which are often called "priest's melodies" owing to their similarity with the music used by Taoist priests at funerals. A large repertoire of some 300 scripts of the southern school of drama used in shadow puppetry and dating back to the fourteenth and fifteenth centuries has been preserved in Taiwan and is considered to be a priceless cultural asset. 1702: 1675: 1783: 797: 1648: 1756: 254: 1137: 1729: 1044:, wherein a dramatic story is told through shadows thrown by puppets and sometimes combined with human characters. Wayang is an ancient form of storytelling that renowned for its elaborate puppets and complex musical styles. The earliest evidence is from the late 1st millennium CE, in medieval-era texts and archeological sites. Around 860 CE an Old Javanese charter issued by Maharaja Sri Lokapala mentions three sorts of performers: atapukan, aringgit, and abanol. Ringgit is described in an 11th-century Javanese poem as a leather shadow figure. Unlike India's shadow plays that incorporated little to no musical performance, Indonesia 379: 1020: 1255: 2691:
in the interstices of time, their artform took root and gradually developed into an indispensable element of rural life in southern Taiwan. The early troupes of shadow puppeteers concentrated in the Tainan, Kaohsiung and Pingtung areas. According to contemporary shadow-puppet master Chang Tien-pao, his grandfather once told him that in the waning years of the Ching Dynasty (1644–1911), there were forty-odd puppet troupes in Kangshan, and thirty-odd in the single village of Hsialiao, both in Kaohsiung County—an astounding popularity.
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be false as evidence emerged that shadow puppetry had remained a vigorous rural tradition in central Kerala mountains, most of Karnataka, northern Andhra Pradesh, parts of Tamil Nadu, Odisha and southern Maharashtra. The Marathi people, particularly of low caste, had preserved and vigorously performed the legends of Hindu epics as a folk tradition. The importance of Marathi artists is evidenced, states Blackburn, from the puppeteers speaking Marathi as their mother tongue in many non-Marathi speaking states of India.
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play for the audience. The show would start when the puppet master lit the oil lamp. The show could be introduced by a singer, accompanied by a tambourine player. The background and scenery would sometimes include moving ships, riders moving on horseback, swaying palm trees and even dragons. The sound effects included songs and various voices.
1375:: an unprincipled peasant and his fussy, educated companion. Together with other characters they represented all the major social groups in Ottoman culture. The theatres had an enormous following and would take place in coffee houses and in rich private houses and even performed before the sultan. Every quarter of the city had its own Karagöz. 1392: 2957:"Theatre des Ombres : une compagnie spĂ©cialisĂ©e dans le thĂ©Ăątre d'ombreset les ombres chinoises, la rĂ©alisation de spectacles d'ombres, lesreprĂ©sentations de spectacles d'ombre chinoise, atelier et spectacle de thĂ©Ăątre d'ombre, stage de theatre d'ombres, shadow puppets, shadows show, shadowtheater" 2690:
The origins of Taiwan shadow puppetry trace back to the 17th or early 18th Centuries. When General Koxinga (1624–1662) expelled Dutch occupation forces from Taiwan, growing numbers of settlers crossed the Strait to the island. Among them were shadow puppeteers from Chaochow in Kwangtung Province. And
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Puppets were made to be about 15 inches or 35–40 centimeters high and oiled to make them look translucent. The puppets were made of either horse, water buffalo or calf skin. They had movable limbs and were jointed with waxed thread at the neck, arms, waist and knees and manipulated from rods in their
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During the 19th century and early parts of the 20th century of the colonial era, Indologists believed that shadow puppet plays had become extinct in India, though mentioned in its ancient Sanskrit texts. In the 1930s and thereafter, states Stuart Blackburn, these fears of its extinction were found to
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described a kind of shadow play with figures made out of stone, wood, or other materials, presented to prisoners who in all of their life could see nothing more than the shadows on the wall in front of them. This was an imaginative illustration of ideas about (false or limited) the relations between
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Cambodian shadow puppets are made of cowhide, and their size are usually quite large, depicting a whole scene, including its background. Unlike their Javanese counterparts, Cambodian shadow puppets are usually not articulated, rendering the figure's hands unmovable, and are left uncolored, retaining
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Shadow play probably developed from "par" shows with narrative scenes painted on a large cloth and the story further related through song. As the shows were mostly performed at night the par was illuminated with an oil lamp or candles. Shadow puppet theatre likely originated in Central Asia-China or
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performance, states Phyllis Dircks, are "translucent, lusciously multicolored leather figures four to five feet tall, and feature one or two articulated arms". The process of making the puppets is an elaborate ritual, where the artist families in India pray, go into seclusion, produce the required
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While shadow play theatre is an Asian invention, hand puppets have a long history in Europe. As European merchant ships sailed in the search of sea routes to India and China, they helped diffuse popular entertainment arts and cultural practices into Europe. Shadow theatre became popular in France,
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According to Martin Banham, there is little mention of indigenous theatrical activity in the Middle East between the 3rd century CE and the 13th century, including the centuries that followed the Islamic conquest of the region. The shadow puppet play, states Banham, probably came into vogue in the
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The Karagöz theatre consisted of a three sided booth covered with a curtain printed with branches and roses and a white cotton screen by about three feet by four which was inserted in the front. The performance had a three man orchestra who sat at the foot of a small raised stage where they would
198:. The common principle in these innovations were the creative use of light, images and a projection screen. According to Olive Cook, there are many parallels in the development of shadow play and modern cinema, such as their use of music, voice, attempts to introduce colors and mass popularity. 238:
was inspired by shadow puppetry and its art style replicates the traditional shadow play canvas using black props and sepia backgrounds. They visited Richard Bradshaw to gain more insight into shadow puppetry, to make their game more authentic and to get references for the game's shadow puppet
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behind the cotton screen illuminated by oil lamp or modern halogen lamp, creating visual effects similar to animation. The flat puppet has moveable joints that are animated by hand, using rods connected to the puppet. The handle of the rod is made of carved buffalo horn. On November 7, 2003,
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story. There are regional differences within India in the puppet arts. For example, women play a major role in shadow play theatre in most parts of India, except in Kerala and Maharashtra. Almost everywhere, except Odisha, the puppets are made from tanned deer skin, painted and articulated.
