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critic and journalist Daniel F De Souza expressed deep regret at the death of
Mardolkar, highlighting her significant influence on the stage from the 1950s to the 1980s. Despite her absence from the stage for a period, her impact, particularly as a role model for future generations, cannot be
247:
during her formative years. Through her participation in these productions, directed by seasoned artists, she cultivated an understanding of the art of acting. At a young age, Mardolkar established the
Shalini Songit Mandal group and showcased her talents as a
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was regarded as the most memorable role of her career, as she herself expressed in previous interviews. In addition to her acting prowess, Mardolkar possessed a singing talent. She frequently collaborated with artists such as
Anthony Mendes, M. Boyer,
252:. Her initial foray into Marathi drama at the age of 5 was followed by endeavors in the Gujarati theater scene. As Mardolkar matured, her acting prowess reached new heights, and she gained acclaim in the realm of Marathi dramas in
427:, and quartets. As her career progressed, Mardolkar had the privilege of working with directors including Jacinto Vaz, Robin Vaz, Prem Kumar, M. Boyer, Anthony D'Sa, and Alfred Rose. She showcased her comedic abilities in various
706:(TAG) released a statement highlighting Mardolkar's versatility as an actress and her ability to captivate audiences with her performances. Recognizing her contributions to the
270:(Brother-Sister). Despite her youth, Mardolkar demonstrated talent, holding her own alongside seasoned professionals. In this production, she portrayed a lead role opposite
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by playwrights in Goa. In addition to her acting and directing endeavors, Mardolkar has performed vocals for over 50 musical compositions. She also had over 500
256:. Her skills extended to the Gujarati theater, where she made contributions. It was in 1949, at the age of approximately 10, that she made her debut on the
498:(1967), with Mardolkar reprising the main role once more. Her artistic journey also encompasses the realm of video films, where she lent her talents to
506:
production produced and directed by C. Alvares. Beyond her on-screen appearances, she ventured into the realms of writing and directing, creating two
484:, captivated audiences and received recognition from film authorities for their quality. Mardolkar's acting credits also include a role in the film
1010:
402:, evoking an emotional response as spectators were moved to tears. The impact of her acting was so significant that after the conclusion of the
687:, mourned the death of Mardolkar, expressing sorrow over the loss. He praised Mardolkar as a versatile actress whose impact on the Konkani
778:
524:
during the mid-1990s. As of 1995, remaining an active participant in the
Konkani stage, Mardolkar's presence was frequently seen at
406:, people eagerly sought Mardolkar's blessings, regarding her as a representation of Mother Mary. The audience bestowed the title "
915:
449:(1966) solidified her status as a singer and actress. The song, specifically composed for Mardolkar, continues to be played on
85:
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stage will be cherished by enthusiasts of the arts for a long time. Wagh emphasized that her absence has left a void in the
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Mardolkar's declining health, attributed to her advanced age, culminated in her death on 7 January 2013, at her home in
30:
710:
stage, Mardolkar received the "Tiatr
Academy's Lifetime Contribution to Tiatr Award" in 2009. TAG, on behalf of the
394:, Goa in 1963. Mardolkar's depiction of Mother Mary garnered critical acclaim and earned her recognition within the
329:
591:
340:, and others. Her versatility as an actress, coupled with her ability to portray diverse roles across a range of
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stage, highlighting that
Mardolkar's contributions will always be held in high regard by the art community in
583:
476:
film director A. Salaam. Mardolkar's portrayal of lead characters in these films, opposite actors such as
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audiences, who eagerly anticipated her performances. Consequently, Mardolkar became a regular presence in
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Mardolkar's artistic contributions extended beyond the confines of her religious convictions. During the
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due to
Mardolkar's death. Her talent made a significant impact on the development of Konkani
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520:(One who acts has to pay). The former gained popularity with performances staged throughout
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594:. Additionally, she was recognized with the "Lifetime Contribution to Tiatr Award" by the
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were also acknowledged during the centenary celebrations of the art form in 1992 by the
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performances to her credit, both in her own productions and collaborations with others.
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231:(now in India). From a young age, she showed a strong inclination towards acting.
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177:(15 August 1939 – 7 January 2013) was an Indian actress, singer, playwright, and
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431:, often sharing the stage with Anthony Mendes. Mardolkar's voice left a mark on
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community. Her performance resonated with the audience, particularly during the
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Mardolkar was honored with the "best actress award" for her performance in the
410:" (The Grieving Mother Mary) upon her in recognition of her performance in the
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652:(Only One Way), De Souza emphasizes Mardolkar's portrayal of a traditional
435:, resonating in households across the region. Her rendition of the popular
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fraternity and enthusiasts, expressed condolences to her grieving family.
814:. Government of Goa, Directorate of Art & Culture. pp. 146–147.
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field. It was C. Alvares who reintroduced
Mardolkar to Konkani
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521:
371:
423:, Jacinto Vaz, C. Alvares, and Robin Vaz, delivering duets,
298:(Burden). This marked the beginning of her popularity among
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and Bombay. A highlight in her career was her portrayal of
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Mardolkar's filmography includes performances in several
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overlooked, writes De Souza. Noting her performance in
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theatre scene, she is best known for her portrayal of
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Mardolkar as Mother Mary (right) in J. P. Souzalin's
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enthusiasts, thereby securing her a position in the
548:. In 1995, Mardolkar was living with her family in
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390:(Our Lady's Seven Dolours), which took place in
219:Shalini Mardolkar was born on 15 August 1939 in
168:'s "Lifetime Contribution to Tiatr Award" (2009)
656:woman as her most memorable stage achievement.