403:(156 BCE – 87 BCE) died and magician Shao-weng promised to raise her spirit. The emperor could see a shadow that looked like her move behind the curtains that the magician had placed around some lit torches. It is often told that the magician used a shadow puppet, but the original text in 165:
shows. These are performed behind a thin screen with flat, jointed puppets made of colorfully painted transparent leather. The puppets are held close to the screen and lit from behind, while hands and arms are manipulated with attached canes and lower legs swinging freely from the knee.
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There are two distinct styles of shadow play: Luanzhou (North China) and Sichuan (South China). Within Sichuan, there are two styles: Chuanbei piyingxi (Northern Sichuan) and Chengdu piyingxi. Cities that are included in the Northern Sichuan are Bazhong, Nanchong, and Guangyuan.
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Middle East after the Mongol invasions and thereafter it incorporated local innovations by the 16th century. Little mention of shadow play is found in Islamic literature of Iran, but much is found in Turkish and 19th-century Ottoman Empire-influenced territories.
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is a shadow theatre that uses leather puppets. The figures are usually moved behind a thin screen. It is not entirely a show of shadows, as the shadow is more of a silhouette. This gives the figures some color on the screen; they are not 100% black and
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houses a collection of 70 French shadow puppets, similar to those used in the cabaret Le Chat Noir, together with an original theatre and painted backdrops, as well as two magic lanterns for projecting scenes. So far, the shadow plays identified are
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dynasty (960–1127). A 1235 book mentions that the puppets were initially cut out of paper, but later made of colored leather or parchment. The stories were mostly based on history and half fact half fiction, but comedies were also performed.
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There are four different types of performances in shadow play: the actors using their bodies as shadows, puppets where the actors hold them as shadows in the daytime, spatial viewing, and viewing the shadows from both sides of the screen.
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Lopes, Rui Oliveira. (2016) "A new light on the shadows of heavenly bodies. Indian shadow puppets: from still paintings to motion pictures". Religion and the Arts, vol. 20, no. 1-2, pp. 160-196. DOI: 10.1163/15685292-02001008
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Translucent leather puppets are typical in Andhra Pradesh and Tamil Nadu, while opaque puppets are typical in Kerala and Odisha. The artist troupes typically carry over a hundred puppets for their performance in rural India.
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Shadow play is popular in various cultures, among both children and adults in many countries around the world. More than 20 countries are known to have shadow show troupes. Shadow play is an old tradition and is listed as a
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back and held by the finger of the puppet master. The hide is worked until it is semi-transparent; then it is colored, resulting in colorful projections. Karagöz theatre was also adapted in Egypt and North Africa.
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The evidence of shadow puppet theatre is found in both old Chinese and Indian texts. The most significant historical centers of shadow play theatre have been China, Southeast Asia and the Indian subcontinent.
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Shadow plays started spreading throughout Europe at the end of the 17th century, probably via Italy. It is known that several Italian showmen performed in Germany, France and England during this period.
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The Shadow Theatre of Anaphoria (relocated to Australia from California) combines a mixture of reconstructed and original puppets with multiple sources of lights. The company is under the direction of
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gives no reason to believe in a relation to shadow puppetry. Although there are many earlier records of all kinds of puppetry in China, clear mention of Chinese shadow play does not occur until the
1125: 70:. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented 4875: 788:
Nowadays, several theatre companies in France are developing the practice of shadow puppets: Le Théùtre des Ombres, Le Théùtre du Petit Miroir, Le Théùtre Les Chaises, and La Loupiote.
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Chinese shadow puppetry is a form of theater whereby colorful silhouette figures perform traditional plays against a back-lit cloth screen, accompanied by music.From Kaifeng Prefecture.
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knowledge, education and a truthful understanding of reality. Plato compared a wall that screens off the people who carry the figures to the kind of partitions used by puppet (
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uses shadow puppetry to portray several African-American victims of racial violence throughout history, including Sherman Fields (who appears at the beginning of the film),
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and morality tales. There is an educational moral to the plays, which usually portray a battle. Malay shadow plays are sometimes considered one of the earliest examples of
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to project backgrounds. Figures were originally cardboard cut-outs, but were replaced with zinc figures since 1887. Various artists took part in the creation, including
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imagined a kind of world exhibition that would show all kinds of new inventions and spectacles. In a handwritten document he supposed it should include shadow theatre.
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There are several myths and legends about the origins of shadow puppetry in China. The most famous one has it that Chinese shadow puppetry originated when the favorite
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mechanisms to automate the show. His nephew took over the show after SĂ©raphin's death in 1800 and it was continued by his heirs until the theatre closed in 1870.
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of Kerala uses leather puppets whose images are projected on a backlit screen. The shadows are used to creatively express characters and stories in the
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is an Australian shadow puppeteer known for his characters like "Super Kangaroo". Bradshaw's puppetry has been featured in television programs made by
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shadow play usually occur at domestic rituals and ceremonies or at commercial and temple fairs but they are starting to occur on Thai television.
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It is performed during sacred temple ceremonies, at private functions, and for the public in Cambodia's villages. The popular plays include the
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has also been used to imitate the look of shadow play and silhouette animation. By the 1920s, shadow puppetry had breached the world of
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in India in the 1st millennium BCE. By at least around 200 BCE, the figures on cloth seem to have been replaced with puppetry in Indian
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Fan Pen Chen tr., "Visions for the Masses; Chinese Shadow Plays from Shaanxi and Shanxi", Ithaca: Cornell East Asia Series, (2004)
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means "skin/leather" and refers to the puppets that are made out of leather. There are four types of shadow theaters in Malaysia:
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which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or
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Traditional Chinese shadow puppetry was brought to audiences in the United States in the 1920s and 1930s through the efforts of
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The art was a popular entertainment in Paris during the 19th century, especially in the famous Paris nightclub district of
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school of shadow puppet theatre. Commonly known as leather monkey shows or leather shows, the shadow plays were popular in
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in front of royalty. In 1784 SĂ©raphin moved to Paris, performing his shows at his permanent theatre in the newly opened
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shadow puppet theatre dates back to the 3rd century BCE, and has attracted patronage ever since. The puppets used in a
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According to Stephen Herbert, the popular shadow theatre evolved nonlinearly into projected slides and ultimately into
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means "skin", as the material from which the puppet is made is thin perforated leather sheets made from buffalo skin.
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literally mean "shadow". The shadow theatre dance drama theatre are usually performed on platform stages attached to
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This Chinese shadow puppet is illustrative of the ornate detail that goes into the figures. From the collection of
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Ewart, Franzeska G. (1998). Let the Shadows speak: developing children's language through shadow puppetry.
1628: 1508: 785:. The shadow puppets were presumably created for a tour in France or abroad at the end of the 19th century. 347:
near Siem Reap. Cambodian shadow puppetry is one of the cultural performances staged for tourists alongside
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has circa 40 original zinc figures in its collection. Other cabarets would produce their own versions; the
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The Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and Puppet Designs
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shadow play involves many puppeteers dancing on the screen, each puppeteer playing one character of the
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South Asian Folklore: An Encyclopedia : Afghanistan, Bangladesh, India, Nepal, Pakistan, Sri Lanka
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Performances of shadow puppet theater in Bali are typically at night, lasting until dawn. The complete
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Performances in Thailand were temporarily suspended in 1960 due to a fire at the national theatre.
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In 1775, Ambrogio (also known as Ambroise and Ambrose) staged ambitious shows in Paris and London.
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and moved on sticks are used to tell dramatic versions of traditional fairy tales and myths. In
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from 8 September 1784. The performances would adapt to the political changes and survived the
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performers are more traditional. Performances are normally accompanied by a combination of
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show is that it is a team performance of puppeteers, while other shadow plays such as the
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figures are unlike puppets because they are large and heavy, with no moveable parts. The
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Italy, Britain and Germany by the 17th century. In France, shadow play was advertised as
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art work, then celebrate the "metaphorical birth of a puppet" with flowers and incense.
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Thomas, Richard; Cate, Philip Dennis; Chapin, Mary Weaver; Coman, Florence E. (2005).
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are traced back to Southern Thailand's shadow theaters. Stories presented are usually
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Shadow puppets are an ancient part of India's culture, particularly regionally as the
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Shadow Ace Shines on the AGT Stage with Unforgettable Audition | Auditions | AGT 2023
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Stuart Blackburn (2003). Peter J. Claus, Sarah Diamond and Margaret Ann Mills (ed.).
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This article is about shadows cast by puppet figures. For shadows cast by hands, see
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Short video showing shadow play in Kota Bahru, Malaysia, including behind the scenes
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epics, as well as other Hindu myth and legends. The performance is accompanied by a
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dominate their repertoire. However, the details and the stories vary regionally.
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have perpetuated the medium, sometimes combining the form with Western theatre.
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the original color of the leather. The main shadow puppet production center is
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for "Chinese shadows") with local modification and embellishment, became the
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Juristen: ein biographisches Lexikon; von der Antike bis zum 20. Jahrhundert
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Bulletin of the School of Oriental and African Studies, University of London
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A Photographic Guide to the History of the Shadow Puppet Theatre in the West
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Stagehands moving zinc figures behind the screen of the Théatre d'Ombres in
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A more bawdy comedy tradition of shadow play was widespread throughout the
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Greek Shadows, an interactive, educational website on Greek shadow-theater
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evolved into numerous theatrical productions and had a major influence on
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Looking Across the Contextual Divide: Studying Performance in South India
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The Spirit of Montmartre: Cabarets, Humour and the Avant-Garde, 1875-1905
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and are carried by people in front of the screen compared to behind it.