560:, Mardolkar and her husband had a bungalow in
282:. Her maiden appearance left an impression on
239:Mardolkar began her artistic journey through
8:
742:TIATR 125th Anniversary Commemorative Volume
598:(TAG) in 2009. Mardolkar's contributions to
908:"An interesting journey to the tiatr stage"
844:"'Dhol Mhojea Bai' will keep Shalini alive"
29:
18:
439:/song "Dhol Mojea Bai" (Rock my baby) in
552:. According to an anecdote from 1980 by
464:. Among her popular works are the films
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344:, solidified her as one of the popular
544:film director A. Salaam, who lived in
472:(1969), both directed by her husband,
512:(Konkani theater productions) titled
16:Indian actress and singer (1939–2013)
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516:(The bullock cart of the world) and
494:was subsequently remade in Hindi as
879:"Versatile actress Shalini no more"
679:On 9 January 2013, the chairman of
370:were traditionally staged in both
14:
937:"KA, TAG condole Shalini's death"
149:Founder of Shalini Songit Mandal
918:from the original on 2023-12-21
889:from the original on 2024-03-22
818:from the original on 2024-01-07
781:from the original on 2024-03-22
86:Vasai, Vasai-Virar, Maharashtra
1011:People from South Goa district
660:, the president of Kala Mogi,
1:
408:Dukhant Bhorloli Saibinn Maim
386:(theater performance) titled
260:in Anthony Franklin Coelho's
294:through his own production,
209:tiatr Saibinnicheo Sat Dukhi
811:100 Years of Konkani Tiatro
627:, India, at the age of 73.
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808:Mazarello, Wilson (2000).
28:
584:Prime Minister of India
35:Mardolkar as Sharda in
592:State Awards for Films
416:Saibinnicheo Sat Dukhi
388:Saibinnicheo Sat Dukhi
359:
357:Saibinnicheo Sat Dukhi
181:known for her work in
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348:artists of her time.
750:Tiatr Academy of Goa
704:Tiatr Academy of Goa
596:Tiatr Academy of Goa
195:productions. In the
558:Premanand Sangodkar
414:. Her portrayal in
941:The Times of India
848:The Times of India
771:"Goa loses a star"
740:Rose, Joe (2019).
676:, writes Cardozo.
668:community and the
540:Mardolkar married
490:(1963). The movie
360:
223:which was part of
972:Shalini Mardolkar
775:The Goan EveryDay
658:Tomazinho Cardozo
514:Sounsaracho Gaddo
400:crucifixion scene
229:Portuguese Empire
175:Shalini Mardolkar
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80:(2013-01-07)
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1001:Goan people
996:2013 deaths
991:1939 births
746:Panaji, Goa
685:Vishnu Wagh
650:Ekuch Rosto
625:Maharashtra
482:Jacinto Vaz
455:audio tapes
451:HMV Records
376:Mother Mary
338:Alfred Rose
318:Jacinto Vaz
268:Bhau-Bhoinn
227:during the
221:Mardol, Goa
201:Mother Mary
189:films, and
102:Occupations
94:Nationality
59:Mardol, Goa
985:Categories
954:2024-03-22
922:2024-03-22
893:2024-03-22
861:2024-03-22
822:2024-03-22
785:2024-03-22
718:References
478:C. Alvares
421:Master Vaz
330:Prem Kumar
272:C. Alvares
215:Early life
128:1949–1990s
114:playwright
51:1939-08-15
1006:Tiatrists
949:0971-8257
856:0971-8257
631:Reactions
590:, at the
326:Robin Vaz
309:tiatrists
157:A. Salaam
916:Archived
912:oHeraldo
887:Archived
883:oHeraldo
816:Archived
779:Archived
662:Candolim
643:M. Boyer
443:'s film
366:season,
334:M. Boyer
312:such as
179:director
117:director
600:Konkani
574:Konkani
554:Konkani
504:Konkani
496:Taqdeer
437:lullaby
266:titled
241:Marathi
197:Konkani
187:Konkani
108:Actress
88:, India
37:Taqdeer
947:
854:
702:. The
579:Nirmon
568:Awards
556:actor
546:Bombay
526:tiatrs
509:tiatrs
492:Nirmon
466:Nirmon
446:Nirmon
429:tiatrs
392:Mapuçá
364:Lenten
342:tiatrs
304:tiatrs
292:tiatrs
254:Bombay
235:Career
162:Awards
154:Spouse
141:(1966)
138:Nirmon
111:singer
97:Indian
39:(1967)
712:tiatr
708:tiatr
696:tiatr
689:tiatr
674:tiatr
666:tiatr
654:Hindu
647:tiatr
637:Tiatr
621:Vasai
615:Death
611:Goa.
604:tiatr
576:film
542:Hindi
530:tiatr
474:Hindi
425:trios
412:tiatr
404:tiatr
396:tiatr
384:tiatr
346:tiatr
300:tiatr
296:Vojem
288:tiatr
284:tiatr
278:with
263:tiatr
192:tiatr
183:Hindi
146:Title
976:IMDb
945:ISSN
852:ISSN
502:, a
480:and
468:and
453:and
276:duet
243:and
75:Died
45:Born
974:at
700:Goa
645:'s
522:Goa
378:in
372:Goa
207:'s
203:in
166:TAG
987::
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49:(
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