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Chinese Shadow Theatre: History, Popular Religion, and Women Warriors
2137:. Cambridge University Press. pp. 434, 526–531, 906, 1114–1115. 2068:"UNESCO - Decision of the Intergovernmental Committee: 13.COM 10.A.7" 1907:"Cultures, the Traditional Shadow Play, and Interactive Media Design" 1543: 1534: 1302: 1239: 1117: 1036: 1010: 882: 870: 860: 804: 617: 499: 344: 328: 183: 143: 135: 131: 87: 43: 1988: 2956: 2354: 74:
can make the figures appear to walk, dance, fight, nod and laugh.
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There are different kind of performers in Thailand's shadow play.
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Schneider, Irene (2001). "Ebussuud". In Michael Stolleis (ed.).
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Devices of Wonder: From the World in a Box to Images on a Screen
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performers are more modern in terms of music and dialogue while
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Don Rubin; Chua Soo Pong; Ravi Chaturvedi; et al. (2001).
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DrÎle de Pensée, touchant une nouvelle sorte de représentations
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is influenced by and similar to Thai shadow puppets, while the
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opens with a shadow puppet play setting the stage for the game
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of Indonesia are performed by a single puppeteer for the same
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Gender, Genre, and Power in South Asian Expressive Traditions
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The World Encyclopedia of Contemporary Theatre: Asia/Pacific
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Arjun Appadurai; Frank J. Korom; Margaret Ann Mills (1991).
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Masterpieces of the Oral and Intangible Heritage of Humanity
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A number of terms are used to describe the different forms.
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Claus, Peter J.; Sarah Diamond; Margaret Ann Mills (2003).
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wayang kulit Jawa, wayang kulit Gedek, wayang kulit Melayu,
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Dolby, William (1978). "The Origins of Chinese Puppetry".
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designed circa 50 cut-outs for the very popular 1888 show
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French missionaries brought the shadow show from China to
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as a format, whereby shadow-play-like puppets are filmed
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Shadow Woman: The Extraordinary Career of Pauline Benton
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Ersin Alok, "Karagöz-Hacivat: The Turkish Shadow Play",
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In 2023, the performer known as Shadow Ace performed on
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alone. The earliest shadow theatre screens were made of
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American Puppetry: Collections, History and Performance
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Shadow theatre is still popular in many parts of Asia.
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helped build a shadow play theatre in Tiefurt in 1781.
3097:. University of Pennsylvania Press. pp. 379–391. 2839:
Stafford, Barbara; Terpak, Frances (1 February 2002).
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with slight differences in the story and performance.
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is based on the Cambodian version of the Indian epic
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as well as the long-running ABC children's TV series
30:"Shadow puppets" redirects here. For other uses, see 2896:"Musée d'Orsay: Le Cabaret du Chat Noir (1881-1897)" 1473:
magician who incorporates it into his performances.
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Ramayana legend, with audience response (45 seconds)
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back-lit performance area and used a double optical
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shows between 1885 and 1896 under the management of
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Shadow theatre became quite popular as early as the
182:, while elsewhere they were called "magic lantern". 4685: 4593: 4499: 4364: 4282: 4246: 4239: 4230: 4133: 4102: 4093: 3992: 4876:Audiovisual introductions in the 1st millennium BC 2459: 2393: 640:and struck root in the country. The popularity of 234:Australian company Shadowplay Studios' debut game 3752:Dictionary of Traditional Southeast Asian Theatre 2156: 2154: 1492:shadow puppets and the use of laser-cut objects. 1242:cloth background. They are often associated with 3267: 3265: 3210: 3208: 2913:Henri Riviere: Le Chat noir and 'Shadow Theatre' 2194:. Cambridge University Press. pp. 887–888. 2167:. Cambridge University Press. pp. 241–242. 1488:In the 2010s, performer Tom McDonagh introduced 2423: 2421: 2275:Evelyn K. Moore; Patricia Anne Simpson (2007). 1975:Orr, Inge C. (1974). "Puppet Theatre in Asia". 1209:in the southern Malay peninsula, especially in 469:music forms some of the basis of modern opera. 2278:The Enlightened Eye: Goethe and Visual Culture 311:, an epic story about good and evil involving 3970: 3792: 3568: 3566: 3435:"Popular Workers' Shadow Theatre in Thailand" 3385:"Popular Workers' Shadow Theatre in Thailand" 2843:. Getty Research Institute, U.S. p. 77. 2796:. Belknap Press of Harvard University Press. 2111: 2109: 1238:or, in modern times, a halogen light, onto a 1185:can be traced back to Javanese Shadows while 1072:literally means "shadow" or "imagination" in 480:Chinese shadow puppetry is shown in the 1994 8: 3608:inflight magazine), February 1996, p. 66–69. 3359:. University of Chicago Press. p. 162. 2453: 2451: 717:worked with up to 20 assistants in a large, 3714:An Introduction to Puppets and Puppetmaking 2434:. SEAP Publications. pp. iii–iv, 2–8. 2243: 2241: 2008: 2006: 1592:Music videos, notably "The Free Design" by 1287:; in the south there is a tradition called 1201:in the northern states of Malaysia such as 4243: 4236: 4099: 3977: 3963: 3955: 3799: 3785: 3777: 3624:. McGill-Queen's Press. pp. 158–159. 3504:Karagoz Traditional Turkish Shadow Theatre 3278:. Taylor & Francis. pp. 184–186. 3070:. Taylor & Francis. pp. 543–544. 3003:. Taylor & Francis. pp. 108–110. 2491: 2489: 2487: 2213: 2211: 663:in 1771. He would go on to perform at the 655:first presented his shadow spectacle in a 3337: 3297: 3295: 1107:also perform as male choral singers. The 3730:, Brisbane Dramatic Arts Company (2007) 3596: 3594: 2224:. Oxford University Press. p. 371. 2191:The Cambridge Paperback Guide to Theatre 2164:The Cambridge Paperback Guide to Theatre 2134:The Cambridge Paperback Guide to Theatre 2095: 2093: 2091: 2089: 2087: 1253: 1234:horn handles. Shadows are cast using an 1187:wayang kulit Gedek and wayang kulit Siam 1151:, shadow puppet plays are also known as 1060:shadow play, is particularly popular in 609:In 1675 German polymath and philosopher 502:'s shadow puppetry can be traced to the 36: 2792:Altick, Richard Daniel (January 1978). 1970: 1968: 1966: 1964: 1897: 1640: 1363:Shadow play Karagöz puppets from Turkey 1048:includes an assemble of gamelan music. 889:, and in some regions these are called 566:An example of shadow puppetry in Greece 3188:Puppets, Masks, and Performing Objects 2917:Australian Centre for the Moving Image 2466:. Cambridge University Press. p.  2400:. Cambridge University Press. p.  1532:opens with a scene from an Indonesian 1076:; it also connotes "spirit". The word 954: 257:Cambodian shadow puppet depicting Sita 3428: 3426: 3378: 3376: 3218:Acting: An International Encyclopedia 3134:Acting: An International Encyclopedia 3027:Acting: An International Encyclopedia 3000:South Asian folklore: an encyclopedia 2016:Acting: An International Encyclopedia 1410:(1926), an animated film directed by 1285:(which used large and steady figures) 628:, causing quite a stir. In time, the 384:The Children's Museum of Indianapolis 7: 1293:(which uses small, movable figures). 1103:(female choral singer). Some of the 1026:shadowplay performance in Semarang, 591:that Socrates/Plato could refer to. 3330:Southeast Asia: History and Culture 3030:. ABC-CLIO. pp. 152, 179–180. 2704:"Plato, Republic, book 7, page 514" 2502:. SEAP Publications. pp. 3–5. 2218:Annette Kuhn; Guy Westwell (2012). 620:in 1767 and put on performances in 3754:, Oxford University Press, (1994) 2818:"Full text of "Les pupazzi noirs"" 2768:Gottfried Wilhelm Leibniz (1675). 1226:The puppets are made primarily of 273:(literally "large leather hide"), 47:, an Indonesian shadow puppet form 14: 1068:. The term derived from the word 813:, the shadow puppet tradition of 4871:1st-millennium BC establishments 4834: 4825: 4824: 1877: 1860: 1846: 1822: 1804: 1781: 1754: 1727: 1700: 1673: 1646: 1495:It also appears occasionally in 1034:Shadow puppet theatre is called 955:Problems playing this file? See 934: 777:(introduced by AmĂ©dĂ©e Vignola), 675:. SĂ©raphin developed the use of 449:sources. Today, puppets made of 433:there were 40 to 50 shadow show 90:. It also has a long history in 86:intangible cultural heritage by 3716:, New Burlington Books, (1992) 3670:from the original on 2021-12-12 3575:Everyday life in Ottoman Turkey 3546:Everyday life in Ottoman Turkey 3191:. MIT Press. pp. 146–147. 2866:Toulouse-Lautrec and Montmartre 2529:. McGill-Queen's Press - MQUP. 2499:Sbek Thom: Khmer Shadow Theater 2431:Sbek Thom: Khmer Shadow Theater 2355:The Shadow Theatre of Anaphoria 1983:(1). Nanzan University: 69–84. 1791:(Shadow Puppet) Princess Tari, 1514:The children's television show 1458:. Contemporary artists such as 1407:The Adventures of Prince Achmed 1230:and manipulated with sticks or 773:(introduced by Henri RiviĂšre), 457:province, it is accompanied by 417:Shadow play in China is called 32:Shadow puppets (disambiguation) 3618:Hayter-Menzies, Grant (2013). 3221:. ABC-CLIO. pp. 335–336. 2462:The Cambridge Guide to Theatre 2396:The Cambridge Guide to Theatre 1585:features shadow puppetry from 1529:The Year of Living Dangerously 705:("The Black Cat") produced 45 689:Part of the collection of the 1: 2046:. McFarland. pp. 61–63. 1297:puppets are normally made of 1124:from Indonesia as one of the 1111:(puppet master) performs the 964:According to Beth Osnes, the 21:Shadowgraphy (performing art) 3666:. YouTube. 12 October 2009. 2281:. Rodopi. pp. 255–256. 2221:A Dictionary of Film Studies 2101:Shadow Theaters of the World 1905:Özcan, Oğuzhan (July 2002). 1343:, including filmmakers like 1339:drama has influenced modern 349:Cambodian traditional dances 265:, the shadow play is called 16:Ancient form of storytelling 3433:Dowsey-Magog, Paul (2002). 3383:Dowsey-Magog, Paul (2002). 764:collezione Minici Zotti in 653:François Dominique SĂ©raphin 277:("small leather hide") and 25:Shadowplay (disambiguation) 4929: 3164:. McFarland. p. 110. 3158:Phyllis T. Dircks (2004). 2330:Movement in Two Dimensions 2254:. Read. pp. 352–355. 1923:10.1162/074793602320223262 1517:Bear in the Big Blue House 1445:, through the silent film 1265: 1008: 553:is Chinese shadow theatre. 281:("colored leather hide"). 246: 29: 18: 4820: 3814: 3245:Theatre in Southeast Asia 3242:James R. Brandon (2009). 3137:. ABC-CLIO. p. 335. 3117:Stuart Blackburn (1998), 2564:10.1017/S0041977X00057803 2332:, Hutchinson, pages 47-58 2019:. ABC-CLIO. p. 302. 1737:(Shadow Puppet) Princess 611:Gottfried Wilhelm Leibniz 190:Prelude to cinematography 4886:Performing arts in China 3573:Lewis, Raphaela (1988). 3543:Lewis, Raphaela (1988). 2663:Retrieved on 2007-05-26. 2523:Fan Pen Li Chen (2007). 2496:Pech Tum Kravel (1995). 2428:Pech Tum Kravel (1995). 2302:Stephen Herbert (2000). 2116:Rawlings, Keith (1999). 1552:Center for Puppetry Arts 1143:in Malaysian shadow play 546:is paper shadow theatre. 58:, is an ancient form of 4274:Theatre of ancient Rome 2971:"Puppet Forms of India" 2820:. Paris C. Mendel. 1896 2754:Leibniz and the Lantern 2305:A History of Pre-cinema 1817:as seen by the audience 1165:means "theater", while 930:A shadow play in Kerala 236:Projection: First Light 3750:Ghulam-Sarwar Yousof, 3353:Yves Bonnefoy (1993). 2751:Rossell, Deac (2002). 2458:Martin Banham (1995). 2392:Martin Banham (1995). 2248:Max von Boehn (2013). 2188:Martin Banham (1996). 2161:Martin Banham (1996). 2131:Martin Banham (1996). 1977:Asian Folklore Studies 1945:"UNESCO - Shadow play" 1632:to a standing ovation. 1485: 1414: 1364: 1263: 1144: 1031: 923: 818: 694: 602: 567: 477: 387: 258: 126:. It is also known in 48: 23:. For other uses, see 4481:Theatre of the Absurd 3451:10.1353/atj.2002.0002 3439:Asian Theatre Journal 3401:10.1353/atj.2002.0002 3389:Asian Theatre Journal 2708:www.perseus.tufts.edu 2611:10.1353/atj.2018.0012 2599:Asian Theatre Journal 2099:Fan Pen Chen (2003), 1506:The Broadway musical 1479: 1460:Annie Katsura Rollins 1404: 1387:Shadow puppetry today 1362: 1257: 1139: 1022: 922: 799: 783:Le Carneval de Venise 688: 648:fashion of the days. 597: 565: 475: 381: 256: 202:By country and region 40: 4456:Shakespearean comedy 4254:Ancient Greek comedy 3339:10.5512/sea.1977.142 1629:America's Got Talent 1541:The 2004 video game 1443:German Expressionism 1427:silhouette animation 771:La Marche a l'Ă©toile 665:Palace of Versailles 576:allegory of the cave 249:Khmer shadow theatre 3215:Beth Osnes (2001). 3131:Beth Osnes (2001). 3024:Beth Osnes (2001). 2794:The Shows of London 2328:Olive Cook (1963), 2040:Beth Osnes (2010). 2013:Beth Osnes (2001). 1854:Karagöz and Hacivat 1373:Karagöz and Hacivat 1213:, is borrowed from 1183:wayang kulit Melayu 847:charma bahuli natya 762:Museum of Precinema 691:Museo del Precinema 4861:Precursors of film 4444:ComĂ©die larmoyante 4439:Sentimental comedy 4434:Restoration comedy 4397:Commedia dell'arte 4269:Corral de comedias 3808:Precursors of film 3491:Mahidol University 3485:2002-12-25 at the 3324:Miyao, J. (1977). 3185:John Bell (1999). 2739:Light and Movement 2737:David Robinson in 2678:Free China Journal 2593:Rui, Tang (2018). 2373:. 13 February 2018 1486: 1439:computer animation 1417:In the 1910s, the 1415: 1365: 1349:Payut Ngaokrachang 1276:Shadow theatre in 1264: 1175:wayang kulit Siam. 1145: 1032: 924: 819: 695: 603: 568: 478: 388: 259: 49: 4911:Puppetry in India 4906:Arts in Indonesia 4881:Theatrical genres 4848: 4847: 4626:Musical comedians 4589: 4588: 4387:Comedy of manners 4382:Comedy of humours 4372:Boulevard theatre 4360: 4359: 4264:ComĂ©die-Italienne 4259:ComĂ©die-Française 4226: 4225: 3952: 3951: 3849:Electrotachyscope 3839:Chronophotography 3746:978-1-885445-21-6 3736:978-0-9804563-0-1 3631:978-0-7735-8909-4 3584:978-0-88029-175-0 3556:978-0-88029-175-0 3366:978-0-226-06456-7 3356:Asian Mythologies 3285:978-0-415-26087-9 3255:978-0-674-02874-6 3228:978-0-87436-795-9 3198:978-0-262-52293-9 3171:978-0-7864-1896-1 3144:978-0-87436-795-9 3077:978-0-415-93919-5 3037:978-0-87436-795-9 2741:, Chapter 1, 1995 2509:978-0-87727-620-3 2477:978-0-521-43437-9 2441:978-0-87727-620-3 2411:978-0-521-43437-9 2371:Puppet Place News 2315:978-0-415-21148-2 2288:978-90-420-2124-2 2261:978-1-4474-8098-3 2231:978-0-19-958726-1 2201:978-0-521-44654-9 2174:978-0-521-44654-9 2144:978-0-521-44654-9 2053:978-0-7864-5792-2 2026:978-0-87436-795-9 1867: 1402: 1091:(puppet master), 990:tholu pava koothu 980:tholu pava koothu 942: 838:Togalu gombeyaata 673:French Revolution 657:hĂŽtel particulier 638:ombres françaises 578:(circa 380 BCE), 401:Emperor Wu of Han 41:A performance of 4918: 4838: 4828: 4827: 4775:Self-referential 4392:Comedy of menace 4244: 4237: 4100: 3979: 3972: 3965: 3956: 3801: 3794: 3787: 3778: 3712:Currell, David, 3701: 3700: 3699: 3698: 3686: 3680: 3679: 3677: 3675: 3660: 3654: 3653: 3642: 3636: 3635: 3615: 3609: 3606:Turkish Airlines 3598: 3589: 3588: 3570: 3561: 3560: 3540: 3531: 3530: 3512: 3506: 3500: 3494: 3477: 3471: 3470: 3430: 3421: 3420: 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The cabaret 693:, Padua, Italy 644:reflected the 589:ancient Greece 559: 556: 555: 554: 547: 540: 527: 524: 495: 492: 443:mulberry paper 392: 389: 375: 372: 267:Nang Sbek Thom 247:Main article: 244: 241: 208: 205: 203: 200: 196:cinematography 191: 188: 155: 152: 92:Southeast Asia 15: 13: 10: 9: 6: 4: 3: 2: 4924: 4923: 4912: 4909: 4907: 4904: 4902: 4899: 4897: 4894: 4892: 4891:Arts in Syria 4889: 4887: 4884: 4882: 4879: 4877: 4874: 4872: 4869: 4867: 4864: 4862: 4859: 4858: 4856: 4841: 4837: 4833: 4831: 4823: 4822: 4819: 4813: 4810: 4808: 4807:Ventriloquism 4805: 4803: 4800: 4796: 4793: 4792: 4791: 4788: 4786: 4783: 4781: 4778: 4776: 4773: 4771: 4768: 4766: 4763: 4761: 4760:Observational 4758: 4756: 4753: 4751: 4748: 4746: 4742: 4739: 4737: 4734: 4731: 4728: 4726: 4723: 4721: 4718: 4716: 4713: 4711: 4708: 4706: 4703: 4701: 4698: 4696: 4693: 4692: 4690: 4688: 4684: 4674: 4671: 4669: 4666: 4664: 4661: 4660: 4659: 4656: 4654: 4651: 4649: 4646: 4645: 4644: 4641: 4639: 4636: 4634: 4631: 4627: 4624: 4622: 4619: 4617: 4614: 4612: 4609: 4607: 4604: 4603: 4602: 4599: 4598: 4596: 4592: 4582: 4579: 4577: 4574: 4572: 4571:OpĂ©ra comique 4569: 4567: 4564: 4562: 4561:OpĂ©ra bouffon 4559: 4557: 4554: 4552: 4549: 4547: 4544: 4542: 4539: 4537: 4534: 4532: 4529: 4525: 4522: 4520: 4519:CafĂ©-chantant 4517: 4516: 4515: 4512: 4510: 4507: 4506: 4504: 4498: 4492: 4489: 4487: 4484: 4482: 4479: 4477: 4474: 4472: 4469: 4467: 4464: 4462: 4461:Sketch comedy 4459: 4457: 4454: 4452: 4449: 4445: 4442: 4441: 4440: 4437: 4435: 4432: 4428: 4425: 4424: 4423: 4420: 4418: 4415: 4413: 4410: 4408: 4405: 4403: 4400: 4398: 4395: 4393: 4390: 4388: 4385: 4383: 4380: 4378: 4375: 4373: 4370: 4369: 4367: 4363: 4351: 4348: 4346: 4343: 4341: 4338: 4336: 4333: 4331: 4328: 4327: 4325: 4321: 4318: 4316: 4313: 4312: 4310: 4306: 4303: 4302: 4300: 4296: 4293: 4292: 4291: 4288: 4287: 4285: 4281: 4275: 4272: 4270: 4267: 4265: 4262: 4260: 4257: 4255: 4252: 4251: 4249: 4245: 4242: 4238: 4235: 4233: 4229: 4219: 4216: 4214: 4211: 4209: 4206: 4204: 4201: 4197: 4194: 4192: 4189: 4188: 4187: 4184: 4182: 4179: 4177: 4174: 4172: 4169: 4167: 4164: 4162: 4159: 4157: 4154: 4152: 4149: 4147: 4144: 4142: 4139: 4138: 4136: 4132: 4126: 4123: 4121: 4118: 4116: 4113: 4111: 4108: 4107: 4105: 4101: 4098: 4096: 4092: 4086: 4083: 4081: 4078: 4076: 4073: 4071: 4068: 4066: 4063: 4061: 4058: 4056: 4053: 4051: 4048: 4046: 4045:Impressionist 4043: 4041: 4038: 4036: 4033: 4031: 4028: 4026: 4023: 4021: 4018: 4016: 4015:Comedy troupe 4013: 4011: 4008: 4006: 4003: 4001: 3998: 3997: 3995: 3991: 3987: 3980: 3975: 3973: 3968: 3966: 3961: 3960: 3957: 3945: 3944:Zoopraxiscope 3942: 3940: 3937: 3935: 3932: 3930: 3927: 3925: 3922: 3920: 3917: 3915: 3912: 3910: 3907: 3905: 3902: 3900: 3897: 3895: 3892: 3890: 3887: 3885: 3882: 3880: 3877: 3875: 3874:Magic lantern 3872: 3870: 3867: 3865: 3864:Kinematoscope 3862: 3860: 3857: 3855: 3852: 3850: 3847: 3845: 3842: 3840: 3837: 3835: 3832: 3830: 3827: 3825: 3822: 3820: 3817: 3816: 3813: 3809: 3802: 3797: 3795: 3790: 3788: 3783: 3782: 3779: 3773: 3770: 3769: 3765: 3761: 3760:967-65-3032-8 3757: 3753: 3749: 3747: 3743: 3739: 3737: 3733: 3729: 3725: 3723: 3722:1-85348-389-3 3719: 3715: 3711: 3710: 3706: 3693: 3692: 3685: 3682: 3669: 3665: 3659: 3656: 3651: 3647: 3641: 3638: 3633: 3627: 3623: 3622: 3614: 3611: 3607: 3603: 3597: 3595: 3591: 3586: 3580: 3576: 3569: 3567: 3563: 3558: 3552: 3548: 3547: 3539: 3537: 3533: 3528: 3526:3-406-45957-9 3522: 3518: 3511: 3508: 3505: 3502:Emin ƞenyer: 3499: 3496: 3492: 3488: 3484: 3481: 3476: 3473: 3468: 3464: 3460: 3456: 3452: 3448: 3444: 3440: 3436: 3429: 3427: 3423: 3418: 3414: 3410: 3406: 3402: 3398: 3394: 3390: 3386: 3379: 3377: 3373: 3368: 3362: 3358: 3357: 3349: 3346: 3340: 3335: 3331: 3327: 3320: 3317: 3304: 3298: 3296: 3292: 3287: 3281: 3277: 3276: 3268: 3266: 3262: 3257: 3251: 3247: 3246: 3238: 3235: 3230: 3224: 3220: 3219: 3211: 3209: 3205: 3200: 3194: 3190: 3189: 3181: 3178: 3173: 3167: 3163: 3162: 3154: 3151: 3146: 3140: 3136: 3135: 3127: 3124: 3120: 3114: 3111: 3106: 3104:0-8122-1337-8 3100: 3096: 3095: 3087: 3084: 3079: 3073: 3069: 3068: 3060: 3058: 3056: 3054: 3052: 3050: 3048: 3044: 3039: 3033: 3029: 3028: 3020: 3017: 3012: 3010:0-415-93919-4 3006: 3002: 3001: 2993: 2990: 2984: 2981: 2976: 2972: 2966: 2963: 2958: 2952: 2949: 2944: 2938: 2935: 2930: 2924: 2921: 2918: 2914: 2910: 2905: 2902: 2897: 2891: 2888: 2884: 2880: 2876: 2872: 2868: 2867: 2860: 2857: 2852: 2846: 2842: 2835: 2832: 2819: 2813: 2810: 2805: 2799: 2795: 2788: 2785: 2773: 2772: 2764: 2761: 2756: 2755: 2747: 2744: 2740: 2734: 2732: 2730: 2728: 2726: 2724: 2720: 2709: 2705: 2699: 2696: 2692: 2679: 2675: 2669: 2666: 2662: 2658: 2655:Chinavista. 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Index

Shadowgraphy (performing art)
Shadowplay (disambiguation)
Shadow puppets (disambiguation)

wayang
storytelling
entertainment
scrim
puppeteer
Syrian
UNESCO
Southeast Asia
Indonesia
Malaysia
Thailand
Cambodia
China
India
Iran
Nepal
Egypt
Turkey
Greece
Germany
France
United States
tholu bommalata
Goethe
cinematography
Richard Bradshaw

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